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- A Study in Scarlet: Holmes being taken aback and flattered at Watson's praise of his detective skills, contrasting sharply with Lestrade and Gregson alternately sneering at his ideas and being resentful when he is right.
"...all facts which led me to believe that he had been a sergeant.”“Wonderful!” I ejaculated.“Commonplace,” said Holmes, though I thought from his expression that he was pleased at my evident surprise and admiration.
"You know a conjurer gets no credit when once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.”“I shall never do that,” I answered; “you have brought detection as near an exact science as it ever will be brought in this world.”My companion flushed up with pleasure at my words, and the earnest way in which I uttered them. I had already observed that he was as sensitive to flattery on the score of his art as any girl could be of her beauty.
- And then later that same day:
- Though it's backstory, the explanation of the crime opens with a description of a man in the desert who can't find water and resolves that he's about to die. Then we find out that he's carrying a little girl whose mom was part of their expedition and died. He comforts her with the fact that she'll see her mother soon, and they fall asleep in each other's arms. When they're saved by a caravan, he resolves to adopt her. Even when he's not writing mystery, Doyle was a good writer.
- The Sign of the Four: Holmes plays Watson to sleep with his violin.
"Because you are within my reach again," I said, taking her hand. She did not withdraw it. "Because I love you, Mary, as truly as ever a man loved a woman. Because this treasure, these riches, sealed my lips. Now that they are gone I can tell you how I love you. That is why I said, 'Thank God.'""Then I say 'Thank God,' too," she whispered as I drew her to my side.Whoever had lost a treasure, I knew that night that I had gained one.
- Watson and Mary holding hands outside Pondicherry Lodge, and confessing their love for each other, also after they open the jewel-box, with an especially touching speech by Watson:
- The Three Garridebs: When Watson is shot, we see what may be the only instance in the canon of Holmes truly shaken. "You're not hurt, Watson? For God's sake, say that you are not hurt!"
It was worth a wound — it was worth many wounds — to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.
- Watson's commentary clinches it:
"By the Lord, it is as well for you. If you had killed Watson, you would not have gotten out of this room alive..."
- And, just to wrap it all up, we have this:
- The Devil's Foot: Surprisingly, the scene in which Holmes and Watson test Holmes' theory about the titular substance on themselves provides a couple.
- What breaks Watson's horror-struck state and steels him to get out of the poisonous fumes? Seeing Holmes looking like the victims previously killed by the same method.
- Holmes loses his composure after Watson has saved them both from the titular drug/nerve gas and admits that he should never have subjected his friend to it.
- The ending of The Yellow Face when Grant Munro decides to adopt his wife's biracial daughter into the family.
Grant Munro: I may not be a very good man, Effie, but I think I am a better man than you take me for.
- This is even a CMOH in-universe; Watson prefaces it by saying that just thinking about it gives him warm fuzzies.
- And don't forget what Holmes says at the very end: "Watson," said he, "if it should ever strike you that I am getting a little overconfident in my powers, or giving less pains to a case than it deserves, kindly whisper 'Norbury' in my ear, and I shall be infinitely obliged to you."
- It's not just Munro, it's not just Holmes, it's Watson's narration:
- It was a long ten minutes before Grant Munro broke the silence, and when his answer came it was one I love to think. He lifted the little child, kissed her, and then, still carrying her, he held his other hand out to his wife and turned towards the door."We can talk more comfortably at home," said he. "I am not a very good man, Effie, but I think that I am a better one than you have given me credit for being."Holmes and I followed them down the lane, and my friend plucked at my sleeve as we came out."I think," said he, "that we shall be of more use in London than in Norbury."Not another word did he say of the case until late that night, when he was turning away, with his lighted candle, for his bedroom."Watson," said he, "if it should ever strike you that I am getting a little over-confident in my powers, or giving less pains to a case than it deserves, kindly whisper 'Norbury' in my ear, and I shall be infinitely obliged to you."
- The Empty House: Holmes explains that part of the reason he chose to reveal himself now is because he learned of the death of Watson's wife, and "Work is the best antidote to sorrow, my dear Watson."
- The entire first half, where Watson tries his own detective work. Just... bless him.
- Another The Empty House example: Holmes and Watson's conversation after Watson woke up from fainting due to Holmes' sudden reveal of being, y'know, alive. It's an incredibly sweet moment, as they're both concerned for the other's wellbeing in their own sorts of ways...
- Also in that scene is the fact that Holmes apologizes to Watson when he makes Watson faint.
- The Six Napoleons where Lestrade and Holmes are finally reconciled.
"'We're not jealous of you at Scotland Yard. No sir, we are very proud of you, and if you come down tomorrow, there's not a man from the oldest inspector to the youngest constable who wouldn't be glad to shake you by the hand.' 'Thank you!' said Holmes and as he turned away it seemed to me that he was more nearly moved by the softer human emotions than I had ever seen him.
- Not to mention Holmes getting all soft-hearted when Watson and Lestrade heartily applaud after he presents the pearl.
- The Solitary Cyclist: Carruthers throws the entire evil plan away out of love for Violet in his confession
- At the end of The Blue Carbuncle, which takes place during Christmastime, Holmes and Watson finally corner the man who stole the jewel. After admitting everything and falling completely apart for guilt, Holmes, seeing that jail would ruin his mental state completely, lets the culprit go free.
- A Scandal in Bohemia: Holmes tells Watson, "I am lost without my Boswell."
- In The Lion's Mane, Holmes is on his own, having retired and moved to the country while Watson stayed in London. They see each other on weekends, but it's clear that the detective misses his Boswell.
- In The Man with the Twisted Lip, where Watson goes to retrieve a patient from an opium den and runs into Holmes there. It's quickly revealed that Holmes was only working a case, but Watson's initial freakout shows how much he cares about his prickly partner.
- John Farrier and Lucy in A Study In Scarlet. He looked after her in terrible conditions, even adopting her once they were rescued and settled with the Mormons. And he was willing to kill, and to die, to protect her. The fact Doyle took the time to establish that Lucy had grown into a happy young woman and that her father was a decent man made the whole business even worse.
- In The Dying Detective, we see Watson ready to go to any lengths to save his friend's life, even if it means catching Holmes' disease and possibly dying himself. For his part, Holmes has a Freak Out! when he sees Watson touching a box on his mantlepiece; we later find out that the box contained the disease and would have killed him.
- The moment in The Bruce-Partington Plans when Holmes and Watson discuss breaking into a house; also a Moment of Awesome.
"I don’t like it, Holmes."
"My dear fellow, you shall keep watch in the street. I’ll do the criminal part. It’s not a time to stick at trifles. Think of Mycroft’s note, of the Admiralty, the Cabinet, the exalted person who waits for news. We are bound to go."
My answer was to rise from the table.
"You are right, Holmes. We are bound to go."
He sprang up and shook me by the hand.
"I knew you would not shrink at the last," said he, and for a moment I saw something in his eyes which was nearer to tenderness than I had ever seen. The next instant he was his masterful, practical self once more.
- Bit of Fridge Brilliance and the series' famously inconsistent continuity here... but in The Blue Carbuncle Holmes says Watson is his only friend. His letter to Watson in The Final Problem mentions regretting the pain his death will cause his friends, implying Character Development.
Basil Rathbone Film Series
- In Sherlock Holmes Faces Death it is revealed that the culprit Dr Sexton was murdering the Musgraves in hopes of inheriting their estate, which abiding by a newly discovered ancient document could be worth millions. Sally is left the remaining inheritor, but realising that people living and working in the estate could lose their livelihoods if it was confirmed, burns the document without a second thought. Holmes later laments to Watson how impressed he was by this blunt act of selflessness, hoping it to be a sign of better times:
Holmes: There's a new spirit abroad in the land. The old days of grab and greed are on their way out. We're beginning to think of what we owe the other fellow, not just what we're compelled to give him. The time is coming, Watson, when we cannot fill our bellies in comfort while the other fellow goes hungry, or sleep in warm beds while others shiver in the cold. And we shan't be able to kneel and thank God for blessings before our shining altars while men anywhere are kneeling in either physical or spiritual subjection.
Watson: You may be right, Holmes... I hope you are.
Holmes: And, God willing, we'll live to see that day, Watson.
Granada TV series
- After his dramatic reappearance in The Empty House, Holmes stretches out on Watson's exam table for a nap and, completely exhausted from his long flight, is asleep in seconds. Watson looks down at him for a moment, shakes his head, then pulls the blanket over his friend.
- Shortly before that there's Watson revealing he had Holmes' final letter framed and hanging on a wall. Holmes is touched to the point of speechlessness.
- And then there's the moment in Holmes's flashback where he almost calls out to Watson, but — with obvious effort — forces himself to stop. Even knowing what must be done to fake his death convincingly, he was on the point of blowing the whole thing just to put Watson at ease.
- The Empty House : More of a tearjerker really, but knowing that Jeremy Brett's wife really died before filming, makes his in universe advice to Watson after the death of Watson's wife, "Work is the best antidote to sorrow, my dear Watson.", guaranteed to see even the stiffest lip reduced to a quiver. note
- The moment in The Devil's Foot when Watson saves himself and Holmes from the titular drug, Holmes, having lost any composure he had, calls Watson 'John' for the first and only time.
- The exchange (detailed above) between Holmes and Lestrade at the end of The Six Napoleons, played pitch-perfect between Jeremy Brett and Colin Jeavons.
- There's an adorable moment even during the opening scene. We're treated to a quiet moment between Lestrade, Watson and Holmes, relaxing on the sofa in Holmes's apartment and sharing a leisurely smoke and idle conversation. It's nothing much, but considering Lestrade is constantly set up as an arrogant thorn in Holmes's side (and vice versa), it's rather endearing to see the three getting along so well.
- The exchange (and kiss) between a disguised Holmes and the Milverton housemaid in The Master Blackmailer. Sure, Holmes is only going along with the romance for espionage purposes, but judging from his reaction it's hard to believe he's completely faking it in that scene.
Holmes: (voice breaking) Oh, Aggie... you've touched my heart.Aggie: (tenderly) Oh? I can make you a gift of mine.
- It's just a small one, but the look on Holmes' face when he's talking with his brother in The Greek Interpreter is really sweet. It's one of the few times he shows open fondness for anybody besides Watson.
- For that matter, look at Watson's face as he watches the two engage in a joint Sherlock Scan for fun on a few random people outside Mycroft's window. Watson is positively, adorably star-struck.
- The initial interview with the young lady in "The Solitary Cyclist." Her story seems odd, but seemingly frivolous, to Holmes and he is about to dismiss her until this very frightened lady finally spits out why ultimately she came to the detective. Namely, she is being followed by a mysterious and threatening stranger in an isolated road. Suddenly, Holmes is all business and intently listening to every detail with the woman finally getting the load off her mind knowing the greatest of the detectives is on the case.
BBC radio series
- At the end of "The Empty House", Holmes observes that he remembers the first time they stood at the Baker Street door, and quotes Watson from "A Scandal in Bohemia".
Watson: I thought you didn't bother with worthless rubbish.Holmes: Quite right, quite right.
- In Stephen King's short story "The Doctor's Case", Holmes is investigating the murder of an Asshole Victim who was also a devoted cat-lover — which, as Holmes is unfortunately allergic to cats, means he's somewhat off his game. This leads to Watson eventually discovering the critical clue which blows the case wide open, leading him to deliver The Summation. However, a chance comment from Holmes after he's finished leads Watson to realise that Holmes had, if not solved the case first, then had at least figured it out not long after Watson had started explaining — but deliberately kept quiet so that Watson could have a turn to shine for once.
"If the detective should suffer overmuch from the artistic temperament, and his fellow lodger should dwell overlong upon the fairness of a wrist or the timber of a feminine voice, so much the better for us. Literature never produced a relationship more symbiotic nor a warmer and more timeless friendship." — Loren D. Estleman