Characters: Into the Woods

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     The Baker 

The Baker

Played by: Chip Zien (OBC), Ian Bartholomew (Original London Cast), James Corden (2014 film)
What if I just wasn't meant to have children?
An average working man whose greatest wish is to have a child. Unfortunately, the Witch cursed him to be barren due to a perceived slight by his father. In a bid to reverse this, she gives three days for him and his wife to bring her Jack's cow, Red Riding Hood's cloak, Cinderella's slipper, and some of Rapunzel's hair.
  • Action Survivor: He is in no way trained to conquer the obstacles he comes across, but does so nonetheless.
  • Be Careful What You Wish For: His wish for a son is granted, but when revisited in "So Happy" he and his wife complain that they have no room. In the ensuing chaos, his wife is killed.
  • Changed My Mind, Kid: After he snaps out of his Heroic BSOD.
  • Classical Anti-Hero: Insecure despite wanting to lift the curse himself.
  • Dead Person Conversation: Two in Act II: With his father and wife.
  • Everyone Calls Him Barkeep: "The Baker."
  • Five Stages of Grief: The Baker goes through these during Act II after his wife is killed.
  • Happily Married: He and his wife have their ups and downs, but they obviously love each other quite a lot. Eventually subverted when she cheats on him.
  • The Hero: The focal character and one of the most good-hearted among the main cast.
  • Heroic BSOD: Despairing because of his wife's death, he leaves the other survivors to fight the giant. It takes a Dead Person Conversation with his father to snap him out of it.
  • His Name Really Is Barkeep: Implied. Jack and Little Red call him Mr. Baker.
  • Hurting Hero: During the second half of Act II.
  • Loser Son of Loser Dad: The major plot of the story, as the Baker along with Jack, Red Riding Hood and Cinderella are stranded in the woods when deciding to fend of the giantess together. Becomes averted as his father tells him not to run away from his problems and faces it without him.
  • Took a Level in Badass
  • Stay in the Kitchen: This is the Baker's attitude in the beginning of the first act (both literally and figuratively), but he gets over it.
     The Baker's Wife 

The Baker's Wife

Played by: Joanna Gleason (OBC), Imelda Staunton (Original London Cast), Emily Blunt (2014 film)
But you have a princess. And I have a... baker.
The, well, Baker's Wife, a determined and practical woman who is a romantic at heart. Like him, she is motivated by the desire for a child, although she frequently asks after Cinderella's prince when she encounters the latter.
  • Action Girl: The Baker's Wife displays a take-charge attitude when searching the woods for the four items she needs and also when hunting the giant. Unfortunately, she lets herself be seduced by Cinderella's Prince despite being a married woman, and then gets killed by the giant.
  • All Girls Want Bad Boys: Turned on by take charge guys.
  • Anti-Hero: Type 3. She's a good person but she does a lot of morally questionable things to get what she wants, like trading beans she told Jack were magic (they turned out to be true, but she didn't know that at the time) for the cow.
  • Bad Bad Acting: When she tries to get Jack to trade/buy the magic beans for the cow. "Oh... Oh! Oh no, we mustn't give up our beans!"
  • Deadpan Snarker: Moreso in the musical, but the film lets her sneak in a few lines.
  • Death by Sex: She's offed shortly after her affair with Cinderella's prince.
  • Dropped A Bridge On Her: She's trampled by a tree felled by the Giantess.
  • Everyone Calls Her Barkeep: Though apparently her Canon Name on the film's set was Margery.
  • Express Delivery: In the film, as soon as the curse is undone she immediately becomes nine months pregnant.
  • Happily Married: Although she cheats on her husband, they seem very happily married.
  • Lampshade Hanging / Leaning on the Fourth Wall: In "Moments in the Woods", the Baker's Wife sings "I'm in the wrong story". According to Word of God, Sondheim added this line after he realized that the story of the baker and his wife feels much more contemporary than the others. Joanna Gleason, who played the Baker's Wife, felt like her character was in the wrong story, and so did Sondheim. He felt like this needed acknowledgement.
  • Loving a Shadow: Every time she talks to Cinderella, she sighs after the handsome Prince... but this is mostly envy for the glamorous life she associates with Princes; she later realizes her husband has many princely qualities of his own.
  • Mezzo-Soprano
  • Only Sane Woman
  • Parenting the Husband: At least initially, she's sterner and more pragmatic than her husband.
  • Positive Discrimination: Inverted. She's the one whose more comfortable doing morally questionable things, compared to her husband.
  • Your Cheating Heart: Shows minor signs of this throughout the show, longing for every prince she sees though already married. After she does commit adultery with Cinderella's prince, she spends her last song trying to justify her actions to herself.
     Jack 

Jack

Played by: Ben Wright (OBC), Richard Dempsey (Original London Cast), Daniel Huttlestone (2014 film)
But Mother, no! Not Milky White - he's the best cow!
The feckless protagonist of Jack and the Beanstalk. Here, his story starts out much the same — he trades his beloved cow to the Baker for a handful of magic beans, and goes on to slay the giant he finds at the top of the beanstalk that grows from the beans.
     Jack's Mother 

Jack's Mother

Played by: Barbara Byrne (OBC), Patsy Rowlands (Original London Cast), Tracey Ullman (2014 film)
Jack, Jack, Jack, head in a sack!
Jack's browbeaten single mother determined to make their lives better.
  • Anger Born of Worry: She acts rather harsh to Jack and makes it known that she thinks he's a fool, but she worries that his carelessness will get him into danger. After the giant falls into their backyard, she tracks down her son in the woods to make sure he's okay, and give him a Dope Slap.
  • Be Careful What You Wish For: She wishes to better her and Jack's lives. Jack slays the Giant and steals their treasures, making him and his mother wealthy — but spurs the Giantess's anger.
  • Cloud Cuckoo Landers Minder: She's the one always keeping her idiot son in line.
  • Last Request: To the Baker, to protect Jack.
  • Mama Bear: She was pretty brave (and stupid) for standing up to a giant, telling her that she will protect her son at all costs.
  • My Beloved Smother: She's always trying to control Jack's actions. Justified, though, as Jack can cause catastrophic damage if left alone.
  • Only Sane Woman: Her son is not that bright.
  • Took A Level In Jerk Ass: She's a lot rougher towards her son in the film than in the play.
     Little Red Riding Hood 

Little Red Riding Hood

Played by: Danielle Ferland (OBC), Tessa Burbridge (Original London Cast), Lilla Crawford (2014 film)
And though scary is exciting, Nice is different than Good.
The protagonist of Little Red Riding Hood, a strong-willed and fearless young girl hampered by her curiosity and naivete. Straying off the beaten path on her way to her grandmother's house leads to her discovering many things.
  • Action Girl: Shows signs of this in Act II, if some of her tropes below indicate anything. After replacing her red hood with a fur coat and receiving a knife for self-defense, she becomes a Deadpan Snarking, Axe Crazy Girl with Psycho Weapon threatening to gut any potential attackers.
  • Axe Crazy: Becomes this after she and her grandmother are cut out of the Wolf's stomach and start skinning the wolf. She threatens Jack's life just because he takes an interest in her fur cloak!
  • Big Eater: Between the prologue and reaching Granny's, she eats nearly the entire basket of goods she was meant to bring a loaf of bread, a sticky bun (or four), and a few pies. She is even eating when she isn't singing her orders.
  • Flat "What.": To Cinderella: "You can talk to birds?"
  • Girl with Psycho Weapon: She's supposed to be young and cute...until she pulls a knife on you.
  • Girlish Pigtails: Lilla Crawford's portrayal of her has these throughout the whole film.
  • Heroic Comedic Sociopath: Seemingly has very little regard for everybody else at first. This is played for humor. Part of her storyline is learning morality.
  • Knife Nut: Given to her by her grandmother for protection. She's not afraid to brandish it on a stranger for the smallest slight.
  • Large Ham: Depending on the production, her screaming can be either heartbreaking or hilarious.
  • Little Miss Badass: She's a young girl.
  • Little Red Fighting Hood: She does get eaten by the wolf, and needs to be rescued. After that, though? For starters, she made her new cloak herself — from the wolf's pelt. After this, she is a Sociopathic Hero. The work goes in a different direction than the norm though as part of the Character Development involves her learning morality.
  • Pretty in Mink: She swaps her traditional red cape for a fur one made from the skins of the wolf.
  • Took a Level in Badass: After being eaten by the wolf, her granny gives her a knife that she uses with abandon at the slightest provocation.
  • Unwitting Instigator of Doom: Had she not goaded Jack to return to the Giant's castle and steal the harp, the Giantess would not have been so angry. Of course, all the main characters are to blame.
     The Wolf 

The Wolf

Played by: Robert Westernberg (OBC), Clive Carter (Original London Cast), Johnny Depp (2014 film)
Hello, little girl...
The Big Bad Wolf, a hungry and insatiable hunter on the lookout for his next meal.
  • The Big Bad Wolf: Unsurprisingly.
  • Coat Full of Contraband: In the movie version, the Wolf opens his coat to show a display of candy when he is trying to lure Little Red Riding Hood off the path.
  • Disc One Final Boss: The Baker and Little Red have no problem taking care of him. And then Act II happens.
  • Covers Always Lie: The covers depicted Johnny Depp to play as one of the princes or at least a major character in the film, complete with the corresponding black leather jacket with studs, but is instead played only as the role of the Big Bad Wolf who only took five minutes of spotlight before being killed off by the Baker right after he was successful in eating Red Riding Hood.
  • Fan Disservice: He has a visible penis in some versions.
  • Minor Character, Major Song: He sings most of "Hello, Little Girl", a song about how he hungers for Little Red Riding Hood.
  • Menacing Stroll
  • Villain Love Song: His song could be interpenetrated as one.
     The Witch 

The Witch

Played by: Bernadette Peters (OBC), Julia McKenzie (Original London Cast), Meryl Streep (2014 film)
I'm not Good, I'm not Nice, I'm just Right. I'm the Witch.
Neighbor to the Baker and his wife and foster mother to Rapunzel. She's the one who cursed them to be barren, but cannot undo the curse until they complete her Fetch Quest. While vain, self-serving, and sarcastic, as the show goes on the viewers see that she's insecure, lonely, and ultimately just as human as everybody else.
  • Abusive Parents: Locks her adopted daughter in a tower all her life, and then gets snippy when the girl wants to leave. Based on some of her lyrics in The Witch's Lament, she may gone too far to preserve Rapunzel's characteristics.
  • Above Good and Evil
    "I'm not good, I'm not nice, I'm just right."
  • Adaptational Badass: Well the character she's based on, the Witch from Rapunzel didn't seem to have any magic at all. Certainly not the power to teleport anywhere or resurrect dead cows.
  • Adaptational Villainy: She's surprisingly more evil in the film adaptation. Since she doesn't witness Rapunzel die and thus go into a BSOD Song, she's left without motivation to want Jack handed over to the Giantess. Instead, the first thing she says to the Giantess in the movie is basically, "We'll get the boy for you, don't worry'.
  • Anti-Villain: She cursed the Baker's family, she was overprotective of her daughter, she wanted to sacrifice Jack to make the Giantess go away, AND she started throwing beans during The Last Midnight to summon more giants, but she was NOT the villain of the play.
  • Brought Down to Normal: She loses her powers at the end of Act I.
  • Badass: Especially considering that she's a character in a Broadway Musical about fairy tales.
  • Broken Bird: Her misanthropy and belief that "the world is dark and wild" must come from somewhere, although we never learn exactly what happened. We do get a hint when she sings Lament:
    Couldn't you stay content / safe behind walls / as I / could not?
  • Casting Gag: A 2012 production features Donna Murphy, who previously voiced Rapunzel's stepmother in Disney's Tangled, as the witch.
  • Death Glare: The filmed version (and several stage versions) have her deliver a glorious (and often hilarious) one to the Baker when he says, "Giants never strike the same place twice."
  • Dark Action Girl: Does several evil deeds, and is probably the biggest Badass in the show.
  • Dragged Off to Hell: One interpretation of the end of "Last Midnight."
  • Driven to Suicide: Another. Of course, whether or not she actually died is debatable.
  • Dynamic Entry: She makes her entrance in the movie by smashing the bakery door.
  • Evil Matriarch
  • For the Evulz: Because watching the Baker's father cry and the Baker's mother die when she claimed Rapunzel wasn't enough to mollify the Witch, she cursed the Baker to never have children.
  • Have a Gay Old Time: One of the lyrics in her rap about the Baker's father stealing her vegetables: "He was robbing me, raping me". The original definition of the word was "destruction or spoiling of an area" - which is clearly the definition the Witch is using here.
  • Hot Witch: Used to be agelessly beautiful and is looking to break the curse to reclaim it. She does but loses her powers, effectively negating the 'witch' part of the trope.
  • Hypocrite: She participates in the song "Your Fault", but then when the ultimate blame falls on her, she accuses them of only caring about the blame ("Last Midnight").
  • I Was Quite a Looker: She appears as an ugly old hag, but when she drinks the potion she's reverted to her beautiful past self.
  • Jerk with a Heart of Gold: The Witch is more than just a classic villain, especially considering her moment of anguish after Rapunzel dies, and the fact that she, of all people, is the one who sings the beautiful "Children Will Listen" at the end.
  • Knight Templar Parent
  • Large Ham
  • My Beloved Smother
  • Only Sane Woman: The Witch has elements of this in Act Two, when she shows herself to be the only person who understands the gravity of the situation, and the unpleasant things that may need to be done to solve it.
  • Rhymes on a Dime
  • Screw This, I'm Outta Here!: In a truly epic fashion at the end of "last Midnight," The witch throws away every last bean to bring a horrible curse on herself just to get away from everyone else.
  • Token Evil Teammate
  • Vain Sorceress: Deconstructed with the Witch. She trades her powers in to get back her (rightfully) good looks, only to massively regret it later. She's not so much Ax-Crazy over being ugly as she is weary of being treated like a freak.
  • Villainous Breakdown: After Rapunzel's death, quickly leading to "Last Midnight" and her subsequent abandonment of the rest of the cast.
  • What the Hell, Hero?: "Last Midnight" is one big one to all the main characters.
  • Wicked Witch: Played with. Although having the stereotypical look of a Wicked Witch, not to mention doing a couple of rather nasty things, she's still helping the protagonists to an extent.
     Cinderella 

Cinderella

Played by: Kim Crosby (OBC), Jaqueline Dankworth (Original London Cast), Anna Kendrick (2014 film)
What's the good of being good if everyone is blind, and you're always left behind?
Kind, gentle, earnest, and downtrodden by her stepmother and stepsisters, Cinderella's greatest wish is to attend the royal family's festival. There, one of the princes falls in love with her, but she fears that he will not love her should he realize she is a peasant.
  • Action Girl: She becomes this in Act 2. She Took a Level in Badass, with Cinderella venturing into the woods on her own and dumping her "Prince Charming" (who actually turned out to be a douche), and is one of the only four survivors at the end of the musical, and helps defeat the Big Bad.
  • Action Survivor: She is not particularly adept at fighting off all the craziness that comes her way in the musical. Nonetheless, she proves to be extremely resourceful, determined, and surprisingly courageous. And along with three other characters, she successfully manages to overcome and defeat the Big Bad in the end, after everyone else dies.
  • Be Careful What You Wish For: Her recurring theme of "I wish" kick-starts both acts.
  • Book Ends: She starts and ends the musical with "I wish."
  • The Chick
  • Cinderella Circumstances: Naturally, she's put upon by her stepmother and stepsisters.
  • Cool Big Sis: She serves as a guiding feminine influence to Little Red.
  • Cute Clumsy Girl: While wearing the gold slippers—they're terrible to walk in. Lampshaded by the Baker's Wife:
    Baker's Wife: My, you do take an awful lot of spills, don't you?
  • The Ditherer: Highlighted in "On the Steps of the Palace," when she can't decide whether to let the Prince catch her or to run away back home. She decides not to decide by leaving a shoe on the stair smeared with pitch.
  • Extreme Doormat: Starts off as this, but later Grows A Spine when she stands up to her Prince and dumps him for his philandering ways.
  • Friend to All Living Things: Her sidekick birds.
  • Grew a Spine: See the Extreme Doormat entry.
  • Loving a Shadow: She admits that she will always love "the prince at the ball."
  • Meganekko: In the original cast, but not universally. And only for the first song.
  • Missing Mom: However, she can still talk to her mom's spirit at her grave. Until the Giantess crushes the grave, anyway.
  • Pimped-Out Dress: But of course. It's created by magic.
  • The Pratfall: Cinderella has a tough time running in those shoes...
  • Princess Classic: Subverted in that she is better developed in the musical, with more of her own flaws.
  • Royals Who Actually Do Something: Played With in that Cinderella tries to help, but has to dress as a commoner to do so.
  • The Soprano: While she's not the typical Ingenue, she still trills and hits the high notes.
  • Speaks Fluent Animal: Can communicate well with birds. The absurdity of this is lampshaded by Little Red.
  • Take a Third Option: Her choice is to flee from the prince a third time or stay and be caught. Her decision is "not to decide" and run away, but leave her shoe behind as a way for him to find her.
  • Team Mom
  • Took a Level in Badass
  • Unwitting Instigator of Doom: Had she not thrown away the bean that the Baker's Wife traded her for her slipper, the Giantess would have had no way to climb down and wreak havoc. Of course, all the main characters are to blame in one way or another.
     Rapunzel 

Rapunzel

Played by: Pamela Winslow (OBC), Mary Lincoln (Original London Cast), MacKenzie Mauzy (2014 film)
I was lonely atop that tower!
Protagonist of Rapunzel. The Witch's ward, a beautiful but unstable maiden whom the Witch locked in a tower for her entire life.
  • Ambiguous Disorder: Possibly postpartum depression.
  • The Ditz
  • Driven to Suicide: One interpretation of her running into the path of the Giant's foot.
  • Dropped A Bridge On Her: Or perhaps more accurately, a foot.
  • Dumb Blonde: Rapunzel shows elements of this in act one.
  • Girl in the Tower: Of course. Deconstructed as well, as all that isolation contributed greatly to her instability.
  • Hair of Gold, Heart of Gold: Played straight in Act I; her mental instability subverts it by Act II.
  • Hysterical Woman: By the time of her death she's certainly this.
  • Long-Lost Relative: She's the Baker's younger sister, who was taken at birth from their parents because their father stole greens from the Witch's garden for their mother. Only the Witch acknowledges this in-story, however.
  • Mood-Swinger: It's mentioned by her prince in Act II that she swings moods pretty quickly.
  • The Ophelia: She's lovely, but unstable thanks to her time in the tower and the Witch's treatment of her.
  • Rapunzel Hair: Of course. Her extremely long hair is actually part of the Witch's Fetch Quest. She loses it later.
  • "The Reason You Suck" Speech: Finally tells off the Witch for sticking her in a tower all her life, abandoning her, blinding her Prince, and generally being a jerkass.
    Witch: (defensive, yet sincere) I was just trying to be a good mother.
  • Rich in Dollars, Poor in Sense: Even after becoming a princess, she still doesn't have the best grip on life. She was kept in a tower her whole life.
  • Screaming Woman: She lets out a loud scream at the end of the "Agony" reprise.
  • The Soprano: Averted by her character, but vocally? You'd better believe it.
  • Spared by the Adaptation: In the 2014 film. She is not Driven to Suicide and she gets to live happily ever after with her prince.
  • Swiss Army Tears: Her tears heal her prince's blindness, as in the original.
  • The Unintelligible: Rapunzel only has a few scenes where she actually talks. The rest of the show, she expresses her feelings by "humming a lighthearted air" and screaming. Somewhat lampshaded by her prince. After the reprise of "Agony," Rapunzel, out of nowhere, lets out an enormous scream. The prince doesn't look the slightest bit shocked and says "Rapunzel," in deadpan.
     The Narrator 

The Narrator

Played by: Tom Alredge (OBC), Nicholas Parsons (Original London Cast). Role omitted from the film version.
Once upon a time . . . later.
The cheery, intelligent narrator of the story.
  • Anyone Can Die: Even the narrator.
    • "You're going to be on the INSIDE, now!"
  • Could Have Avoided This Plot: When the characters try to offer the Narrator to the Giantess as a sacrifice, the Narrator reminds them that the story would be lost if he was obliterated. Regardless of this, however, the Witch gives the Narrator to the Giantess anyway, and as soon as the Giantess sees that the Narrator isn't Jack, the Narrator is dropped from the Giantess's hand and killed. Possibly concerned with the subsequent events of the story without the Narrator, the Baker's Wife points out: "We might have thought of something else."
  • First-Person Smartass
  • Interactive Narrator
  • Infant Immortality: In the productions where The Narrator is a child this is completely averted and he's still killed by the Giantess in the story.
  • Lemony Narrator: Ends up biting him in the ass. See below.
  • Only Sane Man
  • Rage Against the Author: The rest of the characters essentially feed him to the giant, although it's the Witch that does it right after the other characters realize how lost they would be without him. See above for details.
  • The Runaway: Several new productions turn the narrator into a young boy instead of a grown man with the addition of a new Book Ends story where he runs away to live in the woods after a fight with his father. Said father is revealed to be played by the same actor as The Baker and is the one who told the boy the story in the first place.
     The Princes 

Cinderella's Prince

Played by: Robert Westenberg (OBC), Clive Carter (Original London Cast), Chris Pine (2014 film)
I was raised to be charming, not sincere.
Cinderella's prince, who falls in love with her after dancing with her at the ball.
  • Afraid of Blood
    But even one prick - it's my thing about blood!
  • The Casanova: Associated by his character quote.
  • Distracted by the Sexy: Off to bring down the Giant...and who's this lovely thing?
  • Fake Ultimate Hero: Says a lot but does nothing against the giant.
  • Large Ham: Oh very VERY much so. Especially in "Agony" and the reprise.
  • Prince Charmless: After he engaged himself with the Baker's Wife, he immediately told her that it was just a moment in the woods, meaning it's something that was never to happen again. His womanizing ways result in the Baker's Wife staying in the area where she dies and Cinderella leaving him because of his brief affair. And then, he learns nothing and goes on to pursue a relationship with Sleeping Beauty.
  • Royals Who Actually Try To Do Something: He never actually finds the Giant, but besides Cinderella herself, he's the only member of the royal family to actually get off his ass and go looking for her.
  • Your Cheating Heart: Even after getting married to Cinderella, he still has a dalliance with the Baker's Wife and ends up with Sleeping Beauty.

Rapunzel's Prince

Played by: Chuck Wagner (OBC), Mark Tinkler (Original London Cast), Billy Magnussen (2014 film)
Aaaaaagonyyyyy! Far more painful than yours!
Cinderella's prince's younger brother, who falls in love with Rapunzel.
  • Adaptational Heroism: He remains faithful to Rapunzel in the 2014 film.
  • Adorkable: In the 2014 film.
  • The Casanova: It's bad that he was taking interest in another woman, but it's partially justified considering his wife was killed and suffering from hysteria prior to her death, he most likely had to have someone help him raise his children.
    • Averted in the 2014 film.
  • Eye Scream: He's blinded by falling into thorns after the witch pushes him from the tower. He gets better.
  • Large Ham: Engaging in Ham-to-Ham Combat with his brother.
  • Prince Charmless: In the play. He's nicer in the 2014 film.
  • Why Did It Have To Be Dwarves?: He's evidently terrified of dwarfs. Unfortunately for him, they're the only thing standing between him and his next fling, Snow White.
     The Giantess 

The Giantess

Played by: Merle Louise (OBC, voice), Eunice Gayson (Original London Cast, voice), Frances de la Tour (2014 film)
That boy stole our gold, our hen, and our harp. Then he killed my husband! I must avenge the wrongdoing.
     Cinderella's Father 

Cinderella's Father

Played by: Edmund Lyndeck (OBC), John Rogan (Original London Cast). Role omitted from the film.
The closer to the family, the closer to the wine.
     The Steward 

The Steward

Played by: Philip Hoffman (OBC), Peter Ledbury (Original London Cast), Richard Glover (2014 film)
The greater the good, the harder the blow.
  • Adaptational Heroism: In the 2014 film. Hero is a huge stretch, but he seemed genuinely regretful for what he did to Jack's mother.
  • Dirty Coward: If refusing to give up his life for others and justifying his killing of Jack's mother is of any indication.
  • Hypocrite: He defends his killing of Jack's mother as being necessary for the greater good, but when witch suggests that it's in his line of duty to sacrifice his life, he immediately declares that he's not dying for anyone.
  • Karma Houdini: He practically gets away with murder.
  • Obstructive Bureaucrat
     The Mysterious Man 

The Mysterious Man

Played by: Tom Alredge (OBC), John Rogan (Original London Cast), Simon Russell Beale (2014 film)