Film / The Martian

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"I'm going to have to science the shit out of this."
Mark Watney

The Martian is a science-fiction film based on Andrew Weir's novel of the same name. It follows astronaut Mark Watney's efforts to survive alone on Mars after his crewmates are forced to abandon the mission site believing him dead.

The film, directed by Ridley Scott and starring Matt Damon, was released in October 2015. Official trailers for the movie can be found here and here.

Five In-Universe style promos featuring the main characters:

Character tropes go on to the Characters Sheet.

This movie contains the following tropes:

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    #-F 
  • 20 Minutes into the Future: According to author Andy Weir, the plot is set in the not so distant year 2035.
  • Actually Pretty Funny: Mark Watney's in-universe reaction to playing Donna Summer's "Hot Stuff" after retrieving the RTG. And then the dancing starts.
  • Adaptational Attractiveness: Jessica Chastain as Commander Lewis. Lewis' attractiveness in the book isn't explicitly stated, but it's pointed out that Beth Johanssen is the "looker" of the Ares III crew, implying that Lewis is of at best average attractiveness. Some have pointed out that the actresses were more "emaciated" than real astronauts should be, that they would have done better to cast actresses who were built like the real thing. Still, Dr. Johanssen is specifically described in the book as young and beautiful, so Kate Mara is not miscast.
  • Adaptational Badass: Not that Lewis isn't a badass in the source material, but she gets a bit more to do here than her book form.
  • Adaptation Distillation: Several of the problems encountered by Mark were cut entirely, such as flooding the Hab with hydrogen, accidentally frying the Pathfinder, the dust storm on the way to Schiaparelli crater, and flipping his rover descending into the crater.
  • Adaptation Expansion: The original novel did not have a Where Are They Now epilogue, instead ending with Watney waking up on the Hermes, ready to return to Earth. The film shows what all of the original Ares III crew are up to after Watney is rescued and returns to Earth.
  • Adaptation Explanation Extrication: Due to the limits of the medium, it is just not possible to explain the specifics of everything Mark or NASA cooks up in detail the way the book does. One prominent instance is that the film has an extended montage of NASA testing and Mark implementing a modification to the Rover that involves replacing part of its roof with a balloon of Hab canvas, but completely omits the explanation of why this modification is necessary.
  • Adaptational Heroism: Annie Montrose is considerably less snippy and stressed here than her book counterpart, even though her first line is "You have got to be shitting me."
  • Adaptation-Induced Plot Hole: The plot of the book is very consistent so when the movie starts to cut some stuff, it inevitably introduced some plot holes. Notable examples are:
    • The hydrogen explosion. While the explosion did take place in the book, it happened under completely different circumstances, and the explanation "I forgot to account for the excess oxygen that I've been exhaling" actually made sense there. In the movie it does not. Moreover, the movie itself forgets about "exhaled oxygen" problem right away: Mark is seen walking around with no helmet on 30 seconds later.
    • The map of Mars is all wrong. The movie kept all the names from the book (Acidalia Planitia, Schiaparelly Crater) but somehow forgot that these are not the fictional names, but the actual places on the surface of Mars. The map that Mark looks at while planning his journey has nothing to do with the real map of that region of Mars.
      • Also, when he looks at the location of the Pathfinder it is shown north of Hab. Which is wrong. The real place is south-west of the Ares 3 supposed location.
    • The whole "space pirate" joke has no sense in the movie. In the book Mark fried the Pathfinder and thus lost the communication to earth, so he couldn't ask the permission to board the MAV. But when in the movie Mark says that he can't ask the permission to board the MAV before he does it, it's just plain wrong.
    • After Mark sends a goofy picture of himself to NASA when they ask for a publicity shot, Annie complains she can't use it and needed a picture with his face, to which Kapoor responds that can't be done because Mark can't take off his helmet outside. In the book, this made sense because of the helmet's tinted sun visor, but in the film Mark frequently has the sun visor pushed back and his face is clearly visible in the sent photo.
  • Adaptational Name Change: Venkat Kapoor's first name is now Vincent.
  • All There in the Manual: The book explains why the Hab airlock breached (due to wear and tear from many uses, as it was only designed to last 31 days).
  • Almost Out of Oxygen: The Broken Faceplate leads to severe loss of oxygen in Mark's spacesuit. Cue Duct Tape for Everything.
  • And Mission Control Rejoiced: Happens multiple times over the course of the movie. Once after the supply rocket successfully takes off until it explodes. Once when the Chinese rocket successfully takes off. And, once when the Hermes crew successfully retrieve Watney.
  • And the Adventure Continues: The film ends with an epilogue showing the launch of Ares 5 after Mark had successfully returned to NASA. Though Martinez is the only one to go; Mark would never again go into space, although his new job is training new recruits in survival techniques that no doubt will be invaluable in future emergencies.
  • Arc Words: "Bring him home."
  • Artistic License Biology: Mark has only potatoes to eat, with no multivitamin supplement. Within a year he could develop a nasty host of symptoms: nigh-blindness for lack of vitamin A, scurvy for lack of vitamin C, rickets for lack of vitamin D, nerve damage for lack of vitamin E, easy bruising for lack of vitamin K, weak bones for lack of calcium, and a weak heart and deadly Keshan disease for lack of selenium. Also, potatoes have nearly no fat, another essential nutrient. This is another plot point that the film had to skip over but which is fully explained in the book; the Hab has a large supply of multivitamin tablets specifically to prevent this problem, because the food NASA sent in pre-supply missions was shelf-stable for long periods first, nutritionally balanced a rather distant second.
  • Artistic License Physics:
    • The Martian atmosphere is so thin that it could never displace multi-ton objects like the launch vehicle depicted in the film. Even with heavy storms as depicted in the movie, it would at most feel like a breeze.
    • Mars, in the film, exhibits Earth gravity, presumably for ease-of-filming. Mars has only 0.376 Earth gravity, so a 100 lb weight would only weigh about 38 lbs. Watney would have far more bounce to his step in the Hab, and been thrown further by the explosion, etc.
    • The sunsets on Mars look a very bright, vibrant orange, like on Earth. Earthen sunsets are such because of the way the light interacts with our thick, blue atmosphere. With Mars being 50 million miles farther away and with an atmosphere 1% that of Earth's and dominated by dust scattering, it should look a more pale gray-blue color.
    • It takes any amount of time between 14-24 minutes for a signal to get from Mars to Earth and vice versa. This is expressly mentioned at the climax as the world watches Mark's rescue. However, some of the texting sequences are shot as if the interchange is going much faster (like when Watney messages "R U receiving?" - over a half hour must have passed for Watney to wonder about a response), with few if any clues as to time passing between messages.
    • There is a long list of reasons why Mark's Iron Man plan should not work, and most likely why it was vetoed in the book.
      • His hand is a flexible and thus uncontrollable thrust vector (There is a reason why astronauts have specialized equipment to thrust around in space).
      • His hand is not his body's center of mass, which makes it a terrible and unbalanced position for a thrust vector.
      • The most minor of course errors could fling him in any of the infinite directions in space.
      • If he spins just a little out of control, he can't stop just by clenching his hand and cutting his thrust. Instead, he would just keep spinning forever unless he exerts some form of counter thrust or he slams into a surface.
      • The velocity provided by his thrust would barely be enough to match the Hermes (this scenario is less 'flying in a straight line', and more 'jumping between two trains moving at different speeds and directions').
      • The spinning and course correction would disorient Mark.
      • With all that movement, Mark would not be able to see, much less accurately angle himself towards a man-sized target 50 meters away.
      • The self-made, impromptu hole in his glove would leak air even if he clamped down on it, and could tear even further.
      • The fact that he's malnourished and has broken ribs from the ascent means he should not be able to move without crippling pain (he remains helpless and confined to the MAV in the book because of this).
      • When Commander Lewis catches Mark, they should not be spinning in a Twirl of Love. Instead, Lewis should have been dragged along with him, which could give Lewis many of the same problems mentioned above, resulting in two astronauts spinning out of control.
      • With all that spinning, the tether to the Hermes could snap as it moves past them (despite appearances, the ship is still moving really fast).
      • Even if the tether doesn't snap, it could go taut, yank Lewis away, and cause her to lose her grip on Watney. (In the book, Beck had seconds to exit the Hermes, reach the MAV, unbuckle Mark, secure Mark with clips, exit the MAV, and Vogel had to very carefully pull the two astronauts back).
  • America Saves the Day: Subverted, after the Iris supplies probe explodes soon after takeoff, China gives NASA their booster so they can put together another plan before Watney starves to death.
  • As You Know: Pops up here and there. Characters often explain to other characters things that astronauts and NASA administrators should already be well aware of. For example, in the storm at the beginning, the characters ask questions about procedure on when to scrub the mission that should have been well-drilled into these people before leaving Earth.
  • Badass Boast: Several times by Watney, given both his sense of humor and need to keep his own morale up.
    • (immediately after listing all the things that can potentially kill him) "I'm not gonna die."
    • "I am the greatest botanist of this planet.
    • [...] I've colonized Mars. In your face, Neil Armstrong."
  • Bait-and-Switch Comment: Mark's line "I'm definitely gonna die up here... if I have to listen to any more god-awful disco music."
  • Blown Across the Room: Mark, after he gets the oxygen/hydrogen mix wrong on his water factory. He immediately makes a video log saying as much in a dry, matter-of-fact manner, while his clothes and hair are still smouldering. The next time he tries it, he's in a jury-rigged bomb suit which also serves the purpose of keeping his breath from affecting the process (he suspects his exuberant yelling over his success caused the blast).
  • Babies Ever After: Beck and Johanssen strike up a romance over the course of the mission. The Where Are They Now credits shows them as parents after their return to Earth.
  • Beeping Computers: All computers shown produce sounds.
  • Bookends:
    • Mark Watney's efforts to survive Mars begin with him planting Thanksgiving potatoes, with him stroking the stem of one of his new crops. The first scene of the epilogue is Watney stroking a plant which has burst through the gravel.
    • The movie opens with a shot of Mars from space, and ends with a similar shot of Earth from orbit.
  • Bowdlerise:
    • In the original novel, many characters swear like sailors (it's one of Annie Montrose's key characteristics). In the movie, the only person to say 'fuck' is Mark, and we only hear him say it twice... because that's the limit for a film to get a PG-13 rating. The rest of Mark's swearing is hidden by clever camera placement and editing, but we know what word he's using.
    • At one point Vincent remarks that Mark told the NASA botany team to "go have sex with themselves". In the book, Kapoor uses the less polite, more authentic form of that remark.
  • Break Out the Museum Piece: The JPL team dust off their old computers when Mission Control determines that Mark is going for the Mars Pathfinder probe and the Sojourner rover (that landed on Mars in 1997) and use it for communication.
  • Bring My Brown Pants: Bruce Ng, after hearing that Mark's crops are now dead and he and his team have an even tighter deadline to come up with a workable solution for the supply probe, turns off his Skype call and nervously says, "I'm gonna need a change of clothes," while adjusting his pants.
  • Broken Faceplate: Mark's helmet visor gets cracked; he has to try to hold it together with duct tape until he can swap it for one of the Hab's extra helmets.
  • Buffy Speak: "I'm going to have to science the shit out of this."
  • Captain Colorbeard: After deciding that he's a pirate, Mark insists that the ground crew address him as "Captain Blondbeard."
  • Captain Obvious: Lampshaded, by himself.
    Mark: This is Mark Watney... and I'm still alive... obviously.
  • Captain's Log: Mark's video log is used for exposition.
  • Casual Danger Dialog: Mark likes to have these. During the climactic knuckle-biting deadly maneuver he finds the time to rascally joke about the Iron Man suit and demanding the memorials to be all about him and not the six of them.
  • Celebrity Paradox:
    • Sean Bean takes part in a meeting named for the Council Of Elrond from The Lord of the Rings, which had a film adaptation... in which Sean Bean played Boromir.... at the Council Of Elrond.
    • At one point, Mark's character mentions Iron Man. He's completely failed to notice that his best friend and second best friend look a lot like characters from Marvel films. The team's tech was both The Invisible Woman and had a cameo in Iron Man 2. It's not clear if he's ever met Kapoor, but someone who looks a lot like him should've been in Doctor Strange. Martinez steals the show in Ant-Man.
    • While preparing to retrieve Watney from the MAV, Beck compares catching the MAV to jumping onto a moving train.note  This line is particularly funny in the movie since Beck's actor did exactly that in another movie.
  • Centrifugal Gravity: The Hermes has a spinning section, providing artificial gravity for the crew on their long journey.
  • Chekhov's Skill: Mark is a botanist. Comes in very handy when he becomes stranded and realizes he will need to grow food in order to live long enough for the next mission to come retrieve him.
    "I am the greatest botanist on this planet."
  • Cluster F-Bomb: When Watney finds out NASA didn't tell the rest of the crew he is alive, the camera moves outside the insulated rover as he begins spewing out every curse he knows. When the message is shown at Mission Control, half of it is censored out with asterisks and dashes with only the first letter remaining
  • Cool Spaceship: The Ares spacecraft Hermes is stunningly beautiful.
  • Compressed Adaptation: In the film version, there are a number of scenes cut out from the the book: when Watney shorts out Pathfinder with the drill or when he runs into a dust storm on the way to Schiaparelli Crater Ares IV site or the fact that he is also a Mechanical Engineer,note  but their omission from the movie doesn't really change that much from the source material.
  • Continuity Nod: Part of the deal made by the CNSA to supply NASA the rocket needed to launch the resupply probe to the Hermes crew (who have agreed to extend their mission by going back to Mars to rescue Watney), is including a Chinese Astronaut as payload specialist on the next Ares mission. Fast-forward to the "Where Are They Now?" Epilogue, a Chinese Astronaut indeed joins the Ares V mission, trading a high-five with Martinez seconds before launch.
  • Crazy Enough to Work: Nearly everything Mark and NASA come up with for him to survive runs on this. Need food? Grow potatoes on Mars using Martian soil fertilized with his own shit. Need a secondary heat source to reduce the rover's power draw? Dig up a radio-thermal generator. Need to call Earth for help? Dig up the old Pathfinder probe and painstakingly use the aim of its camera to spell words. Need a supply rocket delivered in less time than it can be built? Fire its cargo into the passing Hermes to piggyback it to Mars. Need to get Watney into orbit and save fuel? Strip his launch vehicle so light that it doesn't have life support, control systems, windows, doors, or even a roof! And when all that still doesn't quite reach it, Watney's next crazy idea is to deliberately puncture his suit while in orbit and "fly like Iron Man", which then inspires the Hermes crew to do something similarly nuts in venting atmosphere out the front airlock for extra braking thrust... by blasting open one of the airlock hatches.
  • Cutting the Knot: Rather than wait for the diplomats to work out a deal, especially given the Chinese's insistence that all their spacecraft abilities remain classified, the directors of the CNSA go directly to the director of NASA with their offer to help. The politicians on both sides basically get dragged along for the ride by the CNSA director's move, leaving the scientists and engineers on both sides to collaborate relatively unimpeded.
  • Description Cut: Venkat muses what could be going through Watney's head when the man is stranded all alone on a distant planet with little hope of survival, and it cuts to Mark drying himself off, listening to "Turn the Beat Around".
    Mark: I'm definitely gonna die up here... if I have to listen to any more god-awful disco music.
  • Diegetic Switch: Donna Summer's "Hot Stuff" switches from Mark's stereo in his rover to the soundtrack.
  • Does This Remind You of Anything?:
    • The footage of the Iris resupply rocket exploding after launch is eerily similar to that of the Challenger explosion. Even worse, that's actual rocket failure footage.
    • "GC, Flight. Lock the doors" are the exact words spoken by the flight controller after the loss of Space Shuttle Columbia, and with good reason; the lockdown of Mission Control is step one of the procedure to be followed when a catastrophic failure occurs.
  • Don't Explain the Joke: In-Universe when Venkat starts to explain the Space Pirate joke, only to be told that Watney's already done so.
  • Do Not Go Gentle: Watney never gives up and this is what he urges the astronaut trainees at the end of the movie, when they too are facing 'certain' death.
  • Door Slams You: When Lewis opens the airlock door during the storm, it slams her against the wall and the airlock fills with wind-blown sand.
  • Due to the Dead: Before they discover he's alive, NASA officials discuss getting funding from Congress for another mission. Venkat suggests that if they pitch bringing back Watney's body as one of the mission objectives, they might get a more sympathetic response.
  • Duct Tape for Everything: The reel of duct tape at Watney's belt is a real lifesaver. The two most prominent examples come after the explosive decompression incident that tears the airlock off the Hab. Being thrown around the airlock fractures his faceplate, and only a frantic application of tape stops him from suffocating as his oxygen is vented into the thin atmosphere. Since he doesn't have the means to repair the airlock, he must somehow make the Hab airtight again... and does so with a tarp, some ratchet straps, and more duct tape.
  • Earn Your Happy Ending: It takes a lot of effort and many years in space and away from Earth, but in the end, Watney is rescued by his crew. For more details, see "Where Are They Now?" Epilogue.
  • E = MC Hammer: Rich Purnell has a large blackboard in his room, full of complex equations.
  • Eiffel Tower Effect: When the Nations of the World Montage cuts to Trafalgar square, Big Ben can be seen in the background.
  • Establishing Character Moment: After waking up on Mars and realizing exactly what has happened, Mark gets up, calmly makes his way back to the Hab despite being in great pain, performs emergency surgery on himself (with only local anesthetic) to remove the embedded piece of the communications antenna that struck him and then, only after he's finally more or less stabilized, does he react to being stranded on Mars not with a panic attack but with a single Precision F-Strike.
  • Eureka Moment:
    • Rich Purnell has one in his office regarding the slingshot maneuver.
    • Vincent Kapoor has one when watching Mark's movement on the map and realizing that he is planning to reach the Pathfinder site.
  • Everybody Lives: With the exception of Mark's potatoes, there are no deaths in the film. Yes, even in a film directed by Ridley Scott, and prominently including Sean Bean (though his character does commit career suicide).
  • Everything Is An I Pod In The Future: NASA's tech, as seen on the Hermes and Hab, is mostly white and modern, and the interfaces we see are slick and graphical.
  • Extreme Graphical Representation: NASA's huge control room display.
  • Failed Attempt at Drama:
    • Watney makes a funny joke, shuts down the Hab, signs his calendar, walks into the airlock...and has to go back for his space helmet.
    • When Watney reaches the MAV, he pulls down a Big Electric Switch to lower the ladder. Nothing happens until he brushes sand off a couple of buttons and pushes one.
  • Fan Disservice: Watney gets hit with several instances of this.
    • The first time we see him shirtless is while trying to plug the wound he got from the antenna. He's also bleeding quite a bit.
    • The second instance is when, after around 500 sols, we see him exit a shower naked — his body is obviously malnourished and covered in bruise-coloured swatches. (The was a Body Double, by the way. Damon offered to lose weight for the scene, but the director used a double.
    • When Mark finally reaches the MAV and later boards the Hermes, there are several close-up shots of his face showing how his teeth have considerably yellowed and decayed and his skin has grown wasted and sunken.
  • Fanservice: A brief shot of Commander Lewis' rear as she climbs up the ladder into the MAV in a ridiculously form-fitting EVA suit.
  • The Film of the Book: Of The Martian, by Andy Weir.
  • From Bad to Worse: Played for Laughs when they're discussing what Watney will have to remove from the rocket in order to reduce its weight and actually get into space. When Kapoor is chewing Bruce Ng out for suggesting that Watney remove all the manual control consoles, Ng gives a sad chuckle and says "I haven't gotten to the bad part yet." Then he explains how Watney will need to remove most of the shielding and replace it with a tarp.

    G-L 
  • Genius Thriller: For Mark Watney, there is No Antagonist other than Mars' unrelentingly brutal nature, just waiting for him to screw up and die. Watney has to do whatever he can with just his knowledge and what supplies are on the habitation dome to survive.
  • Get Out: Played for Laughs after Rich Purnell explains his plan to save Mark Watney, which involves props, spaceship noises, and stealing Teddy's pen. Teddy flatly tells him "Rich. Get out." to preserve what little dignity he has left at this point.
  • Go Mad from the Isolation: Averted; though people back on Earth wonder a lot about how he's coping psychologically, Watney's natural jokey manner and determination, plus communication with Earth, helps avert the trope.
    "Well, he did ask us to call him Captain Blondbeard..."
  • Go Out with a Smile: Watney makes sure his Space Pirate joke is the last entry in his Captain's Log before shutting down the Hab computer and leaving on the risky journey to the MAV.
  • Gratuitous Disco Sequence: A Running Gag, as the only music left behind when the mission is abandoned is Commander Lewis's extensive collection of disco music, much to Watney's ongoing chagrin.
  • Hard Work Montage: Set to David Bowie's "Starman," this one covers Watney preparing to journey to Ares 4, JPL and the Chinese space agency preparing the resupply probe, and the Hermes crew preparing to rendezvous with the probe.
  • Historical In-Joke: Mark tells the crew to tell Martinez "No Barrel Rolls!" This is something that has been stated to every Boeing Airliner test pilot since the Boeing 367-80s famous roll in 1955.
  • Hope Spot: The Iris launch is tense, but when it manages to lift off, the people start cheering. Then the troubles begin...
  • Hope Sprouts Eternal: The sprouting of Watney's first potato plant is presented this way; he even greets it with obvious joy. Subverted when an explosive decompression of the Habitat later kills off all his potatoes, with no means of growing more. Fortunately he's already grown enough to survive. Back on Earth, he sees another plant sprouting through the gravel at his feet and greets it just like he did the first.
  • Hypocritical Humor: Watney complains about Mission Control trying to get him excited about their rescue plan by saying he'll go faster than anyone in history. Then he admits it actually sounds pretty cool. But he's not going to tell them that.
  • If I Do Not Return: When several misfortunes make it seem all but certain Watney will die on Mars, he asks Lewis to tell his parents that he's proud of what he's done and believes he died for something greater than himself. That said, Watney doesn't just give up then and there, being much too stubborn for that.
  • If My Calculations Are Correct: "The math checks out" tends to be the shortcut phrase to justify some of the physics-y maneuvers.
  • Important Haircut: As the trip to the Schiaparelli Crater takes weeks, Mark's hair grows longer and he grows a shaggy beard. Just before he suits up in the space suit to take off, he cuts his hair short again and shaves the beard off.
  • Improvised Microgravity Maneuvering: Used twice in the climax. Once by the Hermes when it blows out an airlock door to slow down enough to intercept the MAV and then by Watney when he pokes a hole in his suit glove to accelerate to Lewis' position when her own safety line won't reach him.
  • Indy Ploy: The crew has to improvise heavily during the climatic maneuver to snatch Mark from orbit.
  • Inelegant Blubbering: In the tension of the pre-launch, Watney breaks down crying when he hears the voices of his crewmates for the first time in well over a year, knowing they've all come back to save him.
  • Incredibly Obvious Bomb: Unlike in the novel where it's just a glass beaker with a wire going into it, secured by duct tape, the bomb constructed by Vogol flashes and beeps after it's plugged into a USB port, and attaches to the airlock door with a clunk like a magnetized limpet mine.
  • In Space, Everyone Can See Your Face: Every spacesuit comes with broad visors and face-floodlights. Looks cool in the darkness of the dust storm, though.
  • Insult of Endearment: Nearly every line of dialogue between Watney and the Ares crew is an affectionate verbal barb.
  • Is This Thing Still On?: Watney relays a string of profanity to NASA when he learns that the Hermes is in the dark about his survival. Vincent informs him to watch his language as their conversation is being streamed live worldwide. Undaunted, Watney doubles down with an unseen comment which Teddy has to apologize to the President for.
  • It's All My Fault:
    • It's implied that Beck feels responsible for Mark's situation, being the one who said he was dead and that they should leave him. When they hear that Mark is alive, Beck looks horrified.
    • Lewis is hit particularly hard with the news of Watney's survival, as she's the mission commander and gave the official order to take off while he was presumed dead. She insists on holding herself responsible despite Beck trying to share the blame.
  • Last Minute Hook Up: Beck and Johanssen share a sort-of kiss right near the end. In the "Where Are They Now?" Epilogue, they're welcoming a new baby.
  • Latex Space Suit: The Martian EVA suits are made of a strong, Kevlar-like material. Aside from the fishbowl helmet and some equipment on their back, they are skintight albeit padded out with an insulated jumpsuit underneath. On the other hand, the vacuum EVA suits are very similar to NASA's current EMU suits - big, bulky, and uncomfortable two-piece hardsuits.
  • Let Us Never Speak of This Again: Johanssen kisses Beck's helmet just before he goes EVA near the end of the film, then tells him not to tell anyone.
  • Lighter and Softer: In comparison to Ridley Scott's other stabs at Science Fiction (Alien, Blade Runner, Prometheus), The Martian is considerably more optimistic than those other films, given its cheery tone and almost Utopian viewpoint of NASA. Some critics have even argued that the film is probably the lightest film he's ever done.

    M-R 
  • MacGyvering: The solution to every problem is to use all available resources (including many that were simply lying around from previous missions) in unexpected ways. A crucifix is used to start a fire to make water, and that's just the start.
  • Meanwhile, in the Future...: When Mark is being rescued at the climax of the movie, the scene cuts back and forth between the events happening at Mars and various reactions from those listening in on Earth, despite the fact that it was expressly stated that Mars was 12 light minutes away, so the "live" reactions are happening 12 minutes after the Mars scenes.
  • Million-to-One Chance: Downplayed. The Iris rescue probe has a 1/20 probability of suffering a failure due to rushing past safety inspection. Guess what?
  • Mission Control: The NASA sets are simply stunning, with dizzying arrays of flashy monitors.
  • Mohs Scale of Science Fiction Hardness: Hard sci-fi. The movies is firmly grounded in reality (apart from the Mars wind issue). Even the potato/poop plot turns out to be a viable survival strategy.
  • Mundane Solution: As Mark is modifying the Rover for his journey to the MAV, he notes how the smartest minds available to NASA are all working to help him, and the plan they've come up with boils down to "drill holes in the roof and hit it with a rock."
  • Mythology Gag: In the novel Watney notes that if this were a movie, the entire crew would be at the airlock to greet him. Which is exactly what happens in the movie.
  • Narrative Profanity Filter: Mark's communications through the Rover link are usually shown with the profanities dashed out. On one occasion, when Mark is told that his crewmates hadn't been informed about his survival and responds with a Cluster F-Bomb, the audience gets to see and hear little more than the horrified reactions of Mission Control, aware that his words are being transmitted all over the world. The next scene is Teddy profusely apologizing to the President for Mark's vulgar outburst. Either Mark remembers to censor himself in future shots or NASA added a filter just in case.
  • Nations of the World Montage: The entire world takes up the rally of "Bring him home." Several NASA officials say it throughout the film and once Watney's perilous rescue begins, millions and millions of people are shown holding signs, wearing T-shirts, and posting hashtags emblazoned with the pleading words.
  • Never Give the Captain a Straight Answer:
    • When his boss asks Rich Purnell what his Eureka Moment was all about, the latter doesn't answer but goes straight to his desk to work on his sudden insight which annoys his boss completely.
    • Subverted in the opening scene when Johanssen tells Lewis that she'd "better come see this." Lewis asks for clarification and Johanssen immediately tells her it's a weather update about a sandstorm.
  • Never Trust a Trailer: Mark's humor is limited to a single snark. The trailer also seems to imply that he has a wife and child he doesn't have in the movie — they're his crewmate's family and not plot relevant. And the trailer makes it seem like NASA finds out that Mark is alive by seeing a message he sent with Pathfinder, rather than through satellite imagery.
  • Newscaster Cameo: Several real life news agencies, including CNN, BBC, and CNA, report on the events of the film. We even see Jeff Daniels in a press related role.
  • No Antagonist: Plot complications come from Watney's efforts to survive on Mars, and NASA's efforts to bring him back. Teddy drags his feet a bit on things, but it's due to a difference in priorities rather than morality.
  • Not So Above It All: During the "Council of Elrond" scene the normally uptight Teddy Sanders insists that if they're going to make Lord of the Rings references, he be given the codename "Glorfindel".
  • Offscreen Moment of Awesome: You're not shown what Mark says to Mission Control after being told to watch his language (because their conversation is being broadcast globally), but it's evidently a humdinger.
  • Oh, Crap!: Mindy Park, when she looks at the satellite imagery and realises Mark Watney is still alive, stares at the screen in utter horror for a moment.
  • Overly Narrow Superlative: Mark boastfully declares himself the greatest botanist on the entire planet.
  • Paranoia Fuel: In-universe. After the airlock blows up and Mark has to cover it using a spare canvas and duct tape, a storm arrives that night. The sounds of the canvas blowing from the winds understandably drives Mark, who is not wearing an EVA suit to protect him if it rips and causes another explosive decompression, to the edge. And he has to live like this for over a year.
  • Pass the Popcorn: JPL engineer Tim smiles and pops a snack in his mouth as Vincent futilely tries to calm Mark down from his Precision F-Strike when he learns that his crewmates don't know he's alive yet.
  • Picture-Perfect Presentation: Used twice.
    • Early on, Teddy Sander's speech to the public about Watney's death transitions from a TV screen into the press room.
    • Towards the end, an aerial photograph of Mars's surface on a monitor in NASA's control room dissolves into a bird's eye view on site.
  • Planning with Props:
    • Rich Purnell explains his plan for rescuing Mark using a stapler as the Hermes spacecraft, a pen as the supply shuttle, and two high-ranking NASA officials as Earth and Mars.
    • During the run-up to the last phase of the rescue, Commander Lewis goes over the details one last time using salt and pepper shakers to represent Mark and the Hermes spacecraft.
  • Popcultural Osmosis Failure: Rich Purnell's proposed Spaceship Slingshot Stunt is named Project Elrond, a reference Montrose doesn't get because he is the only one is the room who's not a trained scientist. Everyone who is gets the reference immediately.
  • Pop-Up Texting: The In-Universe promo hosted by Watney, ARES: Live, features "Crew Facts" giving backstory details on the characters as well as live tweets from people on Earth.
  • Precision F-Strike:
    • Two from Watney following the incident with the storm and him re-entering the Hab: when he pulls the antenna out yells "Fuck!" Right after he settles himself down, he calmly states, "Fuck you, Mars."
    • Combined with a Cluster F-Bomb when NASA informs him that the crew is not informed yet that Mark was still alive. He responds with 'What the F...?'. After Vincent asks him to watch his language, he angrily adds a few answers. While it is not visible for the audience, considering the reaction of the NASA employees and the fact NASA has to apologize to the President, one does not have to guess what Watney was saying...
    • And another one when NASA tells him to strip the Ares IV to the bare minimum in order to save weight: 'Are you f...... kidding me?!'
  • Punctuated! For! Emphasis!: "You... have... terrible taste... in music!"
  • Race Lift:
    • Venkat Kapoor is Indian in the book but in addition to a name change, is now half Black and half Indian. This was presumably done for his actor Chiwetel Ejiofor, as the original actor chosen for the role, Irrfan Khan, could not participate due to previous obligations in a Bollywood film.
    • Mindy Park also being played by Mackenzie Davis. Park's ethnicity in the book is not mentioned, though Weir stated that he had imagined her as Korean or Korean-American.
  • Re Cut: Scott has confirmed that there will be an extended version on video, by about 15 to 20 minutes longer.
  • Red Herring: The "Our Greatest Adventure" promotional video mentions asteroids bombarding the Hermes and the exposure to cosmic radiation as potential threats to the safety of the Ares mission. This is flavor and never comes up in the film itself.
  • Robinsonade: It's a person "shipwrecked" to fend for himself.
  • Robot Dog: After using the Pathfinder lander to contact the Earth, Watney keeps the accompanying Sojourner rover as a pet.
  • Rule of Drama:
    • In the book Beck is the one to retrieve Mark, and the "Iron Man" maneuver is discussed but dropped as being too dangerous. The closest approach to the MAV is within tether length, so the Iron Man maneuver is unnecessary. In the movie the closest approach is way outside of tether length, thus Lewis overrides Beck and rescues Watney herself, fitting her role as The Atoner for leaving him behind in the first place. This involves a couple of untethered space walks and the Iron Man maneuver, while in the book Beck and Watney are always safely tethered.
    • The script's mostly faithful to the actual dialogue spoken by the characters in the book, with one notable exception being Johannsen happily announcing to Houston the successful rescue of Watney. In the novel, Commander Lewis simply informs Houston the success of their mission with the protocol phrasing, stating all six crew has been accounted for.
    Johannsen: "Houston, this is Hermes actual. We got him!"
    (a few minutes later, after Lewis and Watney make it inside the vessel and the hatch is closed:)
    Lewis: Houston, all six crew safely aboard.
  • Running Gag: Cdr. Lewis's disco music.

    S-Y 
  • Scenery Porn: All of the shots of Mars' landscape are this. The space scenes also qualify.
  • Scotty Time: According to JPL, assembling a probe to resupply Mark Watney will take six months; Houston's immediate response is to tell them to do it in three. Immediately lampshaded by Teddy Sanders predicting the course of the conversation to follow; justified because Watney's limited food supply is a deadline that can't be extended. Subverted when the time pressures get bad enough that NASA has to skip inspections to launch on time... and the probe is destroyed during launch.
  • Screw the Rules, I'm Doing What's Right!: Mitch Henderson sent Rich Purnell's calculations to the Hermes crew behind Sanders' back, and the crew voted to go against NASA orders to use those calculations to take the Hermes back to Mars to rescue Watney, all knowing they would face court-martial or forced retirement as a result. In the "Refocused" extra, it's made explicit that Mitch Henderson becomes the sole fall guy for the whole end-run around NASA - explaining why Martinez is piloting for Ares V - but it hasn't hurt him too badly; he moves into private consultancy and, although he and Teddy are more than willing to hurl insults at each other, they meet a few times a year to play Golf together. Depending on who you believe, either Teddy really sucks at Golf, or Mitch cheats.
  • Self-Surgery: Mark gets a piece of steel antenna guyline lodged in his abdomen during the windstorm that caused the mission to abort. The rest of the crew was headed back to Earth, believing him to have been lost and killed in the storm. He removes the shrapnel himself and then staples the wound closed. Mark had to re-staple at least once, as one scene from the POV of a hab camera has him stating in exasperation to the camera that an exertion during an EVA caused a staple to pop.
  • Shirtless Scene: In the trailer, Mark Watney is banged up and looks like death warmed over after being abandoned, but viewers get to see Matt Damon's bare chest. It occurs again towards the end, but now to show how malnourished he is after trying to stretch his rations.
  • Shout-Out:
  • Sigil Spam: The NASA logo appears everywhere, even on the soles of the EVA suits' shoes. The logo is protected under federal laws that make it illegal to use it in a way that indicates NASA endorsement of something if no such endorsement exists. For that reason, the official logo is often replaced with a generic alternative in works of fiction (for instance, in Interstellar), a very specific form of Greeking. In the case of The Martian, NASA actually produced a number of tie-in videos (released on their TV channels and YouTube) as a way of drumming up interest in the exploration of Mars.
  • Skewed Priorities: He's obviously joking, but Mark decides that keeping himself warm by sitting in front of the radio-thermal generator his fellows very expressly buried where no one would dig it up isn't the worst thing about his situation. No, the worst thing is that "the least disco song" Lewis owns is Donna Summer's "Hot Stuff", which he plays on the way back to the Hab.
  • Skip the Anesthetic: Played with — Mark injects himself immediately before Self-Surgery to pull that chunk of metal out of his abdomen, but it's clear from Matt Damon's portrayal that either it wasn't a local anaesthetic, Mark didn't wait long enough for it to kick in, or the shock and pain of his situation and other injuries hurt just as bad.
  • Sliding Scale of Adaptation Modification: Much effort is put into keeping it faithful to the book. Although certain details and minor plot points of the novel have been altered, glossed over, fast-forwarded, or dropped altogether, the narrative plays quite closely to its source material in tone and themes.
  • Sliding Scale of Idealism vs. Cynicism: Very much on the idealism side. Everyone in this movie who isn't Watney is either trying to help Watney, or following his progress and rooting for him. No villains, no self-serving politics, no ulterior motives, just intelligent people racing against time to save a man's life. Even when disagreements occur, they're honest ones; two people who both firmly believe they are doing the right thing, but disagree about what the right thing is.
  • Snark-to-Snark Combat: The movie starts out with this, with Mark reporting on the soil he's collecting and Martinez snarking that Mark had "found dirt", then Watney counters with Martinez's job of just making sure visually that the MAV is standing up.
  • Sophisticated as Hell: "Faced with overwhelming odds, I'm left with only one option. I'm gonna have to science the shit out of this."
  • Sound-Effect Bleep: When Watney learns that his crew hasn't been informed that he wasn't killed outright in the disaster that forced them to leave Mars, the scene's vantage point switches to the exterior of the Mars rover where he conducts his communications with Earth, looking at him through the clear canopy of the rover. Thus, we clearly see, but don't actually hear, his reaction of "What the fuck? What the fuck?"
  • Soundtrack Dissonance: While several other songs are apropos for their scenes, Abba's 1974 hit "Waterloo" about a girl saying that she's surrendering to the advances of her lover just like Napoleon at Waterloo, as the musical backdrop for Mark arriving at the MAV and working on it is a little off.
    • Fridge Brilliance: The song makes perfect sense if you consider Mark is "Having his way" with the MAV, given the extreme modifications he's performing. Might even count as Getting Crap Past the Radar given in the book he described it as "I've committed all kinds of rape to the MAV."
  • Space Is an Ocean: Technically Mars is under maritime laws; Mark uses some questionable logic to declare himself a Space Pirate.
  • Space Is Noisy: A few examples, including the low rumble of the Hermes can be heard as it passes by as well as the sound of atmosphere escaping from Mark Watney's suit after he pokes a hole in it to use it as an improvised thruster in the climax. Justified in that most incidents take place on Mars which, while thin, has an atmosphere and would allow for sound to travel.
  • Spaceship Slingshot Stunt: The Hermes spacecraft performs a gravity assist maneuver around the Earth, then Mars — this means they can't stop to pick up either their supplies or Mark Watney, both of which must be fired into space to intercept them.
  • Spiritual Successor: To Red Planet.
  • Strange Minds Think Alike: After Mark declares himself a Space Pirate he asks to be called "Captain Blondbeard". After hearing this Kapoor immediately thinks of the same maritime laws as Mark.
  • Suspiciously Apropos Music: At several parts, Commander Lewis's disco tracks match Mark's current situation.
    • Donna Summer's "Hot Stuff" plays when Mark has picked up the plutonium RTG to use as a source of heat.
    • Gloria Gaynor's "I Will Survive" plays over the credits.
    • David Bowie's 'Starman' plays when Earth and the Hermes mobilize their main effort to go rescue Watney. The line: "There's a starman waiting in the sky" is truly appropriate.
  • Talking with Signs: Since Watney's first contact with Earth after being left behind is video-only, he has to communicate by writing on plastic tub lids and holding them in front of the camera. After a little while, this becomes impractical - especially for receiving messages, since that more or less limits it to yes and no questions - and starts using hexadecimal instead.
  • Techno Babble: Johanssen gives an elaborate technical explanation on how to prevent remote override from Mission Control, upon which Martinez demands a translation into English.
  • Tempting Fate:
    • During his first try at making water, Mark cheers as he manages to get it going, just in time for it to literally blow up in his face and send him flying across the room. In addition, as he's shaving wood from Martinez's cross for something to burn, he assumes Jesus will be cool with it under the circumstances. Given the explosion just shakes him up for a bit, maybe Jesus just has a sense of humor about it.
    • At a certain point, the NASA Director states that he is worried about getting supplies in time to Mars, since they are facing a small window for error. He even notes that this is assuming nothing goes wrong. Cue an airlock that explosively decompresses, destroying Mark's crops, and the probe with supplies exploding after launch. Both incidents reduce his projected supply.
    • Subverted in-universe, when Mark Watney is talking about digging up the Radioisotope Thermoelectric Generator to provide heat for his extended rover trips. The narration proceeds normally, with shots of him digging it up and prepping it for transport, until he gets to a point where he says "as long as it doesn't break," then the camera cuts to him in the rover, riding with the RTG, and grinning.
      Mark Watney: I almost said "everything will be okay" out loud.
  • This Is the Part Where...: Teddy Sanders anticipates Ng's response to his Scotty Time demand.
  • Time Passage Beard: Mark grows a scraggly beard after a seven-month Time Skip. He shaves it off before taking off though.
  • Time Skip: The months long overland journey from the Hab to Schiaparelli Crater (and all its associated hardships) was cut almost entirely to save on time.
  • Title In: Locations and characters are named via on-screen text.
  • Trailers Always Spoil:
    • The first trailer spoils almost all of the major twists including Mark using Pathfinder to contact Earth, the airlock failure, Hermes turning around (or to be more precise, looping around), and Mark eventually going to the Ares 4 site.
    • The trailer starts with one of the last lines of the book, about hikers getting lost, etc.
  • Turn in Your Badge: Sean Bean's character is asked to resign after the mission because he overstepped his competences by leaking classfied information to the crew.
  • Unfinished, Untested, Used Anyway: The resupply probe that NASA intends to send to Watney is launched without going through its final preflight quality checks, since those take over a week and Watney cannot ration his food any further. The rocket carrying it explodes shortly after launch.
  • Video Credits: During the "Where Are They Now?" Epilogue, every character is accompanied by their actor's name.
  • Viewer-Friendly Interface: The space center's supercomputer says "Calculations Correct" in 72-point font when the calculations for the retrieval mission are made.
  • We Have to Get the Bullet Out: After he wakes up, Watney frantically removes a piece of the communications antenna from his abdomen. The importance of removing the foreign object is second only to getting breathable air. In this instance, it's probably justifiable because the antenna breached his EVA suit, which he can't get off as long as it's stuck there, and any medical help besides himself is literally over a million miles away.
  • What You Are in the Dark: The Chinese scientists have a classified booster that could give NASA one last chance to save Watney after the Iris explodes. They discuss the fact that if they choose not to help, no one would ever know they could have helped and didn't. They choose to help, doing so in a manner that forces the political forces both in the USA and China to get dragged along by the scientific collaboration.
  • "Where Are They Now?" Epilogue: Watney is teaching new astronauts at NASA, Lewis is reunited with her husband, Vogel is living with his family, Beck and Johanssen have a baby, and Mitch is teaching kids golf. Meanwhile, the rest of the eggheads at NASA can enjoy another launch to Mars (with Martinez aboard) and everyone (Teddy, Kapoor, Park, etc.) can rest easy as mankind continues its expedition to the stars.
  • Window Love:
    • Martinez is talking to his wife back on Earth, and presses his hand against the computer screen image when she raises her own hand.
    • When Beck suits up and goes out to grab the resupply probe, he touches his face-plate and waves to Johanssen nearby in the Hermes, who tenderly touches the window in response. Later Johanssen gives Beck a Headbutt of Love, then kisses his EVA helmet.
  • Yellow Peril: Inverted to something like "Yellow Safety". The Chinese scientists provide a classified booster to their American counterparts out of their own initiative. The magazine covering the story has a picture of the two groups with their arms around each other's shoulders and the title "Brothers in Arms".
  • You Are Not Alone: The story begins with Mark stranded on Mars with no hope of survival with his comrades on Earth completely ignorant of the fact that he is alive. However, after seeing him struggle to survive totally alone, Mark's movements are noticed by NASA and once they correctly conclude the situation, everything is devoted to trying to find some way to help him. With communication made practical when Mark restarts the Pathfinder machinery, he knows that NASA is in his corner with all their knowledge and resources determined to save him.
  • You Have Got to Be Kidding Me!: The PR woman's response to the news that Watney is alive but abandoned, and Watney's response to the plan for stripping the MAV. Both contain Precision F-Strike.

http://tvtropes.org/pmwiki/pmwiki.php/Film/TheMartian