Useful Notes: The Bechdel Test

"Your women characters are awful. None of them have anything to say for themselves, and most of them either get shot or stabbed to death within five minutes... and the ones that don't probably will later on."
Hans Kieslowski, Seven Psychopaths

The Bechdel Test, Bechdel-Wallace Test, or the Mo Movie Measurenote , is a litmus test for female presence in fictional media. The test is named for Alison Bechdel, creator of the comic strip Dykes To Watch Out For, who made it known to the world with this strip.

In order to pass, the film or show must meet the following criteria:
  1. It includes at least two women,note 
  2. who have at least one conversation,note 
  3. about something other than a man or men.note 

If that sounds to you like a pretty easy standard to meet, it is. That's the point! Yet, try applying the test to the media you consume for a while. There's a good chance you'll be surprised; mainstream media that passes is far less common than you might think.

Now, by limiting yourself to shows/movies that pass the test, you'd be cutting out a lot of otherwise-worthy entertainment; indeed, a fair number of top-notch works have legitimate reasons for including no women (e.g. ones set in a men's prison, or on a WWII military submarine, or back when only men served on juriesnote ), or with no conversations at all, or having only one or two characters; hell, if it's a romantic comedy, then it's natural that the female characters would talk about men and romance the male characters will likely only talk about women too. You may even be cutting out a lot of works that have feminist themes (Mulan, the quintessential Sweet Polly Oliver story and generally held up as one of the most feminist movies in the Disney Canon, fails). But that's the point; the majority of fiction created today, for whatever reason, seems to think women aren't worth portraying except in relation to men. Things have changed since the test was first formulated (the strip in which it was originally suggested was written in 1985), but Hollywood still needs to be prodded to put in someone other than The Chick.

The test is often misunderstood. The requirements are just what they say they are; it doesn't make any difference if, for instance, the male characters the women talk about are their fathers, sons, brothers, platonic friends, mortal enemies, patients they're trying to save or murderers they're trying to catch, rather than romantic partners. Conversely, if a work seems to pass, it doesn't matter if male characters are present when the female characters talk, nor does it matter if the women only talk about stereotypically girly topics like shoe shopping or even relationships, as long as it is not relationships with men.

This is because the Bechdel Test is not meant to give a scorecard of a work's overall level of feminism. It is entirely possible for a film to pass without having overt feminist themes in fact, the original example of a movie that passes is Alien, which, while it has feminist subtexts, is mostly just a sci-fi/action/horror flick. A movie can easily pass the Bechdel Test and still be incredibly misogynistic. For instance, the infamously bad "Manos" The Hands of Fate passes the test, but its treatment of women is incredibly squicky. So does The Bikini Carwash Company, which is little more than tasteless pandering. Conversely, it's also possible for a story to fail the test and still be strongly feminist in other ways (cf. the aforementioned Mulan; see also Pacific Rim and its spinoff "Mako Mori Test", discussed in the "Web Originals" section below). There's nothing necessarily wrong with a feminist film flunking the Bechdel Test. What's a problem is that it becomes a pattern when so many movies fail the test, while very few show male characters whose lives seem to revolve around women, that says uncomfortable things about the way Hollywood handles gender. There are also lesser-known variations of the test, such as the Race Bechdel Test, in which two characters of colour talk about anything other than the white leads, and the Reverse Bechdel Test, with the roles of men and women swapped.

It's obviously easier for a TV series, especially one with an Ensemble Cast, to pass this test than a film, because there's far more time for the conversation to occur in. To compensate for this, Bechdel-inspired analyses of television often look episode-by-episode, giving an final average (such as 7/13 if seven episodes pass in a 13 episode season,) or compare the series' passing Bechdel's Test with its passing a "reverse Bechdel test" (even without such compensation, it's often surprising to notice how long it takes many TV shows to pass). Another tactic would be the probability that a typical two-hour collection of episodes would pass.

Compare The Smurfette Principle. Works that follow The Smurfette Principle include a female character strictly for demographic appeal but make no real attempt to treat her as an interesting character in her own right, outside of her relationships with the male characters. See also Never a Self-Made Woman, which shows that even a well rounded female character with her own goals is most often only relevant to the story by her relationship to a man. Finally, see Token Romance and Romantic Plot Tumor for the effects of Hollywood's belief that both male and female audiences are generally uninterested in female characters except in the context of romance with a male character. See also Deggans Rule, which is a similar rule regarding race.

For other tropes regarding the representation of gender in media, see Gender-Equal Ensemble (self-explanatory) and Chromosome Casting (works featuring only male characters or only female, but not both; the former would be the exact reverse of this trope, whereas the latter could be something resembling its logical extreme).

And for those curious, it's pronounced Bec-tal, as in rhymes with Rectal.

Works that reference the Bechdel Test (named or not):

Comic Books

  • The novel-length Chronicles Of Narnia fanfic King Edmunds Crusade lampshades it, though not by name.
    A wholly feminine conversation was a novelty to Elizabeth, and perhaps to Susan as well. Both of them lived in a world where masculinity either ruled or was present. Here, in their private conversations, they found they not only could but wanted to move away from that. The conversation over the next four weeks was not of lipsticks and nylons and invitations; for such things are only feminine, they realized, in so far as defined by men.
  • Mentioned in the Justice League and Young Justice Fix Fic Fixations: There is a discussion between Diana and Shayera (Hawk Girl) in chapter ten that startet out as a discussion about Wally - then the author realised this and decided to try and have the story pass the test.
    But yeah, this fic finally passed the Bechdal Test! That was harder than I thought.

  • Alluded to in Seven Psychopaths when Hans reads Marty's script; not only does he note that they have nothing interesting to say for themselves, but the only notable thing they do is die horribly five minutes later.
    Hans: Your women characters are awful. None of them have anything to say for themselves, and most of them either get shot or stabbed to death within five minutes... and the ones that don't probably will later on.
    Marty: Well... it's a hard world for women. You know? I guess that's what I'm trying to say.
    Hans: Yeah, it's a hard world for women, but most of the ones I know can string a sentence together.

  • From this post on Tumblr:
    So this girl walks up to another girl and says “Hey, have you heard of the Bechdel Test?”
    And the other girl says, “Yeah, my boyfriend was telling me about it the other day!”

  • The Doctor Who fandom book Chicks Dig Time Lords includes an essay about companion Nyssa of Traken. The author points out that many of Nyssa's episodes pass the Bechdel test, and includes a brief explanation of what the test is.

Live-Action TV
  • In the Smallville episode Magnetic Lana Lang and Chloe Sullivan are enjoying a day at the Lowell County fair, their "girls' day out" when Lana mentions Clark by name. Chloe responds with, "And we almost went through an entire day without mentioning our favorite farm boy."
  • In The Big Bang Theory Amy and Bernadette comment that, without Penny around, they can talk candidly about their work instead of it devolving into a discussion about guys and relationships. This falls apart when some prospective suitors at a bar send them some drinks, and they turn into giggling schoolgirls (Mainly since they realize it's to get to THEM rather than to get closer to their hot friend).
  • Mystery Science Theater 3000 once had a host segment lampshading how the show sort of fails this due to The Smurfette Principle. Crow begins a discussion of how women are poorly represented, which promptly derails into a conspiracy rant about how women don't actually exist.
  • Played with in the Series 8 Doctor Who episode, Mummy on the Orient Express. The Doctor's companion, Clara has accidentally gotten herself locked inside a car with another female passenger, Maisie, and when Maisie asking her about the Doctor, and Clara points out that it is hardly the right time or situation to talk about some man. Of course, the episode had already passed the test at this point, as the previous subject Clara and Maise talked about was Maise's grandmother's mysterious demise.
  • The test is mentioned on A To Z in the episode "H is for Hostile Takeover". The Stinger takes it to a meta level with Zelda and Stephie discussing the test and wondering if two women discussing the Bechdel Test passes the Bechdel Test. They decide it does, and a "Bechdel Approved" graphic appears on-screen. Then Stephie starts talking about her boyfriend and the graphic is crossed out.


Web Original
  • A Feminist Frequency video shows a large number of popular movies that fail the test. In a running joke, Anita yawns, wanders away, comes back with an apple, and eats it, while the movie posters are still blinking steadily along in the background. Anita discusses the test again here. She proposes that the test be modified so that the scene in question must last at least sixty seconds to pass. She also describes a variant of the test for people of color, where at least two named non-white characters discuss something other than a white person. She rejects the concept of the Reverse Bechdel Test as she believes it contributes to the idea that women aren't oppressed.
  • Name Dropped in AH Dot Com The Creepy Teen Years episode 2x19. It's noted as being the first time the series actually passed the test. The two women are discussing vacation plans.
  • Linkara brings up the importance of the third point during his review of Sultry Teenage Super Foxes. Yes, the cast is almost uniformly female, but they never talk about anything but men. Unless you count the villains, that is. Even the protagonists obtaining superpowers was nothing more than a means to the end of them attracting men.
  • Talked about in Extra Credits in the episode "Diversity".
  • The Nostalgia Chick:
    • In her review of X-Men: First Class, she pointed out that it was one of the only superhero movies to pass the test. She then told her audience to go look up what the Bechdel Test was.
    • When she reviewed Matilda, guest reviewer Mara Wilson mentions that everyone's gender in the movie seems entirely incidental, and that it passes the test.
  • In Vampire Reviews (a spin-off of The Nostalgia Chick, above), Maven, desperately trying to find ten positive things to say about Twilight, notes that it technically passes the test when Bella talks to other women about shoes and having babies.
  • Stuff You Like references this when reviewing Underworld here. The scene is Selene and Erika (briefly) discussing dresses (before going on to talk about... umm... men).
    Subtitles: Did they just pass the Bechdel Test?
  • The website of Bitch magazine ("Feminist responses to pop culture") has posted an entire article on this subject.
  • Bernie Su, a writer of The Lizzie Bennet Diaries, comments as Word of God on passing the test with episode 16, in which Lizzie and depressed Charlotte discuss their career plans and prospects. Bernie Su says it was fairly late episode, but not that surprising when you consider that Pride and Prejudice is the source material for their adaptation. However, earlier episodes might count as passing with flying colours, e.g. episode 2 has Lizzie and her sister Jane discussing Jane's professional life.
  • In Cracked's The 4 Best Moments in the Worst Movies Ever Made, Luke McKinney points out that the movie based on the video game Dead or Alive "physically beats the shit out of the Bechdel test" "within the first 10 minutes".
  • A Platypus Comix article dedicated to the obscure Archie Comics series Marvelous Maureen comments on a scene of Maureeen and Clarissa DuBois arguing over Wonder Blunder like so:
    ...if they're trapped in the vacuum of space with a presumably finite air supply, and they want to spend their time flunking the Bechdel Test, then I guess so be it.
  • Referenced by Doug Walker in the Sibling Rivalry of Despicable Me 2, as he complains that the movie would have been better if Lucy and the daughters had actually talked to each other. His brother and co-reviewer (Rob) however, thinks that's a stupid thing to complain about in a kid's movie and makes him drop it.
  • While agreeing with every point about female representation, and declaring that the test, when taken on the whole, is useful for provoking thought, Bob Chipman delivered a scathing criticism of making too much of a particular movie passing or failing. He points out that Terminator 2: Judgment Day with Linda Hamilton's kick-ass Sarah Connor, and the very progressive Pacific Rim with its strong leading lady Mako Mori, would both fail. Meanwhile, Debbie Does Dallas and The Bikini Carwash Company two movies which, to state the obvious, are about as far removed from the feminist movement as could be, would both pass with flying colors, as would many Nicholas Sparks movies note  He proposes an alternative "Mako Mori Test", which judges films by whether they have:
    1. at least one major female character,
    2. who has a fully-developed story arc,
    3. that doesn't revolve around a male character.
  • The test was discussed by Cheshire Cat Studios in this video here, where the test is criticized for being taken too seriously in some circles that suggest that the only good movies in existence are films that "pass" the test, and criticizing the Swedish ratings board for even considering to use the test in their consideration of a movie's age rating.


Alternative Title(s):

Bechdels Rule, Bechdel Test, Passed The Bechdel Test