Film: A Series of Unfortunate Events
We're very concerned.
In 2004, the first three books of the darkly humorous A Series of Unfortunate Events
franchise were adapted into a feature length film, starring Jude Law
as Lemony Snicket, Jim Carrey
as Count Olaf, and Emily Browning
(Violet), Liam Aiken (Klaus), and Kara and Shelby Hoffman (Sunny) as the Baudelaire children.
After their parents are killed in a fire at the family mansion, Violet, Klaus and Sunny Baudelaire are left in the care of Count Olaf, a sinister distant relative who wants his hands on the Baudelaire family fortune. Olaf will do anything to get his hands on the money. As they survive numerous attempts on their life and a variety of bizarre events, the orphans will learn just how bad reality is.
While talk of sequels and even a potential film series was certainly up for debate, it's very likely that there won't be any continuations
. The closest that the series has to being re-adapted is if Netflix
carries through on its idea to convert the books into an online TV series.
The film provides examples of:
- Adaptational Attractiveness: While their appearance outside of illustrations are never really detailed in the books, the movie makes them appear much more "pretty" (excepting Violet, who was described as being pretty in the books), making Klaus look much older than he probably should, and making him no longer need glasses, which would be a vital plot point in the fourth book.
- The reason for changing Klaus's glasses from Blind Without 'Em to a pince-nez he only wears while reading was to avoid making him look too similar to Harry Potter.
- Adaptation Personality Change: Count Olaf was written as very sinister in the original books but in the film he is more over the top and hammy leaning closer to comic relief.
- Added Alliterative Appeal: So many brought over from the books: Curdled Cave, Horrid Harbor, Hurricane Herman, Lake Lachrymose
- Adults Are Useless: Every adult in the film is shown to be stupid, gullible, cowardly or downright villainous. The Baudelaires can only depend on themselves for hope.
- Anachronism Stew: On purpose, the characters, environments, and vehicles seem to be early 20th century, but fax machines and reel-to-reel car tape decks and carphones seem to be 80s, and Olaf mentions a cell phone in a deleted scene. Given that Poe actually has to feel himself to check, one assumes that giant 80s-style cell phones aren't common at the time.
- And Now You Must Marry Me: Olaf tries to force Violet to marry him in a staged play.
- Ascended Fanboy: What got Meryl Streep the part of Aunt Josephine was the request of her daughter, a huge fan of the books.
- Bad Bad Acting: Especially in The Marvellous Marriage
Pale Faced Woman: (Flatly) What a marvellous day for a marriage.
- Bait-and-Switch Credits: The film opens by making you think you will be seeing a happy stop-motion animated tale about a little elf, but a few minutes later, when the happy elf is skipping over some rocks in the water, an abrupt record scratch is heard and the set lights go dark:
Lemony Snicket: I'm sorry to inform that this is not the movie you will be watching. The movie you are about to see is extremely unpleasant. If you wish to see a film about a happy little elf, then I'm sure there is still plenty of seating in theatre number two. However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one of the Baudelaire children's woeful steps. My name is Lemony Snicket, and it is my sad duty to document this tale.
- Beware the Silly Ones: Count Olaf in this version is a complete goofball who, while a terrible person, doesn't seem particularly dangerous. He is no less of a cold blooded murderer than he was in the books.
- Bilingual Bonus: The children make pasta Puttanesca, an Italian dish translating as "whore's sauce."
- Billed Above the Title: The advertising often showed Jim Carrey's name and characters way above the central characters of the series. While Jim Carrey is the main antagonist, the others are not as important.
- Bizarrchitecture: To a certain extent, the use of eye motifs in Count Olaf's house. Aunt Josephine's house clinging to the edge of a cliff counts as well, though THAT one didn't last long...
- Black Comedy: In vein of the books, the film has a very morbid and off sense of humor.
- Bluff The Imposter: Uncle Monty exposes Count Olaf (pretending to be a herpetologist named Stefano) as an imposter by asking him to milk Petunia the snake.
- Body Motifs: The eye that first appears in Count Olaf's ankle tattoo, and later in many other places.
- Bookworm: Klaus, the Researcher.
- Bread, Eggs, Milk, Squick: "Now would be an excellent time to get up and walk out of the theater, living room, or airplane where this film is being shown."
- Lemony's description of the film's contents combines this trope with Arson, Murder, and Jaywalking: "clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food, and secret organizations."
- Breaking the Fourth Wall: After being rumbled in his guise as "Stephano", Olaf laments to the audience "Darn it. This was such a good character" before fleeing.
- Break Them by Talking: Or rather, gloating, in the movie. Olaf reveals to the audience that he has just legally married Violet and played everyone for a sap. When Mr. Poe demands that the police arrest him, Olaf calls Poe and everyone out on how the kids had repeatedly tried to warn the adults and asked for help, but they wouldn't listen to them. "No one ever listens to children".
- The Cameo: The Aflac duck is milling about on the boat moored at the little dock beneath Aunt Josephine's cliff-overhanging house when he nearly gets hit by the falling stove.
- Cassandra Truth: Every time the Baudelaires see through Olaf's two different disguises (his Stephano and his Captain Sham looks), nobody believes them in time.
- The Charmer: Count Olaf is a very evil version, being able to play everyone like a fiddle, except the Baudelaires.
- Cloudcuckoolander: Initially played straight with Aunt Josephine who is terrified of realtors, avocados and think grammar is the greatest joy in life. This is later subverted as her earlier fears of splintering door handles and flaming stoves are all horrifying realised when her house is hit by Hurricane Herman.
- Comically Missing the Point: Mr Poe sends the children to live with Count Olaf because he is their closest living relative, geographically speaking. Blood-wise he's either their fourth cousin, three times removed, or their third cousin, four times removed.
- Cutaway Gag: A dark one when Olaf shows up as Stephano at Uncle Monty's place:
Uncle Monty: My chief assistant, Gustav, took sick and phoned not one hour ago.
Count Olaf: He'd do anything to be here now.
[Cuts to Gustav chained to the front of a speeding train and screaming]
- Another dark one happens in a deleted scene:
Count Olaf: I's the boy who runs the boat down near the pier there!
Aunt Josephine: Oh...what happened to Captain Sam?
Count Olaf: Uhhhh...he's me third cousin on me father's side. He's afeared of that big gale comin' in. Said he started to get that sinkin' feelin'.
[cuts to Captain Sam being thrown into the water, chained to an anchor, gurgling desperately, then cuts back to Olaf.]
Count Olaf: ...Sure he'll turn up sooner or later.
- Coattail-Riding Relative: Count Olaf spends most of the movie trying to get the Baudelaire orphans' inheritance.
- Convection Schmonvection: Well, technically "Radiation Schmadiation." Klaus uses Olaf's sunlight-refracting weapon to incinerate the wedding contract. The instant the sunlight hits the paper, it catches on fire. That means the thing was heated to about 400 degrees Fahrenheit just like that. Never mind the fact that Klaus perfectly lined up the device to hit such a small target, how come Olaf's hand didn't get singed? Or, you know, the stage didn't catch fire? There should at least have been smoke, considering how easily the paper went up.
- Crapsack World: Invoked.
- Dead Hand Shot: Once Uncle Monty dies and the kids find his body, all we see of it is his hand.
- Devil in Plain Sight: Count Olaf is almost always one of these, and no one believes the Baudelaires until they finally prove that his latest persona is a criminal. Averted with Olaf's assistants, who are never detected by the Baudelaires.
- Dirty Coward: It isn't Aunt Josephine's numerous, crippling, irrational phobias that qualify her for this title, but rather the way she instantly and shamelessly promises not to reveal Count Olaf's "Captain Sham" persona and offers for him to take the children when she is threatened. To be fair to her, she's widowed, terrified of everything and got no support in life. Can you blame her for what she did?
- Don't Eat And Swim: Aunt Josephine informs Violet, Klaus and Sunny that her husband Ike was eaten by leeches because he did not wait an hour before going into the water - he only waited 45 minutes.
- Dude Looks Like a Lady: Olaf's troupe includes either a very effeminate man, or a very masculine woman.
- DVD Commentary: Two, one that comes in the regular "actors and director" flavor and one that features the director and Daniel Handler in character as Lemony Snicket himself, who is obviously very disturbed at the director's insistence on introducing Count Olaf into the plot at all, let alone (supposedly) As Himself. Handler also goes about acting like the movie's events really happened and Count Olaf is playing himself, having locked Jim Carrey away somewhere.
- Dull Surprise: Klaus and Violet. Somewhat passable given their misfortunes.
- Exactly What It Says on the Tin: The second of Olaf's paper thin disguises is that of ship captain, Captain Sham. Also, the Last Chance General Store at the grade crossing.
- Fake-Out Opening: In The Film of the Book.
- Bonus points for giving it its own opening credits, and then not even putting the real title on the screen afterwards. It only appears in the end credits.
- Fauxreigner: Olaf as "Stephano" claims to be Italian, but he sounds more like a vague foreshadowing of Heath Ledger as the Joker. Footage exists of Carry getting make-up applied for a very different version of Stephano, with long greasy hair, an outrageous Italian accent, and generally very filthy looking. This was likely changed for being too similar to negative Italian caricatures.
- Five-Bad Band: The theater troupe.
- Freeze-Frame Bonus: Some of the chores seen on the list of chores given to the Baudelaires by Count Olaf:
- Fix the rear porch so it is back to code
- Dust and clean all the very important pictures of myself
- Clean the staircase
- Reupholster the living room sofa
- Dust and polish the wood furniture throughout the house
- Do all the laundry and make sure you separate the whites, the colors, and the polyesters (make sure to take special care with my costumes and delicate)
- Iron all the clothes
- Sew buttons on clothes that are missing them
- Clean mirrors above my makeup table, taking care that there are no streaks
- Wash the steps on the porch
- Prune trees in the front yard, and not to mention
- Prepare a delicious dinner for myself and my troupe
- Gadgeteer Genius: Violet.
- Genre Savvy: Count Olaf seems to have read the books, because he knows to make sure Violet signs her name using her right hand.
- Glove Snap: Count Olaf does this in his herpetologist disguise.
- Gory Discretion Shot: All we see of Aunt Josephine after the Lachrymose Leeches attack is a banana slip on the surface of the water. However, a deleted scene shows her actually going down with the ship in a slow, agonizing process.
- Hell Is That Noise: The screeches emitted by the Lachrymose Leeches.
- Hypocritical Humor: When Captain Sham (Count Olaf) says, "There ain't nothin' better than good grammar!" in front of Aunt Josephine, a Grammar Nazi.
- In Case You Forgot Who Wrote It: The movie is titled Lemony Snicket's A Series of Unfortunate Events, perhaps to emphasize the Lemony Narrator.
- Incest Subtext: Violet and Klaus, obviously. The film does sport a bit of chemistry though.
- Ironic Nursery Tune: Music-box tunes and the saccharine "Littlest Elf" song play during tragic scenes.
- It Is Pronounced Tro-PAY: Count Olaf repeatedly mispronounces certain words, most noticeably sur-preez (which is actually the French way of pronouncing the word).
- Jump Scare: The Incredibly Deadly Viper lunging at Klaus and Sunny is at the very least startling.
- Laser-Guided Karma: At the end of the film, after Olaf gets apprehended, he is tried and found guilty in court and put through most of the significantly harrowing situations the orphans were forced into before serving a life sentence.
- Literary Agent Hypothesis: Lemony Snicket insists that this is a true story that he has extensively researched in an attempt to make the story of the orphans available to the general public.
- Making a Spectacle of Yourself: Count Olaf tries out shades in the general store while waiting for the train that will run over his adopted children.
- MacGyvering: Violet's speciality, she gets herself and her siblings out of countless predicaments by smartly using objects and items around her.
- Mythology Gag: Violet begins signing the marriage certificate with her left (non-dominant) hand, before Olaf corrects her. In the book, the marriage is ruled void because she doesn't sign with "her own hand".
- Nominal Importance: Like in the books, Count Olaf's assistants are known only as "the hook-handed man," "the bald man with a long nose," "the white-faced women," and "the person of indeterminable gender."
- Not This One, That One: The kids find themselves not in the house they liked, with the friendly judge, but in the grim-looking house across the street, with Count Olaf.
- Obfuscating Stupidity: An Alternative Character Interpretation of Count Olaf could be that while he's portrayed as very goofy and melodramatic by Jim Carrey (surprise, surprise), he's also able to come up cunning plans to steal the Baudelaire fortune behind the scenes.
- Only Sane Man: Frequently the Baudelaires are this, and Liam Aiken (who played Klaus) himself described the siblings as "the only sane people."
- Orphaned Punchline: As Count Olaf brings his acting troupe in near the beginning, he's saying, "...tub full of ice in Baja, and I realize that these clever girls had stolen my kidney! Imagine my surpreez!" Considering Count Olaf's reputation for black comedy, it makes sense...
- Paper-Thin Disguise: Count Olaf, repeatedly, for various reasons.
- His first disguise, Stefano, is actually pretty good in terms of makeup. The big clue that he's up to something is his incompetence; his introductory lines are a good example of Malaproper, and to young geniuses like Violet and Klaus an immediate giveaway. That said, the only evidence that ensures it's really Olaf is The Law of Conservation of Detail — Montgomery concludes just as quickly that Stefano is actually a spy from the Herpetological Society.
- Captain Sham, on the other hand, is so blatantly Olaf it's Played for Laughs. You can see a member of Olaf's acting troupe almost immediately after Sham appears to confirm it. Sham proceeds to romance Aunt Josephine in an equally blatant example of Adults Are Useless.
- Properly Paranoid: The Baudelaires, about Count Olaf's many attempts to infiltrate their lives and snatch them for their fortune.
- Zig-zagged with Aunt Josephine. She is afraid of how everything in her house could kill her, and then the scene where all her crazy fears come true (the refrigerator comes loose and falls over; the stove disconnects from the gas lines and ignites from sparks coming from the telephone; the other end of the stove gas line heats a doorknob to the point that it explodes into millions of tiny fragments, etc.). It makes us realize that maybe, just maybe, she's not as crazy as she seems. Then she sells the orphans out to Count Olaf to save her life, and we realize she is truly crazy to think he'll spare someone who could, albeit unlikely, speak out against him and reveal that Captain Sham is actually Count Olaf.
- Public Domain Soundtrack: In the end credits, Johannes Brahms' Hungarian Dance No. 5 in G minor (Allegro) is played by polka instruments, especially the accordion.
- Railroad Tracks of Doom: Olaf's first plan to nab the Baudelaire fortune is to park his car on a grade crossing, and lock the children inside.
- At the end of the movie, we see this being reused for one of Olaf's punishments.
- Reasonable Authority Figure: Uncle Monty was this until Count Olaf came along.
- Record Needle Scratch: We open with the credits to a stop-motion animated picture called The Littlest Elf, which goes on until a needle scratch is heard and the set lights go out.
- Right for the Wrong Reasons: After Olaf tries to kill the orphans by parking his car with them inside on the train tracks. Mr Poe rightly removes them from his guardianship, but only because he believed Olaf let baby Sunny drive. Similarly, Uncle Monty is justifiably suspicious of "Stephano" but suspects him of being a spy from the Herpetological Society, not a the kids' murderous uncle.
- Scarpia Ultimatum: Olaf threatens to drop Sunny from a tower if Violet doesn't go through with his wedding scheme.
- Scenery Gorn: The ruins of the Baudelaire mansion are a straight example. Count Olaf's house, with holes in the ceiling and a kitchen in need of a little TLC, is also this trope. And Aunt Josephine's house after it gets demolished.
- Scenery Porn: All other scenery in the above.
- Shaming the Mob: Done by Olaf of all people to the audience of the play
- Show Within a Show: The theme song from The Littlest Elf is heard on Count Olaf's tape deck when the orphans are trapped on the grade crossing, and later on Mr. Poe's stereo as his car is being ferried across Lake Lachrymose. Count Olaf has a bobblehead of the elf, whose head is repurposed as part of an improvised pulley to pull on the track switch at the grade crossing, implying it's a film within the world of the story. This ties in perfectly with the conceit that Snicket's intended audience is also part of that world, when he constantly recommends ditching out and seeing that movie instead.
- In the stairwell where we first meet Count Olaf, there is a portrait of Olaf in Shakespearian garb, reaching out with his hand. This is almost an exact duplicate of a picture of John Barrymore playing Hamlet.
- Lon Chaney in his The Phantom of the Opera getup can be seen on the magazine Count Olaf browses at the Last Chance General Store.
- The leech attack scene is a lot like the shrieking eel attack in The Princess Bride.
- When the orphans knock Captain Sham over he cries "Children of the Corn''!"
- Signifigant Anagram: The Marvelous Marriage is written by Al Funcoot.
- Social Services Does Not Exist
- Snicket Warning Label: "I'm sorry to inform that this is not the movie you will be watching. The movie you are about to see is extremely unpleasant. If you wish to see a film about a happy little elf, then I'm sure there is still plenty of seating in theatre number two. However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one of the Baudelaire children's woeful steps. My name is Lemony Snicket, and it is my sad duty to document this tale."
- Stealth Pun: The Baudelaire children's first guardian after Count Olaf is called Uncle Monty, who owns pythons. You guessed it.
- Steam Punk: For the most part. A touch of Clock Punk as Lemony Snicket is shown working on his manuscript inside a Clock Tower with all the wonderful gears.
- Tastes Like Diabetes: Invoked with the fakeout The Littlest Elf opening, which is quickly and mercilessly subverted by a Record Needle Scratch.
- Tempting Fate: During the play, Olaf says, "I have the fortune now, and there's NOTHING you can do about it!" Cue Klaus using the light-focusing apparatus to burn the marriage certificate.
- Those Two Guys: The two pale faced women from Olaf's troupe.
- Title Drop: The monologue Violet gives at the start of the trailer.
"At times, the world can seem like an unfriendly and sinister place. But believe us when we say that there is much more good in it than bad. And what might seem to be a series of unfortunate events may, in fact, be the first steps of a journey."
- The Unintelligible: Sunny (whose speech is helpfully "translated" by subtitles), though Violet and Klaus can understand her.
- Unwitting Pawn: Justice Strauss is convinced to play a judge in the play for authenticity, in actuality she is unknowingly officiating a "real" wedding.
- Visual Pun: When the Baudelaires first meet Justice Strauss, we only see her side of the street, a lovely little place that would be ideal for three growing children. Then Strauss gently lets them down, by pointing them to Olaf's mansion. If you look closely, the flyover bridge separating their two houses has a set of railroad tracks - which emit sparks, no less. Lampshaded in the DVD commentary.
- We Sell Everything: The Last Chance General Store sells sunglasses, liquors, and magazines.
- Where the Hell Is Springfield?: There is a mix of actors with American accents and actors using English accents.
- If examined closely, the package the children receive at the end of the film is postmarked to Boston. The film is non-canon, and if Boston were the location, it'd be a highly fictionalized version of the city, considering that the grade crossing scene takes place in an environment not unlike Colorado or New Mexico.
- Why Did It Have to Be Snakes?: Aunt Josephine is this for nearly everything, even realtors. Though it turns out that not only was she completely normal before her husband Ike died, but very adventurous as well!