"Established, popular characters? Check. Reinterpretation of a beloved, classic storyline? Check. Stretched-out presentation of the same? Check. Helmed by a popular creator of original works in his own right? Check. Updated characterizations that sometimes toy with the original creator's personas? Check. A bigger, more contemplative/brooding/generally 'big' tone? Check. Yeah, it's an Ultimate book, at least as we know them now."A kind of "reboot" designed to create an Adaptation Distillation effect in the same medium as the original. Said adaptation will usually incorporate bits of plot and design from each previous incarnation, but is overall a standalone world/story that can be understood by newcomers. A more specific and very deliberate form of Alternate Continuity. Extremely common in Retooled Cross Overs, as this allows a more precise meshing of plots than a Retcon may allow. They may usually contain several Mythology Gags, referencing things from the original work (either as a remake of popular plots or circumstances, or as a mere detail that the fans may notice and the new readers may not even notice as such). If both universes are being used, the original and the ultimate, the ultimate universe may take more liberties than the original: for example, an important character may be Killed Off for Real, because Status Quo Is God only at the original universe. Named for the Marvel Comics "Ultimate Marvel" line, which sought to update and streamline decades of continuity with a reboot but without canceling out the original storyline. Most superheroes under the "Ultimate" umbrella brand are given reboots of their own, but on a smaller scale — Spider-Man's 'radioactive spider' origin story was replaced with an updated 'genetically engineered spider' version. The "Ultimate" line, it should be noted, was intended to present Marvel's flagship characters to a new, modern audience; the rationale behind the quasi-reboot was that new readers to those series would be lost when confronted with nearly 30 years of backstory (though after ten years and running, Ultimate Marvel is developing quite a backstory of its own). Fan Fiction writers frequently do this in Alternate Universe Fics, essentially rebooting the mythos to incorporate their own ideas, Fanon, and other material.
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Anime and Manga
- R.O.D the TV: Mainly retooled the Read Or Dream manga's basic story to fit into the storyline done in the Read or Die OAV.
- Bubblegum Crisis: Tokyo 2040 is a deep reboot of the classic anime OAV series Bubblegum Crisis. However, so many changes were made, from character designs to backstory to the overall plot, complete with a pseudo-Gainax Ending, that most fans of the original series were rather unimpressed with the end product.
- This was essentially the hook of the Alternate Universe series of Mobile Suit Gundam. As a result, Mobile Suit Gundam has seven of these! (G Gundam, Gundam Wing, Gundam X, Turn A Gundam, Gundam SEED, Gundam 00, Gundam AGE).
- SEED is a more explicit example, as it bears a lot of similarities to the original series and is sometimes called "21st Century First Gundam" by Sunrise* .
- You can generally tell which series are examples by how big the focus is on their respective GUNPLA line. Seed and 00 have entire separate lines dedicated to them, making them stand out even more as reboot series.
- There was also For The Barrel, an obscure Light Novel-styled story featured in Newtype magazine with radically redesigned characters and mecha.
- Naoki Urasawa, creator of Monster, did this for Astro Boy with Pluto. One reviewer explicitly compares it to Ultimate Marvel (see page quote). The 2003 animated series also arguably qualifies, as it took many of the unrelated storylines from the largely continuity-free classic manga and wove them together into a cohesive story-arc.
- The Tenchi Muyo! OVAs have two: Tenchi Universe, which has all the main characters and more or less a basic outlining of their backgrounds, plus another character and the same Big Bad, and Tenchi in Tokyo, with pretty much the main characters in the latter.
- Go Nagai's Devilman series possibly qualifies - there's a comic series, 1970s anime TV series, and three linked OVAs released between 1987 and 2000; each one of them retells the same events but in an updated, refined, condensed way. And, of course, there's Devilman Lady, which is something of a combined ultimate edition, Stealth Sequel and full-on reboot...
- Negima! neo, which is based on the anime based on the manga.
- This is Hideaki Anno's stated intention with Rebuild of Evangelion. However, there is evidence to suggest it may also be a Stealth Sequel to the original series as well.
- Ghost in the Shell: Almost every adaptation is this, usually taking a darker and more realistic approach to the manga and its themes.
- As mentioned above, Marvel Comics' Ultimate Marvel is the Trope Namer, as it's the Ultimate Universe version of the normal Marvel Universe.
- The DC Comics "All-Star" line, which had the All-Star Superman and All-Star Batman & Robin, the Boy Wonder miniseries (with future projects based on Wonder Woman, Batgirl, and possibly the Flash), is a form of this. The series aren't supposed to take place in any particular continuity (although All-Star Batman and Robin does supposedly take place in the same continuity as Frank Miller's other Batman stories), and are supposed to be a concentration of what makes those characters special. As well, Justice is basically All-Star Super Friends, even if it couldn't legally be called that.
- The three series of trade-paperbacks Batman: Earth One, Superman: Earth One and Teen Titans Earth One are following the Ultimate Marvel formula more closely than the All-Star line, intending to be a modern reboot in a new continuity rather than mini-series written outside of continuity.
- As of March 2014, there will be a Wonder Woman: Earth One coming.
- The New 52 relaunch also has some of this, but confusingly not always. Some series are just continuations of old series with renumbered issues while others are complete reboots or retellings. Can be quite confusing to tell which is which at times. Ironic, as the whole point of the New 52 was to make things less confusing for new readers.
- Devil's Due productions attempted this with G.I. Joe Reloaded.
- IDW Publishing's Transformers Generation 1 material, but this can be said of damn near all modern Transformers material.
- Teenage Mutant Ninja Turtles IDW has taken it upon itself to become this, introducing characters and concepts from different incarnations of the property and blending them together.
- Paperinik New Adventures, which ran from 1996 to 2001, got this treatment in the form of the less-acclaimed PK, that ended in 2005.
- The Multiversity:
- The aim of Thunderworld is to be this in regards to Shazam.
- Earth-7 was this to the Major Comics characters of Earth-8.
- Mega Man: Defender of the Human Race is one for the Mega Man cartoon and the games; it combines them while adding original characters and plot developments.
- Mega Man Reawakened takes elements from every version of Mega Man to create an original universe.
- Mega Man Recut is one for the cartoon and the games, with every Robot Master set to appear and a heavily layered plot.
- Child Of The Storm is an odd, crossover based variant of this - it distils various Marvel and DC continuities into a mix featuring HarryPotter and The Dresden Files and Marvel Cinematic Universe (the latter is essentially taking the films as a basis and incorporating comics based material) and putting a whole bunch of personal top spin to create an entirely original merged universe.
- Voltalia's Gemstone Saga is supposed to be this for Steven Universe, combining elements of the original universe with new characters, new settings, and most importantly new plots.
- The Star Trek films headed by J. J. Abrams and his team are established by the man himself as taking place in an entirely new timeline from the rest of the franchise, created inadvertently by Nero and old-Spock. As such, viewers can sit back and watch some familiar dynamics (the Kirk-Spock-McCoy friendship); some new ones (such as the Spock/ Uhura relationship); and entirely new fates for Captain Pike, Carol Marcus, and Khan, etc.—without taking offense at any violations of canon. Fans have taken to calling this "The JJ-verse" or "AOS" (Alternate Original Series).
- The sequels to 2001: A Space Odyssey are all set in the universe established in the film version (the mission terminates at Saturn in the novel, at Jupiter in the film), but each one is set in a somewhat divergent universe that does not necessarily take all events of the previous novel(s) into account. Thus 2061 diverges from and ignores the epilogue of 2010, and 3001 glosses over several major implications described in the three previous novels. Clarke stated in the introductions to all three sequels that this was deliberate.
- Several campaigns by RPGA managed to receive the Ultimate treatment following their original publisher's demise. To wit, "Living City" became "Living Planar," "Living Greyhawk" evolved into "Blackmoor," and "Living Death" turned into "Fellowship of the White Star."
- White Wolf's New World of Darkness is an Ultimate Spiritual Successor of the Old World of Darkness, created to tighten focus, tweak rules mechanics, standardize rules between different gamelines, and replace a metaplot continuity that in just a little over a decade had become as convoluted and incomprehensible as any comic book universe with a more ambiguous, optional, and largely more internally consistent one.
- Another White Wolf product, Exalted, is given this treatment in the third edition, with the map redrawn and multiple new types of Exalt appearing.
- Super Robot Wars Original Generation does this with EVERY universe and storyline from previous titles, making one streamlined plot out of all original characters. This is especially interesting, as the games are already a Massive Multiplayer Crossover Adaptation Distillation of many diverse Humongous Mecha anime.
- Played straight twice: not only is Original Generation an attempt to blend all originals into one cohesive storyline, but it got a Continuity Reboot. Originally started on the Gameboy Advance, a Video Game Remake on the PlayStation 2 entitled Original Generations tweaked the storylines and certain character personalities to make more sense, while adding new scenarios, units and characters from other Super Robot Wars (even some from obscure titles, such as Great Battle IV). It's not as major a reboot as many other examples here, but it IS the Ultimate Universe for developer Banpresto.
- DmC: Devil May Cry falls right into this, much to the dismay of fans. It streamlines many elements from the Devil May Cry series' convoluted story while adding original wrinkles, such as making Dante's mother a literal Angel. It also brings back a fan favorite Vergil ,who was Killed Off for Real in the original series in the First game through a Retcon in the Third.
- The cancelled "Maverick Hunter" game by Armature Studio would have been this to the Mega Man X franchise, featuring a new realistic design for X, a supposedly darker storyline, and a Bruce-Willisesq human partner.
- Sonic Boom, as well as its follow-up cartoon, serve as this for the Sonic franchise to give Sega room to experiment in a new continuity while still being close to the original.
- The world of Yu Gi Oh BAM combines characters, story, and settings from the first three Yu-Gi-Oh anime.
- Dumbing of Age is basically a reboot of Roomies!, minus the Mundane Fantastic that eventually took over the strip and plus the hundreds of characters created since then.
- The Japanese Beetle went through this in 2003, retelling stories from its 1998 origin in more modern style. Word of God later admitted that this was exactly what he was going for.
- G.I. Joe: Renegades may be this in regards to the G.I. Joe franchise.
- Transformers Prime as well for the Transformers franchise. It is part of the Transformers Aligned Universe, which exists entirely outside the Transformers multiverse.
- ThunderCats (2011), which functions as a darker, more dramatic take on the original Thunder Cats, showing the more realistic aspects of the war between the cats and the lizards, as well as the culture of the main characters.