Film / Super Mario Bros.
It's Mario and Luigi as they will never be seen again.
This Ain't No Game, It's A Live Action Thrill Ride!

In 1993, Lightmotive made a Live-Action Adaptation out of Super Mario Bros., which was later bought by Disney under Jeffrey Katzenberg's (now of Dreamworks) direction. That's right, an attempt was actually made to make a coherent narrative out of plumbers, killer turtles, and mushrooms.

Mario Mario (Bob Hoskins) and his younger brother Luigi Mario (John Leguizamo) are Italian-American plumbers trying hard to earn a living in Brooklyn. A run-in with Daisy, an archeology student in her 20s, has Luigi very interested and the two quickly bond. However, all their lives are turned upside-down when Daisy, as well as Mario's girlfriend Daniella, are kidnapped and taken through a mysterious portal in Daisy's dig site after it's sabotaged by rival plumbers from the Scapelli corporation, which is looking to build there.

The portal leads to a parallel world where reptiles, instead of mammals, evolved into people and became the dominant species on the planet. The alternate world is mostly barren wastelands, except for New York, which appears as a dark and dystopian version of itself, run by the despotic President Koopa (Dennis Hopper) and further besieged by a mysterious fungus. Attempting to rescue Daisy and Daniella, the Mario brothers end up going on a crazy adventure through every tier of this "Mushroom Kingdom" and eventually realize it's up to them to stop the whole world from going down the drain!

This film is notable for being the first ever full-length, theatrical, live-action motion picture to based on a video game, though it is not the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film The Great Mission to Save Princess Peach.

A sequel webcomic with creative input from one of the movie's writers was announced for the 20th anniversary.

Was given the RiffTrax treatment in 2015, after many, many requests to do so.

The series provides examples of:

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    The Film 
  • 555: Averted. There is a scene in the film where Big Bad Koopa has ordered a wanted poster of the plumbers posted all over the underworld, with an 800 number to call if they are spotted. The thing is, the number is a legitimate toll-free number in the US, and if you call it, it's now a phone sex hotline.
    • Played straight with the brothers' van.
  • Absurdly Spacious Sewer: The one the brothers are shown running around in under Manhattan is about the size of a subway tunnel.
  • Adaptation Expansion: As this movie was being written, the Super Mario Bros. series didn't have much story or defined personalities for the characters outside of the various cartoon series or somewhat obscure comics. Because of this the writers decided to write the story from the angle of a prequel, exploring how the Mario Bros. became the Super Mario Bros. In the process Mario and Luigi were given an older brother/younger brother dynamic/conflict and Koopa was provided a motivation for needing the Princess. It also suggests how Toad and Yoshi came to be at the Princess' side.
  • Adaptational Badass: Bob-Ombs. There's a reason everyone screams and runs away when Mario pulls one out late in the film. If Bob-Ombs caused that much destruction in the games, they would probably make the games unwinnable.
    • Intentional or not, that reaction is still common in the Super Smash Bros. series, where Bob-Ombs are some of the most powerful, and unpredictable weapons in the game. They rain from the sky if a sudden death match goes on too long.
  • Adaptational Wimp: Aside from the aforementioned Bob-Ombs, basically everyone, and a huge part of why fans of the games hated the movie. The entire Koopa family as shown in the film are changed from badass fire-breathing turtle dragon sorcerers into fairly average humanoids, with the only strange thing about them being that they evolved from dinosaurs rather than apes. Koopa Troopas and Goombas zigzag into Adaptational Badass by being changed into big burly guys with tiny heads, but then it gets subverted when you see them in action. Mario and Luigi never once jump on someone's head or change into tanukis. There's even a brief moment at the end where the movie teases us by having the Devolution Device used on King — er, excuse me, President Koopa, turning him into a Tyrannosaurus Rex. Sadly, a T. Rex still isn't quite as badass as a fire-breathing turtle dragon and he ends up being an Anticlimax Boss anyway, getting devolved into primordial ooze in short order.
  • Adult Fear: Daniella and Daisy's kidnappings are played to scary effect, and the other girls Iggy and Spike kidnapped are talked about before being seen. As far as the residents of Brooklyn knew, they were missing and probably dead.
  • Age Lift: Mario is middle-aged in this film. Word of God states that in canon he's in his mid-20s.
  • The Alleged Car: The Mario Bros. van.
  • All There in the Manual: The name of the city that Koopa is ruling over is called "Dinohattan" in various promotional releases, but is never referred to by name in the film itself.
    • The nation Dinohattan is in is "Saurasaland," a pun on Sarasaland from Super Mario Land.
  • All There in the Script: Various scripted plot points were likely never shot, including the reason why Daisy is the only one that can merge the dimensions: she is the sole survivor of the Portal-Keepers, an esoteric society mutated by the meteorite's radiation.
    • Spike and Iggy were in serious trouble for the last time because they were suppose to sing an anti-Koop song at the bar.
  • And I Must Scream: The King apparently spent around twenty years as a formless mass of fungus, but was still sentient and conscious through it all.
    [Lena tells Daisy what happened to her mother.]
    Daisy: What about my father, is he alive?
    Lena: That depends on your definition of living.
    Daisy: What are you talking about?
    • Not as bad as it could be, as he was able to keep tabs on the entire city, contain Koopa, and help the Mario Bros. restore him.
  • And the Adventure Continues: The Stinger containts a scene in which Daisy calls upon the Mario brothers once again.
  • Animated Credits Opening: Partially. The movie opens with a weird, pixelated artstyle that shifts into live-action after the dinosaurs express their contentment with life. This was due to Executive Meddling as the producers felt test audiences weren't getting the concept of the parallel dimensions and needed it spelled out. The idea was to have graphics reminiscent of the games but they opted for a cheaper and faster route.
  • Arc Words: "Trust the fungus."
  • Artistic License – Biology: The residents of Dinohattan, including Daisy, are said to descend from reptiles and yet somewhere along the course of their evolution, they developed the ability to grow hair, and (for the women) breasts, which would technically make them mammals.
  • Artistic License – Geography: The asteroid that rendered the dinosaurs extinct and opened a portal to another dimension supposedly struck what is now Brooklyn, New York City when a lot of evidence suggests that the asteroid really struck what is now the Yucatan Peninsula.
  • Asshole Victim: With the fact that Anthony Scapelli had been running the Mario Bros. out of business and threatening Daisy with violence to stop her digging project so he could continue with construction, as well as that fact that his construction project also weakened the barriers between dimensions and enabled Koopa to invade easier in the first place, one can hardly shed a tear for him when Koopa devolves him into a monkey.
  • Badass Longcoat: All the Goombas wear them.
  • Bait and Switch: The movie opens with the iconic overworld theme from the original, but then shows scenes very different from the games's art style, establishing the In-Name-Only feeling.
  • Batman Gambit: Mario thinks he's pulling one on Luigi during the police chase, by asking him to pick a direction and then figuring the wisest decision is whatever Luigi doesn't choose. Luigi outsmarts him though and gets him to go through a tunnel by telling him to drive away from it.
  • Because You Were Nice to Me: Goomba/Toad, who Daisy saves while on fire, gives both her and Luigi Devolution rifles to defeat Koopa.
    • It's implied that Yoshi is regularly abused, but Daisy treated him kindly. The little dino later tries to defend her.
    • Although they are initially blackmailed into helping them, Iggy and Spike continue to assist the Mario Bros and Daisy because they were the only ones who appreciated their efforts.
  • Big Applesauce: Like quite a few other Mario adaptations, Mario and Luigi are Brooklyn-based New Yorkers.
  • Birth/Death Juxtaposition: Done with the death of Daisy's mother. As she is being killed by the cave-in, we cut to baby Daisy being "born" (hatching from an egg) in the church.
  • Blame Game:
    Koopa: Where's the rock?
    [Iggy and Spike look at each other in confusion]
    Iggy: Rock, sir?
    Koopa: The meteorite piece that she wears around her neck. I told you not to forget it!
    Spike: Oh, that rock!
    Iggy: (to Spike) I told you not to forget it!
    Koopa: (to Iggy) And I told you to remind him!
  • Body Horror: The fate of Daisy's father.
    • And Toad, who is forcibly turned into a Goomba.
  • Bond One-Liner: Luigi makes one in reference to Lena—"She sure makes an impression."
  • Brick Joke: Attempted pretty clumsily. It starts with King Koopa ordering a pizza about halfway through the movie. Later, as he's about to prepare his Goomba army, he wonders what's taking his pizza so long. Finally, as he has cornered the Mario brothers in the climax, he gets a phone call from the pizza joint that his pizza has arrived.
    • Done better with a pair of Funny Background Events: as soon as Mario and Luigi are trying to get their bearings around Koopa's city, a cyclist collides with a yellow car and is electrocuted. In one of the last scenes, before the final confrontation with Koopa, the same car can be seen with a skeleton on the hood.
  • Brooklyn Rage: From Mario. Luigi is considerably more mellow.
  • Captivity Harmonica: Toad, who is depicted as a street musician, plays one after he and the Mario Bros are arrested, and placed in giant cages. He even plays it after his de-evolution to a Goomba.
  • Card-Carrying Villain: When Mario and Luigi meet up with their "attorney," the attorney tells them that they don't want to meet Koopa, as he is "one evil, egg-sucking son of a snake." When it is revealed that Koopa was the person who acted as their attorney, Luigi expresses shock, to which Koopa then repeats the above description and asks "Did I lie?"
  • The Cameo: Lance Henriksen loves those plumbers, man.
  • Canon Foreigner: Anthony Scapelli and Lena (though Scapelli might be very loosely based on Foreman Spike). And Mario's girlfriend Daniella (who was based on Pauline, to the point where Pauline was her middle name).
  • Canon Immigrant: Not so much character-wise, but certain traits made it in the series proper, such as Princess Daisy depicted as a love interest to Luigi and the Mario Brothers' last names.
  • Composite Character: Daisy has Princess Peach's personality and looks with Daisy's name. Done because the writers felt "Toadstool" (the only other name available at the time) was "just weird".
    • In addition to Foreman Spike, some fans believe that Scapelli is based on Donkey Kong as well, due to his harassing Daisy at a construction site and his de-evolution into a monkey.
  • Clipped-Wing Angel: Koopa is de-evolved into a T-rex near the end, but easily de-evolved further into primordial slime.
  • Cool Car: The Koopa-Troopamobiles, aka the Dinohattan police cars.
  • Crapsack World: This is what happens when Blade Runner's setting is on shrooms (literally!).
    • Dialogue from Toad suggests that life wasn't always so bad, but things went to shit after Koopa took over.
  • Crowd Hockey: At the Boom Boom Bar, Lena and her soldiers try to take the meteorite necklace away. Mario and Luigi keep it away from her a couple of times by ducking through the crowd, but eventually she takes it from them.
  • Cut Short: The film obviously left room for a sequel in the ending, but any plans for a sequel were all but cancelled due to the bad reviews and sales for the movie.
  • Darker and Edgier: The "Mushroom Kingdom" is a Blade Runner-esque dystopia being slowly overtaken by sentient fungus. Goombas and Koopas are seven-foot-tall reptilian humanoids with tiny heads, and industrial-looking guns that shoot huge balls of fire are the film's answer to the Fire Flower.
  • Defiant to the End: Toad continues to rant at and badmouth Koopa as he is shoved into the Devo Chamber.
    "Our old king, you tried to get rid of him! But the king's everywhere! You can't get rid of him! EVER!!"
  • Delusions of Eloquence: Iggy and Spike.
  • Depraved Bisexual: Lena, according to Word of God.
  • Devolution Device: Koopa's Devo-Chamber, which he uses to create his Goombas. Near the end of the film, portable gun versions were created, which Koopa tests on Scapelli, turning him into a monkey. The Mario Bros. later use the devo guns on Koopa.
  • Disappointed In You: Koopa says this to Iggy and Spike when Lena informs him of their, in her words, "preaching your overthrow at the Boom Boom Bar".
  • Disaster Dominoes: Minor example. When the Goombas are distracted by Toad's harmonica playing, a frustrated Koopa punches one, causing the expected chain reaction.
  • Distracted by the Sexy: Luigi was calling their house to see if they have any messages. He has his eyes on Daisy while a message plays, where a guy fanatically tells them he's got a very huge flood, but he gives her the phone and turns it off.
    Mario: Any jobs?
    Luigi: Uh... no.
  • Doorstop Baby: Daisy.
  • Dumb Muscle: The entire point of the Goombas, as Koopa takes every opportunity to hammer in.
  • Dull Surprise: "Bob-omb!?"
  • Dumb Dinos: In general, while exceptions exist, the sapient dinosaur-people are more stupid, violent, and crude than their human counterparts.
  • Dystopia Is Hard: Seen in-universe as Koopa's motivation. His dictatorship mismanaged Dinohattan so terribly that the world is running out of resources, so he plans to leave everyone there behind while he takes over Earth.
  • Everything's Better with Dinosaurs: The popularity of dinosaurs with children in the '90s thanks to the "Dinosaur Renaissance" is thought to be the reason they were so integrated into the setting.
  • Everything's Better with Monkeys: Koopa turns minor antagonist Anthony Scapelli into one.
    Koopa (smiling): Monkey!
  • Evil Is Dumb: Iggy and Spike, after being made smarter through forced evolution, eventually join up with the Mario Brothers instead. It's implied from their statement to Daisy about being her father's most loyal supporters that their stupidity was probably the result of brainwashing by King Koopa.
    • And you can see it coming a mile away, from the moment Spike comes out of the machine.
      Spike: Ahh, our less-than-benevolent dictator!
  • Evolutionary Levels: The technology with which Koopa "evolves" or "de-evolves" both kinds of humans in the film. This technology was later weaponized as portable guns.
    • Interestingly, the shooting script for the movie avoids this by explaining that the technology doesn't reverse the evolutionary process; it's just a standard Transformation Ray that forcibly mutated (or, evolved) beings by triggering latent genes. Separate settings were meant to affect either an organism's physical or intellectual state.
  • Exact Words:
    Daisy: Lena, will you help me get out of here?
    Lena: Alright... (pulls out a knife) I'd love to get you out of here!
  • Expy: Daniella is based on Mario's first girlfriend Pauline, which is made even more obvious in the script, which reveals that Daniella's full name is "Daniella Pauline Verducci".
    • King Koopa himself is one for Dennis Hopper's memorable villain, Frank Booth.
    • Anthony Scapelli is based on Foreman Spike from Wrecking Crew, in that both are mean construction company bosses who are always trying to interfere with work of the Mario Bros.
  • Fakin' MacGuffin: Mario decides to bluff Koopa into thinking he has the meteorite necklace so Luigi has time to get the real one.
  • Fan Edit: A 20th anniversary one was made. It can be seen here, with details on what was altered here.
  • Fan Sequel: Courtesy of a webcomic. See below.
  • Fantastic Racism: Man, Koopa just cannot let that mammal thing go.
    • If the "throwback" line is any indication, Koopa also looks down on Yoshi and any other dinosaur who hadn't evolved.
  • Fungus Humongous: Taken to a literal level.
  • Genius Loci: Sometimes, the fungi drops weapons (like Bob-bomb) to aid Mario and Luigi.
  • Gone Horribly Right: After finally getting sick of Iggy and Spike's stupidity and incompetence, Koopa uses the Devo Chamber to vastly augment their intelligence before sending them out to the Koopahari Desert to recapture Mario and Luigi. However, Iggy and Spike are now smart enough to think for themselves and pull a Heel–Face Turn.
  • Green-Eyed Monster: Lena.
  • Groin Attack: Mario hands Luigi his boots by dropping them on his crotch.
  • Heel–Face Turn: Iggy and Spike.
    • They claimed to have always been the royal family's "loyal supporters", but who knows if it's true.
  • Hellish Pupils: Koopa's eyes revert to a dinosaur's pupils after he's briefly trapped in the evolution machine.
  • He's Got a Weapon!: "It's a BOB-OMB!" "HE'S GOT A BOB-OMB!"
  • Hoist by His Own Petard: Koopa is defeated with his own devo guns.
    • Also, Lena ends up literally fossilized by the very power she tried to use to merge dimensions.
  • I Choose to Stay: Daisy decides to stay in the other world to repair the damages caused by Koopa and leaves Luigi.
  • I Have You Now, My Pretty: Between Koopa and Daisy, though Lena gets in on it a bit as well.
  • If Jesus, Then Aliens: Luigi is presented this way at the beginning of the movie. His hobbies include weird tabloid magazines and bizarre mystery shows, and his mind is open to pretty much all of it. It's presumably the reason he so easily accepts the idea of an alternate dimension. This is echoed at the end when Mario comes around to his way of thinking after the unbelievable things they'd witnessed first-hand.
    Daisy: You gotta come with me, I need your help!
    Luigi: What's wrong?
    Daisy: You're never gonna believe this.
    Mario: I believe it!
    Luigi: You do?
    Mario: Oh, I believe.
  • In-Name-Only: How any fan of the games views this movie. In fact, it feels far more like an adaptation of David Icke's conspiracy theories than it does Super Mario Bros.
  • Ironic Echo: "See ya later, Alligator!"
  • It's All About Me: As Lena tries to kill Daisy:
    Daisy: Why are you doing this?
    Lena: Because everyone deserves what they've earned. And I've earned this!
  • It's Personal: Koopa grows to hate Mario after he's briefly put through the Devo Chamber. note 
  • Jump Scare: A surprisingly effective one when the Tyrannosaurus lunges out.
  • Kick the Dog: Koopa, in anger for making a bad impression on Daisy, kicks Yoshi.
    Koopa: Throwback!
  • Large Ham: Come on. Koopa is played by Dennis Hopper. Did we expect anything less?
    • Fiona Shaw's performance as Lena is pretty cold and understated... until she's trying to merge the dimensions. Then she reaches Rita Repulsa levels of hamminess. Of course, considering she had just been severely electrocuted, her new hamminess may be the result of having her mind fried.
  • Looping Lines: According to the post-production supervisor, Super Mario Bros. had the most ADR-looping of any film she had ever encountered.
  • Losing a Shoe in the Struggle: In the climatic battle against Koopa, Mario and Luigi lose their caps due to the strong beams from their devo guns.
  • Lost World: It's implied that dinosaurs have escaped from the parallel dimension into our world and humans into theirs throughout history.
  • Mage in Manhattan: Koopa's whole plan is to merge his dimension with ours so he can devolve everyone into monkeys and take over both worlds. He even temporarily teleports to Manhattan, but only manages to fire his de-evolution gun on the secondary antagonist before he's sucked back to the Mushroom Kingdom.
  • Male Gaze: Daisy's necklace dangling over Bertha's ample cleavage. Mario tries his best Leisure Suit Larry routine, but really, he's just desperate to get the crystal back.
  • Meat Moss: The King is slowly but surely strangling Dinohattan with his tendrils.
  • Merged Reality: Koopa wants to make this happen so he can take over the resulting merged world. It actually happens... until Luigi and Daisy manage to reverse it.
  • Military Coup: It is strongly implied that this was the method in which Koopa took control of Dinohattan.
  • Mook Lieutenant: Sergeant Simon, who first appears to be just a random Dinohattan desk sergeant but is given increasingly more important duties.
  • Mythology Gag:
    • Much like the fish's depiction in the Nintendo Comics System, the movie's Big Bertha develops a crush on Mario.
    • Luigi thought he was flying after running and jumping off the elevator shaft. Turned out a hook caught his overalls.
    • Near the beginning of the movie, the Mario Bros. pass by a store called "Mr. Video III", a reference to one of Mario's original names, "Mr. Video".
    • The barrels of the "Fry Guy" flamethrower guns look vaguely like red flower petals while they are obviously named after the enemy.
    • The cartridges which power the jump-boots (themselves a reference to the Bros.' incredible jumping ability in the games and visually modeled after Thwomps) resemble Bullet Bills.
    • Various bars/restaurants are named "Thwomp," "Bullet Bill's" and "Rex."
    • A guy is selling Tweeters in hot dog buns.
    • Koopa is officially a "president" in the film, but in Toad's song he snidely refers to him as the "evil 'King' Koopa."
  • A Nazi by Any Other Name: Brief moment when Simon passes another cop in the hallway, who raises his arm in a salute and says "Hail Koopa."
  • Never My Fault: Iggy blames Spike for getting the wrong girl, and for forgetting about the meteorite piece.
  • Nice Hat: Mario's red flat cap and Luigi's green baseball cap.
  • Noodle Incident: Iggy and Spike were the ones who kidnapped the Brooklyn girls (and one from Queens), because they mistake them to be Daisy.
    Spike: Wrong again. How many times we got it wrong?
    Iggy: You got it wrong 5 times.
  • No Ontological Inertia: The King suddenly turns back to normal without the need of re-evolution as soon as Koopa is defeated.
  • Off-the-Shelf FX: The de-evolution guns are just Super Scopes (the SNES' light gun) painted black.
  • Oh, Crap!: Subtle one for Koopa with Spike's first words after being evolved:
    Spike (toward Koopa): Ah! Our not-so-benevolent dictator!
  • Old Shame: Averted with John Leguizamo. Though he admits the movie isn't very good, he none the less has fond memories of working on it, says they all had a blast and was thrilled to get to work with Hoskins and Hopper. He also points out that even though the film wasn't great, the fact that people remember it 20 years later means it certainly left it's mark for better or worse.
    • Bob Hoskins however hated it and considered it the worst thing he had his name attached to. Part of the reason was his major dislike of the director.
  • Orphan's Plot Trinket: Princess Daisy wears a meteorite fragment around her neck that she never takes off since it was the only thing left with her when she was left in the human world. The meteorite fragment is the one thing Koopa needs to orchestrate his takeover of our world. Earlier scripts indicate the metallic egg was also necessary for Koopa's plan to merge the dimensions.
  • People's Republic of Tyranny: As evidenced by the various Vote Koopa posters, Dinohattan was at least officially a Democratic Republic. Unfortunately, Koopa, their current president, managed to remain in office via false elections.
    • Though King Toadstool and Princess Daisy point toward it originally being a Constitutional Monarchy, suggesting Koopa performed a coup against the ruling house and "reformed" the government to give him complete control.
  • The Pirates Who Don't Do Anything: One of the few Mario media that averts it and shows Mario and Luigi actually plumbing.
  • Politicians Kiss Babies: Some of Koopa's election posters show him doing this.
  • Power Fist: Lena wears brass knuckles in her final outfit, which she uses to shove a man aside by grabbing his face.
  • Pragmatic Adaptation: If you are going to adapt source material that cannot be adapted, then this is necessary.
  • President Evil: Koopa is largely referred to as President Koopa in the film.
  • Product Placement: The Bob-Omb has the Reebok logo on the bottom of its feet.
  • Promoted to Love Interest: Luigi and Daisy
  • Promotion to Parent: Was apparently the case with Mario and Luigi. Mario, being the older brother, having looked after Luigi since he was young.
    Luigi: Mario here brought me up. He's been my mother my whole life.
  • Railing Kill: Played straight, anytime a person is looking away from the railing, they're likely to fall over it for some reason.
  • Repetitive Name: Mario Mario (explaining why they're the Mario brothers).
  • Ret Canon: Luigi and Daisy as a couple; Daisy's only game appearance prior was in Super Mario Land, where Mario rescued her. Mario Tennis reintroduced her as Luigi's partner. Interestingly, the only reason Daisy is in the movie rather than Peach is because the filmmakers thought that Toadstool, Peach's American name at the time, was "too weird".
  • Running Gag: Koopa ordering pizza, which culminated in a cut scene of the delivery boy dancing on Koopa's de-evolved slime.
    • Luigi going the wrong way.
  • Scenery Porn: Dinohattan isn't exactly the most beautiful set in the history of film, but its design and construction is so well-thought out and elaborate that you don't even care.
  • Shackle Seat Trap: Koopa's devolution chamber has a chair that straps people in and forces them into the machine. Mario and Luigi later use this against Koopa by knocking him into the chair, briefly de-evolving him so they can escape.
  • Shipper on Deck: Luigi immediately likes Daisy, but he struggles to ask her out. Mario coaches him through it.
  • Shirtless Scene: While the brothers are in the Koopahari Desert, Luigi has his shirt off the majority of the time, providing some fanservice.
  • Smelly Skunk: A skunk appears in the brief animated portion of the opening credits for no reason.
  • Sssssnake Talk: Koopa and oddly, only in his first scene.
  • Spikes of Doom: The hallways of Koopa's tower are lined with these.
    • Dinohattan's inhabitants wear these as part of their clothing.
  • Star Scraper: This is how Dinohattan appears on Koopa's toy globe, surrounded by desert and nothing else.
  • The Starscream: Lena eventually became one of these nearing the second half of the film, when, after a failed attempt to get Koopa to reconsider focusing on Daisy, by deciding to achieve her goals to her end with the meteorite. Koopa caught on to it after she made the mistake of ordering the invasion under Koopa's word, but managed to retrieve the meteorite anyways after it was taken back.
  • The Stinger: A Japanese video game company is interested in producing something about... Iggy and Spike.
  • Stripped to the Bone: How Lena meets her end.
  • Stripperiffic: Some of Lena's outfits, as well as dancers at the Boom Boom bar in a scene that was cut from theatrical release. You can still see them in the background in some scenes.
  • Super Soldier: Koopa was attempting to create a new breed of soldiers by transforming the denizens of his universe into exaggerated mutations of their ancestral DNA.
  • Terrified of Germs: When Koopa first meets Mario and Luigi, he wipes his hand off with tissues after shaking their hands and even has one of his flunkies spray them with disinfectant. Taken Up to Eleven in a Deleted Scene when he devolves a lab technician into primordial ooze for sneezing.
  • Those Two Bad Guys: Iggy and Spike.
  • Tiny-Headed Behemoth: The Goombas were done this way. You know, the exact opposite of how they looked in the games.
  • Title Drop:
    Our Miraculous World Newscaster: I'd call them the Super Mario Bros..
  • Transformation Sequence: Kind of. After spending the first 2/3 of the movie wearing various outfits that have nothing to do with their traditional video game appearance, the Mario Brothers find red/blue and green/blue jumpsuits in a maintenance locker, followed by a dramatic reveal shot of them in costume, complete with caps and jump-boots.
  • Two Words: Added Emphasis: Mario uses this trope to emphasize "IM-POSSIBLE."
  • Tyrannosaurus rex: Koopa is descended from the T. rex and turns into one in the end. Yoshi also somewhat resembles a miniature tyrannosaur.
  • Vanilla Edition: The movie has only had three releases in the United States: one on VHS and two on DVD. The first DVD was released in 2003 and features nothing other than the movie and a horrible transfer that touts widescreen, but is actually a chopped fullscreen. The second DVD release came in 2010 and is the same exact movie, just with the logos re-arranged on the packaging. The upcoming Blu-Ray release will finally avert this.
  • "The Villain Sucks" Song: Toad gets himself arrested for singing one.
  • Weapon Stomp: Lena steps on the meteorite necklace as Mario and Luigi try to retrieve it.
  • Well-Intentioned Extremist: Koopa.
    Koopa: What I care about is the future of our species!
  • What Happened to the Mouse?: Quite a few important plot threads are left unresolved and would have been Left Hanging had they not been put on the sidelines by numerous script rewrites and reshoots. Namely, the parallel world is still slowly dying from lack of clean, renewable resources, Toad and innumerable prisoners are still de-evolved, and rival plumbers Mike and Doug never get their comeuppance. The King remaining a citywide fungus would have been this had Lance Henriksen not cameoed in a reshoot where his character returns to human form after Koopa's defeat.
    • Never revealed whether or not Scapelli changed back to human.
  • Writers Cannot Do Math: Spike, after being turned super-intelligent, asks Iggy what the square root of 26,481 is, while delivering the answer immediately: 191. The thing is, 191 is actually the square root of 36,481. Though whether this is the fault of the writers for doing math wrong, the fault of the actor for just messing up the first digit, or actually deliberate (likely to show that Iggy and Spike aren't too intelligent, or just that it hasn't kicked in yet) is up in the air.
  • Who Would Want to Watch Us?: In The Stinger.
  • Wouldn't Hit a Girl: Despite Luigi, Daisy, and the Brooklyn girls chasing Lena, none of them do a thing to stop her from trying to merge the dimensions.
  • Younger and Hipper: While most Mario media depicts Mario and Luigi as twin brothers, in this adaptation, Luigi is only in his early 20s, while Mario has been aged to his mid-40s.

    The Sequel Comic 
  • Adaptational Badass: The Marios are drawn less like 1990s Bob Hoskins and John Leguizamo, and more like badass 2010s action heroes.
  • Badass Longcoat: Toad wears a longcoat similar to the Goomba uniform.
  • Big Bad: Wart.
  • Co-Dragons: The villain is served by a male and female pair.
  • Darker and Edgier: So far the sequel is mostly drama and action, with little of the comedy and none of the slapstick heavily used in the film.
  • Desert Punk: Much of the story is set in the desert and sees the characters wearing desert-appropriate outfits.
  • Fan Sequel: The project began when the SMB Archive staff interviewed the film's writer and the discussion turned to the unproduced sequel.
  • Fingerless Gloves: Daisy can be seen wearing these in the story's opening. Mario, Luigi and Toad sport them as well.
  • The Multiverse: The Portal Creatures invade the parallel dimension from yet another universe.
  • Named by the Adaptation: While the Mushroom King was referred to as Bowser in supplementary materials, he was unnamed in the film. The comic goes with Reznor, a reference to the fortress boss from Super Mario World.
  • Portal Door: Daisy accidentally opens one in the ancient Portal-Guardian chamber.
  • Word of Dante: Invoked. Steven Applebaum and Ryan Hoss of the SMB Archive, the sole website devoted to the film, are scripting the story.
  • Word of God: Invoked. The story is based off ideas from original writer Parker Bennett, as well as backstory he and partner Terry Runté wrote that didn't make it into the film.