A 2009 film directed by Guy Ritchie, and starring Robert Downey, Jr., Jude Law, Rachel McAdams, and Mark Strong, that updates (or maybe restores) Holmes and Watson as thinking men of action. A sequel, A Game of Shadows, was released in December of 2011. Both films are known for their humor and for using modern-day action film techniques.When Holmes (Downey) and Watson (Law) interrupt a dark occult ritual and save a woman from being sacrificed, they find that the culprit is Lord Henry Blackwood (Strong). He's already killed five women in a similar manner and, before he is hanged, he claims to Holmes that he will kill three more times after his death.Soon, Blackwood's tomb is found destroyed and his body is missing, sparking rumors that he has risen from the dead. Holmes has other problems, as well: Watson is getting married and is moving out, making the Blackwood case their last case together, and Irene Adler has shown up to hire Holmes for her mysterious employer.A sequel in 2011 subtitled A Game of Shadows introduces Professor James Moriarty, a mathematician, former boxer and criminal mastermind behind a web of mysterious deaths and terrorist attacks across Europe. Holmes sets out to find out what he's up to but discovers Moriarty's mind is a match for his own, and a battle of wits across the continent begins as the two try to outsmart each other.
This franchise provides examples of the following tropes:
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Ability over Appearance: Robert Downey Jr. being cast as Holmes despite looking completely different from his descriptions in the stories.
Technically Mary as well, if only for brief moment of awesome.
*While holding a gun on an assassin* I think it's time for you to leave (the train).
Adaptational Badass: Irene Adler. In the books, she was nothing more than an unusually clever opera singer who happened to get her hands on a compromising photograph, and was smart enough to prevent Holmes from stealing it back. Here's, she's a full-on professional thief and a Femme Fatale who's able to best Holmes in a fight.
Adrenaline Time: An interesting version, as Holmes imagines at least some fights before starting, pointing out the weaknesses he'll exploit, and then we get to see the fight again in real time. This is applied interestingly later in the film; in every fight where Holmes gets his ass kicked, the Adrenaline Time sequence is absent, implying he lost because he forgot to think — or didn't have time to; formulating a rational plan is one thing when you're lurking around a corner hiding from a drunkard lookout, but more problematic when a giant Frenchman is bearing down on your arse. Essentially, it's his eponymous Sherlock Scan, weaponized.
Holmes' sunglasses are of the period, though they would have been considered medical devices rather than fashion accessories.
Watson's use of the word "masochist": the film is set in 1891 and the word was first recorded in 1890.
Ambiguous Disorder: Jr.'s portrayal is more socially challenged than our usual Holmes, had some weird eye contact moments, and was implied to have issues with sensory integration. Guy Ritchie explains in the Blu Ray special features that part of Holmes' social short-comings is that he can't filter out the many clues he picks up in social situations, for example his disastrous dinner in the Royale. In the second film he mentions that seeing "everything" is his curse, as a scene similar to that at the Royale is repeated at the peace conference.
In the first film, Holmes observes that one of the mooks is partially deaf, a heavy drinker, and has a slight limp, and proceeds to bring him down with four attacks; one each to the ear, liver, and knee, plus one to the vocal chords to stop him screaming.
In the second, Moriarty's strategy for beating Holmes in a fistfight is to repeatedly target Holmes' injured shoulder.
Awesomeness by Analysis: Whenever he has the time Holmes will use his famous intellect to analyze his opponents, predict their actions, and plan out, move for move, the ensuing fight. In Game of Shadows, Holmes and Moriarty play out part of a chess match and then an entire fistfight in their minds. They both realize Holmes will inevitably lose the latter because of the injury Holmes received on his right arm from torture prior to the train yard shootout in Heilbronn. Holmes realizes that his demise is inevitable, unless he takes a second option: drag Moriarty down Reichenbach Falls with him instead.
Badass Bookworm: This side of Holmes being brought up is a big part of this particular adaptation. Watson looks more this part than Genius Bruiser, too.
Watson and Moriarty also count as very well-read gentlemen who know how to handle themselves in a fight.
Bat Deduction: Averted. Sherlock's deductions are plausible and the clues to them are shown to the audience, it's just that you don't put it all together until he explains how he did so himself.
Batman Gambit: This is how Holmes' Awesomeness by Analysis fighting style plays out. Holmes can't account for every possibility, so he puts himself into positions where the most probable action by his opponent best suits moves where Holmes can win. The audience has the benefit of being treated to Holmes' foresight, while his opponents do not, and generally do none of the unpredictable things that could ruin his plan. We are treated to him analyzing how to carry out the fight, which is seen with the moves being played in slo-mo, then we see them again in real time.
Beauty Is Never Tarnished: In the first, Irene gets dirty and a little bloody but her face remains unblemished, even after the explosion at the slaughterhouse almost kills Watson. In the second, Sim at least gets a bloody nose in her fight with the Cossack and again during the pursuit in the woods by German soldiers. Both of them are surprisingly clean for the Victorian-era.
Harming Irene in any way is usually this for Holmes. Remember that he let Blackwood fall to his death and was willing to sacrifice his own life to kill Moriarty.
Similarly, harming Mary in any way is Watson's Berserk Button. Twice in the second film: first, he's throttling Holmes after Holmes throws Mary off the train to save her from Moriarty's attack (although Holmes insists he timed it perfectly, and indeed, we see that he did) he mutely takes it when the gypsies loot his garb until one of them takes his scarf (Mary's gift). Then he punches out the perp.
Threatening either Watson or Mary is also this to Holmes.
On the evil side of things, Colonel Sebastian Moran's button is definitely when someone puts Moriarty in harm's way. When Watson drops a tower on him, the normally cool as ice Moran becomes pretty feral, threatening the German unit commander and his troops with death if Holmes, Watson and the gypsies get away. He also becomes a Determinator, charging into a hail of bullets to ensure their capture and even after being shot in the side by Watson, still trying to (and succeeding in) thin Holmes' herd by firing off a shot that picks off one of the unlucky gypsies.
Bullet Time: In both films, notably the pier explosion in the first and the forest foot chase in Game of Shadows, in which the sequence continuously moves in and out of it. In this case, bullet time allows us to see one of Moran's bullets grazing Watson's side, and also to emphasize just how fast a round fired out of Little Hansel travels.
Character Exaggeration: Irene Adler, in the Doyle canon, was just an opera singer who was known for her cleverness, and she went down as an Ensemble Darkhorse for outsmarting Holmes by stopping him from stealing back a compromising photo that she'd gotten her hands on through pure happenstance. In this movie, she's made into a full-on Femme Fatale/Action Girl and a professional thief.
Clock Punk / Steam Punk: Both Blackwood and Moriarty employ such devices, Blackwood building a cyanide gas spewing machine and Moriarty building time bombs.
The Coats Are Off: Watson removes his overcoat (keeps his suit jacket on) before every fight.
Watson. Holmes has some of this as well, being a master of calculated combat. When he uses the Sherlock Scan combo on his targets, it takes into account every reaction that the target would use; and shuts them down accordingly. The pragmatism in it is that it never lets the opponent get a hit in.
When Holmes is getting his butt kicked by the Chinaman, he doesn't hesitate to call on Irene to just shoot him.
Simza interrupts Holmes' usual calculated combat style by just throwing a knife into the guy.
In A Game Of Shadows, Moran is in a lighthouse with a rifle, training the light down on Watson's only avenue of approach, keeping him pinned down. Then Watson realizes he's taken cover behind a naval cannon, which causes one of the best reactions from Moran.
Moran: That's not fair!
Shortly after that, our heroes are trading gunfire with Moriarty's men while racing away from them through the forest. The bad guys decide turnabout is fair play, and the commander decides to deploy "Little Hansel". It's not clear what kind of gun it is, but individual shots fired out of it are powerful enough to rip apart trees.
Holmes and Moriarty both make liberal use of this trope during their final confrontation in A Game of Shadows; Moriarty by repeatedly attacking Holmes' wounded shoulder, and Holmes by blowing sparks in Moriarty's face so that he can Take a Third Option.
Cool Shades: Holmes wears a few pairs. These existed in Victorian times, but they were rare and considered to be devices for physical infirmity rather than stylish accessories.
Crazy Jealous Guy: Holmes is not happy that Mary is diverting Watson's attentions from their partnership.
Crazy-Prepared: Anytime Holmes looks like he's in trouble he's already planned a way out of it.
Deadpan Snarker: Holmes and Watson often seem to be taking part in a sarcasm competition.
Holmes: What of the coffin? Lestrade: We are in the process of bringing it up now. Holmes: I see... [looks at the constables, all of whom are firmly rooted to the ground] Hmm... Right. At what stage of the process? Contemplative?
Watson:[when Irene opens fire on Blackwood's henchmen] She loves an entrance, your muse.
Disney Villain Death: Lord Blackwood seems set to fall victim to this with a rope and wooden planks dragging him off the bridge, but Holmes saves him. A part of the bridge's steelwork then collapses and Blackwood falls into a noose of chains.
Played straight with Moriarty in the sequel, as per the original confrontation.
The Dung Ages: Both films are far less idealized than previous screen adaptations, and show plainly (as in the Holmes boxing scene) the dirt and filth of poorer quarters and people of European cities. Holmes even makes a few quick references to it, when he says Lord Coward got his clothes dirty and stinky with shit in the sewers.
Flynning: Averted. Holmes actually uses a form very similar to Bartitsu, but with Wing Chun boxing, Brazilian Jiu Jutsu and swordfighting introduced (the choreographer even called it "neo-Bartitsu"). The fighting in the sequel even more closely resembles historical Bartitsu.
Getting Crap Past the Radar: Even for a PG-13 rated movie, cocaine is never mentioned in the 2009 movie. However, at one point Watson looks at some bottles, picks one up and says disgustedly, "You do know what you're drinking is meant for eye surgery." Cocaine was used for anaesthetic in eye surgeries in the late 1800s. In the second movie Mrs. Hudson says that Holmes has been living on cigarettes, coffee and coca leaves. Cocaine is made from coca leaves. (Meanwhile, Holmes is shown drinking formaldehyde as Watson repeats his earlier comment, only this time reminding Holmes he's drinking embalming fluid.)
Though the effect of consuming coca leaves and cocaine are completely different. Coca leaves work like energy drinks and in this case makes more sense, considering Holmes energetic behaviour.
Go Seduce My Arch Nemesis: Again, Irene Adler (see Femme Fatale above). Hired by Professor Moriarty to, among other things, seduce Holmes. Subverted, as it's implied that Adler and Holmes were already involved in some fashion, and Moriarty just used Adler's pre-existing relationship with Holmes to further his own goals. He also makes it clear at one point that it's more a case of Go Seduce My Arch Nemesis (Who You're Already Kind Of In Love With, Or I'll Kill Him If You Don't).
Handicapped Badass: Watson is a very proficient and agile fighter with a war wound that gives him a limp. The limp seems to conveniently vanish in every action scene, however. (Not necessarily a error; people with limps are often able to run without the limp being apparent, depending on the nature of their leg injury/disability. Also, given the tongue-in-cheek nature of the films this may indicate Watson's limp is psychosomatic, or maybe even exaggerated.)
Hero Insurance: Played with; Holmes and Watson commit a few minor crimes (such as breaking and entering and withholding evidence) without receiving any punishment. However, after their investigation leads to the demolition of a shipyard and the earlier-than-scheduled launching (and not entirely unexpected sinking) of the ship under construction, Holmes and Watson spend the night in the pokey. This is apparently all the punishment they face. Then again, it's explicitly stated that powerful persons intervened to get Holmes out for the shipyard incident and considering that the end result of this investigation is the prevention of a gas attack on Parliament which would have killed most of the MPs and the government and a thwarted coup, it's little wonder that strings might be pulled to get him out of trouble.
The sequel later confirms that, as in the original stories, Holmes' brother Mycroft is "indispensible" to the British government, which would undoubtedly smooth such things over a bit.
"What was that about saving your bullets?" from the first film.
The second has Holmes chastising Watson for being rude to Simza, before Watson reminds him that he threw Mary from a speeding train.
Also from the second film, Holmes advises Watson "Whatever you do, don't let these gypsies make you drink," then takes a large swig from the bottle Simza just offered him.
Watson realises Holmes has forgotten (deliberately or otherwise) to organise his stag party so he can investigate a lead on Moriarty instead, and thus Watson stuck celebrating his impending marriage with Sherlock and Mycroft instead of the lads from the Rugby Club. After expressing his disapproval and storming off, Mycroft says, "He's all me, me me!"
I Drank What?: Holmes drinks a bottle of a chemical intended for use in surgery in the first film and is chastised by Watson. A similar exchange occurs in the second when Holmes pours himself a drink from a bottle of formaldehyde.
I Know Karate: Holmes' proficiency in martial arts; specifically, the British modification of Japan's Jujitsu known as "baritsu"note In real life named "Bartitsu", but "Baritsu" was what Conan Doyle wrote Holmes having., taught by one Lord Barry. However, its application onscreen is liberally mixed with Wing-Chun Kung-Fu (Robert Downey, Jr.'s primary style of martial arts) and a generous helping of Brazilian Jiu-jitsu (director Guy Ritchie is a BJJ Brown Belt). Ironically, when Holmes fights a Chinese mook who also knows kung fu, he doesn't fare so well, apparently being used to opponents who use Good Old Fisticuffs.
Not invoked by the film itself, unless you count Mary's comment that Watson's journals would make interesting reading, but the film's divergences from the Canon can be handily explained by applying the standard theory that Watson's published accounts were somewhat fictionalized (with the film, by this hypothesis, showing the actual reality). Considering what happened to Blackwood's poison gas device (confiscated by the military), it's possible that Holmes and Watson were sworn to secrecy for reasons of national security. Hence, Watson couldn't publish this one. This would explain why he ends up sneaking bits of dialogue into other stories (see Mythology Gag).
The second film opens and closes with him writing "The Final Problem", the actual short story that A Game of Shadows is loosely based on.
In the first film, the Warner Bros. shield, Village Roadshow W, and Silver Pictures square appear as metal-worked sewer covers on a cobblestone street; the camera pulls back to reveal the street as part of the movie's opening chase.
In A Game of Shadows, the Warner Bros, Village Roadshow, and Silver Pictures logos, plus the opening title, appear in the pages of Dr. Watson's manuscript.
Meta Casting: Just like Tony Stark in Iron Man, Robert Downey Jr., a guy known for being a brilliant but (at least in his younger years) troubled addict plays... a brilliant but troubled addict.
Noodle Incident: Apart from various Mythology Gags, there's also the second time Irene Adler outsmarted Holmes (assuming the first was a reference to A Scandal in Bohemia). Whatever happened apparently involved a stolen diamond and led to Holmes and Adler sharing a room in the Grand Hotel. The fact that Holmes prepares to defend his life when Adler reaches inside her Victoria's Secret Compartment indicates that things didn't turn out well.
Passing the Torch: It's subtle, but throughout both movies Holmes is often training Watson in his methods, like a school teacher with a student—note how many times Holmes lets Watson take first crack at a deduction, and in the climax of Game of Shadows, even leaves the final question up to Watson while he's out of the room. Likely, Holmes wasn't entirely confident of surviving Moriarty, and wanted to make sure someone could work in his stead.
Perma Stubble: The first time Sherlock Holmes has ever been depicted with it. You'll notice Holmes is somewhat more cleaned up after someone tells him to clean up. During the dinner with Watson and Mary, he is nearly clean-shaven... but not quite. In fact, his Perma Stubble may be constantly on his face, but it is done realistically.
"You know Holmes, in another life you'd make an excellent criminal."
"Yes, and you an excellent policeman."
Related to this; Holmes will frequently ask to borrow something from Lestrade (such as a pen or a handkerchief), use it to do something rather unpleasant (such as poking at a corpse or messily blowing his nose) and blithely hand it back, much to Lestrade's disgust.
Holmes twice attempts to stealthily break into somewhere, only for someone to abruptly interrupt him by opening (or kicking down) the door.
Holmes drugging the dog.
One that spans over two movies "Get that thing out of my face." "It's not in your face, it's in my hand." "Get what's in your hand out of my face."
The first film has Adler revealing she was working for Moriarity.
The second film has Holmes typing a suspicious question mark after Watson's "THE END".
Sherlock Scan: Holmes himself is in top form, of course, though one of his scans does get him in trouble with Mary towards the start of the movie. In the first film he makes a mockery of a Blindfolded Trip by completely ruining the Masons' attempt to disguise their identity and present location. Watson shows how much he's learned as Holmes's partner by pulling off several himself. Holmes even manages to weaponize his scans: in his first Awesomeness by Analysis scene, as noted above, he notes that his opponent is a "heavy drinker" and aims a shot at his bloated liver.
Combined with Continuity Nod, the Establishing Shot of Baker Street in the first film is almost exactly the same shot that opened the Granada Sherlock Holmes series with the seminal Jeremy Brett.
In the second film, take a close look at Moriarty's little red notebook. Then go watch the Granada version of "The Final Problem" - specifically, the scene where Moriarty visits Holmes in Baker Street and consults his notebook about when Holmes first crossed his path.
When Watson comes to find Holmes after his boxing match in the first movie, Holmes' experiment with his violin and a jar full of flies is a recreation of a similar scene in the Basil Rathbone film The Adventures of Sherlock Holmes.
"Dredger" bears some resemblance to Rondo Hatton, who played a similar hulking villain in the 1944 Holmes film The Pearl of Death.
The scene where Watson tries to interest Holmes in some seemingly bizarre cases that people have written in to him about, only for Holmes to curtly reveal he's deduced the actually-very-mundane solutions from simply reading the letters, harkens back to a similar scene in Billy Wilder's The Private Life Of Sherlock Holmes.
This is implied to be Holmes's general outlook, that he enjoys the chase and the intellectual challenges his work provides, and rejects cases that don't stimulate him. "My mind rebels at stagnation, give me problems, give me work."
Further emphasized in A Game of Shadows, at Holmes' funeral, where his epitaph reads: "He Played The Game For The Game's Own Sake"
Steel Ear Drums: Averted in both films. In the first, after the explosions on the dock, everyone's ears are shown to be ringing and Sherlock seems extremely dazed and barely able to stand, indicating possible damage to his inner ear. In the second, Watson takes care to put on ear mufflers before firing the cannon. Later on, it's shown in a first-person slo-mo shot that everyone is having trouble hearing, even their own yells, as they run through the forest trying to dodge the cannons and gunfire.
Irene Adler's idea of an entrance is to start shooting and knocking people out.
Holmes could also be considered this too. Early in the film he was trying to construct a silencer and later in the film he empties his whole gun just moments after telling Watson to "save your bullets". Watson calls him on it.
In the first film, Holmes deduces that Riordan was killed as soon as his experiments were successful, for this reason.
Moriarty knows one simple rule: no loose ends. Which is why Rene is shot with a poison dart by Moran after his assassination attempt is stopped, and is also how Moriarty got Claude to kill himself right in front of Holmes, Watson and Simza.
Quoted by Moriarty in the second film when he "dismisses" Irene from their lunch engagement, though on-screen Never Found the Body by Holmes, so who knows (see greenlighted sequel above).
Younger and Hipper: The films have been called this, though the actors are actually a good ten to fifteen years older than Holmes and Watson would have been when their partnership began (Sherlockians generally place Holmes and Watson in their late twenties to early thirties at the start of A Study in Scarlet) and just a couple of years younger than Basil Rathbone and Nigel Bruce when they started in their roles.
Action Prologue / In Medias Res: The movie starts with Holmes, Watson, and the Yard capturing Lord Blackwood after he murders five girls, and thwarts his murdering a sixth.
Affably Evil: Dredger — considering his interactions with Holmes generally involve them trying to beat the crap out of each other, he's unfailingly polite.
Holmes: "(in French) One moment, please." Dredger: "(in French) I'm in no hurry." (and while he advances after saying so, he did let Holmes climb to his feet and speak)
Blackwood is also quite polite, not to mention charismatic. Which is of course part of his scheme, that he's a showman who makes his scientific feats look like magical conjurations.
And the Adventure Continues: Holmes, Watson and Mary are relaxing after the case is over when P.C Clark comes by with a summons from Lestrade: a police officer has been murdered and a vital element of Blackwood's device stolen, and Holmes recognizes the M.O as belonging to a certain professor who's recently been brought to his attention.
Art Major Biology: If someone is hanged there are physical signs — a broken neck or deep ligature marks from strangulation, bulging eyes, bowel failure, etc. Watson should have been just a little suspicious of Lord Blackwood's completely unmarked neck, at least.
Also the scene where Holmes blocks the chimney while talking with Lord Coward, slowly filling the room with smoke to escape. Both he and Coward keep speaking casually, even though with that much smoke around both should have been coughing their lungs out despite neither of them being in the smoke cloud itself, with Coward at the far end of the room and Holmes ensconced in a nook beside the door, just out of sight. Not to mention that Coward would have smelled the smoke sooner than he saw it.
Ascended Extra: Irene Adler only appeared in one of the original Doyle stories ("A Scandal in Bohemia", where she was the antagonist), and Holmes only briefly encounters her in it. Here, she's upgraded to a major supporting character with hints of a romantic interest in Holmes.
As Long as It Sounds Foreign: Averted. Robert Maillet, who plays Dredger, is French-Canadian, specifically from Acadia. Incidentally, Dredger is also supposed to be French-Canadian—Maillet's accent may have inspired this coincidence of nationality.
Bastard Bastard: Blackwood was conceived out of wedlock during a "magical" ritual.
Batman Gambit: Blackwood's attempt to scare everybody into thinking he had great magical powers and thus he would rule England / the world. Of course, they may all be a part of the Evil Plan of Professor Moriarty by exploiting the confusion caused by Blackwood's plan.
Berserk Button: Blackwood needs Standish to try and shoot him so he'll become a self-inflicted victim of Kill It with Fire, so he drops a few threatening lines about conquering America while referring to it as a colony. Blackwood knows that Standish is a firm believer in Why Don't You Just Shoot Him?, and it works perfectly. Although this doubles as a Xanatos Gambit, since if Standish submits, it'll be taken as a sign that Blackwood is the one true leader.
Never, ever, spit on Holmes.
Bifauxnen: Irene Adler dresses in men's clothing in some scenes, probably referencing how she managed to get past Holmes in "A Scandal in Bohemia", where she says that she dresses as a man to enjoy the liberties to which she was otherwise not entitled in Victorian England. She even calls her men's clothing her walking clothes. (Though she doesn't bother to hide her figure or remove her make-up at all - she'd never be taken for a man.)
Bitter Almonds: How Holmes discovers the nature of Blackwood's weapon.
Blade Below the Shoulder: Blackwood has a glass blade hidden in the sleeves of his robes, and attempts to stab Watson with it in the film's opening scene.
Blindfolded Trip: When people arrange for Holmes's bail, Holmes gets into a carriage, and a man apologizes before putting a bag over Holmes's head. When the bag is taken off, Holmes is in front of Sir Thomas.
Sir Thomas: Mr. Holmes, apologies for summoning you like this. I'm sure it's quite a mystery as to where you are, and who I am...
Sherlock Holmes: As to where I am, I was, admittedly, lost for a moment, between Charing Cross and Holborn, but I was saved by the bread shop on Saffron Hill. The only baker to use a certain French glaze on their loaves - a Brittany sage. After that, the carriage forked left, then right, and then the tell-tale bump at the Fleet Conduit. And as to who you are, that took every ounce of my not-inconsiderable experience. The letters on your desk were addressed to a Sir Thomas Rotherham. Lord Chief Justice, that would be the official title. Who you really are is, of course, another matter entirely. Judging by the sacred ox on your ring, you're the secret head of the Temple of the Four Orders, in whose headquarters we now sit. Located on the northwest corner of St. James Square, I think. As to the mystery, the only mystery is why you bothered to blindfold me at all.
Sir Thomas: Yes, well... Standard procedure, I suppose.
Brick Joke: In the beginning, after Blackwood has supposedly come Back from the Dead, Holmes says they have to investigate it to preserve Watson's professional integrity as "No woman wants to marry a doctor who cannot tell if a man's dead or not." It goes unmentioned until the final scene where Holmes is doing the summation of how Blackwood faked his death, and begins his explanation of how he didn't have a pulse by saying he will now restore Watson's doctoral reputation.
Also, during the Action Prologue, Watson gets the drop on a Mook about to strike Holmes and covers his nose to render him unconscious. After a moment or so, Holmes remarks that Watson is a doctor after all. Near the end, Watson has Dredger in a choke-hold and says "Relax...I'm a doctor" before Dredger finally loses consciousness.
Bulletproof Human Shield: Happens during the first fight scene, when Sherlock spots a henchman coming towards him with a revolver and uses some fancy martial arts technique to maneuver the henchman he is currently fighting into taking the bullet for him.
Cane Fu: Holmes, Watson and Blackwood are all proficient.
Captain Obvious: Blackwood's coffin is opened to reveal the midget's corpse.
Lestrade: "That's not Blackwood!"
Holmes closes his eyes in exasperation
Holmes: "Well, now we have a firm grasp of the obvious."
Carriage Cushion: The 19th century version. A burning Standish falls out of a window on top of a horse-drawn carriage.
The mentions of the bridge that's being built at the beginning.
Also Lord Coward's shoes.
The rat's tail that Holmes snips off at Blackwood's factory.
Choke Holds: A thug sneaking up on Holmes is put in a blood choke by Watson. To prevent the guy from screaming, Holmes immediately pinches off his nose and mouth. They chat for a bit even as Watson chokes the guy into unconsciousness, and once the thug has passed out, move on. At the end of the film, Dredger has to be slowly air choked because he's just too darn big for anything else.
Climbing Climax: The final fight between Holmes and Blackwood on the half built Tower Bridge.
Creepy Ravens: A raven is seen every time someone is killed or implied to be killed.
Cut Lex Luthor a Check: Among many of the technologies Lord Blackwood uses to simulate magic, the gas machine is a remarkable invention. Subverted when Moriarty sees the value in the radio receiver and steals it.
The whole Blackwood plot, although haphazard at first, has a very practical goal: a coup d'ťtat installing Blackwood's supporters in the highest seats of power.
Cutting the Knot: Holmes is trying to open a locked door with an array of lock picks. Watson merely kicks the door open.
Dark is / Not Evil: Everything connected with Blackwood is always associated with pure darkness. Also, Blackwood is always seen wearing a wicked-looking black leather trenchcoat while his minions wear dark cloaks. However Holmes himself is Tall, Dark and Snarky, and also dresses in gloomy black, complete with Sinister Shades.
Dark Messiah: Lord Blackwood would very much like to be thought of as one of these, and goes a long way towards convincing the entire country he is. But then, in the end, he actually isn't...probably.
Disney Villain Death: Blackwood, in an entirely gratuitous falling off of tall stuff after the fight scene example.
Disproportionate Retribution: In the pit-fighting scene, Holmes gives up and walked away...at which point his opponent spits at the back of his head. The following No-Holds-Barred Beatdown / Curb-Stomp Battle is performed solely so that the opponent couldn't spit at him again. The fact that Holmes has spied Irene in the audience a few moments before probably has a lot to do with that. He can't exactly look bad in front of her. Again.
Doing in the Wizard : At the end of the movie, Holmes beautifully deconstructs Blackwood's every known act of sorcery, explaining exactly how each was done via friends in high places, applied science, and plain old theatrics. He also notes that Blackwood had better hope the occult parts were all baseless superstition, since he did the rituals perfectly.
Doomsayer: Crowds of of these are seen being broken up by mounted police outside the Houses of Parliament, indicating the "Panic, sheer bloody panic!" inspired by Lord Blackwood's return from the dead. One man really goes to town describing the terrible events to come.
"The end is nigh! Blackwood's come back from Hell, and laid a curse upon this land! He walks in every shadow, and every puff of smoke! Behold, he cometh with clouds, and every ene shall see him and every soul shall wail because of him! You cannot stop him! No one can!"
Additionally, the elements are paired with their opposites for each murder.
Earth:Reordan is buried in the earth and dies from a lack of air.
Water:Sir Thomas dies submerged in water that is heated by fire.
Fire:Standish is immolated by fire, hastened by the fact that he was soaked in a chemical he took to be water.
Air:Parliament would have been killed by poison gas pumped in from beneath the earth.
In addition, the four murders also correspond to four animals: the man, ox, lion, and eagle, which have various significances:
In The Bible, cherubim are described in the book of Ezekiel as having the faces of these four animals.
In early Christian thought, they represent the authors of the four Gospels.
They also represent the four classical elements, though their traditional attributions don't quite match up with the movie's elemental correspondences; namely, the eagle traditionally represents Water, but the victim in the movie who corresponds to the eagle is the Fire murder. Of course, since the eagle is also a symbol of America, it makes sense that the writers would have the American victim be the eagle, so that little bit of artistic license is pretty well justified.
Exploited Immunity: Blackwood plans an attack on the Houses of Parliament that involves gassing everyone inside with cyanide, leaving his opponents dead and his supporters alive, allowing them to seize power for him while reinforcing his image of being an Evil Sorcerer who protects those loyal to him with dark magic. He secretly immunises his supporters against cyanide poisoning the night before the attack, by making them drink a toast in his honor.
Fiery Cover Up: Two mooks arrive at Reordan's quarters as Holmes and Watson are investigating them. Holmes recognises the gear they're carrying as an arsonist's toolkit and guesses Blackwood has ordered them to torch the place.
Fire/Water Juxtaposition: Used to contrast two of the most dramatic onscreen murders, both of which occur at the midpoint of the film when Lord Blackwood's plan is coming together. We see Blackwood drown Sir Thomas Rotheram in his bathtub about 15 minutes before he burns Ambassador Standish alive.
Five-Bad Band: Split into two competing groups but otherwise fitting their roles.
Dark Chick— Irene Adler. Working for Moriarty against Blackwood's group.
Food Slap: When Sherlock implies that Mary is only in a relationship with Watson for his money, she splashes her wine on him.
Foreseeing My Death: Watson claims to have met a man in India who predicted the circumstances of his death, down to the number of bullets it would take to kill him and where each of those bullets would hit him.
Futile Hand Reach: Watson does one of these towards Holmes right before the pier blows up.
Gallows Humor: A very literal example at the end, when Holmes hangs himself as a forensic experiment, but never stops wisecracking.
Genre Savvy: Watson at the very end, who enters his lodgings to find that Holmes has apparently hanged himself. While his fiancee Mary is shocked, Watson just rolls his eyes and snarks a little. By this time, he (and the viewers) knows enough to recognize this as yet another Sherlock Holmes experiment.
Giant Mook: "Dredger," Blackwood's giant French enforcer.
Godly Sidestep: Holmes claims that his experimenting with one of the Hermetic rituals used by the Temple of the Four Orders has allowed him to reconcile nearly 2000 years of theological disparity... unfortunately, it's a story for another time, since stopping Blackwood from toppling Parliament is a more pressing concern.
Go Look at the Distraction: Holmes sends the officers to find where Sir Thomas kept his bath salts while he looks for Thomas's occult paraphernalia.
Gory Discretion Shot: When Blackwood makes his short drop for real at the end, we are indicated that he's dead not by seeing him hit the sudden stop directly, but by seeing the chain that ended up around his neck going suddenly taut.
The Group: An exclusive secret society that supposedly rules the British Empire and manipulates much of the rest of the world. Blackwood takes over and uses it to attack Holmes. Possibly subverted in that the group is likely not as powerful as it likes to think, given the failure of the parliamentary coup and the death of several of its members. Something of a deconstruction as well; the supposedly all-powerful and omnipotent secret society is ultimately revealed to be little more than a bunch of superstitious and ineffectual old men who'll let any old charlatan with a theatrical manner and some admittedly impressive conjuring tricks seduce them with dreams of power and glory.
Herr Doctor: Holmes disguises himself as a German-accented doctor after Watson gets caught in one of the villain's traps and winds up in hospital.
Hikikomori: Sherlock spent two weeks without leaving his room. That's a very hikki thing.
Holding the Floor: When left in prison, Holmes avoids getting beaten up by fellow inmates by telling jokes.
Hollywood Silencer: Holmes is trying to build one early in the film, much to the annoyance of Watson and Mrs. Hudson. Somewhat subverted, since the silencer does not work. At all. Sherlock should have known better, considering that he was trying to silence a revolver. The exposed cylinder makes revolvers near impossible to silence.
Hotter and Sexier: Robert Downey, Jr.. and especially Jude Law, who cuts a very different profile from the typical image of Watson. Of course, when you think about it, he couldn't have been drawing in women on moustache alone.
Insistent Terminology: Reardon is a midget, not a dwarf. Holmes is correct about there being a technical difference, a midget has the same body proportions as the norm and a dwarf does not. For the time the movie is set this is correct usage. "Midget" being used as a disparaging term and applied to all small people was a later evolution of language.
Interservice Rivalry: Very mild, subtle example: Dr. Watson and Captain Tanner (captain of the tugboat Holmes charters) are constantly bickering in the scenes they appear together in. Watson is, of course, an old army man, and Tanner was in the navy...
Jack the Ripper: It is subtly hinted that Blackwood may have been somehow involved ("Those five girls were not the first to be butchered... no one could prove anything, but we all knew.").
Karmic Death: Lord Blackwood's entire scheme hinges on him cheating the gallows and escaping a well-deserved hanging. Guess what happens to him at the end...
Kill It with Fire: Sort of. Lord Blackwood tricks one of his enemies into killing himself with fire.
Amazingly, this is actually an in-universe Invoked Trope because Blackwood really needed to push the Berserk Button of the American ambassador. Whether he meant to follow through on the threat is iffy.
Meaningful Name: Something of a Genius Bonus, which may very well have been accidental - Blackwood's name brings to mind Blackwood's Magazine, one of the chief competitors to The Strand, the magazine in which almost all of the original Holmes stories were serialized.
Men Can't Keep House: The first time we see Holmes' apartment, it is a darkened disheveled mess, complete with bullet holes in the walls. This trope is indirectly discussed when Mrs. Hudson enters and Holmes teases her for not making her rounds more frequently.
Names to Run Away From Really Fast: If your title is Lord Blackwood, it's almost a requirement that you'll be involved in the dark arts. Also, Lord Coward. To the general public, a funny, jovial guy. And neither does Standish's name sound very antagonistic, in comparison to Coward's.
Outrun the Fireball: Averted. As Team Holmes leaves a slaughterhouse, Watson pulls ahead and accidentally hits a tripwire. He realizes what's going on and tries to warn Holmes, so Holmes gets to watch his best friend get blown up. Then Adler. He then grabs a tray to use as a shield, and heads back to Irene while his shield is destroyed by the explosion. He picks her up, and they try to outrun the blast and save Watson, but get about two steps before they're both caught in it. All in glorious bullet time. And followed up by Shell-Shock Silence.
Paying for the Action Scene: Holmes engages in a pit fight in a dingy pub and eventually knocks his opponent through the wood wall. He collects his winnings and leaves some of it on the bar counter, apparently as payment for the wall and the extra bottle he takes from the bar.
Posthumous Character: The Ginger Midget is dead before we even get to meet him, but the things he does in his experiments for Blackwood lie at the core of the film.
Reality Is Unrealistic: Tower Bridge is designed so well to blend in with much older nearby buildings (like the Tower of London) that some viewers were shocked to see its half-completed steel skeleton form the setting for the final confrontation with Blackwood.
Reasonable Authority Figure: Both Clarkie and Lestrade continue to trust Holmes after a warrant is issued for his arrest; Clarkie makes sure he escapes the police at the slaughterhouse, and Lestrade slips him the key to his handcuffs.
Red Herring: You know that sinister looking black bird? The one that manages to show up whenever Lord Blackwood kills someone by seemingly supernatural means? It's a perfectly ordinary raven, similar to those commonly found all over the UK.
Romanticism Versus Enlightenment: Undertones in the main hero and main villain. Sherlock is very much Enlightened; believing in rationality and science, expressing awe and appreciation in the power of industry and believing in justice. Blackwood is very Romantic, having strokes of Ubermensch-ness, belief that Democracy Is Bad, and being very steeped in the occult. Seeing that the hero of the story is Sherlock, the movie seems to come off as pro-Enlightenment.
Save the Villain: Holmes saves Blackwood from being dragged off the bridge, if only so he can be properly hanged this time around. After Blackwood tries to kill him again, though, Holmes lets the hanging take place sooner than Blackwood had hoped.
Scooby-Doo Hoax: The truth about the strange phenomena around Lord Blackwood.
Screw the Money, I Have Rules!: When the Order approaches Holmes asking him to clear up the mess they ended up creating with Blackwood and offers to allow him to name his price, Holmes coolly remarks that the advantage of being a consulting detective means he gets to pick and choose his clients, and agrees to stop Blackwood... "but not for you. And certainly not for a price."
Sequel Hook: Irene's employer? None other than Professor Moriarty. Subverted slightly in that Moriarty's reason for being involved is not brought up in the sequel.
Slipping a Mickey: When Holmes goes to see Irene, she offers him a glass of wine from an unopened bottle. Then, after Holmes drinks it and collapses, we get to see a short flashback— of her doctoring the bottle with a syringe, and resealing it.
Smug Snake: Lord Coward, who is admittedly working with genuine Magnificent Bastard Blackwood. Even taking this into account, however, he seems to spend most of the movie doing little more than standing around looking rather smug; he does attempt to avert Why Don't Ya Just Shoot Him?, but fails miserably.
Snipe Hunt: Variation, in that Holmes sends the police to go find something that actually is there, but still used to get them out of the way so he can do his thing. And steal evidence.
Spontaneous Human Combustion: Ambassador Standish bursts into flames when he attempts to shoot Lord Blackwood. This is intended to be taken as a magical occurrence, displaying the dark powers Blackwood has protecting him from those who oppose him, but in the end a clear, external cause is revealed by Holmes that has nothing at all to do with magic.
A Storm Is Coming: Subverted. The storm is coming line is AFTER the finale, and everything being resolved... Unless it was about Moriarty!
Tap on the Head: Averted in the opening where Holmes takes out a man by breaking his leg, causing him to lose consciousness from the shock, and quickly afterwards suffocating another man to unconsciousness.
Tempting Fate: Blackwood's "It's a long journey from here to the rope." at the end of the movie.
After Holmes meets with Sir Thomas, he asks Sir Thomas how long he expects to live if the rest of Blackwood's family has been killed, and tells him to consider it as food for thought. It's Harsher in Hindsight given that Blackwood drowns him in his bathtub that night.
When Watson is choking Dredger, he reassuringly tells him, "Relax, I'm a doctor."
Unspoken Plan Guarantee: Averted in the boxing match to show Holmes' Awesomeness by Analysis: Holmes meticulously plans his beatdown of his opponent step-by-step, and it goes exactly as he planned it. Then again it was all in internal monologue so never actually spoken.
Holmes himself, as while he ultimately solves the plot through sheer genius and tenacity, the first two thirds of the movie has him falling into Blackwood's plan and pretty much doing as Blackwood expected. And he ultimately falls for the distraction that allows Moriarty to get what he wanted.
Utopia Justifies the Means: Coward's motivation for supporting Blackwood's scheme is 'to provide the weak masses with a strong shepherd.''
You Got Spunk: Holmes' reaction to seeing Irene's response to being mugged.
Holmes: That's the Irene I know.
You Just Told Me: "I don't care much what you think. I just simply wanted to know the location of Blackwoodís final ceremony. And now you've given it to me. "
A Game of Shadows
Actionized Sequel: This movie spends more time on the chase and action sequences than on deduction and mystery in comparison to the first film. This is actually an accurate reflection of "The Final Problem", the canon story that A Game of Shadows is loosely based on. That story had no central mystery and very little deductive sequences, and was instead concerned entirely with the Holmes/Moriarty conflict.
Affectionate Pickpocket: Sherlock steals a message meant for Moriarty from Irene Adler, who tries to steal it back while kissing him, but Holmes just grabs her hand before it reaches its target.
Almighty Janitor: Mycroft is indispensible to the British government, even though no one knows what he exactly does.
Mycroft Holmes thoughtfully explains that he can understand how a man of a particular disposition could enjoy the company of women. He's also completely unashamed to walk around naked in front of one. However, he's also a Cloudcuckoolander
Sherlock Holmes, who is extremely attached to Watson. He talks about their relationship, but Watson objects to the term, so Holmes calls it a "partnership." Later, they dance together. Holmes asks how Watson learned to dance like that and Watsons says that Holmes taught him. However, Holmes clearly has romantic feelings toward Irene Adler.
Anachronism Stew: All of Moriarty's new weapons (with the exception of the Gewehr 88 rifles fired by soldiers in the forests, Gatling and Maxim machine guns) are anachronistic. The Mauser C96 machine pistol that is fired by Holmes during the Heilbronn train yard shootout was not produced until 1896, for instance. The first mass-produced submachine gun appeared in 1915. Arguably subverted: since the entire basis of Moriarty's plot revolves around producing new, technologically advanced weapons so that he can turn an enormous profit by starting World War I, this makes perfect sense. Presumably the weapons are prototypes. It's not a stretch to imagine that other companies got their hands on the designs after Moriarty "died" and began producing them a few years later.
Watson and Holmes are seen driving a four-wheeled automobile in 1891, two years before the first four-wheeled models were introduced and four years before automobiles were commercially available in the UK.
Saved by being lampshaded by Watson, who clearly recognizes how noticeable the automobile is when Holmes suspects Moriarty has him under surveillance. To which Holmes replies, "It's so overt,it's covert."
When Holmes looks into the office in Heilbronn's arms factory, we see a map of Europe which shows, among others, Germany and Finland as players in Moriarty's World War, represented by their current flags. Germany wasn't using that particular flag in 1891, and Finland was a part of Russia until 1917.
Partially anachronism, partially anatopism (out of place) - the locomotives in the German train yard are from several decades later, and are British designs of the Great Western Railway.
Mycroft Holmes is anachronic: in The Adventure of the Bruce-Partington Plans, set in November 1895, Watson says he had known very little of Mycroft and saw him only once in another story set in 1888. Only after that Holmes tells him how important is Mycroft in the Government bureaucracy. His story had been altered to fit the canonical 1891 disappearance of Holmes.
And Your Little Dog Too: Moriarty makes a point of threatening Watson and Mary for no other reason than to get back at Holmes.
At the Opera Tonight: Holmes suspects the bomb is at the opera house where Don Giovanni is playing and Moriarty is attending. Then realizes that a few clues were actually Red Herrings.
Avoiding The Great War: Moriarty tryies to start a world war so that he could supply weapons. He mentions that, even if he's stopped, the world will still find a way.
Awesome by Analysis: Back again with Holmes' ability to play out a fight in his head before it begins to achieve victory. He even has a Battle in the Center of the Mind with Moriarty as they predict and counter-predict their movements in this fashion. Both times after the first, however, are subverted. Simza interrupts by throwing a knife at the cossack assassin and Sherlock goes off script by blowing ash in Moriarty's face, grabbing him, and leaping over the balcony.
Badass Bookworm: In addition to Holmes, we have Moriarty, a Cambridge boxing champion, university professor, and diabolical mastermind.
Badass in Distress: Holmes gets captured and brutally tortured by Moriarty and has to be rescued by Watson. He's in very bad shape afterwards, but he still manages to help fight their way out. Later, it turns out that he intentionally allowed himself to be caught and tortured in order to get close enough to pickpocket the notebook containing financial details of Moriarty's criminal empire.
Though the twist is that it's showing exactly how a real fist-fight would go if they went for it. They just both happen to be predicting the same sequence of events in which Moriarty wins and kills Holmes.
Bigger Stick: Moran has Watson pinned behind a covered piece of machinery, until Watson notices what it is he's behind—a massive cannon.
Blasting It out of Their Hands: An unusually lethal use of this trope occurs when Watson shoots a Redcoat in the arm on the train, causing him to drop a primed grenade.
Bomb-Throwing Anarchists: Simza and her brother were a member of an anarchist organization before they grew too extreme.
Book Ends: Irene's handkerchief in relation to her entering and exiting the films' plots.
Boring, but Practical: The pony Holmes ends up with for the border crossing. Compared to the horses everybody else is riding, it's distinctly lacking in coolness. It's easily the most efficient mount in the mountains though.
Moriarty makes a metaphor about him and Holmes being a fisherman and a trout during the scene where he tortures Holmes in Heilbronn. Holmes later reveals that he willingly let himself get tortured in an effort to pickpocket Moriarty's notebook. When Moriarty flips through the decoy notebook Holmes left, he finds a flip-book cartoon of a stick man fishing up a trout only to get eaten by it, leaving the words Be Careful What You Fish For!
Holmes's use of the pipe ashes to distract Moriarty is reminiscent of his use of Irene's handkerchief in the first film to distract a boxing opponent.
Watson is still good at kicking down doors.
Holmes talked about going to see Don Giovanni in the first film.
The large cove in the bowler from the prison yard shows up at Holmes's funeral.
"Always good to see you, Watson," is a bittersweet example, especially in light of the fact that Watson is the last thing he sees. He even closes his eyes to make sure of it.
The Redcoat that tries to shoot Watson and Holmes immolating himself as a result of a rigged bullet in his gun might be a call back to Blackwood doing the same thing to Ambassador Standish in the first film.
The first time we get an actual glimpse of Moriarty, he's shrouded in all-concealing shadows, like his appearances in the first film.
Cane Fu: Holmes uses his umbrella to hold off a knife wielding Cossack.
Carrying a Cake Bomb: When Holmes, Watson and Simza are being directed to Claude Ravache's place, a cake for a reception at nearby hotel is just being wheeled out of the kitchen they travel through. Holmes later realizes that it is actually a bomb.
Chekhov's Armory: Moriarty feeding the pigeons, the plants in his office, the equations on the board, Holmes's camouflage, the oxygen device, the twin Mooks, the wedding gift.
Chekhov's Skill: While describing him to Watson near the beginning, Holmes offhandedly mentions that Moriarty was the boxing champion of Cambridge.
The Chessmaster: Both Holmes and Moriarty, as per the norm. The climax of the film even has them playing chess outside the location of an assassination, their moves mirroring what their 'pieces' are doing inside. The game actually ends verbally, with them stating their moves aloud until one of them wins both the game and the game of wits they've been going at the entire film.
Chess Motifs: All over the place, especially in the Grand Finale, which consists largely of a literal chess game between Holmes and Moriarty.
Cold-Blooded Torture: Moriarty has Holmes suspended by a hook in his shoulder and knocks him around while singing along to opera.
The song itself is actually a lied of Schubert, called The Trout. Roughly translated, it's about a fisherman who tricks a trout into biting his line by muddying the waters and the fish is betrayed. The music editor was a little sadistic with his choices.
Complexity Addiction: Moriarty, with the means at his disposal, he probably could have killed Holmes any time he wanted. Moran could have done it without much trouble, if nothing else. He clearly wanted an opponent to make the game more interesting.
Continuity Nod: As in the first film, Holmes finds himself dining alone in a hotel.
CPR (Clean, Pretty, Reliable): Averted. When Holmes passes out after the shootout and running chase in the Heilbronn train yard and forest, Watson's chest compressions do not revive Holmes, so he has to use adrenaline. After Holmes is revived, he mentions that his chest really hurts. Adrenaline is what's actually used to restart a heart that's completely stopped.
Cursed with Awesome: Holmes seems to consider his own exceptional perception abilities to be this.
Moriarty is perfectly aware that Holmes will figure out his plans if left to his own devices, so he leaves red herrings to distract him and lure him into vulnerable positions.
He also correctly figured ahead of time that Irene would want to meet him in a crowded, public area - her favorite restaurant. To solve that, he literally buys out the entire crowd to leave when Moran taps a glass three times. It's also possible that he poisoned her tea strainer rather than her pot of tea knowing that she'd ask for a fresh pot when she arrived. He may have even, as an extra precaution, bribed the waiting staff to poison everything that Irene asked to be brought to her.
The Cossack sent to kill Simza put protection lining in his coat because he knows she uses throwing knives.
Moriarty's tendency to kill pretty much everybody that even has a vague idea of who he is means that Holmes has a very difficult time gathering evidence against him.
Deadpan Snarker: Aside from the snarkers from the first movie, Mary Morstan of all people has a few wonderfully snark-tastic moments in the sequel.
Deal with the Devil: The leader of the French Anarchists describes his alliance with Moriarty as this.
Demoted to Extra: Inspector Lestrade gets hit by this. He may not have been one of the most central characters in the first, but he still had a decent amount of scenes and relevance to the plot. In the second movie, he is entirely left out, only briefly appearing at the end with few lines. His sergeant gets about the same amount of screentime, though he had a number of scenes in the original film as well.
Determinator: The Cossack goes through a hell of a lot of punishment without slowing down.
Didn't See That Coming: For Holmes, there are two instances: one is being tricked by Moriarty into thinking that the bomb was the opera house where Don Giovanni was playing, only realizing he's been fooled when he sees Moriarty in a private viewing box. For Moriarty, that Holmes noticed his red notebook during the Heilbronn torture scene and snatched it from him.
Becomes an Obligatory Joke when Holmes is fighting the Cossack, who attaches a line to Holmes during their struggle. Holmes only discovers this after throwing the Cossack out the window and promptly quips to Sim, "Didn't see this in the cards, did you?" before being yanked out after him. Even earlier, he plans a very elaborate series of moves to take down the Cossack without much trouble. Except he's taken by surprise when Simza launches a few throwing knives at the Cossack three moves into Holmes's planned moves.
And the finale when Moriarty doesn't take into account that Holmes was willing to sacrifice himself just to beat him.
Disguised in Drag: Played for Laughs with Holmes on the train. His is done so poorly, that he doesn't seem to have even bothered to shave... though at least he is wearing lipstick.
Double Entendre: Holmes attributes Watson's weight gain since they last met to him 'noshing on Mary's muffins', and dislikes riding horses because he doesn't like the thought of something with a mind of its own between his legs...
Sherlock Holmes: Well then I shall have to...do something about that. [throws her off the train]note He timed it perfectly, though; he tossed her into a river where Mycroft was waiting with a boat to pick her up, and it was to keep Moriarty's troops from shooting her
Dramatic Irony: Holmes notes that Moriarty can spark a world war with a lone gunman and the right target. This is exactly how World War I started.
Dramatic Gun Cock: Holmes and Moran load visibly and audibly their Mausers with metallic magazines from below. This is completely impossible with any 1896 model, or any prototype made in the early 1890s, which were all loaded from the top down with stripper clips or individual bullets. Only a few full-automatic and semi-automatic versions made from the 1920s onwards had this loading system.
Everyone Knows Morse: Watson apparently, as Holmes has him send a telegram. He must have learned it in the service.
Everything's Louder With Bagpipes: Watson is so drunk arriving at the wedding that Holmes has to signal the bagpipe players to start playing in order to wake him up.
Evil Cannot Comprehend Good: This is the deciding factor in the 'duel' between Holmes and Moriarty at the end; Moriarty thinks, like Holmes, that he is guaranteed to win the fight because of Holmes' injury, but he fails to take into account the idea of Holmes sacrificing himself to kill Moriarty. Holmes even explicitly says that he'd be willing to do a Heroic Sacrifice if it completely assured Moriarty's destruction as well, and Moriarty still doesn't factor it in.
Moriarty to Holmes, with a mind to match his, fighting skills to the same, and he's even capable of the same Sherlock Scan Holmes uses to defeat opponents.
Moran is an Evil Counterpart to Watson. They're both reliable, competent, neat sidekicks, former military men (who fought in the same war), and they are both excellent marksmen. They both have a remarkable amount of devotion to Moriarty and Holmes, respectively.
Exactly What I Aimed At: Holmes chastises Watson for not taking the opportunity to shoot the redcoat who's keeping them pinned down with machinegun fire when his gun jams, not realising that the mook Watson shot instead was carrying a primed grenade — which he has now lost track of.
Exact Words: Rene's letter includes a sketched self-portrait and urges Sim to memorize his face, because she will never see it again. Much later, it's revealed that Rene has undergone Magic Plastic Surgery in order to impersonate one of the delegates at the peace conference.
Failed Attempt at Drama: "Perhaps you've heard of me. My name is Sherlock Ho_(bomb goes off) Ho-Holmes." Steps outside vault to find his would-be client has done a bunk.
Fair Play Whodunit: One clue is given to us, but not for Holmes. In a nutshell, Moriarty is going to see Don Giovanni, but at the book signing, listen carefully: he apologetically tells Moran that he won't need his ticket, to which Moran says, "It's a shame. I was looking forward to Don Giovanni." We see Moran backstage at the play later, getting up when Holmes, Watson and Simza come in. He is holding what looks like a concealed rifle. Turns out he isn't seeing the play not because he'll be backstage, but because he'll be someplace else entirely. Other clues and plot points, such as the key to the encoding of Moriarty's notebook, and Holmes' early efforts to pickpocket it from him, are also displayed for our benefit well before they pay off.
Faux Affably Evil: Moriarty. He drops the act entirely during the interrogation scene.
Fiery Coverup: Meinhard's murder midway through the film. We see Holmes, Watson and Simza reach the banquet room moments after the bomb goes off and kills a group of assembled businessmen. But as he looks at the corpses, Holmes looks at Alfred Meinhard's and notices that he has what looks like a bullet wound in his head. He then looks up and notices a bullet hole in the glass, allowing the three to pinpoint the location of the shooter's perch. Naturally, they focus on the shooting victim rather than the collateral victims of the bomb. This bomb does two things: one, to hide that there was a shooting and only one intended victim; and two, to make it look like the work of anarchists.
Foregone Conclusion: The camera gives us a really nice view of Reichenbach Falls in the establishing shot of the castle just before the climax of the movie. Anyone familiar with Holmes mythology knows where they were headed.
Mycroft makes a quick mention of a peace summit at Reichenbach very early on in the film, right before Watson's stag party.
When Holmes first officially meets Moriarty, he mentions that if it one-hundred percent assured Moriarty's destruction, he would gladly accept his own. He follows this through to the extreme at the end when he does a suicide leap off a cliff and takes Moriarty with him.
Before that, when showing Watson his web of conspiracy, Holmes told him he'd give his life to see Moriarty's demise.
Also, the fate of the Parisian bomb-maker, who commits suicide in an attempt to save his loved ones from Moriarty.
The wax figure of Holmes may be this for the potential sequel — in "The Adventure of the Empty House" he used one as a bait for Moran.
Holmes warns Irene at the beginning that if she leaves his side, she'll be dead within the hour. An hour later, she goes to see Moriarty...
Freeze-Frame Bonus: Pay close attention: when Moriarty first joins Holmes on the balcony, Holmes is taking a puff on Mycroft's oxygen device. He quickly palms it, distracts Moriarty by having him set up their chess game, and then slips it back into his pocket.
From Bad to Worse: Near the end of the film, while Holmes and Moriarty fight in their minds, Holmes starts by noting that Moriarty has a serious advantage from Holmes' disabled arm. Shortly thereafter, he thinks something we have never hear him say the like of in any fight in the two films: "Arsenal running low." Moriarty "kills" him seconds later. He is both physically and mentally incapable of beating Moriarty in hand-to-hand, and they both know Moriarty's going to try to kill him.
Game-Breaking Injury: The way the final fight plays out is almost entirely determined by the fact that Holmes is still recovering from having a meat hook stabbed through his shoulder, and Moriarty has zero qualms about exploiting it.
Genius Bruiser: Moriarty was a boxing champion at Cambridge. His fighting style is very aggressive, described by Sherlock as "feral, but experienced".
Genre Blind: Irene, despite knowing very well that Moriarty doesn't like to leave loose ends, still works for him and knows that he'd kill her the moment he let her go. The point where this comes in is that while she's Genre Savvy enough to ask for a different pot of tea when she sees one setting at the table, she doesn't think twice about the second pot. Or simply not drinking tea.
Gilligan Cut: Midway through the movie, when Holmes, Watson, Simza and the gypsies are preparing to travel to Heilbronn:
Madame Simza Heron:[showing Holmes and Watson their horses, to Watson] The black one is yours. The grey one is mine. [to Holmes] And this is for you.
Sherlock Holmes:[clears his throat, uncertain] Ah, hm, right! Where are the wagons?
Madame Simza Heron: The wagon is too slow. Canít you ride?
Dr. John Watson:[grimaces] Itís not that he canít ride... How is it you put it, Holmes?
Dr. John Watson: How can we make this more manageable?
[Cuts to the group riding their horses through the woods, followed a few seconds later by Holmes - who is trotting on a little pony!]
Sherlock Holmes: Where's the fire?
There's also one earlier in the film when Holmes warns Watson against dancing with the gypsies, saying, "You know what happens when you dance." Cuts to Watson doing a particularly unusual jig with Simza as Holmes looks on and downs a bottle of hooch.
Go Karting with Bowser: While Simza and Watson try to stop the threat at the peace summit, Holmes and Moriarty play a round of blitz chess, although they also talk aloud about the more real-life version of it they're playing with the participants and events inside.
Good Old Fisticuffs: Moriarty has a more standard boxing style compared to Holmes' esoteric fighting skills. Holmes describes it as "feral", due to the fact that Moriarty was a bit out of practice at the beginning of the fight, but still good enough to get the job done, as Holmes was crippled and on the mend while Moriarty was fresh and unscathed. As the fight wears on, Moriarty's technique refines itself and gains more precision and calculation, prompting Holmes to say "Ah, there's Cambridge's Boxing Champion!"
Gory Discretion Shot: When Ravache puts the gun to his head and kills himself, the moment he pulls the trigger to blow his head off, the scene immediately cuts to the patrons of the tavern upstairs reacting to the sound of the shot. Everyone then goes to grab their weapons and heads to the stairs to investigate the noise. This is done instead of seeing carnage that would be a little too gory for audiences, though the shocked look on Simza's face says it all.
A Handful for an Eye: Holmes steals handfuls of rice and beans from a market stall, and later throws them in the face of Moriarty's thugs during the fight in the pre-credits sequence. Later still, when he faces down Moriarty, he blows a cloud of tobacco ash into his face.
Heel-Face Turn: A very minor example. Although you wouldn't call her an enemy, Mary is most definitely not a member of Holmes' fan club in the first film, nor at the start of second film (being thrown off a bridge by him, only to be rescued by his brother who has a penchant for nudism doesn't help either). But by the end of the film she trusts Holmes enough to follow his instructions re: Moriarty's vault, effectively becoming his agent.
Historical In-Joke: According to Holmes, Moriarty was behind the Mayerling incident, in which an heir to the throne of Austria Hungary apparently murdered his mistress, then killed himself. Since the incident first occurred, and its reference on Holmes's conspiracy web, there have been multiple alternate theories advanced, including that the two were murdered as part of a plot to cause a European War.
Mycroft with regards to the automobile. "In the future there will be one of those machines in every town in Europe."
Moriarty uses this to force Claude Ravache, the leader of the anarchists to follow his orders, which apparently, as part of Moriarty's "no loose ends" deal, include the bit where he shoots himself in the head upon finishing his job and getting questioned by Holmes.
However, just as well, Moriarty probably has had Ravache's family killed
Watson gets involved in the plot because of this. Holmes tells Moriarty that Watson is not part of the game, Moriarty announces his plans to kill Watson and Mary anyway. It is averted, however, in that Moriarty expects Holmes to rescue Mary and John, it is one of many diversions Moriarty uses to keep Holmes, the only man who could stop him, busy.
Indy Ploy: At their final confrontation, both Holmes and Moriarty mentally predict how their battle will end, with both concluding that Moriarty will be the winner. Holmes then takes the next best plan and throws the both of them off the cliff. However, subverted in the end when it is revealed that Holmes had prepared for that possibility.
Involuntary Charity Donation: The assets seized from Moriarty by the police are used to make an anonymous donation to the Widows and Orphans of War fund.
It's Personal: In their first face to face meeting, Moriarty reveals he killed Irene and Watson is next. Holmes goes from being almost giddy about his rivalry with Moriarty to being much more withdrawn, showing some Tranquil Fury, and decides that Moriarty needs to be stopped. No matter the cost.
Leaning on the Fourth Wall: Moriarty tells Holmes, "Let's not waste any more of each other's time. We both know how this ends." As do any viewers who have read "The Final Problem."
Magic Plastic Surgery: Sim's brother is made to look like one of the ambassadors as part of the peace summit plot. The "magic" part is averted, though, in that when trying to identify him, Sim and Watson look for exactly the sort of telltale clues that this trope usually ignores. It also probably helps that the guest list uses sketched portraits, not photographs, so Renee's disguise doesn't have to be a perfect replication.
More Dakka: Including a gatling gun and an early LMG.
Naked People Are Funny: Mycroft apparently has a habit of wandering around his home stark naked. He has a cheerful conversation with a mortified Mary when she runs into him like this, while his servants, who obviously are used to this, don't even bat an eye when they come in to serve breakfast.
Neutral Female: Averted. When Watson pins an assassin, Mary makes sure to grab his gun and hold it against his head.
Never Found the Body: Holmes and Moriarty. In the case of Holmes, he is revealed to be alive at the end of the film.
Nice Job Breaking It, Hero: Happens during Holmes and Simza's fight with the Cossack, when Simza pushes a pipe into the assassin causing him to fall out a window. She is unaware that there is a rope on the end of the pipe attached to Holmes's belt, and as a result, Holmes is pulled out the window a few seconds later. Similarly, Simza putting several throwing knives into him (for which he wore a protective undershirt) before Holmes can carry out his planned takedown forces Holmes to think on the fly when the Cossack recovers, ultimately making the whole fight a lot more drawn out and dangerous than it had to be.
Nice Job Fixing It, Villain: When Holmes, Watson, and Simza are trapped in the weapons factory, the guards try to take them out with an artillery cannon. However, they only succeed in blowing a hole in the wall that was keeping the trio inside, allowing them to escape into the forest. Had they closed in with small arms, they would have won.
No-Holds-Barred Beatdown: Even though it never actually takes place except in Holmes' and Moriarty's minds, the final confrontation definitely qualifies. It's not so much a fistfight as an excuse for Moriarty to repeatedly and brutally whale on Holmes' wounded shoulder.
No Kill Like Overkill: Moriarty arranges a bombing in a banquet hall at the Hotel de Triomphe to conceal the fact that Alfred Meinhard, the head of an arms factory, was in fact shot in the head by Colonel Moran on a rooftop on the other side of the square at the precise moment of the blast. This serves to disguise the true perpetrator of the attack while ensuring the target is definitely killed.
Not So Stoic: Moriarty during his chilling torture of Holmes. He's clearly enjoying it.
Holmes himself, during the same scene. Seeing the guy who has kept an almost-perfect poker face over the course of two movies - in the face of physical punishment, worry that he's losing his best friend to marriage, Watson almost being blown up by Blackwood's booby trap, the news of Irene's murder being sprung on him, Moriarty's threats toward Watson and Mary, Ravache putting a gun to his own head and pulling the trigger right in front of them, and carnage from a bombing that he could have prevented - break down and howl in agony while Moriarty tortures him is incredibly disturbing.
Actually, Holmes may have been playing this up a bit; he clearly possessed enough presence of mind to switch out the red ledger, and he may have been acting in an effort to get Moriarty to think he was hurt worse than he really was. Appearing weak is a common feint.
There wasn't much need to play it up, considering his heart stops not long afterwards. The not-so-stoic moment just makes his presence of mind that much more impressive.
Oh Crap: Moran's reaction when Watson reveals he's been hiding behind a giant cannon aimed directly at his perch is a rather hilarious "That's not fair!"
Shortly before Watson has one when he holds up his cap to the small gap between the gun's barrel and shield, only for Moran to instantly put a bullet through it.
Moriarty when he realizes that Holmes spotted (and subsequently replaced) his little red book with one that is a zoetrope that says, Be Careful What You Fish For!
Moriarty has this kind of reaction when Holmes asks, "Does The Art of Domestic Horticulture mean anything to you?" and we see that Moriarty also neglects to care for the plants in his windowsill.
Watson has one when his winnings get scattered across the floor due to Holmes and Simza's fight with the Cossack interrupting them and he realizes he's surrounded by a bunch of opportunistic gamblers.
John Watson: Now wait a minute. [cue a secondary fight]
Watson has another when he knocks out the head gypsy for taking his scarf, to look around him and see a whole bunch of knife carrying angry gypsies.
The assassin on the train who gets shot by Watson has just enough time to realize that he can't find the primed grenade he dropped in the satchel full of them and look at his comrade before the whole thing blows up and the train breaks in half.
Irene has a very subtle one when she realizes Moriarty hired everyone in the restaurant they were meeting in, and makes them leave on a code signal, meaning their public meeting is actually a lot more private than she expected.
Watson gets one after hearing the usually nigh-omniscient Holmes utter the words "I was mistaken."
Another for the audience occurs after the "two-pronged" chess match between Holmes and Moriarty. After Moriarty threatens that he'll endeavour to find the most creative of endings for Watson and Mary after he deals with him, Sherlock begins to analyse the upcoming fight between him and his adversary. While he takes his injury into account, the predictions progress as normal. Until, that is, a second voice enters the fray.
Moriarty: Come, now. Do you really think you're the only one who can play this game?
Holmes realizing how insane Moriarty is, when he impales him with a hook and proceeds to twist it around while singing to an operatic piece.
Only a Flesh Wound: Moran got shot in the side, yet seems pretty fine just a few days later when he kills Rene at the peace conference.
Just about every wound in the film is brushed off, up to and including having a building collapsed on you - but Holmes's shoulder wound takes a serious toll on him, for plot reasons.
Out-of-Character Alert: After being separated during the train sequence, Mary is understandably confused when Watson sends her a letter saying he doesn't miss her and hopes to never see her again. Mycroft Holmes tells her the truth can be found from a code that he and Sherlock devised as children, where a notice would be taken at face value or as the complete opposite depending on if the first letter of the note was a consonant or a vowel; in this case, Watson's letter is of course the complete opposite of what he means. The letter needed to be coded in case it were intercepted by someone affiliated with Moriarty.
OOC Is Serious Business: According to Watson, it takes a very serious crisis to make Mycroft Holmes miss an appointment at the Diogenes Club, especially when his favorite dish, potted shrimp, is on the menu that night.
Cool-headed Irene Adler is visibly struggling to control her fear when she realises Moriarty has outmaneuvered her at the restaurant.
Out of Focus: While he was never really a central character to begin with, Inspector Lestrade is almost entirely absent in this movie. The only time we see him at all is at the very end of the movie, and even then, he's only briefly seen a couple of times with almost no lines.
Le Parkour: The Cossack assassin uses agility to chase and fight Holmes and Simza. Real Cossacks, even today, are good at acrobatics.
Paper-Thin Disguise: Even Holmes has to agree that dressing up (poorly) as a woman for the train fight is not his best disguise, but he had to make do with what little time he had to prepare.
Pietŗ Plagiarism: Sim and her brother after he collapses from Moran's poisoned dart.
Holmes and Watson share a dance together and get nothing more than a few odd looks in an age where homosexuality was illegal.
To be fair at the time, two male friends sharing a dance, would be considered more akin to a joke, than a statement of there sexuality. Its recently with the fact its now legal, and quite often encouraged, that we attribute any sign of affection or companionship as a sign of this.
Mycroft's casual nudity in front of Mary, something which the servants are so accustomed to that they don't bat an eye, is a lot more shocking when you consider just how much more strict Victorian England was about nudity and proper behavior around women.
Irene reasonably expects that she might suffer a sudden case of You Have Outlived Your Usefulness when meeting with Moriarty. She meets him in a crowded restaurant and has her drink switched for a fresh pot. She wasn't paranoid enough, though, because Moriarty had the entire restaurant in his pocket.
When Watson and Mary depart for the honeymoon (the first time), Watson is clearly suspicious of being ambushed after seeing soldiers loading equipment onto the train.
Reality Ensues: What happens when you put Irene up against a guy who is about as smart as Holmes, but with no moral compunctions or feelings for her? He outwits and kills her. That's it.
The final fight between Holmes and Moriarty starts off with a Sherlock Scan fight plan, handily exploiting Moriarty's rage over having his entire empire undone... only to be interrupted by Moriarty doing the very same thing. And Holmes realizes it. "Oh come now, you aren't the only one who can play that game..." Both come to the same conclusion, with Moriarty mercilessly whaling on Sherlock's injured shoulder despite Sherlock's best efforts to counter, and eventually tossing him over into the waterfall below. "Unless..."
Red Oni, Blue Oni: Moriarty is blue. He lives in the dry, respected worlds of academia, politics and business. His servants are Germans. Holmes, on the other hand, is manic, full of energy, always experimenting and improvising, and spends his time getting into hijinks. He allies himself with a pack of unruly Romani, although that's because Simza's brother has ties to Moriarty.
Refuge in Audacity: An in-universe example. The car Holmes uses (and the great false beard that he wears) is 'so overt it's covert', especially when Holmes thinks Moriarty has men watching him.
Revealing Coverup: Moriarty blows up a room full of people to cover up the assassination of an important businessman.
Run or Die: After saving Holmes and escaping the tower, Holmes, Watson and the gypsies are forced to flee on foot from the train yard with Moran and his men hot on their heels. Gets worse when when they pull out an anti-tank cannon to fire on them.
Sacrificial Lion: Irene. She is built up to be an extremely intelligent and capable opponent for Holmes in the first movie, bordering on his equal. The second film shows how easily Moriarty has her killed, so her death serves to establish Moriarty as a credible threat (and possibly a superior opponent) to Holmes.
Scry vs. Scry: Holmes's usual Bullet Time battle analysis monologue is interrupted by Moriarty, who is also capable of this and counters his moves to the point of proving Holmes couldn't win a straight fight. Of course, Holmes doesn't fight fair. He fights smart.
Self Stitching: There's a brief shot of Watson stitching up his own side after a particularly harrowing chase scene.
Shaggy Dog Story: Moriarty's primary plan is to try and start World War I. As Moriarty lampshades (and the audience is well aware), Holmes has embarked on a futile endeavor: war will come, whether on Moriarty's schedule or of its own accord. Oddly enough, the first World War did not start between France and Germany, although they played a larger role in the second one.
However, as Moriarty soon learns, stopping the war is not Holmes' objective. His objective is to foil Moriarty, and he quite thoroughly accomplishes that.
Shoe Phone: Moran has a poison dart gun concealed inside his walking-stick, which he uses when he needs to kill someone in public or a crowded place.
Rather appropriate for Watson's foil - Watson himself has a sword hidden in his walking-stick.
Shot to the Heart: Holmes invents an epi-pen. Watson later uses it to revive him after his heart stops from blood loss.
Mycroft's ( and Sherlock's) oxygen device is basically a steampunk version of the James Bond rebreather gadget from Thunderball, continuing the long fanon tradition of him being the head of British Intelligence (a idea that has in some cases gone as far as to saying he is the originator of the position of M.)
The final confrontation between Holmes and Moriarty plays out very similarly to a scene in Hero: They have a Battle in the Center of the Mind, with both of them using Awesomeness by Analysis to calculate each other's strategies and the most likely outcome of the fight, similar to how Nameless and Long Sky 'fought' each other.
Watson uses an adrenaline shot to revive Holmes after his heart stops, reminiscent of a similar scene in Pulp Fiction.
Skyward Scream: A variant is done by Sim, after her poisoned brother dies in her arms.
Smart People Play Chess: Holmes and Moriarty play a game, the winning gambit echoing the events happening elsewhere that the two have set in motion. They finish up the game without the board entirely, just talking to each other, and Holmes wins, foreshadowing the way they'll fight in their minds.
Soft Water: Falling hundreds of feet into a lake will not break your fall. At terminal velocity, hitting water would be only slightly better than hitting concrete. However, the water tension is broken by the waterfall; riding the stream down would severely soften the landing of moving water.
Holmes might have maneuvered Moriarty into hitting the water first.
Played straighter during the train scene. Regardless of how "perfectly timed" it was, Mary came out remarkably unscathed for someone who feel at least fifty feet into a lake out of a speeding train.
Soundtrack Dissonance: Moriarty plays (and sings along with) a cheery, innocuous little Schubert tune while dangling Holmes from the ceiling by a meat hook impaled in his shoulder. "Die Forelle" may never be quite the same.
Swiss Bank Account: Heavily implied to be where Moriarty hides his many assets. He claims that he's rather fond of Switzerland, since they know how to respect a man's privacy there, especially when he has a large personal fortune.
Holmes: Has all my instruction been for naught? You still read the official statement and believe it. It's a game, dear man, a shadowy game.
Too Dumb to Live: Irene gets dangerously close to this in the opening. Despite Holmes hinting that her package is a bomb, she sits there and lets the doctor open it with only the slightest bit of trepidation (she did try to leave immediately, but he asked her to stay). Unless she was expecting Holmes to drop in, this is a serious lapse in judgement for an otherwise very clever woman.
Watson: I thought it was spider and fly. (notes that Holmes is drinking formaldehyde)
Tragic Keepsake: Irene's handkerchief, given to him as a dog kicking by Moriarty. Subverted in that he disposes of it so it wouldn't cloud his thoughts in pursuing Moriarty with the full range of his intellect.
Tranquil Fury: Moriarty is in this state throughout the chess match.
Understatement: When Moriarty sends thugs to kill Watson and Mary as they travel to Brighton for their honeymoon, Holmes attempts to empathise by describing the situation as 'terribly inconvenient.' It doesn't quite do their predicament justice.
The Unfettered: Moriarty at his core is a genius on the level of Holmes, yet completely lacking in ethics or morals of any kind. He will do anything to achieve his goals and he only allows Holmes to live because he respects him as a fellow genius and doesn't foresee Holmes being a large enough threat to his plans. When Holmes proves otherwise, Moriarty does not hesitate to go after everyone Holmes cares about and makes repeated attempts to kill him, too.
Up to Eleven: Almost every trope in the first film is cranked up in the second.
Unit Confusion: The 6-8 miles per hour side-wind in which Moran makes his famous shot. That wind speed would barely move the air, let alone a bullet. The conditions portrayed in the flashback and which would make the shot the nigh-superhuman feat it is described as are far more in line with a 6-8 meter per second wind speed.
Villainous Breakdown: Moriarty has a subtle one when he realizes that Holmes has stolen his ledger, decoded it, and used it to dismantle his whole organization. It progresses to a much more direct example as Moriarty screams his brains out as he plummets to his demise, unlike the composed Holmes. Admittedly he has just had burning embers thrown in his eyes so they could be screams of pain.
Villainous Friendship: Colonel Moran and Professor Moriarty. Although Moran is referred to as a gun-for-hire, he is very loyal - at one point he vows to kill the heroes after digging Moriarty out of the wreckage of a building - and the two of them have plans to go to the opera together.
Villain with Good Publicity: Officially, Holmes can't touch Moriarty since he's a world famous mathematician and author, is a personal friend of the English Prime Minister, and has many business and political connections. A great deal of the plot is Holmes trying to obtain the necessary evidence to implicate him. (Ironically, these are often some of the benefits Holmes himself enjoys.)
Wham Line: Just before their final confrontation, Holmes starts in with his usual analysis, imagining how the imminent fistfight with Moriarty will go with an internal monologue. At first it looks like Holmes has predicted a method of beating Moriarty before we cut to the man himself and we hear his internal monologue that reveals he is just as capable of the technique as Sherlock is.
Moriarty: Come now, did you really think you were the only one capable of playing this game?
Immediately, Moriarty begins to gain the upper hand in the imagined conversation between the two men as the fight plays out in both their heads.
Also the Cossack, to the point of bordering Big Lipped Aligator Moment.
Why Don't You Just Shoot Him?: Moriarty could have avoided so many troubles if he had killed Holmes when he met him at the university instead of sadistically toying with him.
Wholesome Crossdresser: Holmes, to get in the train. (The original script had him as a priest, as in the original short story, but Downey Jr. asked to change for crossdressing as it was funnier.)
Wicked Cultured: Moriarty takes this trope to its logical extreme, torturing Holmes while listening to and singing along with Schubert on a phonograph. Moran also says he really wanted to see Don Giovanni himself.
Even the Mooks get in on it, whistling Mozart of all things while ganging up on Holmes in a back alley.
The Worf Effect: Irene Adler dies by Moriarty's hand to show how dangerous he is and to up the stakes with Holmes.
Worthy Opponent: Holmes and Moriarty both emphasize the deep respect they have for each other.
However it's kinda inverted - Holmes himself admits we would be quite happy to beat him.
Bear in mind, Moriarty is telling Holmes what the police think happened.
Wrong Genre Savvy: Moriarty made the mistake of thinking that Holmes was trying to stop his plans to ignite a world war. As it turns out, Holmes is working against Moriarty, and ONLY him. He knows that he can't stop the plans that Moriarty has set in motion, merely prevent Moriarty from profiting from them, so that's exactly what he does. He doesn't stop the plan, but he does stop his nemesis.