24 is seen as promoting the use of torture and advocating violence against Middle-Easterners, no matter how much the producers themselves state otherwise. Of course, they kind of bring this on themselves with how many times they feature it in an episode, and never actually got around to condemning Jack's tortuous methods in-show. The writers can say they don't feel this way, but the show they actually made is one where Torture Always Works and agents not using it invariably fail, are brushed aside by Jack, and he steps in, applies the magic wand that is torture, and gets accurate information that he uses to save the day.
The writers deserve some credit. In-show characters and events subverted the "evil Muslims" assumptions on a few occasions - as early as season two, in fact, and a season seven subplot had local terrorists intentionally frame their acts on an Arab, simply because Americans would find it easier to believe - and a few torture sessions produced only red herrings or were very dragged out with no sound results. Unfortunately, these moments were too seldom done, and too few in number to convince non-fans that 24 is anything but anti-Muslim propaganda and torture porn.
There was an arc in season six where the head of the agents at CTU believe that their only Muslim agent is a mole, not entirely without reason, the communications are shown to have come from her computer, and torture her for several episodes only to find out that, oops, she was being set up.
Spoofed even further in an episode where the actor for Psycho-dad decided to quit because he discovered what his fans are like.
The show in general found an unexpected fan in socially conservative National Review columnist John Derbyshire, who argued (with some persuasiveness, admittedly) that it was actually a "celebration of marriage" in disguise.
He married and is unwaveringly faithful to a woman he got pregnant in what seemed to be a shotgun wedding, and she, despite being ridiculously attractive, only wants to have sex with him and him alone. All of the time. Also, he's supportive and protective of his children. When an older, attractive woman sleeps with his teenage son he considers it a horrible, perverted act and declares she should be ashamed of herself.note Keep in mind, Al thought it was the elderly substitute that was seducing Bud.
In short, he's very misogynistic (mostly as a product of literally working at the feet of women his entire life) but incredibly forthright and just. One episode has him desperate to recover his station wagon when it is lost. Why? The final shot: he opens the trunk revealing to the audience a framed photograph of his family from the first season of the show. (However, this is presented as an appeal to the Emmy nomination committee, and possibly not something to be taken seriously.)
As an extension of that, Al's neighbor and sometimes antagonist Marcy has been seen as a straw liberal and a Straw Feminist, which may or may not be justified depending on the episode (especially in the later seasons). However, people forget that at least a couple of times in the earlier seasons she's flat-out stated to be a Republican, and the real joke is that while she promotes various middle-class social justice ideas just under the surface she's really focused on money, material status symbols, and ways to lord those things over people more poor than she is.
Nathan Barley was intended as a satire of surrealism-loving internet trendies, but in the end that was the group that most enjoyed the show. Nathan Barley himself made his debut on TV Go Home as the eponymous star of a fictional series entitled "Cunt". As the name implies, Nathan Barley's portrayal in Cunt was much harsher than his portrayal in the later show. Viewers remarked that the character was not particularly hateful, perhaps even a bit loveable, and he ended up too sympathetic to offend the people he was based on. It also didn't help that the other main characters were themselves rather pretentious, self-obsessed and smug, but just happened to be misanthropic hypocrites on top of it — not a particularly appealing combination either.
Perhaps even more notable for the fact that the show revolved around a main character who, in trying to speak out against the kind of surrealism-loving internet trendies the show attempted to satirize, in an article titled 'Rise of the Idiots', was praised and beloved by those same people for the article.
Alf Garnett of Till Death Us Do Part and his Trans Atlantic Equivalent, Archie Bunker of All in the Family, often got flak for this. The characters' bigotry was used to demonstrate why prejudice is bad; unfortunately, the people who needed to learn this most didn't understand it. The writers, especially on All In The Family, weren't eager to court controversy by making their main characters genuinely bigoted — and so Archie came across as stubborn and ignorant instead of vicious and hateful, and the audience's sympathies turned against annoying author-proxy Meathead. And even then, Archie himself became more sympathetic in later seasons, since Mike and Gloria both moved on and the show focused solely on Archie and Edith (and eventually, that kid they adopted).
Unlike Archie, Alf Garnett was absolutely bigoted, unfortunately in a way which made bigotry funny.
Misaimed Fandom for Alf Garnett led to a real life Crowning Moment Of Awesome. Warren Mitchell, who played the character and is Jewish himself, was once greeted on the street by a fan who applauded Garnett's opinions. Mitchell got in the man's face and told him the character was designed to make fun of idiots like him.
Jonny Speight eventually gave up writing the character because people thought Garnett was a hero. It takes quite a lot of self control when you are sitting with your in-laws who are stating Garnett was taken off TV 'because he was right'.
Wayne's World: In the 1990s, many teenagers took Mike Myers' and Dana Carvey's shtick to be a cry of adolescent affirmation, not realizing they were in fact being lampooned, albeit affectionately.
Part of the premise of Jimmy MacDonald's Canada was the within-show application of this trope. Between segments, we'd see clips of either 'ordinary Canadians' or Canadian icons like then-Prime Minister Paul Martin, Don Cherry, Joe Clarke, or Paul Henderson discussing how erudite, politically savvy and influential Jimmy was, in keeping with the Mockumentary tone. Then we'd return to the actual show, where Jimmy would be spewing hatred against Automatic Teller Machines, The Beatles, or whatever it was this time.
An unusual example where the fans praised the writer because they read in too much satiric intent: Doctor Who had "Bad Wolf", an episode featuring DeadlyGame Show versions of Big Brother and The Weakest Link where losing contestants were slaughtered. Many fans lauded these as brilliant parodies that point out the vapidity of such shows. New series producer Russell T Davies likes these shows, and put that in as a tribute to them.
Some fans who recognise how evil the John Simm version was now tend to write the Roger Delgado or Anthony Ainley versions as Ineffectual Sympathetic Villains simply because they weren't so glaringly Ax-Crazy and sadistic. This, despite, for example, the Delgado version manipulating Earth's two native sentient species into a genocidal war just because the Doctor liked one of them, and the Ainley version once (possibly by mistake) destroying a quarter of the universe. (Apart from that, when the dust had settled the new Master didn't exactly emerge triumphant, either.)
Destroying a quarter of the universe was a mistake; holding the rest hostage afterwards wasn't, and he sure didn't show any remorse about what he'd done. Also not an accident was taking over the body of Nyssa's father, or the very high body count he racked up any time he appeared.
The Daleks got this back in the 1960s. Because Beauty Equals Goodness was assumed standard, it was hoped the audience would side with the Inhumanly Beautiful Race (the Thals) over the Daleks. However, the Daleks, with their menacing movements and Robo Speak voices, were significantly more entertaining to watch than the Thals, a race of sanctimonious, RP-accented blond men in leggings, and the fact that the Daleks' motives were sympathetic (even though they were achieving them in the nastiest possible way) meant that many viewers found the Daleks the sympathetic ones. A lot of the spinoff "Dalekmania" material produced around this time portrays Daleks as an Anti-Hero race, siding with their points of view (even if still leaving them enemies of the humans, the Doctor and Susan's then-unknown race, and the Thals) - Susan even gets a Dalek Implied Love Interest in a photo story in "The Dalek Book". Kids dressed up in Dalek costumes, ate "Dalek Death Ray" ice lollies, and there were even novelty pop songs released that literally were about partying with sexy Daleks. Later canon had no choice but to show them Jumping Off the Slippery Slope, invading Earth and constantly comparing them to Nazis, but they still have a bit of the kitschy anti-hero appeal in the popular consciousness if nothing else.
It also didn't help that the Thals got a bit less sympathetic with each appearance. The Dalek vs. Thal war, revealed muchly in reverse order, is basically summed up as: "Evil vs. Evil, but now the Thals aren't evil anymore and want to see if the same goes for the Daleks. It doesn't."
Not to mention those (conservative white male) viewers who watch the show and wish that they could work in that type of pre-civil rights, pre-feminist, pre-PC setting.
Parodied in a MADtv sketch where Mad Men fans (played by stand-up comedians and former cast members Bobby Lee and Matt Braunger) are going around dressed in the snappy suits, drinking martinis, and spouting all manner of racist and sexist lines until an old lady tells them that Mad Men was specifically made to show that life in the '50s and '60s wasn't all that glamorous.
Alex Vause from Orange Is The New Black seems to have a sizable fandom, with fans often citing her as "better" for Piper than Larry and often shipping her with Piper. This is despite the fact that she is a complete sociopath without any remorse for any of her crimes, and that she got Piper in the slammer in the first place. In a way, Jenji Kohan brought this on herself by having Piper hook up with her repeatedly in jail, but even then, the show seems to not shy away from how toxic their relationship is.
After Vee's "you're a rose and that bitch is a weed" speech to Suzanne, some members of the fandom took it as an "inspirational message" and adopted it as a personal motto, some even sending it up as a highlight of Vee's positive qualities, not realizing (or caring) that that quote is the start of Vee's manipulation of Suzanne. It wasn't even an empowering quote in context, as Vee was using it to exacerbate the racial divisions within the prison and take Suzanne away from someone legitimately wanting to be her friend (Piper).
A lot of In The Flesh fans seem to be all too much in love with the idea of Kieren and Rick being together in their second lives, and often voice that they wish Rick didn't get killed by his dad in the series 1 finale so they could be together longer. The thing is, the show makes no attempt to shy away at how one-sided the relationship is; Kieren is happy to see Rick, as Rick's death before his second life is why Kieren killed himself in the first place, but Rick not only doesn't love Kieren anymore, but is still trying to be "straight" for his overly homophobic father, hates being a zombie, misses all the things he could do when he was alive, and is very pissed at the fact that Kieren killed himself in the first place. In fact, he has an extremely angry outburst at Kieren when he brings up the topic of Kieren's suicide.
The members of the Strike Team on The Shield could be the poster boys for Misaimed Fandom. Most grievous, in particular, was the way that some real life police officers told Shawn Ryan and members of the rest of the cast that Vic Mackey's murder of his fellow police detective Terry Crowley was justified under the logic that he was a "rat" and as such, deserved his fate. Shawn Ryan's response was to have the series end with Vic himself becoming a "rat", cold-bloodedly betraying his only remaining friend and colleage (and fan favorite supporting cast member) Ronnie Gardocki in exchange for full immunity for himself and his ex-wife, who as viewers knew but the the character of Vic didn't, had been working with the LAPD to bring Vic down once and for all and already had been granted immunity.
The above mention betrayal also ties into the misaimed fandom of the character of Ronnie Gardocki. Even though Vic's betrayal made sense in the context of him being shoved against the wall and having to chose between Ronnie and his wife, general fan sympathy was with Ronnie and not Vic in the end. And while his final scene spells out to fans why Ronnie is a bad person, via his Villainous Breakdown, general opinion held that Vic's betrayal was a Moral Event Horizon-level act of villain, given that Ronnie was the least corrupt of the group as well as being the one member of the Strike Team who's loyalty to Vic never wavered, as far as believing that Vic protect him as he always claimed that he would.
While fans still debate Vic Vs Ronnie, fans of Lem have mostly rejected Shawn Ryan's denouncement of his character via having him posthumously denounced on live TV as a corrupt cop whose death was karma catching up to him. One can see why.
Shane Vendrell had occasional Pet the Dog moments but was hated by fans so much that actor Walt Goggins often spent most of the interviews he did to promote the show discussing why Shane wasn't THAT bad and explaining how all of the bad things his character did (such as murdering his best friend Lem) made sense in a moral context of doing what he had to do to stay out of jail and be a father to his son.
These issues are not new to the crew of The Shield. Early in production of the first season, one of the police consultants assured the cast and crew that, while every cop from the rank of captain on up would denounce the show in public, they would all go home and enjoy it on TV. During the run of the fifth season, Forest Whitaker was told by many viewers (more than a few police among them) that, while they loved his performance, they absolutely hated his character. Whitaker later made some bemused comments to the effect of "Chiklis' character shot another cop in the face. How am I the bad guy here?"
People too young to have seen the original movie (where it was sung) often do not realize that the theme song of M*A*S*H is entitled "Suicide Is Painless", and every verse is about the futility and pain of life, and how suicide looks like a better option all the time. This made it an especially disturbing choice as the theme song for the MASH (Make a Smile Happen) toy drive for underprivileged children. Even more disturbing is the fact that such despair-laden lyrics were written by a 15 year old.
The rabbit hole goes even deeper. According to an interview with the song's composer, Johnny Mandel, on NPR, director Robert Altman told Mandel that the song should be "the stupidest song ever written" in order to frame a particularly absurd opening scene. Neither Altman nor Mandel could come up with sufficiently overwrought and melodramatic lyrics, so Altman assigned the lyrics to his 15 year old son.
Because "Suicide is Painless" became the theme for the TV show, Altman's son made more in royalties off the song than Altman did directing the film.
Read the song lyrics, the phrase Altman said deciding to give the task to his son - '... I've got a 15-year-old kid who's a gibbering idiot...', and you start doubting Altman parenting abilities.
David Chase, creator of The Sopranos has spoken out against the many viewers who would cheer Tony on, stating that he was written to be an unlikable, hypocritical character. And, you know, a murderous gangster.
Many fans were upset when Stinger Bell got killed off during The Wire. However, the actor who played him (Idris Elba) said he wouldn't have taken the role if Stringer Bell lived. Because Stringer Bell was a drug dealer and a murderer, he deserved a Karmic Death.
Subtle in-story example; this poster◊, which is a critique of the Bush administration and suggesting that Bush is evil by comparing him to a vampire sucking the life out of Liberty, was hanging on the wall of Fangtasia, a vampire bar in True Blood.
A frequent occurrence in True Blood fandom. Many female fans strongly support the Sookie/Eric relationship despite the fact that onscreen he has committed multiple acts of physical and emotional abuse against her and other people, including feeding from her against her will. Whether such things as chaining a person in one's basement would be considered even remotely acceptable were the perpetrator not a handsome vampire is open to debate.
Although his main rival, Bill, kills random strippers just to fit in with his vamp buddies. So...
True Blood in general suffers from a massive case of Unfortunate Implications. Anti-vampire attitudes are frequently depicted in a manner comparable to real world anti-gay bigotry. However, morally-virtuous vampires are basically non-existent on the show with all of them, without exception, being murderers and corrupt in one way or another, no matter how nice they seem on the surface. Even saintly Godric spent most of his 2,000 year life as a brutal killer. In spite of this they are theoretically meant to be perceived sympathetically by viewers. Ironically, the anti-vampire crowd has legitimate concerns about how vampires treat humans but are usually presented as bigots.
Perhaps the message must be: "Judge people by their actions." And since the vast majority of the cast have some serious KickTheDog moments, no matter what their race is there...
The Thick of It's Malcolm Tucker is loved by the very New Labour spin doctors he is based on. The series has so many fans at Number 10 that the cast and crew were even allowed to film scenes for the The Movie, In the Loop there. They arrived to find the "real Malcolm Tuckers" queuing up to be photographed with the fictional one.
This kind of misaimed fandom is very common with British political satire. Yes, Minister and Spitting Image are two other examples of political comedies which had a lot of fans in Whitehall.
And, of course, standard viewers are split between those who want to see Tucker twist in the wind and those who cheer him on. He has strange powers.
With regards to The Thick of It and certainly Yes, Minister, it's questionable how much the appreciation on the part of the people the shows were mocking was simply them not getting that they were the butt of the joke versus them very much realizing that they were but finding the joke so well done and close to their actual experiences that they appreciated it nonetheless. Certainly, one of the frequent praises that Yes Minister received from fans within the British political sphere was that the show's depictions were almost entirely spot-on, and the British in general are largely a people with a healthy appreciation for good Self-Deprecating Humor.
Yes, Minister also never made Jim Hacker or Humphrey out to be completely unsympathetic; they were both flawed but well-meaning characters who both wanted to do right by their country but had different ideas about how to go about it. In fact, one of the main jokes behind Yes Minister was that the country's government changed very little when the party in power changed.
The New Statesman went one better and actually inverted the trope. The writers received a great deal of assistance with their research from Michael Portillo, despite being a rather vicious parody of Thatcher's Conservative Party and Britain in the 1980s. To what extent the character of Villain ProtagonistAlan B'Stard was inspired by Portillo himself is unclear, though the man himself is on record as saying he chose to take "a very long holiday" around the time the media started to wonder who the real B'stard was.
And ironically, many people think of Barney as their favorite character in the show, while in real life he would really be a bastard. And that's only his attitude and actions towards women, we're not even talking about his supposed job.
Barney is an anomaly, because his actions toward women and at his job are reprehensible, but he consistently shows that he deeply loves his friends and is fiercely loyal to them when they are in a crisis - although he still screws them over at times when they aren't.
Some people applaud Dexter's "vigilantism". Too many die-hard fans wish someone like Dexter really existed, simply because they hate the justice system that much. This feeling goes up exponentially, depending on how much the fan hates cops and if said fan has been victimized at one point in his/her life or knows someone who has. Their passionate replies, to say the least, are a little frightening. Lampshaded in-universe during the "Bay Harbour Butcher" story arc; most notably with the "Dark Defender" comic book character.
Many people who actually work in law enforcement also root on Dexter; the way they see it, he can go to the lengths that they wish they could but are forbidden to.
A major theme of the "Bay Harbor Butcher" arc was to deconstruct Dexter's vigilantism. Much like how the third Saw movie criticized Jigsaw's extreme methodology to rehabilitate troubled individuals (i.e., forcibly plant them into life or death games), Dexter season two painted his philosophy in a pretty negative light. Even if you disagree with the criticisms, it's hard to ignore that during a flashback, Harry, Dexter's surrogate father who trained him to hunt down serial killers, hit a traumatizing mix of Heroic BSOD and Despair Event Horizon when he finally got a glimpse of Dexter's handiwork. And yet, most fans ignore this.
Not to mention despite all the people praising the Bay Harbor Butcher, when he was "killed" only the family members and close friends attended the funeral. Dexter comments on this.
Alex P. Keaton from Family Ties was written by liberal writers and was intended to be a conservative Strawman Political to his more sensible (from their perspective) former hippie parents. Due to bad writing for the parents and the show in general, and great acting by Michael J. Fox, Alex became a Breakout Character that many people (especially the conservatives the writers were attempting to mock) found to be the most sympathetic on the show.
While it may have started that way, creator David Goldberg has said multiple times that he's a registered independent with a great respect for the "true" conservative point of view, calling it "a powerful and proud strain of American political thought."
From Robin Hood, the relationship between Guy and Marian was never meant to be seen as romantic or healthy, and in hindsight, it is actually a complete deconstruction of the idea that a "virtuous" young woman can "save" a Cute but TroubledBad Boy. Marian is far from being an angel, and though she does express some hope that Guy will become a better person, it is never the driving force of her character; likewise, when Guy seems to be on the path to "redemption" due to Marian's influence, it is always tempered by the fact that he doesn't really give a shit about anyone except Marian (ie, in Lardner's Ring Guy leaps to Marian's rescue when he thinks she's in danger, but earlier in the episode, was seconds away from slicing off an old woman's finger). Guy himself builds up Marian as a paragon of virtue who would "wash away (his) sins" with her pure heart, hanging his entire salvation on her ability to love him, and when she flat-out tells him that she has no intention of marrying him and that she's in love with another man he stabs her to death People still shipped them!
Rimmer is a thoroughly unlikable individual based by the writers on a thoroughly unlikable individual they went to college with. He's amassed an embarrassingly large female fandom who, probably because of the character's sad upbringing, just want to hug him and tell him everything will be okay. A difficult task, considering he spends more than half of the show's run as a hologram without a physical presence...
It was unavoidable as Rimmer was given more character development. He had a horrible childhood, and his life has pretty much gone downhill since then. Even death provided him no respite. As the show went on, he does show that he has some good attributes, even though they are usually hidden by his many neuroses. While Rimmer does make everyone around him miserable, it's pretty obvious that he's even worse off.
It also probably wasn't helped by a certain notorious shirtless scene that Chris Barrie was given in season five.
The series may have owed its survival to Misaimed Fandom on the part of executives. The leadership of the BBC during the era in question hated SF and fantasy, unless it was very heavy-handedly metaphorical Magic Realism with a fantasy element that could be written off as coincidence/hallucination. It's quite probable that they only allowed the series to be made because they thought it was laughing at the genre and its pathetic fans.
The first is the writer's own damn fault. They put Puck and Rachel together for one episode with nothing attracting them to each other besides Matzo Fever simply to poke fun at and deconstruct the Token Minority Couple. However Puck is a Draco in Leather PantsMr. Fanservice while Rachel is a Possession Sue so people latched onto them with great fervor. It didn't help that they played a Token Minority Couple completely straight (thought they did deconstuct the trope later on) with Tina and Mike the next season.
A lampshaded token ship. They got together at Asian Camp, and when they're having relationship troubles Mike suggests they go to the ASIAN COUPLES THERAPIST!
Lampshaded by Tina herself when, upon hearing Mike's suggestion, she angrily says "Why does everything have to be Asian?"
Apparently, according to the episode "iStart A Fan War", the fans of iCarly who enjoy Shipping are crazy, insane people with no lives and they should be watching the show for the comedy and not which girl Freddie ends up with. Delivered via Author Tract by Carly on behalf of Dan Schneider.
Guess what the 2nd episode after that one is about? Completely and utterly about Shipping.
Many fans of the Sam/Freddie relationship claimed that if Freddie chose to be with the "damaged" girl, Sam, instead of the "perfect" girl, Carly, then it would send a positive message to teenaged girls - "You don't have to be perfect to get the guy." These fans never seemed to understand that using Sam and Freddie's relationship as a real life lesson would also convey a seriously Family-Unfriendly Aesop - "You can insult, publicly humiliate, and physically and emotionally abuse somebody for years, and they will not only accept it, but appreciate it, and even fall in love with you. You can even continue the abuse during the relationship, and it will still be fine."
Doesn't help that Dukat embracing his genocidal ambitions is a direct result of the hero prodding him into it when Dukat is mentally unstable and emotionally destroyed. Moments like Dukat giving up everything to spare a half-breed daughter don't hurt either.
The same also goes for the Maquis, which Deep Space Nine gave the Designated Villain treatment many times, while many people saw them as taking reasonable action to defend their homes. It doubles once we see just how villainous the Cardassians are - most fans do understand that horrible acts of oppression are not a nice thing to do even if one of the guys doing them has charm, and it's not like the Maquis do a great deal of harm to people who aren't bad guys. There's a reason the Starfleet characters who must go after the Maquis can't hate them.
Within the Merlin fandom there are a number of viewers that see Morgana as a feminist icon. At first glance she's a quintessential Rebellious Princess whose main goal in life is to destroy a tyrannical ruler and become Queen. However, pre-Face-Heel Turn she was often portrayed as a Faux Action Girl who usually failed in her attempts at proactivity (arguably this was the point, in order to underscore her initial powerlessness) and post-Face-Heel Turn any ambition she once had in helping other people is obliterated by her single-minded desire for vengeance (which includes the killing of innocents). To date, the most overtly feminist scene in the show is Guinevere (a character who often gets the Real Women Never Wear Dresses treatment) demanding on behalf of all the women that they have the right to defend their homes against bandits. However, the show generally has an all-around terrible track record with its female characters, and most (if not all) are relentlessly demonized or victimized - including the two leads.
The satirical puppet show Spitting Image used Margaret Thatcher as the main target of all their satire. Yet Rob Grant, one of the writers of the show, actually said in the "The Best Of Spitting Image Documentary" that depicting her as an evil bully unfortunately had the opposite effect: it made seem her more powerful and "Iron Lady"-like.
This is one of two big reasons why Dave Chappelle ran off the set of Chappelle's Show during season three's production (the other being extensive Executive Meddling). Too many viewers misinterpreted the socialcommentary as black people simply acting like buffoons, and only wanted to recite the meme-worthy quotes ad nauseum. After knowing this, after not exactly adjusting to his new found fame, and after in-house difficulties, Dave Chappelle walked out, $50 million contract be damned.
Some parts of the Once Upon a Time fandom think of The Curse as salvation for the citizens of the fairy tale world from its medieval culture and introduced them to the magnificent wonders of the modern world, such as cool clothes and video games. So, because she enacted such a liberating spell and suffered from an abusive mother who promoted sexist medieval values, Regina is also seen as a feminist heroine who rescued the people from the same oppressive forces and customs she suffered from. This would have been a fine interpretation if one doesn't forget some important facts: 1) Regina enacted the Curse to ruin Snow White's life and make everyone in the fairy tale world suffer just to get her happy ending. Kinda shooting down the interpretation that she had everyone's best interests in mind. 2) the Curse was designed to separate them from their loved ones, deprive them of their free will, strip of their original personalities, keep them in a haze with false memories and keep them frozen in time if Emma didn't come to Storybrooke.
There are likewise people who think Rumplestiltskin is a woobie because everything he did was to get back in touch with his son. They overlook both the massive collateral damage and the fact that he only lost touch with his son through being evil in the first place.
Some fans of The Office seem to think that Michael Scott would make a great boss. While he does have some Woobie moments, they fail to realize that he is socially inept and rude.
The same goes for Dwight. His behavior is played for laughs on the show, and people don't seem to understand that having a power-hungry, sociopathic, sometimes violent co-worker would not be as much fun in Real Life.
It's amazing how many fans of Gossip Girl would like the show to forever be about Chuck and Blair being shallow, clever, elitist schemers stabbing everyone in the back for their own enjoyment and social power. Many, many fans are completely against the Character Development that is slowly making their worst behaviour a thing of the past.
Walter White from Breaking Bad is the textbook definition of a sociopath; he has killed other drug dealers, poisoned a child, watched a drug addict choke to death on her own vomit, and threatened to have his wife committed because she didn't want his kids to live with him. Regardless, fans adore him.
Todd is even worse than Walter, but doesn't seem to realise it. Everything he does is for a reason and he won't think twice about killing someone if it will help him achieve his goals. He has a friendly demeanor and good looks which mean he has a natural female fanbase.
A surprising number of people like the title character of House, M.D. being able to act like as much of a raging Jerkass as he wants and get away with it. They seem to miss the fact that he doesn't always get away with it, that the fact that everyone involved utterly despises his behavior (even when it's a case of I Did What I Had to Do, he usually chooses the most obnoxious way possible), and that House himself actually suffers from this trope. While in Japan, he saw a lowly janitor, someone part of the "invisible class", that was somehow being consulted by all these top doctors. The reason being that the guy was actually an Almighty Janitor who had more education and talent than the rest of the hospital put together, but because of his social standing couldn't get any better work legally, and instead dispensed his ability and knowledge through others. Unfortunately, House focused less on the "Despite my lot in life, I still do what good I can" lesson, and instead took from it "If I'm good enough, people have to put up with me no matter what I do". And then fans of the show emulate that.
This fandom also appears in-universe: Many fellowship applicants, including Taub, see House as a man who ignores the rules and does what he wants, without realizing that the rules are there for a reason and House is a lunatic who selectively enforces his own rules, rather than rejecting the concept outright.
Forget being a mere Jerk Ass. House is breaking his Hippocratic Oath pretty much every episode. In other words, society has seen fit to grant him a special legal right and even a title, and he has sworn an oath to uphold the strict ethical requirements of that profession. In real life, when someone like a cop, doctor, or judge does those kinds of things, it's seen as especially heinous. The fandom never seems to apply that reasoning to the title character.
The Big Bang Theory's Sheldon is regarded by some as the good guy, while Leonard is the Jerkass who makes fun of his mental problems. They ignore the fact that Sheldon is, by any objective standard, a massive tool who treats everyone around him like shit. In real life, nobody would give anyone with any developmental disorder carte blanche to behave the way Sheldon does. These fans also ignore that Leonard and everyone else is very accommodating to Sheldon, usually giving him what he wants rather than calling him out.
In a similar vein, the Sheldon/Penny or "Shenny" shippers. Penny is very patronizing to Sheldon and treats him like a little brother or child, which is supposed to highlight Sheldon's Man Child tendencies. Fans see two people with a close friendship relationship and assume romance. They also seem to think that Sheldon needs to get the girl because he's the underdog geek that should prevail...except they've already done this arc with Leonard...Penny's actual boyfriend...and Sheldon's best friend...Throw in the fact that Sheldon doesn't do traditional romance and already has a (kinda sort of but with no hugging or kissing) girlfriend who is Penny's best friend and you've basically got a lot of people blindly missing the point in favor of rose tinted Shipping Goggles.
The biggest problem with this is that the writers in recent seasons have taken to making them borderline enemies with each other to dissuade the "ship" (which still hasn't worked), at the cost of the friendship and character development they once had. And Amy was introduced at approximately the same time they both Took a Level in Jerkass with each other, to hammer the nails in the Sheldon/Penny coffin further.
Happens in-universe in the Model UN episode of Community. Pierce thinks Somalia sounds like the best place on Earth.
Annie: Did you read up on your country's info packet?
Pierce: Yes! Somalia has 1900 miles of coastline, a government that knows its place, and all the guns and wives you can afford to buy. Why have I not heard of this paradise before?
Detective Chief Inspector Gene Hunt in Life on Mars (2006) was initially portrayed as being nothing but the "overweight, over-the-hill, nicotine-stained, borderline alcoholic homophobe" that Sam Tyler described him as. Although the writers had always intended to deepen Hunt's character as the show went on, they were disturbed at the way that Hunt's extreme political incorrectness ("D'you know, I once hit a bloke for speaking French?") actually made him very popular with fans.
Dallas: Nicolae Ceausescu imported it into Romania in the 1980s, intending the people to see JR as an example of the evil, greedy capitalist American. When the people saw how JR had come from nothing and how even the supposedly poor characters would be considered rich by the standards of communist Romania, the reaction was more "Wow, America and capitalism are awesome!"
Many fans of Cheers wrote letters to the show, saying that they wished their own relationships were like Sam and Diane's. One of the show's creators commented that this was insane, because Sam and Diane had "a totally dysfunctional relationship."