The BEMANI franchise is perhaps one of Konami's most expansive franchises. As a Rhythm Game franchise with over one hundred games (and that's without counting ports!) across thirteen different series, eight of which are currently active, it's no surprise that Konami's had to call upon not only licensed music to make their games succeed, but also commissioned and in-house talent.This is a page dedicated just to the groups and composers who provide the BEMANI series with original music. Not only do these musicians produce plenty of original tracks for the franchise, but some of these have gone on to produce their own albums, albums that contain not just long or full versions of songs from BEMANI games, but in some cases, original songs that have never appeared in a BEMANI title before.To gush about BEMANI music you like, see the corresponding Awesome Music page and its subpages.A more thorough list can be found on RemyWiki here.Entries are in alphabetical order of each artist's most commonly-used stage name, with their real name (if known) after the hyphen.
Individuals and Units with their own pages:
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96 — Daisuke KurosawaA key part of the GITADORA series, 96 also appears as guitarist in songs which were not composed by him. He has one album, called BLACK ALBUM.
AkhutaDebuting in jubeat saucer, little is known about him.
あさき (Asaki)A rock/metal musician, known prominently for his works in the GITADORA series. He has produced two albums, Shinkyoku and Tentei.
- all lowercase letters: His name is rendered as "asaki", in lowercase, in English-language games. Some of his songs ("uo hi ni nobori kagayoite") get this treatment too.
- Epic Rocking: The full version of "Tentei" lasts over 10 minutes. It was cut down to a more manageable 2 minutes for its Reflec Beat appearance.
- Large Ham: In the refrain for "Okome no oishii takikata...", he screams about rice and its nutritous benefits, before concluding with a subdued "Okome oishii!TL "
- Long Title: "Okome no oishii takikata, soshite okome wo taberu koto ni yoru sono kouka." Meaning "how to cook delicious rice, and the effect of eating rice".
- Mundane Made Awesome: the above rice-related song. Heavy metal with a Large Ham vocal... and it's a song about eating rice.
- Reclusive Artist: He does not appear to be fond of public appearances. There are very few photos of him in circulation, and he does not show up at BEMANI-related events. He doesn't even reveal his full name. In Private BEMANI Academy, he and his collaboration partner 96 are the only two participating musicians who use stand-ins rather than their actual faces - in particular, Asaki's is a Caucasian male who (presumably) looks nothing at all like him.
かめりあ (Camellia) — Masaya OyaA member of Alstroemeria Records, he has joined beatnation RHYZE.
- Final Boss: His song "Bangin' Burst" was first unveiled at the final round of the Sound Voltex championships at KAC 2013. It is considered one of the two hardest songs in the game.
- Spiritual Successor: 猫叉Master (self-described as having remarkably similar sound) meets Sota Fujimori (similar genre tendencies, being mainly electronic with a tendency to fade into Dubstep on occasion). He was Sota's pick to join beatnation RHYZE.
- Uncommon Time: The song "Konran Shoujo Soflan-chan!!" (混乱少女♥そふらんちゃん!!), as well as its title referring to sudden big BPM changes, skips between every uncommon time signature you can think of.
Des-ROW — Osamu Migitera
- Also known as: MTO, D-crew, positive MA, positive MAD-crew
DJ GenkiA member of HARDCORE TANO*C, he has contributed to the most recent beatmania IIDX games.
DJ Mass MAD Izm*
DJ Mass MAD Izm*A DJ infamous for producing scratch-heavy songs. He began composing for the series in the late 2000's, starting in beatmania IIDX 14 GOLD. He produced songs exclusively for IIDX, although he has not been seen since beatmania IIDX 19 Lincle in 2012.He has an album, I AM NOT A DJ.
- Gimmick Level:
- His songs are notorious for having copious amounts of scratches, not just in the tracks themselves but also in their IIDX charts. "Shakunetsu Beach Side Bunny", the One More Extra Stage of beatmania IIDX 18 Resort Anthem, is one of the most infamous examples; of the 1719 notes in its another chart, scratches make up 667 of these notes.
- In REFLEC BEAT, the aforementioned "Shakunetsu Beach Side Bunny" uses a large quantity of TOP notes; of the 843 notes on Hard, 325 of them are TOP notes.
- Sampling: One of his other schticks.
- Sequel Song: "Watch Out Pt.2", a collaboration between Izm* and DJ YOSHITAKA. It is significantly faster than the original "Watch Out!!".
- Signature Style: Scratches. Lots and lots of scratches. See Gimmick Level above for what this leads to when his songs appear in BEMANI games.
dj nagureo — Reo Nagumo
- Also known as: tiger YAMATO, reo nagumo
DJ Noriken — Kento OizumiMore info and tropes to come.
dj TAKA — Takayuki Ishikawa
- Also known as: D.J. Amuro, Lion MUSASHI, 金獅子 (Kinjishi)
- Animal Theme Naming: Lions. Lots and lots of lions.
- Lion MUSASHI.
- "Kinjishi", which means "golden lion".
- In MILITARY SPLASH, he along with other artists took up an alias based on an animal-related mech boss. TAKA's was - you guessed it - Lion.
- Final Boss / True Final Boss: Several of his songs are One More Extra Stage songs in IIDX, as well as the final unlock in some cross-series BEMANI events. Considering that he was a sound director for IIDX for much of the series' history, it makes sense. Specific examples:
- "Kakumei" in 7th Style, as a collaboration with Naoki.
- "quasar" in 9th Style, as a collaboration with TaQ.
- "One More Lovely" in 10th Style.
- "Mei" in Happy Sky, as a collaboration with Tatsh.
- "Nageki no Ki" in DistorteD's CARDINAL GATE Extra Stage system, under his Kinjishi alias.
- "Tenkuu no Yoake" in Lincle's Lincle Kingdom Extra Stage system.
- "Elemental Creation" in the multi-series Private BEMANI Academy event, as a collaboration with DJ YOSHITAKA.
- "IX" in the multi-series Nettou! BEMANI Stadium event, as a collaboration with DJ TOTTO.
- "Broken Sword" in PENDUAL's "Chrono Seeker" event, under his Kinjishi alias, this time with an artist known as Kirin.
- Goroawase Number: ".59" and its Sequel Song "G59" are read as "tengoku" (heaven) and "jigoku" (hell) respectively.
- Insistent Terminology: In the music notes for "THE SAFARI", his alter ego Lion MUSASHI insists that it be called "THE SAFARI", not just "SAFARI".
- Public Domain Soundtrack: "V" is a remix of part of "Winter" from The Four Seasons. Doesn't stop it from being one of the most loved tracks in BEMANI (and the series' original That One Boss, by virtue of being the first 12).
- Sequel Song:
- ".59" is followed by "G59". "G59" also serves as a sequel to "嘆きの樹".
- The Renaissance series of songs: "A", "AA", "F", and "ZZ".
- "rainbow guitar weeps" to "rainbow flyer".
DJ TECHNORCH — Yutaka YamashitaA hardcore music producer who has seven albums under his belt.
- Ascended Fan: He was first inspired to compose music by L.E.D.'s "HELL SCAPER", featured in one of the 5-key beatmania games. He later remixed it for DJ TROOPERS CS.
- Spiritual Successor: "Sol Cosine Job 2" from IIDX Tricoro takes a lot of musical cues from the same song, including the samples and gradual tempo change.
- Final Boss: Two. "KAMAITACHI" (final song of the IIDX GOLD CS Kaiden course, with GUHROOVY) and 888 (Dance Dance Revolution X2).
DJ TOTTO — Yoshihiro Tagawa
- Also known as: DJ Totoriott, 兎々 (Totto), 二代目朱雀 (Nidaime Suzaku)
- Ascended Fan: He plays IIDX himself and on Single Player he is at Kaiden rank, the highest dan rank in the game.
- Final Boss: of several Reflec Beat events. "Valanga" and "Chaplet" are two examples. He also produced "IX" with dj TAKA in the multi-series "Nettou! BEMANI Stadium" event.
- Signature Sound Effect: Like DJ YOSHITAKA before him, he uses the "Suzaku scream" in songs under his Nidaime Suzaku alias.
- Spiritual Successor: To DJ YOSHITAKA. He is a sound director of Reflec Beat, as Yoshitaka was, he took on the Suzaku alias from him (二代目朱雀 meaning "Second-Generation Suzaku"), and was chosen as part of beatnation RHYZE by Yoshitaka himself. He's even taken up the slack in terms of producing boss songs for the series.
DJ YOSHITAKA — Yoshitaka Nishimura
- Also known as: Lucky Vacuum, 朱雀 (Suzaku)
- Arc Number: Yoshitaka seems rather fond of making songs with a tempo of 185 BPM.
- Boss Battle: A large majority of his songs get Level 10 charts in jubeat and Level 10+ charts in REFLEC BEAT.
- Final Boss / True Final Boss: "MENDES" from IIDX DJ TROOPERS, "Himiko" from IIDX EMPRESS and "Almagest" from IIDX SIRIUS, each of which is the final One More Extra Stage of their respective games, all credit him (among others for Himiko and Almagest). He was also credited for "Elemental Creation" (with DJ TAKA), the final song of a cross-promotion event.
- Flanderization: Although he used to compose a variety of tracks—from hip hop to high speed boss song pieces—nowadays the only tracks he seems to compose anymore are the "Hard Renaissance" and "Trance Core" series of songs, and once in a long while, "happy" songs under his Lucky Vacuum alias.
- Guyliner: In his more recent appearances, he tends to wear eyeliner.
- Required Spinoff Crossover: Either he or someone at Konami is really fond of putting "FLOWER" or some arrangement thereof in every single BEMANI series.
- Sequel Song:
- "VALLIS-NERIA", to "JOMANDA". The IIDX video to the former confirms this.
- "Lisa-RICCIA" to "VALLIS-NERIA".
- Signature Sound Effect: All of the songs under the Suzaku alias contain a distinct overdriven guitar note. His successor, DJ TOTTO, also uses it when composing songs under his "Second-Generation Suzaku" alias.
- Signature Style: His "TRANCE CORE" and "HARD RENAISSANCE" series of songs.
- With Lyrics: Aside from the Try to Sing Ver. series of songs, he also rerecorded vocals for Ryu*'s "I'm so Happy".
GUHROOVY — Akira UchiboriOwner of the techno label of the same name. He often produces songs with L.E.D. Certain songs credited to him were also produced by fellow hardcore artist DJ CHUCKY.
- Final Boss: "KAMAITACHI", also featuring DJ TECHNORCH, is the final song of the Kaiden course on IIDX GOLD CS. The chart used in that appearance is considered a precursor to the Black Another charts.
- Hardcore Techno: Most of his contribution to BEMANI consists of this, especially Freeform / Speedcore.
HommarjuA hardcore music producer who is a regular in Sound Voltex contests. He is part of beatnation RHYZE.
- Ascended Fan: as most Sound Voltex contributors are. He takes his name from a misspelling of a track from long-time vocalist Sana's album.
- Iconic Item: His megaphone, which he is almost never seen without.
- Spiritual Successor: To kors k. He was chosen as part of beatnation RHYZE by kors k, having been part of his S 2 TB label for a while. He also produces a similar type of hardcore music.
Jimmy Weckl — Harumi UekoOne of the first composers for GITADORA, he continued producing output up to GF/DM XG2 in 2012. He retired from Konami soon after.
jun — Junko KarashimaHighly prominent in Dance Dance Revolution for a long time, she left along with NAOKI in 2013.
kors k — Kosuke Saito
- Also known as: teranoid, StripE, disconation, Eagle
- Contest Winner Cameo: His first appearance was this.
- Dubstep: He's definitely slipping into this with Eagle's latest songs "S!ck" and "Hypersonik".
- I Have Many Names: Justified – he has used several aliases to avoid being pigeonholed into one style of music.
- Sampling: Heavily used in his work. He has made at least two tracks ("The Sampling Paradise" and "S!ck") whose gimmick is being made up mostly of samples previously used in kors k songs.
- Self-Parody: He made one of the title of his Let's Do It Now!! album:
- Sequel Song: "smooooch ・∀・" to "SigSig", which was then followed by "Wuv U" and "Flip Flap".
- Signature Sound Effect: His favourite sample seems to be "1,2,3,4,5,6, do it!" given the number of times it's appeared in his tracks (especially works credited to Eagle).
- Signature Style: teranoid was known for Hardcore Techno. kors k has developed another style in the CANDY RAVE series, starting with SigSig.
L.E.D. — Toshiyuki Kakuta
- Also known as: L.E.D.-G, T.Kakuta
- Caps Lock: A lot of his English song names are in all caps. Examples include "THE EARTH LIGHT", "OUTER LIMITS", "WONDER WALKER", and "BLUE STRAGGLER".
- Gimmick Level: One of "STELLAR WIND"'s gimmicks is that in two of the BEMANI games it appears in, its two most difficult charts will be extremely similar to each other:
- jubeat: The Extreme chart is just the Advanced chart turned 90 degrees counterclockwise and with one less note.
- Reflec Beat: The Special chart is the Hard chart with many Top notes—particularly those that fall on the kick—replaced by Vertical notes.
- Sequel Song: His Denjin Jaeger song series.
- Signature Sound Effect: A very large number of his songs open with a "fading-in cymbal" for some reason.
- Signature Style: Several of his "hard dance" songs have very similar chord progressions.
- Theme Naming: He seems to name a lot of his more hardcore tracks after Biblical beings. "GALGALIM", "DOMINION" and "EXUSIA" all refer to ranks of angels, and "THE FALLEN" can also be taken to mean the Fallen Angels, among whom is Satan. "NEPHILIM DELTA" refers to the proto-humans who existed before the Flood.
- Also known as: moimoi, MM, senya (as part of Yuuhei Satellite)
MC Natsack — K. ShiraishiProvided lyrics for a couple of teranoid songs.
- The Unintelligible: It's still up for debate what he's saying in "gigadelic" even over a decade later.
Mr.T — Tomoyuki Uchida
- Also known as: ucchie
- Also known as: 泉 陸奥彦
NAOKI — Naoki Maeda
- Also known as: 180, 190, 200, DE-SIRE, Ω, RevenG/Re-Venge/Reven-G, NAOKI Underground, N.M.R., UZI-LAY, etc.
- Boss Battle: Produced a lot of boss songs for the series—most of the PARANOiA series and the MAX series, just to name a few examples.
- I Have Many Names: Go here and just count how many alias he uses, not counting his "feat. <singer>" aliases.
- Obsession Song: "DESTINY" featuring Paula Terry.
- Sequel Song:
- "Brilliant 2U" -> "B4U"
- The trilogy "CAN'T STOP FALLING IN LOVE" -> "BROKEN MY HEART" -> "LOVE AGAIN TONIGHT".
- Significant Anagram: "NAOKI M" is an anagram for "KONAMI".
猫叉Master (Nekomata Master) — Naoyuki Sato
- Also known as: 猫叉Master+
OSTER projectOSTER project is a prominent Vocaloid artist who has also joined the beatnation RHYZE team.
- Ambiguous Gender: Known as FutanariP in her early days and refused to reveal her gender in order to be taken seriously from the beginning.
- Ascended Fan: She herself plays IIDX and credits the series for influencing her early music career.
- Smurfette Principle: The only female member of the beatnation RHYZE team, and only the second prominent female BEMANI composer, after jun. She only became one of the regulars after jun left.
PHQUASE — Takahiro FukaseKnown in Sound Voltex for producing charts and effects for the best known boss songs in the game. He produces his own songs too.
- Final Boss: In a strange sort of way. He wrote the charts for both Max Burning!! and For UltraPlayers. Composed his own final boss song, "onslaught", in Reflec Beat.
- Small Role, Big Impact: We'd seemingly never have heard of his BEMANI work if the "effectors" (people who make charts) weren't credited in SDVX.
Qrispy Joybox / MAX MAXIMIZER
Qrispy Joybox / MAX MAXIMIZER — Tatsuya IyamaFormer sound director for the Reflec Beat series. His two main aliases could not be any more different: Qrispy Joybox produces light and fuzzy tracks, whereas MAX MAXIMIZER is known for hardcore, aggressive music.
- Altum Videtur: MAX MAXIMIZER songs "STULTI", "HAERETICUS", "ARACHNE" and "CLAMARE".
- Boss Fight / Final Boss: MAX MAXIMIZER songs all have Hard 10+ charts on Reflec Beat. "CLAMARE" is the final boss of Colette -All Seasons-, and has the hardest difficulty spread in the game (6/9/10+). It is also the ending song of Reflec Beat's REFLEC DOJO final course.
- In the Hood: MAX MAXIMIZER is shown wearing a hood in the Private Bemani Academy PV.
- In the Name of the Moon / Badass Creed: "My name is MAX MAXIMIZER... the last guardian of corruption and despair."
- Lucky Charms Title: "Starry ☆ night"
- Mood Whiplash: Play a Qrispy Joybox song followed by a MAX MAXIMIZER song. It's hard to believe they're the same person.
- Sliding Scale of Shiny Versus Gritty: Seen through the song jackets (compare "printemps" or "Colorful Minutes" to "ARACHNE" or "HAERETICUS").
Remo-con — Tetsuya TamuraMore info and tropes to come.
RoughSketch — Shohei Uno
- Also known as: uno(IOSYS)
Ryu☆ — Ryutaro Nakahara
- Also known as: 青龍 (Seiryu), 雷龍 (Rairyu), HHH
- Arc Number: 191. Every single non-collaborative 青龍 song runs at exactly 191 BPM.
- Boss Fight
- Call Back: "BLUE DRAGON(雷龍REMIX)" contains samples used in most of the major 青龍 and 雷龍 songs up to that point ("waxing and wanding", "Time to Air", "3y3s" and "Thunderbolt").
- Contest Winner Cameo: His first BEMANI song, "starmine", appeared in IIDX 4th style as this, along with kors k's debut.
- Dragons Up the Yin Yang: Naturally, if your name starts with Ryu, you're going to base a lot of your motifs around Eastern dragons. His main alternative alias, 青龍, is one of The Four Gods, no less. The jacket for "中華急行" ("China Express") also contains this.
- Album artwork for the 青龍 album combines this with Humongous Mecha.
- Letters 2 Numbers / Leet Lingo: "3y3s", which is ostensibly meant to be read as "eyes".
- Required Spinoff Crossover: Many BEMANI series end up getting "Second Heaven" and "I'm so Happy" in some form.
- Sampling: Most of his songs do this a lot, with 青龍 and 雷龍 songs featuring it most heavily.
- The song "Do it!! Do it!!" was built around a couple of samples, one of which is the one named in the title.
- Shout-Out: In the song production information for "Second Heaven", he references Cascada's "Everytime We Touch". The two songs were then introduced to the same Dance Dance Revolution game (X2).
- Signature Style: "DANCE SPEED" as 青龍; "HAPPY HARDCORE" otherwise.
S-C-U — Shigeharu Saeki
- Also known as: ショッチョー (Shoccho)
- Ascended Extra: Started out playing backing instruments for the unloved licensed covers in GITADORA. He's now the sound director of one of the better liked BEMANI series, and appears in many other series too.
S.S.D. — Arata IiyoshiStarted with Beatmania IIDX, He composed several tracks for IIDX, Pop'n music and REFLEC BEAT. Outside of Konami he also helped composed music for Super Smash Bros. Brawl and Pokemon Mystery Dungeon.
- Also known as: V.C.O., world sequence
SLAKE — Takehiko Fujii
- Also known as: SPARKER, CALF, DEPROGRAM MAN
- Also known as: dj MAX STEROID, SystemSF/SySF, Expander
- Ascended Fan: Gradius is his favorite game, and is what inspired him to start composing music. Taken to its conclusion when he produced "GRADIUS 2012", a medley of tracks from the original Gradius.
- Dubstep: Becoming increasingly common. "WOBBLE IMPACT" and his tricoro menu BGM are two such examples.
- Sequel Song: "ANDROMEDA II" is a sequel to, pretty obviously, "ANDROMEDA".
- Signature Style: Sota specializes in using synthesizers, to the point where he even makes this quip regarding "100% minimoo-G":"I'm Sota, and I love synthesizers more than girls or having three meals a day♪"
- Synth Pop: Has composed songs a Trace Pop style such as Look To the Sky and Star Gate Heaven
- Theme Naming: Two of his songs, "ANDROMEDA" and "100% minimoo-G", are named after the synthesisers they were recorded on (an Alesis Andromeda and a Mimimoog).
- Uncommon Time: "100% minimoo-G"'s time signature is so ambiguous that IIDX doesn't bother to have measure lines for it.
TAG — Yasuhiro Taguchi
- Also known as: SUPER STAR -満- MITSURU, CAPACITY GATE, TAG Underground
- Department of Redundancy Department: "満" is simply read as "Mitsuru".
- Ending Theme: Composed the ending theme for beatmania IIDX 16 EMPRESS, "THANK YOU FOR PLAYING", which is also a playable song, complete with EMPRESS's credits in the video.
- Final Exam Boss: For DDR, he created "PARANOiA Revolution", whose Expert chart is a mashup of several previous DDR charts.
- Grand Finale: "SA.YO.NA.RA SUPER STAR". As the title (and its genre, "ONLY ONE FINALE"), imply, it is his last song under the SUPER STAR MITSURU alias.
- Gratuitous Chinese: In The Stinger of "SA.YO.NA.RA SUPER STAR".
- Large Ham
- Lighter and Softer: Of "London EVOLVED"'s three versions, version C has an ending that is "happier" than the other two versions' and would not sound out of place in a song under his SUPER STAR MITSURU alias.
- Darker and Edgier: In contrast, version B takes a darker turn, speeding up to 210 BPM and changing completely from a melodic standpoint.
- Sampling: In Sound Voltex, "KHAMEN BREAK"'s (composed by TAG) INFINITE chart plays samples from TAG's "POSSESSION" and "She is my wife".
- Signature Line: "She is...my wife!"
- Silly Love Songs: "She is my wife" seems to start off as one, but as he drops the title, the song doubles in tempo and turns into a high-speed dance piece.
- Theme Naming: In IIDX, his MITSURU songs all carry the "ONLY ONE ____" genre format.
- With Lyrics: "Diamond Dust", "UNLIMITED FIRE", "Cosmic Hurricane", and "LIGHTNING THUNDERBOLT" have vocal versions – all sung by DJ YOSHITAKA, except the latter, which is sung by DJ TOTTO. Amusingly, all four songs are credited to "TAG rejected by DJ YOSHITAKA / DJ TOTTO".
Tatsh — Tatsuya Shimizu
- Also known as: dj Killer, DJ MURASAME, Persona, 世阿弥 (Xeami/Zeami)
- Chromatic Arrangement: His "Eyes" songs in Cytus: "Red Eyes", "Green Eyes", and "Blue Eyes".
- Gimmick Level: His IIDX songs under his DJ MURASAME alias are known for having multiple parts split by chart or play mode:
- "Scripted Connection⇛" has three parts: the first was originally playable on Normal difficulty, the second on Hyper, and the third on Another. All three parts got their own full sets of charts in GOLD.
- "ANTHEM LANDING", the Extra Stage of Resort Anthem, as well as "SHADE", the Extra Stage of Lincle, do the same. However, both songs have yet to be split into three different song entries.
- "仮想空間の旅人たち" ("Kasoukuukan no tabibitotachi", officially translated as "The Travelers of Virtual Space") is split into two parts, the former half playable on Single Play and the latter half playable on Double Play.
- Marathon Level: He has the only "long version" IIDX song in the entire series, "Scripted Connection⇒ long mix". It is the entire 5-minute 36-second song in one chart.
- Perspective Flip: "24th Century BOY", according to Word of God, is "RED ZONE" from the perspective of one of the girls in the video.
- Sequel Song: "reunion" to "Xepher", and "24th Century BOY" to "RED ZONE".
- Spell My Name with an "S": Tatsh can't seem to decide whether to romanize 世阿弥 as "Zeami" or "Xeami".
Togo project — Hiroyuki Togo
- Also known as: Togo-chef, Bongo Mango
TOMOSUKE — Tomosuke Funaki
- Also known as: Zektbach, Orange Lounge, 黒猫ダンジョン (Kuroneko Dungeon), Dormir (with vocalist crimm)
- Ominous Latin Chanting: Ominous chanting, in other languages as well as Latin, is rife in Zektbach songs.
- Required Spinoff Crossover: His song "Rin to shite saku hana no gotoku" (凛として咲く花の如く) (Nadeshiko Rock) was the first to be crossed over to every single BEMANI series.
- True Final Boss: Composed and arranged the TFB, "Almagest", in SIRIUS with DJ YOSHITAKA.
U1-ASAMi — Yuichi Asami
- Also known as: 2MB
- Catch Phrase: "Why do you need KONAMI original songs...?" (in English) as 2MB.
- Final Boss / True Final Boss: As 2MB, he produced several boss songs for DDR, which players still dread to this day. In fact, "MAX. (period)" was initially intended to be the True Final Boss of the entire DDR series, and it holds up pretty well.
- Goroawase Number: "U1" is read as yuichi, as in his given name.
Vivian — Yasunori NishikiMore info and tropes to come.
wac — Jun Wakita
- Also known as: DJ. W, 少年ラジオ, virkato, among others...
- Bunny-Ears Lawyer: Is almost always shown wearing a cat mask in his public appearances.
- Call Back: The long version of "neu" contains a three minute montage of clips from previous wac songs.
- Epic Rocking: Several.
- Naturally, being written as classical pieces, all virkato tracks are this in their full versions.
- neu usually lasts seven minutes (as the three difficulties make up one longer song). The version on the "ongaku" album, however, lasts 12 minutes, including samples from 50 other wac songs, plus its sequel song, uen, before returning to the main song for the ending.
- The Faceless: Wears the above cat mask most of the time.
- Hidden Track: At the end of the long version of "neu", the final track of wac's Ongaku album, if you wait about 30 seconds, the long version of "uen" will start.
- I Don't Know Mortal Kombat: At JAEPO 2013, he played one of his own songs, "Ongaku", on pop'n's EX difficulty. "Ongaku" on EX is rated at level 50, the highest difficulty rating in pop'n music. His attempt ended in utter failure.
- I Have Many Names: Uses several different aliases, with his so-called "main" alias only being credited in ten BEMANI songs since his debut.
- Sdrawkcab Name: "uen", the remix / Sequel Song to "neu".
- Stellar Name: His songs tend to have this. Balance of Asteria, stray march, Spica, Regulus, and Scorpion Fire, and Waltz of the Big Dogs refer to constellations or stars, and Ganymede and moon_child refer to moons. Not all his songs have this though.
- Team Pet: Described as the "mascot" of the pop'n music series in the credits for Lapistoria.
- Variable Mix: "neu" and "音楽" both vary between difficulties, with neu being the most noticeable - it's three parts of one 7-minute song, not unlike "Scripted Connection" in IIDX.
Waldeus vön Dovjak
Waldeus vön Dovjak — Junichiro Kaneda
- Also known as: J_KANE
- As Long as It Sounds Foreign: Or, at least, like a famous foreign composer's name.
- Boss Battle: Composed the first ever 43 (at the time the highest difficulty rating) in an arcade release of pop'n music, "GALAXY FOREST 11,6&12".
- Public Domain Soundtrack: The CLASSIC series, which is made up of medleys of classical music.
A collaboration between Ryu☆ and Starving Trancer. Some of their songs include "800nm" and "Fly you to the star".
Be For U
BeForUA J-pop unit formed by Naoki Maeda in 2001, out of four contest winners: Riyu Kosaka, Noria Shiraishi, Yoma Komatsu, and Shiyuna Maehaea. Unfortunately, the group had some troubles along the way, necessiating the need for two group reboots and eventual retirement of the group.
度胸兄弟 (Dokyou Kyoudai)A name for collaborations between L.E.D. and wac. The Dokyou Kyoudai (Courage Brothers) are also boss characters in beatmania IIDX.
PrimA collaboration between L.E.D. and Mayumi Morinaga for producing happy hardcore songs with high-pitched vocals.
TËЯRAA duet group consisting of NAOKI who composes the music and Junko Karashima who does vocals. Their music appears in all of Konami's music sims and is generally of the rock and J-Pop genres. Following how their name is stylized, most of their English titled tracks are often stylized in a similar manner.
VENUSA duet consisting of DJ YOSHITAKA and Sota Fujimori, the former doing vocals and the latter composing the track. They are perhaps best known for their songs' album art, which tend to have Homoerotic Subtext, as well as the songs themselves, which tend to come off as romance songs.Their songs debut in REFLEC BEAT, with the exception of "Brand New World", which debuted in pop'n music instead. Furthermore, in pop'n, there is a character (duo) based off of VENUS.In addition to original songs, they also cover a few licensed songs.VENUS released their first mini-album, ZEUS, on October 23, 2013, alongside volume 2 of the REFLEC BEAT colette original soundtrack. It includes extended versions of their original songs, instrumental versions of those and their cover of "1/3 no Junjou na Kanjou".
- Audience Participation Song: "FUJIMORI -祭- FESTIVAL" is one of these when played live, with the crowd calling out the vocal samples.
- Catch Phrase:
- "ウィザウチュナイ" (wizauchunai), which is meant to mean "Without You Tonight" (as implied in the lyrics to "Survival Games" and the genre of pop'n music song "Brand New World", which is "Without You Tonight"), but it ends up sounding more like "Without You Night" or "Without Tonight".
- There's also "Wow Wow VENUS".
- Cover Version: "Choo Choo TRAIN -VENUS mix-", "1/3 no Junjou na Kanjou" (the original of which is known as a Rurouni Kenshin opening theme), and "Mikazuki".
- Department of Redundancy Department:
- The kanji in "FUJIMORI -祭- FESTIVAL", which is read as matsuri, simply means "festival".
- The first line from the refrain of "Brand New World":Koi o shiteiru kara kimi ga suki da kara (I am in love so that's why I love you)
- Gender Flip: Of the "Men are from Mars, Women are from Venus" concept.
- Gratuitous Foreign Language:
- Gratuitous English: Very frequently in their songs. See Catch Phrase above.
- In Popn Music, all of their songs after Brand New World have Roman numerals in their genres. Each genre's numeral is read in a different language:
- Homoerotic Subtext
- Lucky Charms Title: "Chu☆Chu☆Tonight".
- Male Gaze: In the album art for "Wow Wow VENUS"◊, Yoshitaka seems to be looking at Sota's crotch.
- Mr. Fanservice: The Duet.
- Shirtless Scene: In the album art for "Survival Games", Yoshitaka and Sota pose topless.
- Singer Namedrop: "Wow Wow VENUS".Wow Wow VENUS, bokutachi VENUS
Wow Wow VENUS, kimitachi VENUS
Wow Wow VENUS, hitori ja JESUS
Wow Wow VENUS, futari de VENUS
- Something Completely Different: While most VENUS songs are well-known for DJ YOSHITAKA's vocals, "Squeeze" is an instrumental song, with all of three lines, all of which are samples ("I don't know how to fly" from "HAERETICUS", "Yeah! Yeah!" from "Brand New World", and "VENUS!" from "Wow Wow VENUS").
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