"1/0" is a paradox in a way that "0/1" is not. Nothing can be divided by zero. If one approaches the formula from the positive side, it would appear that the answer is an infinite positive value. If one approaches the formula from the negative side, the opposite is true. Thus, anything divided by zero is simultaneously positive and negative infinity. "One over Zero" is a paradox in another way too, in a way that transcends mere arithmetic. One is something, and Zero is nothing. The fact that the universe holds something over nothing, that it prefers to exist, rather than not exist, is fundamentally absurd. No being can ever come to deserve its own birth. 1/0 is a cry out against mere logic and efficiency. Stuff exists. All existence, all truth, cannot be ultimately justified: it can only be described, explained, and enjoyed.
1/0 is illogical. 1/0 is irrational. 1/0 is impossible. 1/0 is transcendentally unfair.
1/0 is true. Deal with it.
1/0 starts, appropriately enough, with darkness. Tailsteak, the ever present and all powerful narrator and author thinks for a moment and says "Let there be light" and from there on goes about creating his universe. He starts by stealing bit characters from other Webcomics, talking to them, creating other characters from them and begging them to do something interesting.As any good author will tell you, a good character is your worst enemy. If you are doing your job properly, you don't always know what they'll do; they'll write themselves, occasionally mess up your plans for long term plots, or break dramatic moments with idiotic questions. A good author doesn't control their characters—their characters control themselves. And that is what 1/0 hinges on—the characters are aware, and they don't always agree with Tailsteak.They know everything we do, they know who the president is and how long a year is, even though neither exist in their universe. Confronted with overt intervention by their author they strike for months of strips, refusing to speak or move or think until he promises never to change the laws of physics again. They contemplate where they go when Tailsteak isn't writing them, they question whether they, as fictional characters are actually alive or if their writer is just schizophrenic.And they wonder about, and fear, the end. At 1000 strips, a nice round number at which point their creator, Tailsteak has told them "Your universe will end."In less prosaic terms, 1/0 is a Web Comic that was started to get the author a girlfriend, when he began to explore the possibilities of a series that firmly established there was No Fourth Wall for one of the most poignant examples of Metafiction yet.
This comic provides examples of the following tropes:
A God I Am Not: Tailsteak, the all-powerful creator of the universe the characters inhabit, is quite emphatic about his lack of divinity.
Apocalypse Anarchy: It's the creator who decides to break all the rules when the apocalypse comes, removing the consistent physics and resurrecting all the characters who were Killed Off for Real so he can send them into our world before the comic ends.
Author Tract: Lampshaded very aggressively in the debate between Ghanny, Mock, and Marcus. Petitus points out that it was very much an Author Tract coming from a Christian writer, and proceeds to explain exactly why the point Tailsteak was trying to make is completely irrelevant to the in-comic universe anyway.
Everyone gets one "ghost point", which lets them more or less do this. They're still technically dead (and incorporeal) rather than getting resurrected physically, but they're able to participate fully in the comic's society, so it hardly matters.
Those who did disappear for good are physically resurrected shortly before the world ends.
Cerebus Syndrome: The comic starts as pointless doodles. Philosophy grows naturally out of the tomfoolery once there are enough viewpoints to fuel conversations, which may give a charming low-key atmosphere, but is tough on new readers.
Clap Your Hands If You Believe: Everyone's adventures in Portland, if they have any, after the end of the comic are left by Tailsteak to the audience's interpretation.
Chekhov's Gun: The greasy stuff from the grass didn't exactly turn out to be a plot point, but it was used to blow bubbles shortly before the world ended.
Cliché Storm: invoked The only way to summon the running gag.
Deader than Dead: Deanthropomorphization, which destroys a character's personality and reverts them to a nonsapient version of whatever creature/object/body part they were made from, although it doesn't destroy anything material. Actually dying is no big deal (although the event itself is unpleasant), because you just come back as a ghost.
Deadpan Snarker: Most of the characters do this at some point, but Zadok does it constantly.
Discount Lesbians: Tailsteak specifically introduced Terra as a lesbian to have a female the guys can't date, which is justified by saying that earthworms are hermaphrodites, but he's characterizing them all as female. The fact that she's not a "real" lesbian is key to her being with Zadok without a fourth wall.
Dissimile: "Yeah... Sort of like being friends. Only it's completely different, and with more suffering."
Door Closes Ending: Ends this way, with a happy ending where everyone is Back for the Finale. Those who died during the comic's run were resurrected get turned into humans (except the Running Gag, which gets turned into a fish). The door in question is a dimensional door between the world of the comic (which will be destroyed) and the real world.
This, then this happens. For those who are lazy, Junior threatens to kill Mock, then later follows through with it.
Petitus's sarcastic prophecy: "And lo, in the last days the earth shall rise up..."
Fourth Wall: Both literal and bad news - character who no longer want to put up with Tailsteak's arbitrary rules can generate a personal Fourth Wall, which appears as tiny '4's in their eyes. Ghanny loathes it and tries to break any fourth wall he encounters, which turns into a plot point near the end—he's finally able to break through, but it's through blunt force (necessary, to help his friends in time) rather than witty repartee and debate. It's a bit of a hollow victory for the poor guy.
Genre Savvy: The characters converse with the author about the rules of their universe and the author's plans for them, and try to use this knowledge to stop him from killing them off. Petitus is particularly good at that last part.
Tailsteak: Don't mind [Junior], he's evil. Manny: Evil, you say? Tailsteak: 'Fraid so. Junior: That's right! I'm your worst nightmare! Manny: My worst nightmare, sir, is a proton accelerator. Junior: Well, I'm one of those, then!
I Know Your True Name: Golems are brought to life by a character saying their true name out loud. After Zadok realises that "Teddy Weddy" is a nickname, he uses "Theodore" to resurrect him as a golem.
In a World: Zadok does a Don LaFontaine impersonation in strip #818, complete with underlined text.
Zadok: Beyond known space. An ancient evil lurks. Now, six friends must join forces to do the impossible.
Jerkass: Marcus, a little bit before he gains a Fourth Wall, and later to the point of insulting his son for his insufficient "structuration". Junior is this, though he isn't sure what to do about it. Ghanny, Tailsteak, and Petitus have moments of this as well.
Killed Off for Real: Barnacle Jones and Max. At least until the laws of the universe start breaking down at the end.
Show Within a Show: "Max's World", a strip drawn by Max to show Marcus what a comic strip is. Though it doesn't last very long, as the 1/0 characters gets jealous of the main character's girlfriend and drop an anvil on him in the next panel. (A fan of the strip created The Max's World Archive, which places all canonical episodes of "Max's World" in one place.)
Sitch Sexuality: The fourth-walled Marcus, having no concept of femaleness as everyone in his world is male, briefly flirts with homosexuality prior to the introduction of the first female character.
Who Writes This Crap?!: The Official Couple gets frustrated by the cartoonist's inability to write romantic dialogue, and takes theirs entirely off-panel. Consciously rebelling against one's own characterization is about usual around here.
Your Size May Vary: Justified—Ghanny mentions in one strip that he often uses his ghost shape-changing powers to alter his size based on who he's with at the time.
Played straight nearer to the end—Teddy Weddy is huge compared to all of the other characters, including Barnacle Jones, who's supposed to be about the same size.
Although to be fair, Teddy Weddy isn't just a bear anymore, having been converted into a landmass. It's never explicitly stated, but Tailsteak might've enlarged him ("it"?) in order to give the munchkins more room to grow.
Scales and distances are given, in relation to Teddy Weddy, as large as kilometers- Admittedly, describing an area around it. Still, odds up, he got 'enbiggenated'. Even considering that the main characters are a couple of centimeters high (Junior is an eyeball-sized eyeball), they have a disproportionate amount of space to move around on Teddy Weddy.