A common theme in Rammstein's music is love, and all its twisted incarnations. Their 2009 album isn't called "Liebe ist für alle da" ("Love is there for everyone") for nothing. The band name itself, though literally translating to "battering ram", is a slang term for penis, as well as being a reference to an airshow accident at Ramstein airfield, in keeping with Rammstein's fondness for dual meanings. They build their songs out of ambiguity and Double Entendre.
The title of the song "Bück Dich" means "bend over" in German, which immediately settles what that song is about. It contains the line "dein Gesicht ist mir egal", which translates roughly to "your face doesn't matter" or "I don't care about your face." The band was once charged with public lewdness over their stage performance of that song.
"Zwitter" is about a guy who becomes a hermaphrodite by absorbing a woman into him somehow, and remarks often on his love for himself, with a line that translates to "I am not even disheartened then / When someone tells me 'fuck yourself'".
"Frühling in Paris (Springtime in Paris)" is about the main character having oral sex with a prostitute. "Küss Mich (Fellfrosch)" is about oral sex as well.
"Te Quiero Puta!" — well, for a start title translates to "I love you, whore".
The song "Rein raus". It translates to "In out" and, well... yeah. The first two phrases in the song translate to "I am the rider, you are the horse".
"Sehnsucht" is about one of those subtle German emotions English has no word for. "Sehnsucht" translates roughly as "longing" but it's far more complex than that, to the point where C. S. Lewis has written a lot about the spiritual aspects of it. The song, though, describes it in terms of wanderlust and the desire to finger a woman, complete with a lot of really gross euphemisms.
"Wollt ihr das Bett in Flammen sehen?" translates to "Do you want to see the bed in flames?" Discuss. "Sex is a battle, love is war".
"Das Alte Leid", also off Herzeleid, which contains the lyrics "I know at last... I want to fuck".
"Pussy" isn't about cats and the uncensored video really settles the matter. Though for some reason, there are some who claim the song is a criticism of US/German relations... the political kind. The band says it's a parody of the sex tourism trade and if you've ever been overseas and met the kind of people who get into sex tourism, you know just how disturbingly good of a parody it is.
Take me now, oh, don't you see? I can't get laid in Germany!
"Ich tu dir weh" (I hurt you) adds a heavy dose of Squick that got the uncensored album banned in its home country. Some of the lyrics, when translated to English, sing as: "Bites, kicks, hard blows/Needles, pliers, dull saw/Make a wish, I won't say no/And I'll insert the rodents into you".
The song "Mann Gegen Mann" is quite clearly about gay intercourse.
"Weißes Fleisch" ("White Flesh") is a twisted song about a man lusting after and raping a younger woman and wanting to destroy her innocence while getting off on her fear.
Their untitled 2019 album contains a song simply titled "Sex". Believe it or not, it's actually somewhat tamer than the songs described above, being a more straightforward version of this trope.
WASP and some of their more memorable songs, most notorious among them "Animal (Fuck Like A Beast)". About as subtle as a nuclear bomb.
I fuck like a beast!
Other titles to look out for include "Little Death", "Harder Faster", "Sex Drive", "Shoot from the hip", "Kill Fuck Die", and "On your knees".
Titles such as "Orgasm", "Standing Sex", and "Sadistic Desire" make it clear that the word "subtlety" is not anywhere in X Japan 's vocabulary. Oh and "Hitomi Shiratori"? That happens to be Yoshiki's pen name.
Stab Me In The Back is a song that's either about gay sex or sex on drugs. This was Yoshiki's way of providing a Take That! to his label at the time - they wouldn't accept the version about gay sex, so he rewrote it to be about drugs - which was even more taboo in the culture.
In White Poem, this trope merges with Obligatory Bondage Song, and in the live of the song, the performance is a real D/s scene with Yoshiki as the sub.
The lyrics for "Mechanix" by Megadeth consist entirely of automobile-related innuendos:
Whoever thought you'd be better At turning a screw than me I do it for my life Made my driveshaft crank Made my pistons bulge Made my ball bearings melt from the heat
Mr. Bungle's "Squeeze Me Macaroni" or "The Girls Of Porn" AND MANY MORE!
Despite popular belief, "Meaning of Life" by Disturbed is not battle music (or maybe it is).
I wanna get psycho / run you little bitch I want your power glowing, juicy flowing, red hot meaning of life It's not enough to have a little taste / I want the whole damn thing (can you dig it?) Need to get psycho / Wanna hear you say it Say you want it / Need it / Don't wanna wait until we finish the show It's not enough / You hunger for more You're one twisted little fuck/ Now you wanna get psycho with me
Of note, the band decided to play it during the "Groupies" section of their homemade documentary M.O.L (interestingly named after the song in question).
Kid Rock's "Cowboy" is obviously about pimping and sex, especially the line "I'mma paint his town red and paint his wife white", as in "covering her with sticky white liquid."
There is also the song "So Hott". It doesn't get much more blatant.
Although several of tool's songs have sexual themes and/or use sexual imagery, "Maynard's Dick" is the only one that's purely about getting laid.
This carries over to Maynard James Keenan's other projects. A Perfect Circle's "Thinking Of You" is about masturbation, and Puscifer's "Rev 22:20" combines religious references with a ton of innuendo.
Faith No More's "Be Aggressive" is pretty blatantly about gay oral sex. It was written as a joke by gay keyboardist Roddy Bottum, thinking that lead singer Mike Patton would be embarrassed to perform it. Ironically, it's the one song they've played live every show. Mike Patton tends to embrace the weird (and is no stranger to sex-themed lyrics).
"The Real Thing" includes lyrics like "A split second of divinity / you drink up the sky / all of heaven is in your arms." It's not the subtlest song.
"Eaten" by Bloodbath would be hard to describe as anything but a version of this for masochists and vorarephilics.
Manowar has lots of songs like this (in fact, every song that isn't about the Power of Metal Brothers In Flames Of Steel). The most over-the-top, to the point of parody, has got to be "Pleasure Slave". The intro is a dazzling melody of... lesbian porn screams and gasps. The lyrics somehow manage to be more explicit.
Type O Negative's "Wolf Moon" seems like it'd be about werewolves until you read the lyrics.
Woman, may I know you there? ... Don't spill a drop, dear Let me kiss the curse away Yourself in my mouth Will you leave me with your taste?
"Love You to Death", and "Be My Druidess":
I'll do anything, to make you cum
A good number of songs by Nightwish seem to fall under this trope or at least bear naughty undertones.
"Nymphomaniac Fantasia" is an obvious example. Granted, on End of Innocence Tuomas is asked what he was thinking while writing "Nymphomaniac", and he admits somewhat ashamedly that he stands behind all his songs except that one.
I don't get it. That song just doesn't work! The scent of a woman was not mine... No song can start like that! I mean... fuck!
"Passion and the Opera":
Drink from my thighs The rain of lies A sight so cursed Breasts which never nursed
An Aphrodite for mortal souls Playing hide and seek in lecherous roles Their erotic hour my tearless weep Their satisfaction my infinite sleep
"She Is My Sin."
God I must confess, I do envy the sinners
"Wish I had an angel":
I wish I had an angel For one moment of love I wish I had your angel, Your virgin Mary undone I'm in love with my lust Burning angel wings to dust I wish I had your angel tonight
Barely cold in her grave, Barely warm in my bed Settling for a draw tonight Puppet girl, your strings are mine
"Whoever Brings the Night" from the Anette Olzon-sung Dark Passion Play.
We seduce the dark with pain and rapture Like two ships that pass in the night You and I, a whore and a bashful sailor Welcome to a sunrise of a dirty mind
All your love is a lie You one-night butterfly Hurt me, be the one Whoever brings the night
"Slow, Love, Slow" is this for Imaginaerum. It falls more into the 'subtle' category, but if the lyrics aren't enough, the seedy lounge club feel to the music pushes it well over the edge.
Sentenced's "Drain Me" is about a guy using a girl for oral sex. It's not exactly subtle.
Edguy's "Lavatory Love Machine" and "F*** ing with Fire" are two rather humorous examples.
Belphegor's music is generally about sex. And satanism. And everything in between (cue "Sexdictator Lucifer").
Savatage in some of their earlier works, "The Whip" (The Dungeons Are Calling) and "Skull Session" (Power of the Night).
"Turbo Lover" by Judas Priest is just one of the many:
On and on we're charging to the place so many seek In perfect synchronicity of which so many speak We feel so close to heaven in this roaring heavy load And then in sheer abandonment, we shatter and explode!!!!
"Eat Me Alive" is even more blatant. As a representative sample:
Bound to deliver as You give and I collect Squealing impassioned as The rod of steel injects
My body's hungry Sweating in heat I'm gonna give her My rod of meat
Venom has made plenty of them, each one being as subtle as a trainwreck. Take "Teacher's Pet" for example, which starts with a student getting caught masturbating under his desk at school and then spends the rest of the day screwing his teacher.
Deftones's "Passenger" doesn't even try to hide that it's about boinking in the car. (Or possibly just buttsex. Sex, either way.)
The Motörhead song "Eat the Rich" is about oral sex.
Pain, and how: "End Of The Line", "She Whipped", "Bitch", and more. Peter Tagtgren isn't a fan of subtlety. "Supersonic Bitch" even brings cybersex into the equation.
Cradle of Filth has quite some of this sort.
"Temptation"
"The Byronic Man"
"Lord Abortion"
Parodied in This is Spın̈al Tap multiple times. Most egregiously "Tonight we're gonna rock you tonight".
For a band with such heavy use of obscenities, "Geh zu ihr" by Knorkator is a surprisingly romantic and kind of sweet song, but still quite obviously a sex song.
And then there's also Ich will nur ficken, which puts it right in the title with "I just want to fuck".
There is also Ey Du Alte Ficksau ("Hey, you old fuck"). Then there is Lied vom Pferd ("Song of the Horse") which is pretty obviously about bestiality. On the other side of the spectrum, we have the slow Ich bin überhaupt nicht da ("I'm not even there"), which is about a depressed person, having sex with a hallucination (from the perspective of the hallucination).
Slayer turned The Stooges' "I Wanna Be Your Dog" (about a guy attempting to get close to the girl he likes) into "I'm Gonna Be Your God" (which is straight-up about having sex with said girl).
Dark Funeral's "My Latex Queen" is more one of these than about bondage, and is VERY explicit.
Diamond Head's "Sucking My Love", of which the title is hardly ambiguous. Notably covered by Metallica on an early demo.
Korn's "Beat It Upright", which is about S and M. It's so bad that the edited version of the album it's on (Untouchables) didn't even include the track.
Then there's their album See You On the Other Side, which is practically full of sex songs like "Getting Off", "Inside Out", "10 or a 2-Way", "It's Me Again" and "Last Legal Drug (Le Petit Mort)". The latter song even uses a French euphemism for "orgasm" as part of the title!
Ill Nino's 'All the Right Words' seems to be about lust.
Metallica's S&M album is, surprisingly, an subversion - despite the name, none of the songs on it are particularly sexual. (Instead, it refers to the band's collaboration with a symphony; Symphony & Metallica) The band's examples are usually covers, and of the Refuge in Audacity kind ("Last Caress", "So What").
The original lyrics in the song "Jump in the Fire" from their demo No Life 'Til Leather, however, played the trope straight. The lyrics, along with those in "The Mechanix" from that demo (see Megadeth above), were originally written by Dave Mustaine and completely changed for release on Metallica's debut album.
Moving my hips in a circular way Just forward a bit Pull your body into my waist And feel how good it fits And there's a job to be done and I'm the one You people chose to do it Now I take off my pants, see you chained to get down It's your turn to wait
"Adrenalize" by In This Moment is blatantly about violent sex.
I must confess I'm addicted to this Shove your kiss straight through my chest I can't deny I'd die without this Make me feel like a god Music, love, and sex (Adrenalize me)
Powerwolf's "Resurrection by Erection" is not about children playing.
When purgatory's waiting and the girl immaculate the highest of commandments dictates to copulate
Genesis made "Silver Rainbow", a Tony Banks-led masterpiece.
So you're sitting there beside her/ With your arms you hold her close/ And you're wondering just how far she'll let you go
There are plenty of sexual allusions in Genesis songs: "Counting Out Time", "The Battle Of Epping Forest" (the "reverend" section), "Turn It On Again", "Anything She Does", and their old demo track "Let Us Now Make Love".
V.A.S.T.'s "Dirty Hole" includes the gems: "Lately all I want is to be in your hole", and "As I spread thighs, my life flashes before my eyes". "How many men have been in your sacred hole?" morphs with repetition to "how many men have died in your dirty hole / in this killing hole?"
Roughly half of Electric Six's songs, most famously through "Danger! High Voltage", which could not be less subtle. Subverted with "Pleasing Interlude 2".
Panicking in my daydream I wanna feed my soul Slip it in and stuff it under my skin
One more time it rides My senses of joy, so I won't let go One more time I rise Believing that everything is coming true
Not bad for a band that got their start with a kid's toyline.
Consider the lyrics of 'Slow Ride' by Sublime: "Walk a mile to see her smile/Walk a mile just to rock for a while/Babe I'm thinking with my ding-a-ling" and "You took my shame, and you took my pride/And now you gonna take me for a slow ride"
"Caress Me Down" has the lyrics, "And then she pulled out my mushroom tip", which doesn't exactly scream subtle.
"Mountain Man" by Crash Kings sounds pretty suggestive. "She's rocking my valley down below...coming down at the top of my lungs", complete with a chorus consisting of an erotic "OOOOOOHHH!!!"
Underneath all the pretty imagery, "After The Last Midtown Show" by The Academy Is... is still about a night singer William Beckett spent with 'the only girl he ever loved.' Although one has to wonder whether it was about a girl at all considering that Midtown WAS Gabe Saporta's band.
William Beckett's solo music took it up a notch, with lyrics like "When the curtains closed/we were getting close/and the clothes in the corner laid there all night."
Listening to The Killers' song "Mr. Brightside", and then listening to "Thnks Fr Th Mmrs" right after is...interesting. (For those still not clued in, they're both about one-night stands/casual sex).
Speaking of The Killers, "Bones." The chorus is...quite explicit.
The chorus of "Mr. Brightside" is incredibly explicit. Particularly: "Now they're going to bed, and my stomach is sick, and it's all in my head, but she's touching his... chest." The rest of it is a little more subtle.
The Killers' song "Midnight Show" is a subversion. The lyrics are mostly the words of a guy driving with his girlfriend telling her all of the sexy plans he has for her, but the band has revealed it's the middle song of the "murder trilogy" (coming after "Leave the Bourbon on the Shelf," and before "Jenny Was a Friend of Mine"). He's saying those things to lure his girlfriend to a secluded place to kill her and escape their dysfunctional relationship.
Subverted in "Closer" by Nine Inch Nails. Although the first line is "You let me violate you" and the song's refrain includes the line "I want to fuck you like an animal" it's generally regarded as not being about sex. Or if it is, it's about sex in the wrongest way.
He did cover Adam Ant's "(You're So) Physical" and "Get Down Make Love" by Queen so that should count for something.
"The Only Time". Trent Reznor even used to introduce the song by saying, "This is a song about fucking."
A good portion of Trent's career is built up on songs about sex! "Kinda I Want To", "Sin" ("I gave you my purity/my purity you stole" sets the mood of the song, as does the music video), "The Only Time" (as mentioned above), as mentioned, "Physical", "Closer", "Reptile" (the whole song is about screwing a prostitute), "Big Man With a Gun" ("I am a big man, yes, I am and I've got a big gun/got me a big ol' dick and I like to have fun" etc.), "Deep" ("all I can do/driving on through/into you"), (by some interpretation, at least one line) "The Perfect Drug" ("you make me hard/when I'm all soft inside"), "With Teeth" (the whole song, basically, although some say that the woman is a drug metaphor), "Sunspots" ("she turns me on/she makes it real/I have to apologize/for the way I feel" & "fuck in the fire", though same as With Teeth)... and much, much more.
Muse's "Easily". While it seems to be their standard epic romantic fare, lines like "I want to touch you deep inside" and "Easily the best I ever had" seem to imply that he's just singing about a really good one-night stand. "Time Is Running Out" ("You will suck the life out of me" with emphasis on "suck") and "Supermassive Black Hole" ("ooh baby don't you know I suffer, but ooh baby can you hear me moan?") are also very good examples, and "Undisclosed Desires" couldn't possibly be interpreted differently.
Some are mistaken for sex, such as "Come Together" (written for Timothy Leary's failed attempt to run for Governor of California) and "Please Please Me" (allegedly about oral sex, but John just liked repeating the word).
A lot of the Beatles' early songs, from when they were still considered the "clean" alternative to The Rolling Stones, are like this. Particularly, there's the chirpy "Hold Me Tight" - it sounds like another cute story of teenage love until "Making love to only you..."note ...which might be Have a Gay Old Time, since this was the period when the term "making love" was transitioning from meaning "woo" to being a polite way to say "having sex".
Many if not most of the lyrics to "A Hard Day’s Night" have pretty obvious sexual undertones: "When I get home to you, I find the things that you do will make me feel alright..." "Why on Earth should I moan, ‘cause when I get you alone you know I feel okay..." "It’s worth it just to hear you say you’re gonna give me everything..."
There's "Lovely Rita", which is so utterly blatant it has sound effects during the instrumental part.
Coming to a climax with the spoken words, "I'm leaving".
Album one, track one, line one: "She was just 17...if you know what I mean..."
The Beatles claimed that even they didn't know what they meant.
The original line that Paul wrote was "She was just seventeen/Never been a beauty queen" but changed as he and John thought it was a Painful Rhyme.
"Baby, you can drive my car!"
"Back in The USSR" is pretty dirty too:
Show me round your snow-peaked mountains way down south Take me to your daddy's farm Let me hear those balalaikas ringing out Come and keep your comrade warm
U2 have the occasional song. "Even Better than the Real Thing", for example. Or "Mysterious Ways". "Do You Feel Loved". "Staring at the Sun" doesn't count since it's more of a metaphor for people's apathy and escapism when faced with the problems of the world.
"Desire", "If You Wear That Velvet Dress" and possibly "Elevation". Bono's subtle, but not that subtle.
And then there's "Big Girls Are Best", the B-side to "Stuck In A Moment" of all things which throws any trace of subtlety out of the window.
Just listen to Achtung Baby and you'll soon realise just how many references to oral sex are spread out through the album. It's rather surprising just how often they try to slip it in.
"Dare" by Gorillaz. Supposedly it's about masturbation and with lyrics like "You've got to press it on you/ You just think it/ That's what you do baby./ Hold it down there." and the chorus of "It's coming up, it's coming up, it's coming up..." it's pretty plausible.
In Queen's repertoire, it's mostly songs by Freddie Mercury or Brian May.
Brian May
"Tie Your Mother Down" is about a boy getting his girlfriend's parents out of the house so he can have sex with her. "Fat-Bottomed Girls" is another example. In both cases, the upbeat tunes are paired with lyrics that are at least partly disturbingnote TYMD especially, considering it was featured on the soundtrack for the Super Mario Bros. movie.
Freddie Mercury
Most explicitly in "Body Language", "Staying Power" and "Get Down Make Love", clearly present in "Don't Stop Me Now".
It may seem pretty innocent on the surface, but The Who's "Squeezebox" becomes a blatant innuendo under closer observation.
Cause she's playing all night, and the music's alright. Mama's got a squeezebox, Daddy never sleeps at night.
She goes squeeze me. C'mon and squeeze me. C'mon and tease me like ya do. I'm so in love with you.
Not to mention the seemingly never-ending chorus of "in and out and in and out and in and out and in and out".
Also, "Mary Anne With The Shaky Hand" sure sounds mild enough, but the lyrics get pretty blatant.
I danced with Linda / I danced with Jean / I danced with Cindy / Then I suddenly see / Mary-Anne with the shaky hands / What they've done to her man / Those shaky hands
"You Better You Bet" is pretty blatant too— You welcome me with open arms / and open legs / I know only fools have needs / but this one never begs
Led Zeppelin's "Whole Lotta Love" starts out subtle enough, but by the time Robert Plant gets to proclaiming "I'm gonna give you every inch of my love," the cat's out of the bag. All the moaning and "Oh!"s add to this.
You need cooling/baby I ain't fooling/I'm gonna send you/back to schooling/way down inside/woman you need it
"Shake for me girl, I wanna be your backdoor man" Blues-talk for a secret lover: The "back door" he uses is literally the back door of his (usually married) lover's house for his escape.
"Custard Pie" starts with "Drop down, baby, let's go to sleep, yeah/Drop down, mama, lay down, just dream of me". Subtlety? We don't need no stinkin' subtlety!
"Squeeze my lemon 'til the juice runs down my leg". That line was written by Robert Johnson, in the Thirties.
"Trampled Underfoot", a song filled with euphemisms. The entire song is about sex, described in automotive terms
Greased and slicked down fine, groovy leather trim/I like the way you hold the road, mama, it ain't no sin!
"Dazed and Confused" It even included male moaning.
"In The Evening" deserves a special mention for Jimmy Page's solo sounding like he's having sex with his guitar. Literally.
Radiohead's "Thinking About You" ("Did he just say he was playing with himself?") and The Smiths' "Reel Around The Fountain", among others.
blink-182's "Feeling This" is very much this kind of song. "Show me the bedroom floor/Show me the bathroom mirror/We're taking this way too slow/Take me away from here"
The crazy part is that it's actually one of the more subtle examples in their repertoire. When you scroll through their tracks and find titles like "I Want to Fuck a Dog" and "It Would be Nice to Have a Blowjob", you just know they don't beat around the bush. (Except in, for whatever reason, "Feeling This".)
The Rolling Stones have done a few of these. "Start Me Up" is probably the least subtle. Unless it's "Brown Sugar", which is about sex with a slave in the antebellum south.
"Loving Cup":
Yes, I am nitty gritty and my shirt's all torn But I would love to spill the beans with you 'til dawn
Then there's "Let It Bleed":
Well we all need someone we can cream on And if you want to, well you can cream on me
And also "Honky Tonk Woman," which probably does not describe an allergy problem:
She blew my nose and then she blew my mind
An early Stones example would be "Let's Spend the Night Together", which may seem pretty mild and innocuous now but positively scandalized a lot of people back in '67.
That album has more, even opening with "Young Lust".
And "Walk This Way", their cover of "Big Ten Inch (Blues Record)"... Aerosmith, Intercoursing With You since 1973.
"Back in the Saddle" talks about sex through cowboy metaphors ("I'm riding, I'm loading up my pistol!").
"Rag Doll" is about a guy wanting to get it on with a porn star.
Pink Floyd also has a song called "Young Lust", about Pink's indulgence in the lifestyle of Sex, Drugs, and Rock & Roll. Unusually for one of these songs, it ends with Pink finding out that his wife, behind whose back he's been doing this, has been sleeping with another man herself, setting up the meltdown of the rest of the first half of the album.
Pop Punk band Frickin' A does this intentionally in "Naked in My Bed". The entire thing is basically a guy who probably doesn't get laid very much fantasizing about a girl at the pool:
Naked in my bed one fling no strings movin' all around the room chicka chicka boom boom...and then we did it on the floor against the door up on the sink where we did it some more the sun was hot and we were both burning red we were naked in my bed
Obscure Boston-based punk band Tijuana Sweetheart (formerly Vagiant) has a song entitled Second Coming that is (we swear) entirely about giving Jesus a blowjob. No. Really.
"Mellowship Slinky:" "Sopping wet her pink umbrella/do the dog with Isabella."
"Suck My Kiss:" "Someone full of fun do me till I'm well done/Little Bo Peep cummin' from my stun gun.
"Give it Away" subverts this trope: "What I got you gotta get it put it in you" is actually about giving things away, making it a Double Entendre.
"Sir Psycho Sexy". Period. It even has the pornofunkywahwah guitars.
Et cetera et cetera ad (sometimes literally) nauseum.
Californication has the good old "Purple Stain" which starts with "To finger paint is not a sin/ I put my middle finger in/ Your monthly blood is what I win/ I'm in your house now let me spin". Subtle.
Also "Get on Top," which is not-so-subtle
The song "Special Secret Song Inside" was originally called "Party on Your Pussy," but Executive Meddling made them change it. The chorus was just "I wanna party on your pussy baby," so the message still remained.
There's no discussing RHCP without mentioning their cover of "Love Rollercoaster".
AC/DC made a career out of this ("You Shook Me", "Shoot To Thrill", "(She's Got) The Jack", "Big Balls"). Not to mention the charming "Giving The Dog A Bone", which is about oral sex.
"(She's Got) The Jack" is technically about a lady with a venereal disease...
Whose Line Is It Anyway? parodied this tendency during a Compilation Album game with a song called "I Dropped My Chips In Your Nuts."
"Touch Too Much" is another standout example, and "Let Me Put My Love Into You" actually wound up at #6 on the PMRC's "Filthy Fifteen" list of the most objectionable rock songs by content. (Incidentally, "sexual content" was cited as the reason for inclusion of nine of those songs.)
The Cure's "The Lovecats:" "Let's have each other for dinner / Let's have each other with cream." That it's dirty is unquestionable. The only question is what particular variety of perversion you think of at the line. Foodplay?
Making Paul Anka's cover version on his Rock Swings album, even more disturbing. Eating out? There's quite a lot of possibilities, if your mind is significantly dirty.
The Cure by this point had a lot of experience writing songs about sex musically as far removed from "sexy" as can possibly be... But, by the same token, most of these songs actually subvert the trope by being either terrifying or just horribly depressing. The 1982 album Pornography is made of this, with the glacially-paced dirge "Siamese Twins" taking the cake for being the most sexually explicit and least sexy song on the entire album.
Guns N' Roses' "Welcome to The Jungle" is fairly subtle until Axl starts with the moaning. Then it gets more blatant from there
Feel * my* ...* my* ...* my* serpentine I, I wanna hear you scream
But considering the song is mostly about a savage place, it's not pretty sex he's talking about.
"Anything Goes", "Pretty Tied Up", and "Rocket Queen" don't try to hide its sexual content - the latter even adds a live-at-studio example of The Immodest Orgasm.
Tenacious D: "Kielbasa", "Double Team" and the less-than-subtle "Fuck Her Gently" all spring to mind. Of course, they're mostly just lampshading the trope.
Gackt's "Vanilla", "Dispar", and (probably) "Papa Lapped a Pap Lop" are all about this trope (both as in "all of them" and "all about"). They give pretty detailed instructions, too - Gackt clearly has a thing for long fingernails and for dominance. Oh, and there's "To Feel the Fire" as well.
Back during Malice Mizer days, Illuminati. Look at the PV, then at the LIVE. Try to tell me it's about a secret Covert Group THEN.
Careful where you step with Illuminati, though. The PV is fetish material to some, but to others, it's highly concentrated horror. The Live is better for explaining this trope in particular, especially given the Gackt Sandwich.
And now of course, there is the newest attempt at out-doing "Vanilla", "Koakuma Heaven", which he sings either from the POV of a hooker, or a gold digger. Then Fandom is still out on that one...
It should be obvious what Billy Idol's "Dancing With Myself" is about, although he claims it's just about kids in Asian nightclubs dancing alone. Yeah, right.
Billy Idol has plenty of these, of course, but his absolutely most blatant is his newer single, "Scream." Lots of lemon references.
Not to mention "Rebel Yell", which was allegedly about giving really good oral sex to a woman.
"Rock the cradle of love..."
Franz Ferdinand have the blatantly named "Do You Want To". Subverted with "Swallow, Smile", which is about the disintegration of a relationship.
Alice Cooper had a bunch of songs like this; perhaps most blatant was "I'm Your Gun".
"Feed My Frankenstein" includes the line "Let me drink the wine from your fur tea cup."
Also, "Bed of Nails". "Our love is a bed of nails / Gonna drive you like a hammer on a bed of nails"
While the song is about something completely different, the very first lines of "Makes Me Wonder" by Maroon 5 qualify:
Wake up with bloodshot eyes/struggle to memorize/the way you felt between my thighs/pleasure that made you cry
Most of Maroon 5's songs have at least one line/verse that falls into this trope. Maroon 5 pretty much runs on this trope.
Yeah, you show me good loving, make it alright Need a little sweetness in my life Your sugar, yes please Won't you come and put it down on me?
Meat Loaf's "Paradise by the Dashboard Light", a 3 part ballad, where the second part jumps to a baseball announcer talking about a player going from base to base and heading toward home...with a background of a man and woman moaning.
"I would do anything for love... But I won't do that!"
Not quite as bad as it sounds, the "That" in question being forgetting the girl and moving on. Still: "But I'll never forgive myself if we don't go all the way, tonight."
"Good Girls Go to Heaven" anyone? subtitled (Bad Girls go Everywhere). Though it's more about masturbation. "No one said it had to be real/But it's gotta be something you've been wanting to feel" and a verse about a guy's fantasies.
Robby Krieger's lyrics for The Doors included the generically sexy "Love Me Two Times" and "Light My Fire". Jim Morrison's lyrics were a lot more transgressive, with throwaway sexual lines like "love your neighbor til his wife gets in". The album version of "The End" has an Oedipal moment where a character called The Killer tells his father he wants to kill him, and his mother he wants to EEAAAAUUUURRRYG. The one time Jim Morrison's mother came to a Doors concert, Jim replaced the scream with an even less subtle "FUCK YOU".
One gets the impression his relationship with his parents was a strained one.
"Fuck the mother, kill the father. Fuck the mother, kill the father. Fuck the mother, kill the father."
Dommin. "I'm coming home with you;-(To fill a hole in you)" And various other lyrics.
Heart's "Crazy on You". Delicious lines, along with a wild acoustic intro that can only be described as "orgasmic".
Heart has a few songs in this vein; "Magic Man" ("'Come on home girl' he said with a smile/Cast my spell of love on you, a woman from a child"), "How Can I Refuse?" ("Where do we take it now?/Now that we caught fire/Will something greater grow/Out of this desire), "All Eyes" ("You're all eyes, all eyes/Touching me in the night), "Nothin' At All", "I Want You So Bad" (Could be interpreted as just a mere attraction, but the line "Every night's an eternity/I want you so bad, want you so bad", implies otherwise), "Wild Child" (Basically the whole song, but the last line of the chorus "Oh baby, go wild with me" makes it obvious), "All I Wanna Do Is Make Love To You" (Interestingly subverted as the singer is only sleeping with the man so she can get pregnant), "I Didn't Want To Need You" ("When we spent the night together/Didn't mean it meant that much/Now I can't live without your touch") and there's probably others.
In an interesting subversion, "All I Wanna Do (Is Make Love To You)" is also about a one-night stand - this time, for the purposes of conception.
Julien-K, "Systeme de Sexe." Complete with moaning in the background that makes it sound like the BGM to a porno.
She started in the Country realm, but once she freed herself from that and started her Rock phase, LeAnn Rimes' songs were pretty clearly within this realm if not being outright about it.
"Tic Toc" is almost startlingly clearly placed in this category, especially considering her 'wholesome' songs beforehand.
Well push come to shove man and, shove comes to push and I was Moses kneeling 'fore the burning bush of a Red Headed Woman
"Cross My Heart" seems to have similar subject matter: "I was lying there with something sweet and salty in my mouth"
"Pink Cadillac" is another example. Actually, he once refused to let Bette Midler do a cover because he said it "wasn't a girls song"
"Dancing In The Dark", right on the title!
Played for Drama in "The Fuse", which focuses on a sexual tryst in the climate of fear and uncertainty in the days after 9/11, and veers rather close to Glad-to-Be-Alive Sex.
Tori Amos' "Leather" doesn't even pretend to not be explicit:
Look I'm standing naked before you don't you want more than my sex I can scream as loud as your last one but I can't claim innocence.
"Raspberry Swirl" is often interpreted as a sex song, but it is unclear exactly what it means. Some people assume it's about cunnilingus - the word swirl is used as a verb, and the raspberry... Others assume it's about lesbianism, orgasms, or even about having sex with a woman on her period. Guess what the raspberryswirl is in this situation.
In usual Tori Amos fashion, "Body and Soul" is about a woman trying to seduce a priest.
Someone already mentioned "Reel Around the Fountain" but any good fan of The Smiths can pull out at least a dozen more that fit this trope. Morrissey on his own isn't too shy of it, either. See "It's Not Your Birthday Anymore" for a more recent example.
All the gifts that they gave can't compare in any way To the love I am now giving to you Right here right now on the floor...
Almost anything by Liz Phair fits this trope quite nicely, up until her latest album, Somebody's Miracle, which, actually, didn't have a single explicit song on it. She can be pretty humorous about it; "H.W.C.",(standing for Hot White Cum) is a very upbeat, poppy-sounding song until you pay attention to the lyrics. But when a girl has a song called "Fuck And Run" on her first album, Exile in Guyville, what do you expect?
Sample lyrics from "Flower," which evidently was one of her first demo tracks:
Every time I see your face I think of things not pure and chaste I want to fuck you like a dog I'll take you home and make you LIKE it
"Feel It" is about a sexual encounter (real or imagined) and "Moving" is about being attracted to her (gay) dancing and mime instructor — and this was released when she was only 19!
Another (much later) song, "The Sensual World", has these lyrics (and more):
And at first with the charm around him, mmh, yes, He loosened it so if it slipped between my breasts He'd rescue it, mmh, yes, And his spark took life in my hand...
"Symphony In Blue" doesn't even try to be implicit. "The more I think about sex, the better it gets!"
"Nocturne" in her Aerial album - delicious.
Van Halen. "Ain't Talkin' 'bout Love", "Hot For Teacher" and "Dance the Night Away" are only three obvious examples.
"Up For Breakfast" and "Unchained" were loaded with double and triple entendres of this variety.
"Up For Breakfast" doesn't even bother with entendres for the first verse, it's more or less pretty blatant. "Got the hand...put it where it's gonna heal ya / Got the finger...put it right there on the trigger / Well, pump it up, pump it up / Baby make it bigger."
"Up for Breakfast" is typical of the Sammy Hagar years; he seemed to love writing innuendo-laced songs about food. "Good Enough" and "Poundcake" also come to mind. As well as the non-food-based but still pretty blatant "Finish What You Started."
The Dead Kennedys song "Too Drunk to Fuck" is a parody of this.
"Electric Feel" from Oracular Spectacular by MGMTcould be viewed as the innocent story of a young boy's first experience of love. However, if you actually listen to the lyrics and the heavy bass, you might be reminded of something a little less innocent.
Saw 'er in the Amazon, with the voltage runnin' through 'er skin Standin' there with nothin' on, she gonna teach me how to swim I said "Ooh girl.. shock me like an electric eel" "Baby girl.. turn me on with your electric feel"
Big Joe Turner's original version of "Shake, Rattle and Roll" (the Bill Haley version is somewhat cleaned up):
I been holdin' it in, way down underneath You make me roll my eyes, baby, make me grit my teeth
We've honestly made it this far with no mention of Methods of Mayhem's Get Naked?? That one's about as subtle as getting hit by a Mack truck.
Subverted by Family Force 5's "Love Addict." The title certainly sounds like a euphemism, and the "crunk" aspect of Crunkcore gives the song a vaguely raunchy feel, but if you pay attention to the lyrics, it's fairly obvious that it's either about love as an abstract concept, or the Divine Love of the Christian God.
"The Fire Down Below" is about hookers (and possibly STDs)
Falling in Reverse has "Good Girls, Bad Guys" with lyrics like, "I just wanna kiss your lips, the ones between your hips" and the even more blunt, "Sorry girl if this is quick, so please just take it in the a** and suck my d***."
Get Set Go has many, ranging from the euphemism-heavy "Sweet Little Kisses" which has lyrics like "I want to suck out your honey and nibble your jewel, I wanna eat from your flower until I am full, I wanna dive into your swimming pool", to the flat-out not-even-trying-to-be-subtle song "What I Love About You," with such classic lines as "I love your vagina, I love the flavour of your lips" to the incredibly blunt "Fuck You (I Want To)," which contains lines like "You look pretty good, I think I wanna fuck you, I do, I do, I do"
Many, many songs by Foreigner. Some are interchangeable about cars and women.
Bad Company's "Feel Like Making Love". The guitar in the chorus emulates the hard pounding that's going on in intercourse.
Nearly every line of Peter Gabriel's "Sledgehammer" and "Steam"; any doubt about the lyrics will be erased by the videos (in the "Steam" video, for instance, a man and a woman shake the trunk of a tree full of babies).
"Blood of Eden" is similar, actually containing an entire descriptive verse about an orgasm.
"Kiss That Frog". The entire song is an unashamed metaphor for placing lips on, err...something else.
In fact, it would probably be easier to list all his songs that don't include at least one innuendo.
Modern English's "I Melt With You" is worthy of mention, because Executive Meddling caused the cover of it used for Sky High to use the line "Moving forward using all my breath / Making friends with you was never second best," with the net result that while one instance of sexual activity had been removed from the song, anyone old enough to recall the original had their fond memories sodomized instead. Furthermore, there is a character in Sky High who can turn into water. So...
"Hotel California" by The Eagles contains several lines referencing sex, including one about "mirrors on the ceiling."
The ZZ Top song "Pearl Necklace" is not about jewelry. "I Got The Six, Gimme Your Nine" is even less subtle. "Gimme All Your Lovin'" is slightly more subtle, but it still is quite blatant after all.
Oh, and the song "Tube Snake Boogie" is about surfing... would they lie?
The Eagles of Death Metal are all about this, with songs like "Don't Speak (I Came to Make a BANG!)", "I Want You So Hard (Boy's Bad News)", "I Gotta Feelin (Just Nineteen)", and "I Like to Move in the Night". The list goes on.
Two other good examples of EoDM songs: "Shasta Beast" ("I wanna pick the lock and break your chastity/I've got the combination and the master key/I'm a dancer and romancer not a monster beast/None come before you, none come after me") and "Solo Flights" (which offers an interesting variation of this trope, since it's about intentionally exclusive self-love; "You don't get it/You don't get it/No one gets to love me/You don't get it, no/'Cause I'll get it on"). Also their 2008 album is called "Heart On." Hurr hurr.
"More Than Words" is a crooning soft-rock ballad about how saying "I love you" doesn't actually mean anything. Although it may seem to be saying that sex is the only way to really show love; in fact, it's sung from the perspective of Gary Cherone's girlfriend, who was upset that, although he told her he loved her, he never showed it (according to an episode of VH1's "Bands Reunited").
"Play With Me" is another example.
The Black Crowes song "Hard to Handle" is all about the singer bragging to another man's girlfriend/wife about his sexual prowess. Like most southern-rock songs of this sort, he gets away with it by referring to sex as "lovin'", though it's pretty clear that love's the last thing on his mind.
Originally written and sung by Otis Redding, so the "southern-rock" designation, maybe not so much, but presumably soul uses the same euphemism.
Several of their songs from "Lullabies to Paralyze" also fit here - particularly "Skin on Skin" and "You've Got A Killer Scene There, Man...".
Soundgarden later made fun of these '80s bands using ridiculous metaphors by writing a song called "Big Dumb Sex" with the frank chorus "Hey, I know what to do / I'm gonna fuck you".
Chris Cornell's post-Soundgarden effort Euphoria Morning has quite a few of these: "Mission", "Disappearing One", "Pillow Of Your Bones" ("Swallowing the poison of your flower/and hanging on the rising of my low"), and possibly "Moonchild".
It was conceived as an anti-rape song from a woman's perspective. Kurt Cobain also admitted that it probably was also influenced by how he felt about media intrusion on his private life.
And while "Rape Me" is told from the victim's POV, "Polly" from Nevermind is from the rapist. "Polly wants a cracker / Think I should get off her first"... but Kurt Cobain was shocked to see it found a Misaimed Fandom with actual rapists.
Nickelback's song "Animals" is a song about... well just go find the lyrics.
Completely blatant, as the singer flat-out states that they had sex in the back of his truck.
And then the song breaks into Oh, Crap! mode when they realize that they've been caught by her dad.
On the other hand, "Figured You Out" is a lot less subtle... though it still never uses the word "sex".
"You look so much cuter with something in your mouth."
Believe it or not, the song is actually about the subject being a tease by sucking on her thumb. Subversion?
Nickelback throws anything in the way of subtlety out the window with the song "S.E.X."
"Next Go Round" starts off with this:
I wanna do it 'till the sun comes up Until we're both so good and sweaty That we can't stand up I wanna do it 'till we're both about to drop As long as we're tied up together Then we're never gonna stop
... And gets more blatant from there.
Hoobastank seems to like these. "To Be With You" and "Inside Of You", especially, are pretty obvious.
"Paralyzer" by Finger Eleven includes the lyric "But I am imagining/ A dark-lit place/ Or your place, or my place" Odds that they're singing about photographer's darkrooms? Slim to none.
The chorus of Foo Fighters' "All My Life" is about cunnilingus ("Hey, don't let it go to waste, I love it but, I hate that taste, Weight, keeping me down").
Just about every song by Hot Action Cop qualifies, but the most blatant is unquestionably "Fever for the Flava". The music video had more visual metaphors for sex per second than any other music video ever made, before giving up on any attempt at subtlety and just showing the entire city getting it on. Seriously, it has to be seen to be believed.
Can I get a little yum yum (kitty kitty) Just a little sumthin sumthin (itty bitty) Do you wanna get triple-X groovy? Gimme gimme some of that kind of movie And let me spin ya like a record (wicky wicky) Let me get ya butt nekkid (licky licky) Here we go, yo here's the scenario Gonna strip you down like a car in the barrio
"Factory Girl", in which the singer wants to have intercourse with you, but possibly only after you pay her.
"Goin' Down" has Taylor basically seducing a priest during her confessional, knowing full well what sort of reaction her confession will get:
Perhaps there is something that we could work out I noticed your breathing is starting to change We could go in the back behind all these stacks of bibles And get out of this cage
Matchbox Twenty's song "Crutch", which is about a guy who wants a relationship with a girl, but she just wants him for sex, has "I think you've got a piece of my heart on your face/It's a shame to let it waste/How does it taste? How does it taste?"
Alien Ant Farm's "Glow" features relatively deep verses about a relationship ending and one getting a new girlfriend, only to be followed by a chorus consisting of innuendos and innuendos only.
They Might Be Giantsclaim that their song "S-E-X-X-Y" is an "ode to getting it on". Of course, being They Might Be Giants, it's very unusual for a song in this category...
R.E.M.'s "Star 69" sounds like it might be this trope — but it's actually about the phone service that gives you the number that just called you. Many people in the US got it; people outside the US and morons did not.
XTC's "Cherry In Your Tree" uses making a cherry pie as thinly-veiled innuendo for taking a girl's virginity. It was meant as an Affectionate Parody of '60s bubblegum pop, a genre somewhat known for masking suggestive content with childlike metaphors and simple, cheerful melodies. Oddly enough, the song ended up on a soundtrack album for the Edutainment GameCarmen Sandiego: Out of This World.
There's also "Grass", which talks about "the things we used to do on grass".
The Stranglers' "Bring On The Nubiles" - you can't get much more blatant than "Lemme lemme fuck ya fuck ya".
What about "Deep" from The Moody Blues? Word of God pretty much states that the song is clearly about sex, and the faint moans that are heard throughout the song make it pretty obvious.
Same would go for "Say What You Mean".
"And we'll touch the secret places as the earth beneath us breathes and the raw exquisite ecstasy rushes in."
Ditto "So Deep Within You".
Coincidentally, the equally sexually subtle songs "Bedtime Stories" and "The Lights Are Low" are the last tracks off of Justin Hayward's solo albums Night Flight and Moving Mountains, respectively. Though they are a little more subtle than "Deep", which is also the last track off of Sur la Mer.
While Green Day's first hit was about boredom-induced masturbation ("Longview"), in 2012 they released the not-so-subtle "Fuck Time".
"I Have Been In You" from Sheik Yerbouti by Frank Zappa, which was taking the piss out of another Intercourse With You song, "I'm In You" by Peter Frampton.
"Stay the Night" is quite obvious with a man asking a woman to stay over for the night, and obviously not just "staying".
This trope isn't all that common in Progressive Rock, but two examples of songs that fit are King Crimson's "Ladies of the Road" and Soft Machine's "Moon in June"
Roy Orbison and later Cyndi Lauper and Céline Dion's "I drove all night" is from the POV of a guy/girl who takes a long drive to sneak into his/her significant other's room, wake him/her up and have sex with them.
"I drove all night / to get to you / Is that all right? / I drove all night / Crept in your room / Woke you from your sleep... / To make love to you... / Is that all right? / I drove all night..."
The Cars song "Magic" starts out fairly subtle, but by the end, you get the lyric "Wa-hoh, it's magic, inside of you".
Cosmo Jarvis's "She Doesn't Mind" is a reasonably subtle song, in which the singer is telling his parents about his fiance's many wonderful properties ("she's getting a Nobel prize"), but the punchline is that above all she's okay with anal sex (chorus: "and she doesn't mind the oooooh, ooooh, oooh, she doesn't mind the [guitar twang]").
Phil Collins himself also has "Like China", which is about a guy who wants a girl to sleep with him, and to convince her, he's promising that he'll be gentle with her.
"Rock You Like a Hurricane" by Scorpions. It's right in the title! There's also "No One Like You" which is about a guy looking forward to sex.
"Talk Dirty to Me" by Poison. "Unskinny Bop" is just as raunchy with lines like "Like gasoline you wanna pump me, and leave when you get your fill" and "We'll see who's riding who by the end of the race". "I Hate Every Bone In Your Body But Mine" is rather explicit as well. It's easier to list songs by them that aren't dirty.
If we're talking Poison, "Sexual Thing" deserves a mention.
As you might guess from their intentionally awkward band name, PowerSlut have several songs with sexual themes. A particularly silly one is "Commuter Rail Me", which uses references to Boston's public transportation system as innuendo, many of which are specific enough that you'd have to have spent some time in the area to get them (e.g. "You can pull into my Back Bay /I put the T&A in the MBTA").
Bon Jovi has "Burning for Love" and "Social Disease", where you can even hear the sound of a woman's orgasm in the beginning.
Romantic variations of this trope lie in Survivor's "Can't Hold Back" and "First Night".
Halestorm: Many songs, especially on their self-titled debut album.
"I Get Off" is pretty much an ode to exhibitionism, a woman who apparently enjoys being watched by a Peeping Tom.
"Bet U Wish U Had Me Back" is about a passionate one-night stand with the female speaker, with her saying the male partner wishes he had her back.
"Mz. Hyde" boils down to "nice girl in public, rapacious in bed".
"Apocalyptic" describes spanking and Lzzy dressing up like a domme, with her asking for "end-of-the-world breakup sex".
"Do Not Disturb" is about inviting a stranger she's just met and his girlfriend to a hotel room for a one-night stand.
"Ain't Even Done With the Night" by John Mellencamp.
Garbage has a lot of them in sophomore album Version 2.0 (for starters, the indicatively titled "Sleep Together"), plus B-sides "Alien Sex Fiend" and "Sex Never Goes Out of Fashion", and "Bad Boyfriend" from Bleed Like Me.
Caravan have surprisingly many for a progressive rock group. For one, "Pro's and Con's", from "The Dabsong Conshirtoe", where the singer considers several women for "doing pleasure with", before dismissing them for their flaws.
Sabaton, surprisingly enough for specialists in Horrible History Metal, does this in "Metal Crüe" with the line "Watch the rockbitch go down, vixen spread". It's a Heavy Meta song made of the names of rock and metal bands, this line referencing Rockbitch and Vixen—the former being a fairly obscure and short-lived all-female act known for performing in the nude and enacting unsimulated sex rituals on each other onstage.
99% of Rockbitch's output. This rather obscure '90s British act was an all-female Hard Rock/pagan metal band that also played nude and was known for performing unsimulated sex rituals on each other and members of the audience during performances, and were pretty much driven into dissolution by Moral Guardians making them unable to perform anywhere but the Netherlands.
Red Vox has the song "Between the Cheeks", which is a ballad... about how much the protagonist is longing for anal sex with the song's subject.
Mew aren't known for these type of songs, but "Special" is a notable exception.
"Agarinanote Japanese for "come on in", you can't say no..."
Rodney on the Roq's "Are You Ready For The Sex Girls", which was used in the first Revenge of the Nerds film.
Dave Dee, Dozy, Beaky, Mick & Titch's "Bend It":
Bend it, bend it, just a little bit And take it easy, show you're likin' it And ahhh... Show me now, yeah that's right Ah, oh yeah, yeah that's right C'mon now, right right right
Death from Above 1979 really likes singing about sex, with the best examples being "Pull Out" and "Sexy Results" from You're A Woman, I'm A Machine.
Pinguini Tattici Nucleari's "Ninnananna per genitori disattenti" (Lullaby for distracted parents) is pretty much a What Do You Mean, It's for Kids? parody. Translated, they sing about how parents will mindlessly play the song to keep their kids occupied because it has a nice tune, only to find - as the song itself admits - that it's a very vulgar song about pussy.
Perché scopare è come il paintball Non puoi dire di aver giocato Se non sei sporco di almeno tre colori diversi
(Because fucking is like paintball You can't say that you've played If you're not dirty from three different colours)
"Naked" by Sprung Monkey has the following lyric:
Does true love make you immortal? The feeling swells as you plunge deep within her Sealing words in a whisper How loud we scream when our bodies are in motion
King's "Alone Without You":
You're like the sea to hold Impossible and cold But your taste lingers on On my hands and on my tongue
Zucchero: The lyrics of the song "Chocabeck" describe, with a flowery wording, an intimate scene between Zucchero and his partner.
Noi faremo l'amore (We will make love) Tre nel cielo e due nel sole (Three in the sky and two in the sun) Noi faremo l'amore (We will make love) Dentro il mare e dentro il pane (Inside the sea and inside the bread) Nella bocca e negli occhi (In the mouth and in the eyes) Far l'amore nelle mani (Making love in the hands) E nei baci e nei cuori (And in kisses and hearts) Fiori a far così (Flowers to do so) Ti ricordi l'amore (Do you remember love)
".
morons did not.