The Red Balloon (French: Le Ballon rouge) is a 1956 34-minute short film about a boy and his balloon. It was directed by Albert Lamorisse.
One day, a young boy named Pascal finds a red balloon. The balloon is actually alive and has a sentient mind of its own. Thus, they set off an adventure in Paris.
While a simplistic film made for children and to preserve the Ménilmontant section of Paris in film, critics noted the beautiful cinematography, woodwind score, and idealist allegories in a post-World War II Paris. It is noted as an art film.
The film became a sensation in the United States especially with the children. Schools often show the film in cafeterias and the film, for a while, became the largest selling non-running theatrical print.
The film won an Oscar for Best Original Screenplay. It is the only short film to win any of the five major Oscars (Picture, Director, Actor, Actress, Screenplay). It also won the Palme d'Or for short films at Cannes.
It is also available on The Criterion Collection.
- Animate Inanimate Object: It becomes clear that the balloon is sentient and is following the boy around.
- Balloonacy: In the ending, as not nearly enough balloons take the boy flying.
- Bittersweet Ending: The balloon sinks to the ground and is popped by one of the bullies. But all the other balloons of Paris arrive and take the boy for a ride.
- A Boy and His X: The film is about a boy and his balloon.
- Distracted by the Sexy: The only time in the movie when the balloon leaves the boy comes when the balloon is distracted by a blue balloon.
- Exactly What It Says on the Tin: The film is about a red balloon.
- Gang of Bullies: The other local kids who chase after Pascal and eventually take the balloon.
- Kids Are Cruel: Popping a sentient balloon certainly qualifies.
- Magical Realism: It's a film set in the real world, with a sentient balloon.
- Short Film: The film is only 34 minutes long.
- Silence Is Golden: There are about four lines of dialogue in a 34-minute movie. It easily could have been made as a silent film.
- Sliding Scale of Idealism vs. Cynicism: Definitely idealistic. Brian Gibson, film critic, writes that the film can be seen in an escapist stance towards Pascal.
- Sliding Scale of Living Toys: The balloon is at Level 4.
- You Are Not Alone: In the final scenes, as all the balloons of Paris come to the boy.