[REC] (2007) is a Spanish horror film following a news reporter, 聲gela Vidal, and her cameraman, Pablo, as they cover the night shift in one of Barcelona's local fire stations for the fictional documentary While You Sleep. However, the two intrepid reporters get much more than they bargained for when the firehouse receives a call from an apartment building about a woman who is trapped. As they tag along with the rescue effort, 聲gela and Pablo find themselves actually chronicling the discovery and progression of an apparent zombie outbreak in an apartment building, which forces the police and military to seal off the building, trapping everyone inside. Soon they are forced to fight for their lives, as the virus slowly takes over the residents and firemen around them.The film was very positively received by critics. As of May 17, 2009, the review aggregator Rotten Tomatoes reported that 95% of critics gave the film positive reviews, based on 20 reviews.In 2008, the first [REC] was remade in America as Quarantine.In 2009 a sequel, [REC] 2, was released to generally positive reviews, with a "fresh" 69% rating on Rotten Tomatoes, based on 61 reviews. The general consensus is that it's not as good as the first film, but it's still very good for a sequel.The third film, called [REC] 3: G幯esis takes place at roughly the same time as the events of the first two films are happening, and the fourth and final film, [REC] 4: Apocalipsis, has been announced, from the same writers and directors as the first two [REC] films.[REC] Apocalipsis will end the saga with the infection spreading to unknown proportions; the film has an expected release date of fall of 2013.
Films in this series:
[REC] 2 (2009)
[REC] 3: Genesis (2011)
[REC] 4: Apocalypse (2014)
This movie series contains examples of:
Apocalyptic Log: All the camera footage. Everyone repeatedly says to keep the film running so there will be a log of what happened.
Jump Scare: Several. Especially notable is Jennifer suddenly biting her mother in the face (especially jarring since it comes out of the blue), followed by her later attacking the policeman.
Then there's the boy in the attic...
Jennifer's mother. Following her death, her corpse is shown lying on the ground as 聲gela and Manu search the mailboxes... and when Pablo pans back around, she's suddenly standing up...
Nice Job Breaking It, Hero: A rare pre-story case. The Church was searching for a medical cure for demonic possession. They were able to find the enzyme which caused demonic possession. Unfortunately, it mutated and spread. Now instead of a demon taking over one person, the demon can take over everybody who is infected.
Not Using the Z Word: The Zombies are never acknowledged as such, even though it's acknowledged the fact that it's a virus.
The Oner: A few, seeing how this is done in the style of a pseudo-documentary. A good example is the introductory scene, in which 聲gela and the firemen arrive outside, enter the lobby and speak with the tenants, ascend the stairs and talk with the policemen, break the door down and enter the apartment, and meet and get assaulted by the zombified woman.
Bald of Awesome: Manu the firefighter, a Boisterous Bruiser who's definitely the most useful character of the first REC movie. He kills more of the infected than anyone else in self-defence, manages to stand on equal authority with the policeman, and helped 聲gela with Pablo get away from the mob with one last strong resistance.
Berserk Button: Don't touch the fucking camera! 聲gela does not like people trying to mess with it.
Camera Abuse: The policeman is constantly shoving the camera and telling Pablo to turn it off. At one point, Pablo bashes in an infected's head with the camera. Later, another infected smashes his camera light.
Camp Gay: Cesar. He's wearing a colorful ascot, jewelry and a pencil-thin mustache. In his short interview, he mentions that he used to live with his mother and now lives alone, makes catty comments about the Asian family, fusses about his appearance, and hits on the cameraman.
Crazy Cat Lady: Mrs. Izquierdo, the old woman whose breakdown after being infected sets the events of the film in motion, is referred as such by other characters. However, we never happen to see any of her pet cats...
When Cesar gets bitten by an infected scientist. The scientist locked himself away because he knew he was infected. All Cesar had to do was to stay the fuck away from the bars the infected locked himself in. He didn't.
At one point, they can't remember who lives in which apartment. They all forget that Pablo recorded the roll call earlier, and 聲gela had already consulted the video previously. Possibly justified, given how panicked they are at the time.
The cop who goes to get Jennifer knows the virus is spread by biting and that people who are infected can become aggressive at any time. And yet he tries to carefully walk up to her with no gloves or protection on to inject her with a tranquilizer.
Lost in Translation: Non-Spanish-speaking audiences fail to realize that Cesar, the one neighbour that blames the Japanese family for the crisis, speaks with an Argentinian accent and is in consequence an immigrant himself - which makes him a genuine hypocrite as well as racist. The dubbed version tries to help out by giving him a British accent.
Madeof Iron: Mrs. Izquierdo is INCREDIBLY sturdy. After she bites the older officer she is punched in the face by the firefighters, yet she gets back up for more, takes five shots to the chest by the younger officer later on and seemingly goes down, yet later on is up and running again, at this point she takes A SLEDGEHAMMER TO THE HEAD by Manu, and apparently she's down for good, but then in the sequel she is up AGAIN and attacks Larra, who manages to fire a few rounds from his rifle into her chest without even slowing her down. DAMN
Ms Exposition: 聲gela, explaining everything that we see to the camera.
Oh Crap: 聲gela, when she makes the connection between Jennifer's story of her sick dog, Max, and the health inspector's story about the infected dog who became violent...
Later, Pablo has one (although being The Faceless, you can only hear it in his voice), when he sees the Medeiros girl.
Room Full of Crazy: The closest anyone gets to an explanation in the first film is a Room Full Of Crazy covered in newspaper clips about a "Medeiros girl" who seems to have been infected or possessed, a recorder that plays back some ramblings about a virus, an infected hyper-aggressive little boy and, finally, the girl herself that kills the last two survivors.
Running Gag: "Get everything on tape, Pablo! We have to record everything!"
The origin of the virus is explained, but the fate of 聲gela is still up in the air. Until [REC]2.
Pablo's face is never shown.
What Happened to the Mouse?: The young Asian boy and the elderly couple. All three of them are seen fleeing when the infected start breaking down the door that's keeping them contained, but afterwards, they are never seen again, not even among the infected in the sequel.
Zombie Infectee: Mostly averted. When the young policeman and the health inspector are bitten, the former tells everyone to get out while he stays behind to subdue the infected Jennifer before he turns, and the latter locks himself away.
Action Girl: 聲gela right at the end of the second movie, right before you discover she is actually possessed by the Medeiros girl.
Alien Geometries: As confirmed in [REC]2, the penthouse where Medeiros was kept changes in the total absence of light (the characters can only see the changes with night vision). In the original movie, the door that leads to where Medeiros was sealed doesn't appear until the lights are off. In the sequel, further exploration of this room reveals a well from where Medeiros reaches out and drags in the SWAT Chief; when the lights come back on, the well is gone, and there's only a sink in its place.
Back for the Dead: Jose, a fireman who briefly appears in the introduction of the first movie, comes back in this one. He ends up being accidentally shot by Mire, one of the teenagers. 聲gela could qualify as well, since she is posessed.
The Danza: Pablo Rosso is back as one of the special forces guys named Rosso... who handles the main camera. This time we can see his face, although only for a brief moment (more precisely, in the scene where he leaves the camera in the ground to help in locking two of the teens in a cupboard).
Downer Ending: Same as above, save for two teenagers who remain trapped inside the apartment building. On top of that, 聲gela is possessed, manages to act normal until the last five minutes and fakes the voice of the last guy she killed so she can be released from the building and infect the whole city of Barcelona at the very least.
According to the tie-in comics, the teens are shot and killed by a squad of police officers who barge into the building, under the impression that they are infected.
Fate Worse Than Death: Possibly the case with 聲gela who ends up possessed. In fact the least horrible fate from her point of view might be if the possession has simply destroyed her identity and her body is just an empty vessel for the demon.
Gilligan Cut: When the three teens are about to enter the building through the sewers, Mire nearly leaves and takes her camera with her. She says "I've had it with your stupidities," and when Tito and Ori try coaxing her back, "I said no!" Guess where they are the next time the camera cuts back on.
How We Got Here: Shortly after the teenagers are spotted by the SWAT team, it cuts to their camera, revealing how they got into the building.
Idiot Ball: The teenagers... Good Lord, what a bunch of idiots.
And having the vial of potential demon blood uncorked and too close to the priest when he did a mini exorcism to test a small amount to see if it was possessed, leading to the whole thing going up in flames!
But the officer wasn't sure what was going to happen. If anything it's the priest's fault for not telling him to take a step back.
Plus, if you need her blood, and you just blew her head off, why not simply pick up her body?
聲gela in the climax. Instead of using those things attached to either side of her torso ( i.e, her arms) she just lies still passively as the Medeiros girl possesses her.
Jitter Cam: Another handheld for the main shots, but the soldiers also have helmet-mounted cams with somewhat less jitter.
Kill 'em All: With the exception of two of the teenagers, everybody either dies or is infected/possessed.
Our Demons Are Different: Possession spreads through biting people via a virus, the original is a long worm-like creature that seemingly lives in the digestive system and can be passed from person to person, and those possessed can accurately mimic voices.Also they fear religious symbols (crosses) and don愒 enter in holy places (churches), and recitations of Bible verses stuns them
Orifice Invasion: At the end, we see an extension of the ending scene of the first one, showing Medieros vomiting a worm into 聲gela's mouth.
Serial Escalation: In REC, it took a little while for the infection to take hold. In this film, it seems to take seconds.
And I Must Scream: Hinted at the end of "G幯esis''. Clara becomes infected and is shot by the soldiers, but Koldo and her reach for each other while they are dying in the ground. This actually could mean that possesed people are aware of their status, but cannot fight against it.
Chekhov's Gun: The PA system. Clara uses it early on to confirm with anyone listening that she's alive. The priest uses it later on to read the book of Genesis, paralyzing all of the infected.
The grandfather's hearing aid.
Downer Ending: Everybody at the wedding reception dies, except for the priest. Clara gets bitten, and when she becomes one of the infected, Koldo decides to let her bite him so they can die together. And then they both get shot by a platoon of soldiers.
Glamour Failure: The Medeiros girl appears as the reflection of the infected/posessed people, giving more evidence to the fact that all the infected, no matter what their location, are directly under her control.
Lighter and Softer: While the first two films were strict survival horror, REC 3 added elements of romance drama due to Clara and Koldo's relationship and motivations. The film's use of traditional cinematography and the fact that the film actually had a musical score contributed to this trope.
Simultaneous Arcs: A television in the background of the CCTV room shows news reporters on scene at the apartment building where REC 1 and 2 took place, establishing both stories taking place at the same time. Some dialogue at the beginning of the film also establishes that Adri嫕's uncle is the veterinarian that was to take care of Jennifer's (from REC 1) infected dog.
Something Completely Different: This movie differed significantly from the formula associated with the saga so far. At first it seems like it's gonna be a Found Footage Films like the other movies, but at the end of the first act the camera gets smashed and then it jumps to a traditional style of filming. Besides, no main characters from the first two movies appear on the third. Lastly, it has more parodic elements, it is more of a dark comedy than a horror film at times