So Deadpool speaks with a yellow outline around his speech balloons? What exactly is that supposed to sound like? I can just imagine a movie studio trying to cast someone for the role of Deadpool: "Must be able to speak English clearly with yellow outline around dialogue. Red outline voices need not apply!"
Hold on there, Robot Buddy! There's just gotta be more to it than that!
<<Perhaps Professor Verbose has more data on this topic.>>
Why indeed I do! Speech Bubbles aren't just generic circles or places to put words, but metafictional constructs that can be painted, shaped, and written different ways! We can even superimpose them to show—
<<This is illogical and serves no functional purpose.>>
Oh, silly Robot Buddy! Your logical mind hasn't noticed one of the greatest uses for Speech Bubbles. In fact, your own speech bubble is different from young Tommy's and my own.
Whoa! That's cool! But, why are they different?
Yes, it is indeed "Cool" Timmy! Differently shaped and even colored or fonted bubbles are nature's way to help readers notice who's saying what more easily, as well as how they're feeling and even if they're robots, as your Robot Buddy's bubble shows. In fact, some species even use Rebus Bubbles at times!
Yes, and if you'll notice, both your own and your robotic friends' speech bubbles have changed to show your excited emotions! Now, to hit the "Off Switch"...
>>Crush! Kiiillll.... deessstroooooy... >>
That was a close one, doc! I've never been more scared in my short fictional life!
That certainly was, Jimmy! Just remember that things can always get scarier! For example, some villains and monsters like to use black speech balloons and strange colored text. If I were to change my speech bubble just so, and highlight it with a mouse...
This has been in the Doctor Who Magazine comic strip a few times. Most notably, the distinctive voice-treatment given to Daleks is represented as an angular font in a jagged speech bubble. This has been the case since they had their own strip in TV Century 21 in the 1960s.
Several characters in The Sandman have distinctive speech bubbles or fonts — each of the Endless and Matthew, in particular. At one point, Matthew "imitates" Morpheus with a speech bubble that looks like his. Delirium's speech bubbles contain wild swirls of color and wavering text, but when she was Delight (and sane), the colors were subdued and straight, and the text linear.
Death is the sanest and most down-to-earth of the Endless and the only one whose Speech Bubbles are completely normal.
DIDN'T YOU NOTICE THAT...OH. THAT DEATH. SORRY.
Jamie Madrox's duplicates in X-Factor get slightly different fonts from standard speech bubbles.
In Astérix, the language of the Goths is represented by a Gothic font, Greeks speak in an angular font resembling the Greek alphabet, and Egyptian speech bubbles contain hieroglyph-style rebuses (even for onomatopoeia). When Obelix repeats a phrase in Egyptian, it looks like a shakily-drawn stick figure.
Asterix and the Cauldron featured a Roman tax gatherer whose rectangular speech bubbles resembles modern tax forms, complete with check boxes.
In Astérix and the Roman Agent, anyone falling under the discord-sowing powers of Convulvus (the titular agent) gets a speech bubble tinted green.
When our heroes complain to the camp cook about the army food in Asterix the Legionary, the cook responds with mocking sweetness, before yelling his head off. While he's being nice, his speech bubbles are filled with smiling suns, flowers, singing birds and music notes.
Nearly every important character in Watchmen has either a different color/style speech bubble, or a different font. Sometimes both.
Of The Avengers, The Vision traditionally spoke with a square bubble to indicate a cold, robotic voice, and in the late 90s, Thor was given a distinctive font inspired by Olde English to match his Shakespearean/Biblical patois. More recently, Iron Man has been given red outlined bubbles to indicate that his armour alters his voice.
Ultron has been given rectangular shaped bubbles a lot in more modern times, and Jocasta, one of his creations and a mainstay of the Mighty Avengers lineup, speaks with a font that seems like Comic Sans/Arial as opposed to normal lettering.
Thor's font is used for any Asgardian character; even his cyborg clone Ragnarok uses it.
Even Beta Ray Bill, an alien who uses a copy of his powers, usually speaks in the Norse typeface.
Great Lakes Avengers: Deathurge speaks with all black Speech Bubbles, as does Doorman after he takes up Deathurge's mantle.
Super-Skrull speaks with green Speech Bubbles in Annihilation: Super-Skrull.
Speaking of Annihilation, in the Drax The Destroyer tie in all aliens speaking in their native tongues get weird bubbles plus in the series proper Annihilus gets purple ones, Tenebrous gets black ones, Aegis gets red ones, and The Xandarian Worldmind gets square ones with a yellow border.
The Preservers in ElfQuest originally spoke with wavy lettering, and when the series collected for the first color edition each preserver spoke with its own color of bubble. This was dropped in the Marvel reprint which was completely re-lettered, and the new lettering carried over into some collected editions. The DC Collector's Edition and Online Edition of the Original Series use new computer lettering, restoring the wavy Preserver style and colored bubbles.
It's also worth mentioning that in the early stories, before Humans and Elves learned to understand each other's languages, human language (which sounded ugly to the elves) was represented by rough, angular speech bubbles instead of the neatly rounded speech bubbles normally used when the elves were speaking.
In PS238, aspiring supervillain and world conqueror Zodon has a chip inserted into his head to make him stop cussing all the time. The innocuous words that replace his attempts to swear are rendered in a blocky font.
When he really goes caroling ape-beans, he starts singing show tunes.
Nick Zerhakker in Skin Horse has a similar problem. He doesn't sing, though. Yet.
In Don Rosa's early The Pertwillaby Papers series, nearly every character had their own specific font and speech bubble design, reflecting their personalities. The tradition carried over to his Scrooge McDuck stories in part later on.
In Atomic Robo the titular character's speech bubbles are blue with small zig-zags on both sides and have a lightning bolt shaped tail. Helsingard as a Brain in a Jar has brown square bubbles. Everyone has a jagged outline over a radio and a dotted one when they're whispering.
The various Transformers series use different bubbles for the Transformers. Originally, they were pretty basic bubbles, with the edges of the arrow leading up to the bubble resembling a stylized jagged lightning bolt, like had been often used with television and radio dialogue. Later issues game them a squared bubble. Unicron got bubbles edged in rippled darkness and blood-red lines. Later series added more effects, often to differentiate not only individual characters but their state. (Dreamwave Volume 3 Megatron, for example, had black speech bubbles with white dialogue.)
In Teri Sue Wood's Wandering Star, all the characters have elaborately hand-drawn dialogue, except for a group of mind-controlled slaves; theirs is typewritten.
Normal humans as well as the titular character of Hellboy have white speech bubbles with standard comic book font and short trails. Demons and horrors generally have red or purple speech bubles with longer, wavy trails and sharp letters. Aquatic creatures have blue speech bubbles. The demon Ualac goes from normal white bubbles to wavy golden ones when he becomes the beast of the apocalypse .
Disney had for a time comics about baby versions of their characters. Baby Gyro Gearloose spoke in speech bubbles outlined by equations and formulas. Considering Gyro is an inventor as well as terribly scatterbrained, it probably represents that his mind's elsewhere while he's talking.
The biochips in Rogue Trooper have sort of semi-circular indentations in the edges of their bubbles.
In Atavar, the Uos' speech bubbles are square and all their dialogue is bold. In the first few panels, before Atavar gains the ability to speak their language, the Kalen's dialogue is represented by random Greek letters.
In Pogo, P. T. Bridgeport spoke in circus posters, Deacon Mushrat used Olde Englishe lettering, and Sarcophagus MacAbre (the natural-born buzzard) spoke like a sympathy note.
The speech bubbles in Cerebus the Aardvark could be incredibly expressive and as artistic as anything else that was going on in the comic, especially when Cerebus was drunk, mad, or having an argument with himself.
Null of Halcyon seems to 'speak' through black narration boxes with white text, which doesn't stop anyone from hearing him. The font also changes when characters are speaking in a foreign language, a la Discworld.
Manfred Schmidt, author of German comic Nick Knatterton, commented that they were a primitive tool in his POV - "bubbles coming from the heads, eyes, ears, noses or mouths of characters to indicate what they think, see, hear, smell or say".
In a number of 2000 AD strips, including Judge Dredd and ABC Warriors, robots speak with baloons that have harsh angled edges rather than curved, occasionally with a different typeface from organic characters (dependent on the letterer).
The 1925 silent film The Unholy Three has a rare use of this trope in a live-action film. A con man, who used to be a ventriloquist and is now selling birds at a pet store, is tricking customers into thinking his parrots can talk by throwing his voice. Since this was a silent film, it gets this effect across by having speech bubbles pop up above the various caged parrots saying parrot things like "Pretty Polly".
The Three Stooges short "I Can Hardly Wait" uses a thought bubble when Curly first starts dreaming, showing his dream inside the thought bubble for a few seconds before going to full screen.
Discussed in When Harry Met Sally. Harry is telling Jess about his marital troubles. His wife Helen had said she wants a trial separation.
Harry: Then she tells me that somebody in her office is going to South America and she can sub-let his apartment. I can't believe this, and the doorbell rings, 'I can sub-let his apartment', the words are still hanging in the air, you know, like in a balloon attached to a mouth.
Jess: Like in the cartoon.
Harry: Right. So I go to the door, and there were moving men there.
Death Note does this, at least in the English manga. The shinigami speak in a different font than the human characters.
Priest uses this a lot; Protagonist Ivan, spirit guide Belial, big bad Temozerala, his demon lieutenants when they transform, and the zombies all have their own fonts.
D.N.Angel uses this trope as well. Dark speaks in a curly fancy kind of font.
The font in speech bubbles in Fullmetal Alchemist is usually static, but has a tendency to change in certain circumstances. Among the more memorable instances, Roy Mustang's words become elongated and sharp (and punctuated by little "grr"s) in the scene where he threatens to fry Barry the Chopper for putting a hand on Riza Hawkeye.
The Occult Club president from Mahoraba alternated within each word between two different methods of writing Japanese, hiragana and katakana, and the scanlation I read represented this by capitalizing eVeRy OtHeR lEtTeR.
Kengamine Nagi in Deadman Wonderland speaks with a synthesizer, which is illustrated through squarish, angled speech bubbles (as opposed to the round ones that the rest of the cast gets.
Yotsuba in Yotsuba&! speaks entirely in hiragana, the first form of Japanese writing children learn, which emphasizes her age. This effect, alas, has not been reproduced in any English translation.
Speaking of Yotsubas, Satsuki Yotsuba in Negima! has a unique way of speaking which is portrayed in the manga by her almost never using speech bubbles. Her dialogue is almost entirely in the side scribbles normally used for aside notes by manga characters.
Also, the French official translation renders Chachamaru's (and strangely, Kokone's) bubbles with a different font to reflect a robotic voice.
Fruits Basket uses odd-shaped panels and unusual fonts throughout to convey emotions.
At one point in Sekirei, Kazehana greets Minato upon his returning home and her dialogue appears in heart-shaped speech bubbles... at which point Miya scolds her about this, claiming they're against the rules.
Ai Yori Aoshi and other manga with romance in the plot often have bubbly speech bubbles to represent nervous babbling. Sometimes the bubbles will have their own Sweat Drop.
In what will probably be the only example of characters in prose literature speaking in dialogue balloons, Who Censored Roger Rabbit? by Gary K. Wolf features a world where human beings live side-by-side with cartoon and comics characters. The 'toons communicate via visible dialogue balloons (they even come out of the phone), but can learn to enunciate verbally if they so desire.
A roundabout example from The Adolescence of P1, during conversations carried out in text using a dumb terminal connected to a computer, the human side of the conversation is represented by using all lower case text and the titular AI's side is represented by all upper case text.
The Bonzo Dog Doo Dah band used speech bubbles in live performances for comic effect, saying things like "Wow! I'm really expressing myself!"
In SaGa Frontier, the words in your character's speech bubbles are different colors than everyone else's. If you run into another one of the main characters during a storyline, their words are the same color as your own.
City of Heroes represents characters' speech in speech bubbles. Players can choose the color of their bubbles and text.
In Star Control 2, each race's speech is subtitled in a different font. These vaguely match their personalities, so the Ur-Quan have large, bold text while the Utwig have thin, wobbly, depressed-looking text.
The Paper Mario series love to play with the speech bubbles. Characters talking normally have a regular rounded bubble with normal font size. If a character is extremely shocked or angry, not only the font goes all caps, but the font size grows HUGE and sometimes the speech bubble becomes more pointy instead of round. Characters who are scared or angry may use fonts that wiggle and characters who are very quiet or growing quiet have the font shrink and/or become a light gray instead of the standard black. Truly evil characters have a purple speech bubble.
In Paper Mario 2 at least, Boss characters also have a different sound effect that goes with the scrolling text in their speech bubbles.
The Mario & Luigi trilogy shares this love for playing with the speech bubbles.
In Final Fantasy IX, every character has them throughout the game, even with the scrolling text in them.
In A Moment Of Peace, humans have normal speech bubbles and gods speak in floating, colored, Comic Sans MS text.
In Exterminatus Now, the Dark Gods have different colored speech bubbles and fonts, and the main character's superior's speech bubble is black with white text. He himself is nearly always in shadow. The writer pointed this out in the comments for the comic.
Xawu has light pink-ish Boxes with black text for Hori, Black with white text bubbles for the bartender, green for Rikard, Purple for Faren, blue for the Pufkash, pink with no border for the princess, and normal ones for Tyrus and unimportant characters. Most also have their own font.
Gunnerkrigg Court uses a different color balloon for each character; the differences are usually subtle. When Shadow2 copies another character's voice, this is indicated by his balloon's color. One character's bodily possession is indicated by overlapping balloons.
Initially even minor character got their own bubble colors, but this was later dropped; in later chapters, only the major characters get colored speech bubbles. Most minor characters have even lost the bubble colors they once had (e.g. Paz, whose bubbles used to be brown, but now are a generic white).
Possibly intended to represent the characters initially having a foreign accent and that accent becoming less obvious over time.
Similarly, Irregular Webcomic! uses different colors for different characters, or at least tries to. Many characters and many crossovers have lead to a few cases where multiple characters in a strip speak with the same (or very similar) colors.
The Order of the Stick uses numerous variations in the shape or color of the Speech Bubbles for specific characters:
Undeads uses black speech bubbles with white text. When Xykon becomes a lich in Start of Darkness and his speech bubble changes to the undead format, he comments on his dramatic, echoey voice.
Diverse colored speech bubbles for outsiders such as celestials, infernals, and ghosts. Infernals usually have black speech bubbles with colored text inside (lampshaded with Qarr the Imp, who is recognized by his red-on-black speech bubble). Celestials have brightly colored bubbles with black texts. Elementals like Celia have a color related to their plane of origin.
Dragons and half-dragons also have colored speech bubbles related to their species.
The shape is sometimes significant too, like with modrons having rectangular bubbles.
The arrows pointing to which character is speaking also give indications. They are straight when the character is healthy, but become irregular for a wounded or dying one to represent shaky speech. Minister Malack's are always this way, hinting of a raspy voice.
Erfworld uses one font (Maiandra GD) for real-world characters (including Parson even after he is summoned into Erfworld), and another (Gorilla Milkshake) for Erfworld's native inhabitants.
Coga Suro has the usual convention of robots having square speech balloons. Most of them, anyway. Styx, an evil example, has black speech balloons with white text. For a few chapters, each character had a different font, but this was dropped later.
Chainmail Bikini uses a different font for each player (with the same font being used for table talk by the player and in-character statements by that player's character).
The Wotch uses a black speech-bubble with white letters for Dark Lord Xaos. During a flashback, you see the moment where he discards his old persona as the Lawful Good "Worlock", and dons the spikey darkey helmet of Lawful Evil Lord Xaos; his speech-bubbles reverse their colors from one panel to the next.
8-Bit Theater has the Dark Warriors, were everyone but Bikke has weird speech bubbles; Garland's are red on black (formerly black on gray), Drizz'l's are white on black, and Viblert's are black on red. There's also Sulk's (a whiny version of The Hulk), which are green. The Light Warriors also get uniquely-coloured text when they don't speak in normal speech bubbles; this has led to much discussion over the identities of the speakers in one particular comic.
Bob and George has the Shadowy Author, whose bubbles are normal colored, but just float around without the tail pointing to his mouth. About two years before the end of the comic, his speech balloons suddenly gain a tail; this is our first clue that it's actually George, pretending to be the Shadowy Author.
Dream Catcher typically uses a standard font for everyone, except early on in the gateworld where they briefly used hard to read cursive text.
Similarly M9 Girls! used a different font for each major character. For example, the Valley Girl character had a very fancy font, while the villain would get a gothic-looking font. The authors seem to have dropped this in later chapters.
Agatha and other "Sparks" in Girl Genius get a gradual change of font as they draw more and more on the madness that is their source of power... it's not just for decoration, either. With all the cool machines the Sparks can build, it's easy to forget their most insidious power — the ability to draw the easily-impressionable to them, binding their wills, and turning them into "minions". When the font starts getting curly, people start kneeling. Agatha just has a bit of extra punch in that department, thanks to her Mongfish blood.
When Bangladesh DuPree breaks her jaw and has it wired shut, her speech bubbles become rebuses.
Some of Agatha's little clanks "speak", using rebuses as well.
Actually, Von Pinn has her own very distinctive bubbles, with curved slices all around the edge, faintly reminiscent of a circular saw blade.
Metroid: Third Derivative gives every character a different font, color, and text effects for their speech. When JD copies Joey's voice in comic 160, his color changes to indicate it.
Mr. Square has often used word bubbles as actual characters in comic 12 and 143 as well as using them as scenery in #48.
The Last Days of FOXHOUND does the inverse. When Decoy Octopus is in disguise, his speech bubble remains white, making it easier for readers to identify him.
Each character has their own colors of speech bubble, with their own Painting the Medium moments. When Psycho Mantis is using his powers, his text turns from black to red green. It's when he goes totally nuts that his text turns red. And when one character is possessing another, the possessing spirit's speech bubble is used. This is actually used in the last comic, to reveal that Big Boss has taken over Ocelot's mind, not Liquid as the games would have you believe.
The style and fonts used in TheMonsterAndTheGirl for each of the major characters. Mayu has blurred edge rounded speech bubbles, Kenrick has extremely ragged edged rectangular speech bubbles.
Since the characters of 1/0 are actually in a comic strip, they have no audio even to them; their voices are distinguished instead by their fonts.
Well, they seem to "hear" their voices, but in the same sense that we do — by seeing the fonts and imagining how they sound. This provokes a bizarre conversation halfway through the strip where they begin arguing about what their voices sound like. Zadok the grass golem is told that only he thinks his voice is a sexy rich baritone instead of a creepy rustling scratching.
The B Side Comics from Applegeeks use a similar system: conversations between the artist and writer have the artist speak normally through his avatar and the writer using only square speech balloons while remaining offscreen, almost as a Narrator.
David Hopkins' Jack uses a very distinctive style of speech bubble with notches along the border for any dialogue spoken by the Sins in the strip and a second distinctive style for those characters who are/were Fallen angels, although the latter is rarely seen. Also, Candy and Ryan Dewalt, the pair behind Vinci and Arty, did a story arc for Jack (with full approval from David Hopkins) and brought their talent for character-specific fonts to Jack.
The first panel on page 10 of the Energize/Dasien crossover uses a small drawing of each hero's face next to the relevant speech bubble.
One strip from Lick My Jesus (which is regrettably defunct) had one character agreeing with everything another said. It turned out to be because he didn't understand what the person was saying — because he didn't speak Papyrus. The rest of the strip was a series of gags which involved treating fonts as if they were languages.
Most dialog in The Easy Breather is set in three standard Apple fonts: Chicago for heroes, Sand for villains and Chalkboard for other characters. In the second story, the "neutral" dialog font was changed from Chalkboard to Rehotalko, and Self Destruct Button is used for talking robots.
Miss Delta (a digital artist from @hens) in Adventures In ASCII has half-triangular speech bubbles reflecting her body shape.
College Roomies from Hell!!!'s speech bubbles are mostly in the distinctive "Good Dog" font, but Satan has his own font, and the cyborgised Brazil speaks in a plainer font to suggest his computer-synthesised monotone.
In Kagerou, different colors are used to differentiate characters, as well as to show which of Kano's personalities is at the fore. His speech bubbles usually match his Kaleidoscope Eyes.
Although Something Positive mostly uses standard speech bubbles and fonts, this strip deserves special mention for its humorously creative use of bubble colour, heavy outlining and symbols such as storm clouds, teardrops and a dead kitten to convey heartbreak.
The Way of the Metagamer started out using Comic Sans for everything. Later on, it switched to Gemelli — but when characters are under mind control or otherwise possessed, their font changes back to Comic Sans. Additionally, the narrator speaks with floating rectangles instead of bubbles — whenever a character imitates the narrator, they too use rectangles.
Drowtales uses differently colored speech bubbles for different characters. In one panel, Ariel and Chirinide both yell at Kyonne to leave them, and share one bubble with a gradient between their respective colors.
El Goonish Shive has mostly normal speech bubbles, but occasionally, an Immortal (or flat out Eldritch Abominations) get black speech bubbles that get progressively less normal as they get angry and/or emotional. The Goo doesn't even have a speech bubble, subtly implying that the Goo does not speak using vocals, but instead through telepathy of some sort.
Also, in one strip, where a new character with long hair is introduced, a little bubble naming him shows up with 'gothic' script. He glances over and notices it, physically strikes it with a fist, and it reverts to normal text. It's in the 'one shot' strips, though, where that's more common.
Little Worlds features blurry-edged color-coded speech bubbles for each of its characters.
Also, when Zalgo comes (and goes) in one of the strips, his speech bubbles are oddly-colored and covered in swirly lines.
Kevin & Kell has started altering its bubbles; once converstations start showing up in 'feline', the bubbles grow cat ears and whiskers.
Game Destroyers does things a little differently than most other web comics. Unlike other comics, there are no dialogue arrows on the speech bubbles in this comic. Instead, each character has a unique font, text color, and background color. Some characters who know telepathy speak in a rounded edge rectangle instead, whenever the author remembers that, anyway.
In the xkcd "Time" animation, the Beanie People leader's speech to the protagonists is obfuscated in various ways (words written over each other, gray haze partially blocking the text) to represent the barely-bridged language barrier.
In Digger, many characters haver unusual speech bubbles, particularly those that live underground. The Cold Servants speak in white-on-black text, and each word is in a different segment of speech bubble. Sweetgrass Voice has white-on-black words in his/its speech. Shadow Child also speaks in white-on-black, but in normal font and speech bubbles. The Statue of Ganesh always has straight edges around His words. The Skin Lizards speak in a different font than most characters.