The character with a Small Name, Big Ego
is the focus of the episode, and in the end his pretensions and facades are broken down to reveal a usually
insecure and hurt individual — or in some cases, a truly caring person who hides behind his behavior
because he is unable to express love/affection.
Usually, the last thing the character does at the end of the episode is restore his full character
, so the viewer can go back to seeing him in the same stock way, but with an added understanding of the character's hidden depth.
Anime and Manga
- Despite Oluo's arrogance in Attack on Titan, he greatly respects Levi (to the point of mimicking Levi's appearance and speaking style) and is very attached to his teammates.
- Under his Jerk Ass exterior and massive ego, Rin Matsuoka from Free! is a deeply wounded young man who can barely cope with his father's death.
- Behind his gruff, skinflint exterior, Marvel has established that J. Jonah Jameson's hatred of Spider-Man stems from the fact that deep down, he knows Spidey is a selfless hero, and the fact that he can't compare makes him jealous.
- Notably, this close-up first happened towards the end of Amazing Spider-Man #1. I.e., he got his Big Ego, Hidden Depths in the issue he was introduced.
- In the storyline Spider Island, JJ (like most of New York) temporarily gained spider-powers; he used them to help Spidey out in one fight, and at the end of the storyline he lights the windows of the Empire State Building in red and blue as a grudging "thank you".
- In one of his animated appearances, he argued that if Spider-Man was really a hero, he wouldn't need to hide his face with a mask — and backed this up by going out on the streets himself to track down a story.
- Jameson often has Hidden Depths, but just what those are varies Depending on the Writer.
- In Ultimate Spider-Man, it was established that Jameson disliked costumed heroes because his son died on a mission to the moon with relatively little fanfare. Jameson saw his son as a real hero and vigilantes as glory-hounds by comparison. Later, he came around and realized that Spider-Man and at least some heroes actually were the real deal.
- In the main Marvel continuity, it was made clear during a storyline about quasi-governmental crackdown on mutants that even though Jameson dislikes costumed heroes and is a borderline bigot against people with powers, he's genuinely reverential of rule of law and due process. His speech in that issue was so well-written that it almost justified the idea that he just doesn't like people taking the law into their own hands. Almost.
- Randal's suddenly dramatic and heartfelt monologue at the climax of Clerks II.
- WKRP in Cincinnati:
- '"Put Up Or Shut Up": Bailey convinces Jennifer to accept a date with Herb in the hope that he'll get scared and back down.
- Lampshaded in the "Real Families" episode, where Herb signs his family up for the eponymous Show Within a Show, and completely fails to make them look good.
- This happened every once in a while with Alex on Family Ties.
- Dan Fielding on Night Court got the treatment a couple times.
- When he was misidentified by a lawyer as the father of a little boy, at first Dan was a complete jerk, but eventually started to warm up to the kid. Even after the mother straightened out the lawyer, Dan still went out of his way to track the little boy down when he ran off and gave the little family a check for $1000. The little boy really wanted a glove for baseball; Dan told him to let his mother handle the rest. She'd know what to do.
- Dan saved Roz's life once. She was overdosed on insulin and in shock, acting loopy and lost in the courthouse. Dan managed to talk her down from the edge of the courthouse roof, even though she half-clobbered him in the process.
- Whenever the Ferengi are featured in an episode of Star Trek: Deep Space Nine. Usually, Quark is the Small Name, Big Ego of the episode.
- Dr. Kelso's "His Story" episode was used as an opportunity to explore some of the softer sides of the character, ending with his character deciding that he was meant to be hated, and was satisfied with his place in the world.
- The Janitor in "His Story III", who spends the entire day keeping a patient with Lock-in Syndrome company, since the computer he used to communicate had broken. He reveals that he originally took the job because hospitals help people and by keeping it clean, he felt like he contributed to that. However because no-one has ever thanked him or made him feel like part of the team, he's become apathetic and pranks people out of sheer boredom.
- Several episodes of the US version of The Office have been dedicated to the fact that Michael Scott is really a sympathetic, nice guy. He's actually a phenomenal salesman... it's just that these skills don't translate well into his managerial position.
- The earlier Sawyer-centric LOST episodes fit, before Character Development made them moot.
- Ted Baxter on The Mary Tyler Moore Show. Also a former Trope Namer. (Ted Baxter Close Up) This came about a couple of years after MTM became a success, and Ted Knight became concerned about Baxter becoming a one-dimensional buffoon. As such, the Ted Baxter character soon gained morals, got married and had a family ... all while his on-air buffoonery and over-the-top delivery was de-emphasized and his desire to be the best newscaster (despite his inherent lack of skill) was shown to be driven by more than his inflated ego.
- The episode of Taxi in which Louie loses his job after peeking at Elaine through a hole in the lady's room.
- Happens often on The Colbert Report, and usually results in the character talking himself out of it: "Snap out of it, Colbert!"
- The Sixth Doctor's run on Doctor Who, although it didn't go as long or as far as Colin Baker had hoped.
- Charles is usually the character that gets this treatment. Examples range from secretly giving candy to the orphanage on Christmas to sitting up with Hawkeye when his father is undergoing surgery back in the states to having an emotional meltdown when the Chinese POWs he was teaching Mozart to got killed.
- Although eventually plagued with Flanderization by the last few years of his run, Frank Burns (Charles' predecessor) could occasionally undergo this. It's revealed that it took the man twice as long to pass medical school as most people, that he mainly became a doctor to satisfy his mother, and that he became a snitch because "it was the only way for people to notice me". In fact, even in the end, his reaction to Margaret's engagement shows the audience that he really feels hurt by the loss of her.
- Foreman on House has moments of this. In "House Training", it's revealed that he acts like a jackass towards the poor or homeless because he knows he's Not So Different from the patient; the realization makes him contemplate what his life could have been and feel like he hasn't deserved anything he got since he started med school. Putting distance between himself and anything that reminds him of his old life is how he keeps himself from contemplating this.
- A few fan animations starring Cirno from Touhou. Chiruno Chiruno Chiruno...
- Vriska in Homestuck is very arrogant and convinced of herself, but it's very clear it's because she had a horrible childhood where she was forced by her parent figure to murder people to survive. In this case, the audience is very soon aware of what her deal is, but Vriska herself is too emotionally tone-deaf to work it out, and over the course of her journey she realises that was the case.
- An episode of Family Guy (where Peter gets amnesia) featured this with Quagmire, where after flirting with Lois after Peter dumps her, he gets her into bed, only for her to reveal that she likes Quagmire and feels like she can trust him. This causes him to have a played-with close-up, culminating in an Overly-Long Gag of him going through increasingly painful and absurd attempts to get himself erect again.
- The Futurama episode "In-a-Gadda-da-Leela" seems to be this for Zapp, when he's shown to be kind and caring towards Leela (in his own inept way) when she's stuck under a log and it appears that they're the last two humans alive. Subverted near the end, when every last good thing he's done in the episode is peeled back to be part of a charade to get back into her pants, even going as far as to show that he trapped her under the log and also managed to make an elaborate hoax of Earth's destruction.
- Xiaolin Showdown
- Three of the four main characters undergo this trope: Omi, the truest Small Name, Big Ego of the show; Raimundo, the Brilliant but Lazy Jerk with a Heart of Gold; and Kimiko, the Tsundere with the Hair-Trigger Temper.
- Many episodes (particularly ones where the Xiaolin Dragons have strained relations) suggest that Omi fears being alone and believes that if he is perfect, he will be surrounded by adulating friends and admirers
- As shown during the events leading to his betrayal, Rai becomes angry whenever he feels helpless or inadequate. It's straight-up stated in "Dream Stalker" that his lazy, jerk-ish attitude results from his fear of not being good enough and letting others down.
- And as early as the third episode, it's revealed that Kimiko deeply fears needing others' help and wants to prove that she can keep up with the boys.
- In Ed, Edd n Eddy's Big Picture Show, it's revealed that Eddy's behavior is all a Jerkass Fašade due to him believing that if he acted more like his brother (who is an even bigger Jerkass), he'd be more popular. After he apologizes to everyone, the Eds are finally accepted by the community.
- Darkwing Duck: Episode "Inside Binkie's Brain" shows that while Darkwing Duck's 'inner hero' is fairly small, his ego is enormous. But this is a guy who puts his own life in danger for those he loves on a regular basis, adopted a little girl who desperately needed a father who understood her, and he even puts up with his royally annoying neighbors, Quackerware and all. "Life, the Negaverse, and Everything" shows how vitally important his role as father is to him.