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  • Adaptation Displacement: Most are aware that it's based on the 1970 film, but how many fans know of Richard Hooker's MASH: A Novel About Three Army Doctors (1968) that inspired the film?
  • Alternative Character Interpretation:
    • It might just be fandom overthinking things but the LiveJournal consensus on Hawkeye is that he's bisexual and manic-depressive. To be fair, the LiveJournal consensus on everyone is that they're bisexual and manic-depressive.
    • There is some debate about whether or not Hawkeye is supposed to be an Unsympathetic Comedy Protagonist or Sociopathic Hero who happened to share the writer's political beliefs or an Author Avatar / Marty Stu who swerved into Jerkass territory. Or any position inbetween.
    • There is also debate about how sympathetic or unsympathetic we are supposed to feel towards Frank. Is he just a stupid Jerkass? Or a Jerkass Woobie who, nevertheless, did not deserve to be bullied and tortured the way he was? A doctor who was cracking under pressure (Henry Blake described him as "a fair but competent" doctor in season one, suggesting that Frank wasn't necessarily a bad surgeon but merely an inferior one when compared to Hawkeye and Trapper, and later B.J.)? Or, a demented, deeply disturbed sociopathic Man Child who was actually dangerous (recall the time he tried to get Hawkeye hanged.)? Perhaps all of the above?
      • Pre-Flanderization, some episodes actually seem to portray Frank as the Only Sane Man (albiet a Jerk Ass version of one) at the 4077, given that he is the only one who actually acts like they are all in a war zone three miles from the front lines. Everyone else seems to think they are on vacation between OR sessions. If you watch the first five seasons with your focus on Frank, the show tells the tale of a man who is pushed over the Despair Event Horizon by his asshole roommates and eventually snaps when the woman he loves runs off with another man (though Frank himself was cheating on his own wife).
    • Radar started off deceptively innocent but sneakier and more worldly than he let on, and he was not above stealing Col. Blake's cigars and brandy from time to time, then he seemed to get more childlike and naive as the show progressed, especially after Col. Potter came in and replaced Col. Blake as Radar's father figure and CO. It's actually debatable if Radar truly regressed or if he simply cleaned up his behavior because he knew the more stern Col. Potter wouldn't tolerate the kind of shenanigans Col. Blake overlooked.
  • Anvilicious: Once Alan Alda got creative control.
  • Ass Pull: "The Nurses", in which a nurse's husband is on leave for 24 hours, so Hawkeye and BJ make up a fake diagnosis to keep him quarantined in Margaret's tent so the nurse can be with him... despite the VIP tent being vacant. Likewise, when Winchester and Potter both get the mumps, they're put together in Potter's tent. BJ says there's nowhere else, ignoring the VIP tent.
    • Margaret's impassioned speech (again in "The Nurses") about how her nurses have never been friendly towards her or included her in their social activities. We're meant to sympathize with Margaret, but she's been a complete bitch for the entire series up to this point.
  • Awesome Music: A special, more military version of the "Suicide Is Painless" theme was used for parts of "Bug Out", parts One and Two (Which, incidentally, was the series' first Cliff Hanger episodes), including one point where the climax is hit during a shot of Potter and Houlihan on top of Sophie, Potter's horse. The music was never used for any other episode.
  • Badass Decay: Few fans remember that crazy CIA agent Col. Flagg was a seriously dangerous character in his first appearance, even pulling a pistol and arguing in favor of shooting a soldier who has gone crazy and is holding Burns hostage. He was also far more laid back and even participated in the camp poker game.
  • Base Breaker: With the obvious exception of Frank Burns (whom fans and critics alike agree is a character we all love to hate), almost every other character is this for some fans out there:
    • B.J. probably gets hit with this the hardest out of all the characters. Although there's plenty of fans who prefer the arguably more well-rounded B.J. over the usually one-dimensional and constantly overshadowed Trapper, others feel B.J. was the worst addition to the show, on the grounds that he spends too much time whining about being away from Peg and Erin. Then again, for a young man still in his twenties, fresh out of residency, to be torn away from the love of his life and his newborn daughter and thrown into a war he was barely prepared for, can you really blame him?
    • Radar probably gets more than his fair share as well (though nowhere near as B.J.), though he's split more down the middle. Although many people just adore Radar for his innocence, naivete, and willingness to help others, which has often been considered a breath of fresh air - not just for this show, but TV in general - many people also hate for those exact same reasons, seeing him more as a Cousin Oliver who grew more and more out of place with the shift in tone the series was taking (though, the show didn't really become too dramatic until the season he was discharged).
    • Klinger would qualify as a Base Breaker once he stopped wearing dresses, took over as company clerk for Radar, and pretty much turned into a regular guy, after spending a number of seasons running around in dresses and looking for other wild and Zany Schemes to get out of the Army.
    • Hawkeye became the unofficial star of the show because of how popular he was with audiences, as helped by the chops and dedication from Alan Alda... though once Alda obtained more creative control of the show behind-the-scenes, and many facets of Hawkeye's personality (drinking, nurse chasing, wisecracking, scheming and plotting against Frank and later Charles, and just acting silly in general) were reduced tremendously, then fans weren't so fond of him.
    • Margaret, especially earlier seasons whenever she would run her mouth off about whatever it was Hawkeye and Trapper did to Frank, and threatening to go over Henry's head to a general about whatever issues she had with the camp.
  • Better on DVD: The general consensus. While there isn't much continuity to screw up, some stations tend to cut up episodes for time, or not air certain episodes for some reason or another. The DVD also gives the viewer the option of watching it without the Canned Laughter.
  • Black Hole Sue: Once Alan Alda got creative control. Hawkeye became the center of the universe, the linchpin of reason and sense (well, even before Alda took over Hawkeye had some of this). While still fallible and capable of making mistakes, his opinions were nevertheless the moral compass others were meant to set their course by, and everyone from Father Mulcahy to Colonel Potter came to him for advice regularly. Probably the most blatant this got was the aptly-named "Hawkeye", which is pretty much literally nothing but a thirty minute long stream of consciousness monologue by Alda. It should be noted that "Hawkeye" was written and filmed before Alda took creative control of the show.
  • Broken Base: The series seems firmly divided between fans who preferred the earlier seasons (which focused more on comedy) and the later seasons (that focused more on drama).
  • Crack Pairing: Ho Yay factor of Hawkeye and Trapper (and later B.J.) aside, a number of fans like to pair Charles with Klinger (and even more ironic, this precedes David Ogden Stiers's outing).
  • Creator's Pet:
    • Hawkeye can come off like this sometimes. Every good character seems to love or adore him, and while sometimes justified for The Ace characters, it may be overbearing.
    • Both creator Larry Gelbart, and series writer Ken Levine, have said that of all the characters on the show, Radar was their favorite to write for. It sometimes shows as nobody could think wrong of cute little Radar.
  • Draco in Leather Pants: Fans tend to overlook or justify a lot of Hawkeye's illegal, morally questionable and downright treasonous antics.
  • Ensemble Darkhorse:
    • Lt. Col. Sam Flagg was one of the show's most memorable recurring characters despite by only appearing in seven episodes. Word of God (specifically Ken Levine) said that they really enjoyed writing Flagg but kept appearances to a minimum to avoid wearing out his welcome and turning him into The Scrappy. Possibly eight, if you consider that Edward Winter played Captain Holloran, an intelligence officer, before playing Flagg. He plays poker with Sidney, which Flagg refers to, leading many to believe Holloran was an alias of Flagg's.
    • Maj. Sidney Friedman, everybody's favorite shrink, was popular with viewers. Allan Arbus was offered a permanent role on the show, but he declined.
  • Fair for Its Day: The episode "George" comes off today as extremely dated, handling the subject of homosexuality in the military poorly and misleadingly. However, in the 1970s, having an episode that portrayed a gay soldier as a sympathetic character and a courageous Marine was really quite amazing. (And, given that the show takes place in the '50s with '50s sensitivities, you could argue that it should be dated.)
    • Same can be said for the episode, "Inga": it was written and directed by Alan Alda, who was very much an outspoken advocate for Women's Rights, and at the time this episode aired, was during the height of Feminism. Today, however, the episode comes off as very clumsy, dated, and downright sexist, particular how Hawkeye and later Charles have their male egos bruised by Inga showing them up (though it was never her intention to do so: she was there, as a doctor, simply to help keep the 4077th up to date with the latest surgical techniques).
  • Fanon Discontinuity: Fans of B.J. mostly agree there is no episode where he cheats on Peg.
  • Foe Yay:
    • Hawkeye and Margaret hated each other, but they was also noticeable attraction and sexual tension.
    • In some early episodes, with Trapper and Margaret. Pity she was stuck with Frank at that time...
    • Granted, Margaret seemed to have a little bit of this with almost everyone.
  • Fridge Horror: One could argue that a lot of the show's humor becomes a lot less funny when you remember that they're in the middle of a war zone and that they're all acting out because it's the only way they can stay calm.
  • "Funny Aneurysm" Moment:
    • In a very early episode, Margaret (who has an absolutely gorgeous curvy body, by the way) is feeling self-conscious about her weight and laughs about "throwing up" later to lose it. Bulimia was not a well-known disease in the early '70s, let alone the early '50s.
    • In-universe example: in one of the early seasons, Hawkeye pretends to be having a psychological breakdown in order to get leave in Tokyo. Cue the series finale.
    • In "O.R.", Hawkeye tells Henry that he'll die an old man in his bed in Bloomington, Illinois. Ouch, show.
    • In a first-season episode "Dear Dad, Again", Hawkeye says that he's surprised Father Mulcahy doesn't "go deaf from the sound of all the commandments breaking around him". In the series finale, Father Mulcahy's hearing is severely damaged (perhaps permanently) by a nearby mortar round.
    • On occasion, whatever Klinger's spur-of-the-moment Zany Scheme is, or he displays some other kind of odd or questionable behavior, someone else will joke he may be going through menopause. Fast-forward past the Turn Of The Millenium, when it's been medically proven that it's not uncommon for a man to, indeed, go through menopause.
  • Growing the Beard: Though opinions may vary, the series became a good deal more thoughtful, sincere, and mature with the departure of Trapper and Colonel Blake and the arrival of BJ and Colonel Potter. Of course, some would say the beard became overgrown and the series verged on Wangst the more control Alan Alda gained over it. "Growing The Moustache," perhaps? The rule with some fans is to skip any episode where BJ has a mustache - those last seasons are the ones with the highest quotient of Wangst, Anviliciousness, and Cerebus Syndrome.
  • Harsher in Hindsight:
    "Boy, what I wouldn't give to wake up one morning, look down, and find myself gone." ~Henry Blake
    • In the "O.R." episode, Hawkeye tells Henry he's getting arthritis and that it could be his ticket home. Henry expresses reluctance to leave Korea, where he's been able to "do more doctoring than I can do in a lifetime back in the world."
      Hawkeye: Wars don't last forever, Henry, only war does. One day you're gonna have to go back home and die in your bed in Bloomington.
    • In one very early Season One episode, Henry dismisses another one of Frank's complaints against Hawkeye, wanting him charged with insubordination, but then Henry says to Hawkeye, "You know, Pierce, one of these days, Frank's gonna throw the book at you, and I won't be around to help." Sure enough, later in Season Four, after Henry's death, Frank successfully takes Hawkeye to court on mutiny charges (of course, Potter was able to help, as were B.J. and Radar, but still).
    • Hearing the doctors complain and think they should just leave Korea to sort itself out becomes a lot harsher when you know what happened to North Korea.
    • When Margaret first gets engaged to Donald, Frank (in an obvious attempt to get into her pants) theorizes that Donald is no good. She (humorously and good-naturedly) turns him down. Several seasons later, we learn that Donald has been stealing Margaret's paychecks for himself and sleeping around behind her back while she has been faithful to him. This revelation leads to them divorcing.
      • On that point, when Hawkeye and B.J. replace Margaret's engagement ring, the seller messes up the inscription to read," Over hill, over dale, our love will ever fail."
    • Charles once comments that "there is very little shrapnel flying around Boston," a comment that becomes painful in the wake of the 2013 Boston Marathon Bombing.
    • Hawkeye's attempts at getting out of the 4077 by pretending to have gone nuts leave a bitter taste in the mouth after the Finale.
      • Likewise, Frank and Margaret playing up his symptoms when they realize this is their chance of getting rid of him.
    • The episode that guest stars Patrick Swayze as a patient diagnosed with terminal cancer.
    • More of an indirect Actor Allusion one, but... the murder mystery film Murder at 1600 features Alan Alda playing a politician spearheading a conspiracy to blackmail the president into resigning so that his replacement will order a full-scale invasion of North Korea, which is shown earlier holding captive and torturing several US military personnel. With as many times as Hawkeye went to bat for injured North Koreans and his general attitude, one imagines the screenwriters knew exactly what they were doing having a scene with Alda looking into the camera while telling his co-conspirators the exact hour the vice-president will green-light an invasion of North Korea after being sworn in.
  • Hilarious in Hindsight: This exchange from one episode:
    Hawkeye: Oh, wow. The Thompson twins in the buff. They don't look very much alike.
    B.J.: 'Course not. They're brother and sister. note 
    • In one episode, Frank brags that being an American, he can go anywhere in the world he wants to. Fast forward past 9-11 during the Bush Administration, where, yes, an American can go anywhere in the world, but there are a lot of hassles involved in just planning on traveling, from passports to invasive airport security... and good luck if you think returning to America is going to be easy.
  • Ho Yay: Hawkeye and Trapper, big-time.
    • Hawkeye and B.J. also had their moments. From the final episode:
      Hawkeye: Look, I know how tough it is for you to say goodbye, so I'll say it. Maybe you're right. Maybe we will see each other again. But just in case we don't, I want you to know how much you've meant to me. I'll never be able to shake you. Whenever I see a pair of big feet or a cheesy mustache, I'll think of you.
      B.J.: Whenever I smell month-old socks, I'll think of you.
      Hawkeye: Or the next time somebody nails my shoe to the floor...
      B.J.: Or when somebody gives me a martini that tastes like lighter fluid.
      Hawkeye: I'll miss you.
      B.J.: I'll miss you, a lot. I can't imagine what this place would've been like if I hadn't found you here.
    • "What if I were dying? Would you hold me and let me die in your arms, or leave me on the floor to bleed?"
    • Hawkeye also seems to enjoy having fantasies that involve B.J. in romantic situations.
      • B.J. actually starts to veer off into Crazy Jealous Guy territory whenever Hawkeye gets to reminiscing about, "The good old days with Trapper." B.J. once even remarked that he hates Trapper even though he never even met him.note 
    • When Blake is saying his goodbyes in "Abyssinia, Henry", he holds out his hand for Hawkeye, who says, "I'm afraid just a handshake won't do it, Henry," and promptly smooches him on both cheeks.
    • This website has a list of every single slashy quote from the entire series. It's... extensive.
  • It Was His Sled: Henry's death.
  • Jerkass Woobie: Frank could be considered one of these. While he often acts in a way that makes you want to see karma bite him in the ass, karma bites him so often and so mercilessly that it's easy to actually feel sorry for him. Particularly after Margaret left him and he became progressively more unhinged; even Hawkeye and BJ eased up on him during that time.
    • He becomes much more sympathetic if you pay attention to the snatches of his backstory that he occasionally reveals (usually while drunk). If you had his home life, you'd probably be pretty messed up, too.
  • Magnificent Bastard: Charles manages to set up Hawkeye and BJ against Margaret in an escalating prank war that he's orchestrating. He also is the one who foils Colonel Flagg's effort to have Hawkeye charged as a Communist subversive, and sets up visiting (and incredibly annoying) surgeon Dupree to ride Colonel Potter's horse and gets him in serious trouble as a result.
    • Charles demonstrates this in his first episode, turning Hawkeye's prank around on him and even being a Gentleman Snarker about it.
  • Marty Stu: Hawkeye often comes off as this.
  • Memetic Mutation: "I'm not as think as you drunk I am!" is possibly courtesy of a very drunk Margaret Houlihan from the episode "Hot Lips and Empty Arms".
    • That line dates from at least the 1920s and can be found in Bennett Cerf humor collections. However, there's no question that its use on the show re-popularized it.
    • "Aaaah, Bach!" comes from Radar's attempts to impress a cultured nurse in "Love Story".
    • "Jeep... tent... boom... kill... jeep... tent... boom... kill... jeep... tent... boom... kill..."
  • Moral Event Horizon:
    • Frank was always a Jerk Ass, but having Hawkeye court-martialed on spurious charges knowing perfectly well that Hawkeye would be executed if he was found guilty...?
    • Frank when he stole a general's gun and let Radar take the rap for it, facing a possible court martial. The only reason he even returned it was because Major Houlihan confronted him about it.
  • Narm: Any time Trapper would dramatically declare his longing to be home with his wife and the horrors of being separated from his family by the war, since chances were almost 100% that the episode would also show him thoroughly enjoying her absence with whatever hot girl crossed his path. Possibly the same with Colonel Blake, though since he was often less brazen and smug about his conquests, it didn't cause quite so much dissonance.
    • While he had good comic timing, Alan Alda is practically dripping with Narm in his more dramatic moments. Just watch him scream about how much he hated his cousin Billy for playfully tossing him into a pond before Hawkeye himself knew how to swim (the same cousin pulled him out).
  • Narm Charm:
    • Sometimes, the camera will zoom in anvilly on the actor's face when they talk. But usually the moments are so emotional (see B.J.'s breakdown in "Period of Adjustment") that you don't really mind.
    • The fact that the show is so aesthetically 70's yet supposedly set in the 50's just adds to the feel of it.
  • Nightmare Fuel:
    • The episode "Dreams" has a very Twilight Zone-y feel to it. As it includes dream scenes like Margaret in a bloody wedding dress and Hawkeye losing his arms and screaming to the sound of helicopters.
    • The ghosts in "Follies of the Living - Concerns of the Dead".
    • The scenes in "Point Of View" where Private Rich is choking and struggling to breathe due to his throat injury. Since the episode is shot from his point of view, we don't actually see what the injury looks like, but the sounds alone are terrifying.
  • Older Than They Think: Alan Alda's Hawkeye talks and acts a lot like Groucho Marx. Then again, Groucho Marx was still quite popular in the '50s.
  • Recycled Script: Plenty, but of note is the seventh season episode "Preventative Medicine" had a plot that was essentially the same as that of the first season episode "The Ringbanger". In keeping with the show's gradual slide into drama, however, the psychological gaslighting of the original was changed to coercing the victim into unnecessary surgery, to which B.J. took a moral objection.
    • The "sidelining an officer via unnecessary surgery" angle had itself been used before, in a secondary plot involving Col. Flagg in season 3's "White Gold".
      • Interestingly enough, the original script for "Preventative Medicine" had B.J. going along with Hawkeye's scheme (just as Trapper had in the earlier episode), but actor Mike Farrell objected as he believed that B.J. would never do such a thing. The producers eventually agreed, so they let Farrell and Alda ad-lib their way through the scene, acting and reacting the way they felt their characters would.
    • Two conversations between a Swampman and his nominal nemesis (Trapper and Frank in "O.R.", Hawkeye and Charles in "Sons and Bowlers") were recycled pretty closely in subject matter. Being the different characters they were and the different points in the show, though, the scene with Frank saying he came from a loveless home was Played for Laughs, while Charles' admission of a distant family life and envy of Hawkeye was treated as showing his good side.
    • In "Pay Day" in season three, Hawkeye complains to Radar about how he could have made $3,000 in his civilian practice, and Radar pulls a few strings and has him paid. "Back Pay", in season seven, has Hawkeye outraged that doctors in the states make $4 an x-ray for draft boards, so he bills the Army for his services. Both have him get into trouble with a bureaucratic officer. Some difference there; in the first case, Hawkeye was grousing about how his career and life had been disrupted, while the second is more about how those fat cat doctors are, as he puts it, "Getting a finder's fee for sending lambs to slaughter."
  • Retroactive Recognition: Quite a few. George Wendt and Shelley Long (Cheers), a very young Patrick Swayze, John Ritter, and so on.
  • Seasonal Rot: Although exactly when it first set in is a matter of some dispute.
  • Seinfeld Is Unfunny:
    • Some younger viewers may wonder what the big deal is, but you can thank M*A*S*H for pretty much every Dramedy series that's come in its wake.
    • Before M*A*S*H, if an actor left a show and a Suspiciously Similar Substitute came in, it wasn't the norm for the change to become an in-universe plot point. In an era when there were no DVD box sets but there were reruns, TV episodes were created so that they could be watched in any order and old characters were never mentioned again after their actors left. Because, you know, that might shock and confuse people. M*A*S*H is an early (and, by today's standards, primitive) example of long-running continuity in a television show.
  • Special Effect Failure: "The Trial of Henry Blake" has a scene of Klinger attempting to escape the camp via hang-glider. This is shown with very obvious green-screen usage.
    • When Klinger and Hawkeye go around camp nude in different episodes (Klinger to convince a General that he's insane, Hawkeye to win a bet with Trapper), the underwear the actors are wearing is plainly visible.
    • The show's interior soundstage set includes some "outdoor" portions immediately surrounding the Swamp, O.R., and Mess Tent (complete with painted mountains, plastic trees, etc.) which were used for some episodes when the actual outdoor set at the Malibu Ranch was unavailable. In certain episodes they'll cut between the interior and exterior sets in the very same scene!
    • In the episode where Radar rescues Sophie (at the time a stallion instead of a mare), B.J. and Hawkeye are trying to extract a piece of shrapnel from the horse's rump, leading it to kick through the wall of the supply building. The legs are obviously wooden models, and one of them breaks and is hanging from splinters after the second kick.
  • Tear Jerker: Has a sub-page.
  • They Wasted a Perfectly Good Character: Colonel Flagg. He appears in only seven episodes, eight if you count Captain Holloran as an alias.
    • The writers have said they eventually had to phase him out of the show, because he was too silly and one-dimensional, and thus would have been out of place with the direction the show took in tone. He does, however, make an appearance in a two-parter episode of the After Show.
    • Sidney Freedman is arguably another example of this, showing up in just 12 episodes. However, as with Flagg it could be argued that the very rarity of his appearances made the character more effective and memorable.
  • Unfortunate Implications: The portrayal of the Koreans themselves is a big one. Some episodes are better than others, but you can generally expect a fairly White Man's Burden attitude. The show is unpopular in South Korea for this reason (the North Koreans, of course, never got to see it in the first place). Incidentally, Gene Reynolds has expressed some regret for this aspect of the show. The fact that present-day South Korea is a modern, industrial nation makes the implications look even worse in retrospect, although the show's portrayal of Korea as a backwards country is decently accurate for the time period.
    • The US Military isn't portrayed in a particularly favorable light either. For every soldier who hated or was damaged by the war there was at least one or two high ranking officers who were little more than arrogant, dimwitted glory hounds who would willingly endanger, even kill their own men or waste valuable equipment just so they could go out and "see some action". In a post 9/11 world, or even just speaking of the pre-9/11 world and how it treated the real life Vietnam veterans, this may be very hard for some modern viewers to watch.
  • Values Dissonance: The episode where Hawkeye, B.J. and Col. Potter arrive at camp driving drunk in celebration of making a General look ridiculous may have been a standard comedy business in the late 1970s, but now a typical viewer, well aware of the dangers of drinking and driving would be alarmed that they could have killed someone, or themselves.
    • There's also the fact that Trapper is considered to be a positively-viewed character, despite his nickname coming from the fact that he raped a girl.
      • Only in the novel. And even there, it's kind of implied that it was a reputation-saving False Rape Accusation on the part of the young woman in question.
    • "House Arrest" features a shockingly cavalier attitude toward rape, which Larry Gelbart has said is one of his biggest regrets about the show.
  • Word of Dante: You have to come to expect some of this for such a Long Runner, and a really popular one at that. The biggest example is probably the infamous "lost episode" entitled, "A Sound, a Song, and a Surprise", which supposedly contains a version of the theme song with lyrics sung during the opening titles, and a plot basically filling in all the gaps that were left open during the rest of the series (including off-screen departures of Spearchucker and Trapper, among other things). Further examination and investigation seems to indicate that "A Sound, a Song, and a Surprise" may have actually existed, not as an actual episode of the series but rather as a localized retrospective special a TV station cobbled together to celebrate the show's Grand Finale.
    • McLean Stevenson is supposed to have appeared in character as Henry Blake on The Carol Burnett Show (sitting in a rubber raft and shouting "I'm okay!"), the very next night after Henry was McLeaned on the show. However, there are no actual logs, data, or information to support that such a Carol Burnett Show appearance actually exists. Still, many fans swear to have actually seen it, and it was even supposedly posted on YouTube several years ago, only to be removed for copyright, which gives the appearance an Urban Legend status.
    • Speaking of which, Stevenson's departure sheds some spotlight on Dante as well. Larry Gelbart and Gene Reynolds have said, numberous, repeated times, that they decided to use Henry Blake's departure as an example to really show the true horrors of war, and remind people that not everybody was fortunate enough to make it home from a war, however, a number of people are convinced that killing off the character was a ploy pulled by both Gelbart and Reynolds, as well as the network, to permanently get rid of Stevenson, for being such a meddler on the set (in all fairness, he actually did speak up and protest the awful working conditions the actors were forced to work in, even when others were too afraid to speak for themselves, which apparently got him into hot water a lot).
    • Many fans keep insisting that Radar kept appearing on the show less and less each season, to the point that his last full season on the show had him absent practically every other episode. This is certainly not the case at all. If one were to actually watch the series, and keep note, they will see that in Season Four, Radar appears in 23 out of 25 episodes; 23 out of 25 episodes in Season Five; 15 out of 25 episodes in Season Six; and 22 out of 26 episodes of Season Seven.
    • There's an urban legend that's been around for years that Mike Farrell bears animosity towards Wayne Rogers, the legend was even joked about on The Simpsons, where Homer reads a book by Farrell and remarks, "Wow, he really does hate Wayne Rogers!", however, there is absolutely no Real Life evidence that supports this story.
      • Similarly, some fans insist that Jamie Farr hates Alan Alda, but likewise, there is no Real Life evidence to support this.
      • And, in fact, there's excellent reason to doubt it: Loretta Swit apparently organised annual reunions of the cast. According to Jamie Farr, the only two who regularly did not attend were Harry Morgan (whose age and health made it impossible) and David Ogden Stiers (who dislikes that M*A*S*H has overshadowed his career so heavily).
  • The Woobie: Pretty much everyone was this at least once. Yes, including Frank.

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