Creator / The Asylum

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"I think Mockbusters are like store brands. Say youíve got a cold and you walk into your local Walgreens for some medicine (and a pap smear). You see the Sudafed, and right next to it, in a box that looks remarkably similar to the national brand, the storeís own 'Nasal Decongestant.' I donít think most people buy the store brand because they think itís really Sudafed in a different box. I think they buy it because they think it will be similar to Sudafed, only cheaper.
Just like our Mockbusters. Theyíre similar to big studio films, only cheaper.
And shittier.
If thatís possible."
Paul Bales, Partner/Administrator and Operations of The Asylum

The Asylum is an American production company located in Burbank, California. They are best known for producing horror and science fiction mockbuster films and unofficial sequels, often with a lot more graphic violence and sex than their Hollywood competition in order to make up for their low production values.

The company can turn around a movie in four months. This makes it able to produce films on short notice in order to capitalize on the marketing and surging interests generated by blockbuster films. In order to do this, the movies use no-name actors (and/or has-beens) and cheap special effects. The company produces between ten and fifteen movies a year and has released over 300 films to date.

Founded in 1997 by former Village Roadshow executives, The Asylum started out as a run-of-the-mill, low-budget indie studio, specializing in horror films. Their first largely successful film was 2005's H. G. Wells' War of the Worlds, which was produced to coincide with Steven Spielberg's War of the Worlds. This film's success, largely due to movie rental chains buying it in bulk in order to cash in on the Spielberg version, led The Asylum to its current business model. The company achieved Internet notoriety in 2009 with Mega Shark vs. Giant Octopus, whose trailer went viral on YouTube. Then in 2013 they repeated this phenomenon, to an even greater degree, with Sharknado.

In 2014 the studio made its first foray into TV production with the typically-shameless Zombie Apocalypse bandwagon-jumper Z Nation, which against pretty much all expectations has proven to be.. not as completely horrible as its movies.

As the quote shows, they are also fully aware of their status, and cheerfully admit it.

Their website can be found here.

Definitely not to be confused with Arkham Asylum, The Asylum Emporium, The Asylum for Wayward Victorian Girls or Asylum Visual Effects. The people running The Asylum are also not necessarily Running the Asylum.

Films

Television


Commonly Associated Tropes

  • Artistic License: No need to get specific. We'd be here all day.
  • Author Appeal: A number of their films involve Sharks for some reason.
  • Captain Ersatz
  • Card-Carrying Villain: If they have any villain status, they certainly aren't shy about it.
  • Cool Boat: A particular shot of a battleship appears in several different films.
  • Copycat Cover
  • Direct-to-Video
  • Downer Ending: Very common in early mockbusters.
  • Exploitation Film: Mockbusting aside, a lot of these films (especially the horror rip-offs) are like modern day Grindhouse flicks.
  • Jerkass Has a Point: Apparently started produced mockbusters because "theres no market for originality", citing remakes and sequels in general - between constant profits and dismissal of several (but not all) lawsuits, they're not wrong.
  • Lighter and Softer: The Christmas movie Santa Claws from 2014 is the most family friendly film made by the company's standards.
    • Somewhere along the line they stopped killing off the protagonist at the end, possibly because anger at the popularity of derivative works was part of the motivation or their mockbusters.
  • Market-Based Title: 8213: Gacy House was renamed Paranormal Entity 2 in the UK, presumably because they feared British audiences wouldn't know who John Wayne Gacy was. Similarly, Anneliese: the Exorcist Tapes and 100 Ghost Street: The Return of Richard Speck were retitled as Paranormal Entity 3 and Paranormal Entity 4.
  • The Mockbuster
  • Non-Indicative Name: Titanic II isn't actually a sequel to Titanic. It's about a modern Titanic replica that runs into iceberg trouble.
  • No-Sell: If they do the research in one area, it's the extent of making movies different enough to avoid lawsuits; subverted in that on rare occassions lawsuits do have an effect.
  • Production Posse
  • Public-Domain Character: Allan Quatermain, Sherlock Holmes, Dracula, multiple fairy tale characters.
  • Public Domain Stories: Journey to the Center of the Earth, The War of the Worlds, Moby-Dick, Princess of Mars, Land That Time Forgot
  • Self-Deprecation: See the page quote. They have no problem about making fun of themselves.
  • Series Mascot: Sharks pop up a lot, don't they?
  • Stylistic Suck: Possibly. If nothing else, Scott Foy of Dread Central commented on how their early (then current) mockbusters were a step down from their earlier films (which some horror sites were fairly impressed by), while the now-defunct Slasher Pool noted hillside cannibals wasn't just worse than their earlier detour but a lot worse; how much, if any, of this was intended as part of the middle finger at sequels and remakes is unclear.
  • Very Loosely Based on a True Story: A number of their horror stories are mockbusters of current movies, but loosely based off of actual people and locations, c.f. the last three Paranormal Entity films.

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