The Horslips were an Irish Celtic rock band that composed, arranged and performed based on traditional Irish jigs and reels. The band members were working in an advertising agency design studio in Dublin when they were prevailed upon to act the part of a rock band for a commercial. They enjoyed the experience so much that they pressganged a keyboard player and set about doing it for real, adopting a fusion of traditional Irish music with rock music. While semi-retired now, they can rightly claim to have inspired many local and international acts.
The group formed in 1970 and "retired" in 1980 for an extended period. The name is a wordplay in the best traditions of Flann O'Brien or James Joyce
: it originated from a spoonerism on The Four Horsemen of the Apocalypse which became "The Four Poxmen on The Horslypse".
The group is regarded as 'founding fathers of Celtic rock' for their achievement and ouevre.
Most notable works by this group:-
- Happy to Meet, Sorry To Part
- The Book of Invasions
- The Tain
This group and their albums provide examples of:
- Bilingual Bonus: A large chunk of their work is performed in, or at least titled in, Irish Gaelic.
- Celtic Mythology: specifically irish myth and legend.
- Celtic Rock: traditional music with a hard rock edge.
- Genre Roulette: hard and soft rock jostle with pieces performed in a more traditional style, and there's even a bit of reggae on one album..
- Getting Crap Past the Radar: Songs in the Irish rebel tradition which on the face of it are nice wistful ballads lamenting a lost love, or else accounts of long-dead mythological struggles between men and sub-human alien trolls who have usurped the soil of Ireland.
- Matchmaker Crush: Diarmuid for Deirdre. He's meant to be escorting her to the King she is to marry, and to ensure she arrives at her wedding in one piece. Instead... See song The Warm Sweet Breath of Love.
- Oireland - a sort of mythological other-Ireland emerges from their work.
- Packaged As Other Medium: their first LP, Happy To Meet, Sorry To Part, was released in an octagonal LP sleeve that was designed to open and pull out, like an old-fashioned button accordion. If you looked closely you could see the faces of the band members on the buttons. (See page picture)
- Unfortunately, supplies of the eight-sided custom inner sleeve for the record soon ran out. Later editions were marred somewhat by the record being packaged in a conventional 12" square paper inner sleeve. The four large corners sticking out rather spoilt the illusion.