Trivia: Super Mario Bros.

The series as a whole:

The series is the Trope Namer for:

This series is the Image Source for:

The Cartoon Series:

  • Cross-Dressing Voices: Hip and Hop Koopa.
  • Fan Nickname: Particularly within The Annotated Series, the song "Mega Move" is known as "the surf(ing) music" because of its first appearance during a beach scene in Super Mario Bros. 3.
  • Hey, It's That Voice!:
    • Hip and Hop Koopa are Timmy Turner and Twilight Sparkle among many, many others.
    • Kootie Pie is Rarity, whiny voice and all!
    • Bully is Chief Quimby and Braveheart Lion!
    • In the original 90s castillian spanish dub (not the re-dub done in 2010 by Kidsco), a lot of characters were voiced by people that worked in The Simpsons and would later work in Futurama. Mario was voiced by Angel Egido, which did grandpa Simpson for the first 11 seasons before retiring. Hip and Hop were Isacha MengŪbar (Lisa) and Sara Vivas (Bart) respectively. And Luigi was voiced by Josť Padilla, who provided (and, as of 2013, still does) the voices of Seymour Skinner in The Simpsons, and Zapp Branigann and Zoidberg in Futurama.
  • Talking To Herself: Hip and Hop, literally, since they were both voiced by Tara Strong.

Image Source for:

The film:

  • The Alcoholic: John Leguizamo admits in his biography that he and Bob Hoskins got through production mostly by being drunk off their asses and (Pardon the pun) doing shots in-between shots. In one incident, Leguizamo was forced to drive the van while being so drunk that when he swerved, the sliding door crushed Hoskins's hand, hence the inexplicable pink cast Mario has.
  • Breakaway Pop Hit: Featuring the hit single "Almost Unreal" by Roxette.
  • Creator Backlash: Averted. Shigeru Miyamoto actually admitted that he liked how the movie took creative liberties. It was played straight with Hoskins and Leguizamo, however.
  • Creator Killer: Roland Joffe (The Killing Fields), the producer of the film, never really recovered from the film's failure, though his adaptation of The Scarlet Letter certainly didn't help.
    • Also, the directing team of music video makers Rocky Morton and Annabel Jankel, who Bob Hoskins called "arrogant" in 2007, have not been involved with any other theatrical release since this movie.
  • Deleted Scene: Nearly 30 minutes of footage was cut to get the movie down to a proper running time. Deleted scenes include:
    • An extended sequence of Koopa chasing Daisy's mother in New York, which featured him gazing admiringly at the buildings which would later inspire his warped construction projects in Dinohattan.
    • Mario and Luigi actually confronting the "Scarpelli Bros.", Mike and Doug, in the River Front Cafe. They threaten the cafe's owner, Pascal, by using their bosses' name. Pascal takes Mario aside and offers him and Luigi a free lunch to make it up to them, which leads to:
    • An alternate scene of Mario and Luigi eating. Daisy enters the cafe and uses the payphone inside, slipping on a wet floor as she leaves. Luigi catches her and the movie continues that way.
    • Mario and Luigi getting ready for their dinner date, during which Luigi expresses embarrassment at being a plumber. Mario chastises him and tells him he has no "family pride."
    • An extended sequence in the de-evolution chamber, during which one of the devo technicians is de-evolved into slime. A puddle can still be seen on the floor in the final film.
    • Iggy and Spike get drunk at the Boom Boom Bar and rap, which is referenced later by Lena as them "preaching your overthrow."
    • Various assorted scenes, including additional sequences from the cut "family pride" subplot.
  • Enforced Method Acting: Mojo Nixon, who played Toad, was legitimately terrified of Dennis Hopper's performance as Koopa, particularly the scene where he was de-evolving and strapped to the chair.
  • Executive Meddling: The script by writers Dick Clement and Ian la Frenais was so sophisticated and intelligent that it inspired Bob Hoskins, Dennis Hopper and Fiona Shaw to sign onto the project. However, the producers feared it wasn't kid-friendly enough, so they forced heavy re-writes and barred directors Rocky and Annabel from contributing to them.
    • Further changes to the script in terms of special effects and character-development severely limited their vision even further.
    • In the end, over 20 minutes of footage was cut to get Mario and Luigi into the parallel world sooner while the atrocious animated intro was inserted to make up for it.
  • Fake American: Bob Hoskins does such a good job at playing one that between this movie and Who Framed Roger Rabbit, many American kids were genuinely surprised to discover that he's actually British.
  • Genre-Killer: For video game-based movies as a whole, for it was one of the first such films of this kind and set a very low standard for future such films to come.
  • Hey, It's That Guy!: Alternative Rock musician Mojo Nixon plays Toad.
  • Hey, It's That Voice!:
  • Money, Dear Boy: Dennis Hopper and Bob Hoskins did it for the paycheck.
    Dennis Hopper: "I made a picture called Super Mario Bros., and my six-year-old son at the time ó heís now 18 ó he said, 'Dad, I think youíre probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros.?' and I said, 'Well Henry, I did that so you could have shoes,' and he said, 'Dad, I donít need shoes that badly.'"
  • Old Shame: John Leguizamo's film debut. His next film, To Wong Foo, Thanks For Everything, Julie Newmar earned him a Golden Globe nomination for Best Supporting Actor. Bob Hoskins and Dennis Hopper regret it as well, though they were both well into their careers.
    • As said under Creator Backlash, John Leguizamo has better things to say about the movie nowadays.
    • Conversely, many of the non-leads have stated it was one of their favorite movies to work on. Some even say it is their favorite movie.
  • Prima Donna Director: Rocky Morton & Annabel Jankel. As per being the creators of Max Headroom, they saw the movie as a subversive, gritty sci-fi film a la Blade Runner, while everyone else saw it as a dumb movie based on a video game kids seemed to like. There was even one incident where they poured scalding hot coffee over an extra's head simply because they felt he didn't look dirty enough.
  • Sequel Hook: Daisy dressed as Ripley. According to writer Parker Bennett, this was literally lifted from Back to the Future.
  • Troubled Production: As Dennis Hopper put it, "It was a nightmare, very honestly, that movie. It was a husband-and-wife directing team who were both control freaks and wouldn't talk before they made decisions. Anyway, I was supposed to go down there for five weeks, and I was there for 17. It was so over budget.""
  • What Could Have Been: Multiple figures were once involved in the project, from the directors wanting Kevin Costner for Koopa, Dustin Hoffman lobbying for the chance to play Mario as a treat for his kids, and Harold Ramis, the producer's original choice for director (contrary to popular rumor, Danny DeVito was never a choice for the role of Mario).
    • An early draft of the script shows that Bowser only disguises himself as a human in his first two scenes, the Princess character is named Hildy and Bowser wants to marry her in attempt to obtain the Crown of Invincibility with which to take over the Mushroom Kingdom. Actual game enemies such as Piranha Plants and Thwomps make appearances, Toad accompanies the Mario Bros. throughout their journey as a main character, a baby dinosaur named Junior thinks Mario is his mother, Luigi gets Raccoon Power at one point, one of Bowser's lackeys (a possible prototype for Kamek) tells Mario "Your Princess Is in Another Castle", Mario and Luigi sing a Villain Song for Bowser, Bowser ends up falling into a pit of lava... In other words, this draft is much more faithful to the games.
    • Five early scripts, including the aforementioned Fantasy script, can be read on The Super Mario Bros. The Movie Archive's Scripts page.
    • According to this issue of TV Guide, the movie was originally planned to be released in 1991 and would have been animated.
    • Jerry Goldsmith was attached to score the film but pulled out due to scheduling conflicts (Alan Silvestri filled in).
    • Mario's character was written differently before Bob Hoskins was attached to the role. Screenwriter Parker Bennett described him as "Bill Murray-esque", closer in age to Luigi, and that they had Bruno Kirby in mind for the role.
      [...] what we decided is, "Okay, Mario has a big chip on his shoulder about being a plumber. Heís inherited his dadís business [and] itís not what he wants to do;" itís sort of a It's a Wonderful Life thing with Jimmy Stewart at the bank when he wants to be traveling the world.
      [...] And in the end he learns through the adventure that heís the greatest plumber in the world and he needs his brother and theyíre a team together and that was sort of what we were trying to do for that.
    • The biggest one was the reason Jeffrey Katzenberg bought the rights to this film for Disney. Had the film been successful, the Walt Disney Company would have then started efforts to market Nintendo and their franchises, led by the Super Mario franchise, of course, in the Disney Theme Parks. Katzenberg and Disney Animation were also working with Sega to a limited degree for the same reasons with the Aladdin video game, and both attempts virtually faded when Katzenberg departed the company the next year.