Rugrats in Paris: The Movie is the second of three animated movies based on the Nickelodeon cartoon Rugrats, released between the show's seventh and eighth seasons on television. Topping the introduction of Tommy's brother Dil in The Rugrats Movie, three new series regulars make their debut in this film, as you'll see from the description. It received just as much positive reception as its predecessor.The plot here is that Chuckie realizes he has an empty void in his life left by the death of his mom, and he finds that he wants a new mom. Meanwhile, a Reptar robot that Tommy's dad Stu made for Paris theme park EuroReptarland (during a 3-part episode of the series that leads into this movie) malfunctions, so he is called to come there for repairs, and he brings all the kids' families with him.Over in Paris, we meet our villain, Coco LaBouche, and her smarmy sidekick Jean-Claude. Coco is looking to be promoted to president of the Reptar company once her boss, Mr. Yamaguchi, retires. Since Yamaguchi is looking for a candidate who "has the heart of a child." Coco lies to by telling him that she loves children and that she's engaged to a man with a child of his own. When Coco catches Angelica having been eavesdropping on her, Angelica offers to help set her up with Chuckie's dad, Chaz. Coco then pretends to take interest in Chaz and gradually wins him over, but has little luck trying to bond with Chuckie (especially since she shows her True Colors to the kids behind Chaz's back). During their Parisian adventure, the Rugrats meet a girl their age, Kimi Watanabe, and her mother, Kira, an assistant of Coco's, who herself develops a mutual romantic interest in Chaz (not to give away the movie's ending, but suffice to say, the fact that they're two of the new characters debuting here should tell you how it turns out). Also, Tommy's dog Spike falls for a poodle named Fifi (this isn't particularly relevant to the plot, but since Fifi also becomes a series regular, it probably needed to be mentioned).Click here for more information on this movie.
This film contains examples of:
Accidental Misnaming: Coco leaves Chaz a gift—a golden inhaler—with a note addressing him as "Chad".
"I Want A Mom That Will Last Forever" by Cyndi Lauper playing in the airplane as well is very moving.
"Who Let The Dogs Out?" by Baha Men plays in the scene were Spike escapes the hotel (creating a huge mess) to find Fifi and during the credits.
"My Getaway" by T-Boz. The video even has a caricature of the singer as a Rugrats character, appearing as a hot air balloon.
"L'histoire d'une fée c'est" by Myléne Farmer, it topped charts in Belgium, despite little promotion, no music video and only playing in the movie for 15 seconds. Like T-Boz, Myléne gets a Rugrats makeover, appearing on the single's artwork as a naked fairy sitting above Chuckie as he sleeps in his bed.
Book Ends: The film starts with the babies playing The Bobfather during Lou and Lulu's wedding reception before joining in on the party; the film ends with the same thing happening at Chas and Kira's wedding reception.
Break the Cutie/Break the Haughty: In the same scene. When Chuckie realizes his dad is about to marry a complete Alpha Bitch instead of the nice, loving mother he'd been dreaming with having, Angelica feels so guilty for her contribution to Coco's plan that she immediately tries to comfort him, and when this doesn't work and he's sadder than ever, she can't take it anymore and confesses everything to the babies.
The Fashionista: Coco, and a thematic one at that! She seems to wear a different outfit every scene she appears in, and each one has a different theme (for example, she wore an outfit covered in clocks while talking to Stu the first time).
Humiliation Conga: Upon the Rugrats exposing Coco's plot, Chaz calls off the wedding, Yamaguchi fires her, and Angelica tears her dress to expose her underpants. And then there's either one of the two Stingers...
Angelica is the one who plots with Coco and ends up getting imprisoned with all the kids, then being left behind by the Reptar mech, knocked off a bridge when it crashes through it, clings for dear life on his nostril, gets sprayed with imitation boogers, gripped in his hand, tossed up the Eiffel Tower, thrown into his mouth, swung round trying to climb a ladder, and so on and so forth.
Humongous Mecha: The Reptar robot and the Super Escargot used in the parades and plays. The babies pilot the former to escape from the warehouse. Jean-Claude chases them in the latter.
Late-Arrival Spoiler: If you haven't seen the movie already, then hopefully you haven't also seen the episodes of the show that came after it, which would spoil that Kira marries Chuckie's dad, and Chuckie and Kimi become stepsiblings.
The Legend of Chekhov: Played with, as it's not the legend that was true, but came true. Twice in the movie, during the parade and the stage show, Chuckie hears and watches a fairy tale about everyone fearing and fleeing from a rampaging Reptar, only for the beautiful Princess to stay, show no fear, and promise to protect Reptar, who is Not Evil, Just Misunderstood. Chuckie dreams he could have the Princess as his new stepmother, but of course she isn't real. At the end of the movie, Chuckie hijacks the giant Reptar mecha and before getting used to the controls, he accidentally razes a building with a day-care center in it. Everyone runs in fear... except for Kimi, who loves Reptar and stays, waving and shouting hello. So Chuckie does get his princess after all, except instead of a stepmother, the princess is his stepsister.
McNinja: The park uses ninjas as security guards. More justified than most examples because the park is run by Japanese. They're don't seem all that competent, however, if a pack of babies can outsmart them.
Mistreatment-Induced Betrayal: Angelica was in cahoots with Coco until the latter revealed that she was never going to go through with her promises to her and has her locked up with the rest of the kids. Also, Kira is an interesting inversion of this trope; Coco treats her...marginally less horribly than most people, but Kira eventually turns on her upon seeing how badly Coco treats other people (especially children).
My God, What Have I Done? : Angelica's reaction when realizing the consequences of her helping Coco through the whole movie. She even admits that it was the lowest thing she had ever done and laments how at times she just can't stop herself from being a little Alpha Bitch.
Never Trust a Trailer: The theatrical trailer includes a bit where Angelica demands to know which of the babies put a pooped diaper in her suitcase, falls over due to her platform shoes, and Phil comments that "someone got up on the wrong side of the bread". There is no such scene in the movie, although Phil's line pops up on a different scene (referring to a mean sterwardess rather than Angelica).
Also, the shot of Spike urinating on the Eiffel Tower and the Rugrats using the Reptar bot are shown happening in daylight rather than nighttime and dusk as in the actual film.
Oh My Gods!: The priest at Notre Dame exclaims "Oh, dear Lord, I skipped a section!" when he is rushed through Coco's wedding ceremony.
Parental Bonus: Not that many small children are going to get the references to The Godfather, which are clearly there for the parents/older siblings in the audience.
For example, the (rocking) horse head Phil and Lil found in their crib.
Since Reptar is already an Expy for Godzilla, a Japanese creation, it was only natural that the Reptarland park had heavy Japanese influence. And to hammer it home, the climax features Stu's giant Reptar robot (controlled by the babies) battling Robo-Snail (controlled by Jean-Claude).
The scene where Reptar has Angelica in his hand while hanging high up on the Eiffel Tower has mirrors King Kong.
And of course, Chuckie's dream sequence about becoming Chuckie Chan.
The Stinger: Not in the movie itself, but the DVD contains two different bonus clips showing what probably happened to Coco and Jean-Claude (which is being stuck either loading passengers into the "Ooey Gooey World" ride or testing underarm deodorants).
Would Hurt a Child : Coco and Jean-Claude show they have no personal issues about hurting, scaring or threatening kids. Jean-Claude is even willing to use a giant mecha to stop the children near the end of the movie, not caring at all if they (or anyone else) get hurt or even killed. He did, however, overlook the chances of them retaliating with their own giant mecha.