A Scene Transition
trope. A character (or the audience) is looking at a pictorial rendering of a location or scene. The camera lingers on the image, and then the scene transition happens — the photo dissolves
into a view of the spot identical in arrangement to the photo, painting or drawing from the previous scene.
As an Ending Trope
, the transition is reversed. We see the image frozen and then the scene transitions, leaving the picture.
Common parodies, tweaks and variations to the trope result in the real location looking much worse than the image, or being dilapidated from neglect.
to Idiosyncratic Wipes
, and can be combined with Flashback
. Compare Match Cut
. See also Pastel-Chalked Freeze Frame
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Anime & Manga
Films — Animation
- In Corpse Bride, the painting of Victoria dissolves into her in the middle of an Of Corset Hurts scene.
- In The Simpsons Movie, Homer is driving the family to Alaska, using a blatantly tourist-pandering map as a guide. As they're going over the final ridge, the map suddenly unfolds and takes up the whole windshield, offering a beautiful view of Alaska. They peel the map off, and... it's actually true to life, subverting the viewer's expectations.
- The Disney Animated Canon loves this trope.
- Beauty and the Beast has the ball celebrating the breaking of the curse. The scene transitions to a stained glass window rendering (no cameras — it was the 1600s).
- Enchanted features the happy Giselle, Robert and Morgan freezing into illustrations on a pop-up book.
- The Princess and the Frog has several, going from grayscale newspaper photos to shots of the action.
- Pocahontas transitions from a woodcut of London Harbor at the time to London Harbor in gloriously rendered colour, zooming in on the Virginia Company ship as it prepares for departure. It ends with a shot of Pocahontas on the cliff, watching John Smith's ship heading back to England, transitioning back into a woodcut.
- The animated movie Turtles Forever features this during its ending, as we see a shot of the Mirage turtles dissolve into the real-world splash page the shot was based on, taken from the first issue of the Teenage Mutant Ninja Turtles comic book.
- In "Perfect Day for Fun" (a short released before My Little Pony Equestria Girls: Rainbow Rocks), there is a zoom on a poster announcing the Rainbooms performing, which transition to the band actually on stage. Inverted with the ending shot, with the group picture zooming out to show it is on the screen of Twilight's phone while the girls are on the ferris wheel.
Films — Live-Action
- In the Laurence Olivier adaptation of Henry V, the filmed-play opening scenes give way to the more cinematic rest of the movie when a painted background transitions to an actual background.
- Creepshow and Creepshow 2 both have this. At the beginning of each segment, the first panel of a comic book story changed to a live-action shot. At the end of each segment the reverse occurred.
- The 2004 movie version of The Phantom Ofthe Opera has this at the beginning and the end of the movie — probably an example of Book Ends as well.
- Sky High has this in the opening credits. Will's narration explains his life, and is shown in comic book pages. The panel focuses on the Stronghold house, then dissolves into the live-action image of the house.
- The Director's Cut of The Warriors features several instances of freeze frames which turn into comic book panels.
- The Return of the King uses the reverse version, where the camera pulls away from the city of Minas Tirith and the picture slowly fades into a drawing of the city on a map. The camera then pans across the map to represent the characters' return journey.
- Came up from time to time on Mister Rogers' Neighborhood when Fred looked into the "magic picture".
- The Granada Sherlock Holmes series went both ways with this, especially in its first season. Scenes were shot to match the original Paget illustrations and sometimes a shot would fade into the end credits, which usually featured a series of further Paget illustrations. This site has an extensive side-by-side comparison of in-story shots and the original illustrations.
- The Cape has comic panels turning into live action in the opening credits of the opening episode.
- The opening of Grace and Favour or Are You Being Served, Again.
- The Murdoch Mysteries episode "Dead End Street" features a dissolve from a painstakingly detailed diorama of the title street to Murdoch and Crabtree walking up the real one.
- At the end of every episode of Blackadder the Third the final scene turned into a woodcut, heading the "Regency playbill" style credits.
- The Prisoner episode "The Girl Who Was Death" is an atypical loopy cliffhanger story - when it breaks for commercials it transitions into illustrations similar to the action, but in an Edwardian style and setting...it turns out these are illustrations in a storybook Number Six is reading to children.
- Kick Buttowski is considering where to get eggs if not from the store. He looks up and sees a billboard with a picture of a farm. The scene transitions, and the farm is picture perfect to its rendering on the billboard as Kick arrives.
- The Simpsons:
- Codename: Kids Next Door, "Operation: N.A.U.G.H.T.Y." is another tale told as a comic book, and the final shot is of the treehouse, turning into a comic book panel.