Send a volley cheer on high, shake down the thunder from the sky.
Then Maggie O'Connor took up the job, "Biddy" says she "you're wrong, I'm sure"
Biddy gave her a belt in the gob and left her sprawling on the floor
Then the war did soon engage, t'was woman to woman and man to man
Shillelagh law was all the rage and a row and a ruction soon began
—Tim Finnegan's Wake, traditional Irish ballad
Ireland, the land of ire.
The Irish, or at least Oirish
, counterpart to the Violent Glaswegian
(when there's even any difference at all
). Characters who are Irish or are of Irish descent are often portrayed as being fond of physical confrontation; even in a work where violence is typical, Irish characters will be especially eager for it. Being intoxicated
and/or in a bar
will often accentuate these tendencies.
This can be played many ways
. A good-natured Boisterous Bruiser
who favors his fists is typical of many recent examples; boxing has a long history in Ireland and among Irish-Americans. Negative portrayals are more common the farther back you go. More thuggish examples will often carry a shillelagh
, a traditional knobby cudgel that has become a symbol of Irish culture as well as its violence. Even darker examples might be remorseless Blood Knights
, tyrannical bullies, or terrorist psychopaths. If a Fighting Irishman is or was in the Irish Republican Army
expect him to have at least a bit of the Mad Bomber
This may very slowly be becoming a Discredited Trope
; while in the 19th century Irish soldiers did indeed make up a disproportionate number of soldiers in the British
armies (and are still allowed to join the British Army) times have moved on even if the stereotype hasn't. Ironically
, Ireland is one of very few countries to become independent in the 20th century to have never
been in an international war. During World War II
it remained neutral and turned down a 1949 offer to join NATO
. In fact, the Irish military has a good reputation as peacekeepers. The island also has a low rate of violent crime by international standards. In recent years, Irish boxers have had success at the Olympic Games
- The Trope Namers are the University of Notre Dame's varsity sports teams and their belligerent Leprechaun mascot, who in turn got the name from Father William Corby, who was twice as President of the University of Notre Dame and served with the "The Fighting Sixty-Ninth" 69th New York Infantry Regiment, an Irish regiment during the American Civil War.
- Irish girl Clover in the comic Blue Monday is easily the most violent person in the entire comic.
- Matt Murdock, a.k.a. Daredevil is the biggest example of this trope in comics. The son of an Irish-American boxer, Jack "The Devil" Murdock, Matt Murdock prowls the rooftops of Manhattan's Hell's Kitchen neighborhood as Daredevil. He's an expert martial artist and boxer, and generally not someone you'd want to face in a fight. Matt is also portrayed as being devoutly Roman Catholic, another famous Irish cultural trait.
- Hellblazer: His native Liverpool being at least as Irish as Boston in places, John Constantine probably counts, although he isn't really much of a scrapper, preferring to let cockney Chas or Violent Glaswegian Header handle that sort of thing. His girlfriend Kit has some boisterous friends, but they're more boozers than bruisers.
- Steve Rogers, better known as Captain America, was born to poor Irish immigrants.
- The ex-IRA terrorists of Sin City are a much darker example.
- Mulvaney, the Irishman among Kipling's Soldiers Three (along with Yorkshireman Learoyd and Cockney Ortheris) is certainly a fighter to be reckoned with.
- The title character of Kim, real name: Kimball O'Hara, is the son of a soldier in a fictional Irish regiment, the Mavericks. They also appear in the novel and appear to have a reputation in tune with this trope, although it really only comes to the for in one brief scene.
- In P. G. Wodehouse's Psmith, Journalist, the main characters climb onto a rooftop in New York City to fend off some gangsters. A crowd of Irishmen instantly gathers on the opposite roof to watch the show.
- Randle McMurphy from One Flew Over the Cuckoo's Nest, whose string of convictions include a number of assaults.
- The ballad "Finnegan's Wake." A fight at a wake leads to the whiskey spilling over the corpse. Being Irish, he immediately rises from the dead to get at the whiskey and joins the fray.
- The Garryowen is a song all about drinking and fighting, and fighting and...drinking. And fighting.
- The Dropkick Murphys have several songs with this theme, including "Take 'Em Down" "Going Out In Style" and "Cruel", which contains this line:
I was young and I thought I knew everything
It's so hard to change a fool's mind
When you're stubborn by nature and quick to the draw
And you're full of inherited pride
- The chorus of "The Irish Drinking Song" by Buck-O-Nine (commonly misattributed to the Dropkick Murphys or Flogging Molly) consists of "We drink and drink and drink and drink and drink and drink and fight" over and over again.
- The protagonist of "Clancy Lowered the Boom."
Now Clancy was a peaceful man
If you know what I mean,
The cops picked up the pieces
After Clancy left the scene,
He never looked for trouble
That's a fact you can assume,
But never-the-less when trouble would press
Clancy lowered the boom!
- Ireland's National Anthem "Amhrán na bhFiann"/"A Soldier's Song". Now, to be fair, a lot of national anthems are partially or entirely about how incredibly good the country in question is at war. Ireland's is still in the "entirely" category, being about how much Irish people fight and that's it.
In valley green, on towering crag
Our fathers fought before us
And conquered 'neath the same old flag
That's proudly floating o'er us
We're children of a fighting race
That never yet has known disgrace
And as we march, the foe to face
We'll chant a soldier's song
- Finlay, who "loves to fight", embodied the fun-loving Boisterous Bruiser side of this trope, even as he knocked people out with his shillelagh.
- "The Celtic Warrior" Sheamus represented the more villainous side, as he is willing to inflict serious injuries through underhanded means. After his Heel-Face Turn he's stopped using sneaky tactics and trying to cause permanent injuries, but he can still project serious menace when he wants.
- The Fianna from Werewolf: The Apocalypse often danced in this territory as an embodiment of Oirish tropes. This is what happens when you take Fionn Maccumhail's warrior band and make them all werewolves.
- In Fate/stay night, the various mythological heroes usually have their own reasons for jumping into the Holy Grail War. Naturally, Cu Chulainn, Ireland's Man of light, is in it for a good fight.
- The prequel novel Fate/Zero features another Irish Lancer, Diarmuid of the Love Spot, a hero from the Fenian Cycle of Irish mythology, who carves up legions of demonic terrors and fights Berserker hand-to-hand. Unlike Cu Chulainn he's not in it for a fight however, and while he likes fighting as much as any other Servant he's not unusually fond of it.
- In one of the St. Patrick's Day episodes of The Simpsons, Springfield's Protestant and Catholic Irish populations remember how much they hate each other when they aren't allowed to drink. Cue orgy of violence.
- Another St. Patrick's Day episodes where Bart inadvertantly touches off a riot:
Drunkenness, fighting, destruction of property: are these really the qualities we associate with the Irish?
- In Family Guy, drunken violence is portrayed as a standard evening's entertainment when Peter travels to Ireland to find his real father.
- Parodied when Chris compares the gas induced by his mother's vegetables to an Irish Bar Brawl in his intestines; the Brussels sprout and broccoli argue with Irish accents and fight in front of a crowd of onlookers.
- King of the Hill: Peggy rallies the school cheerleaders to beat up a version of the opposing team's Irish mascot by stereotyping as much as possible. Afterward, the act is treated as a hate crime.