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Dynamic Character and Static Character are mainly being taken to the repair shop for being Omnipresent Tropes that are not classified as such, but a wick check is also being done to see how they are currently used and if anything of value could be preserved.

Dynamic Character Wick Check

Wicks Checked 11/50

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    Correct Use, May be redundant with Character Development: 3/ 50 
  • Digimon World: Infamy: Dynamic Character: This quest has a number of characters who change hugely of the course of the story. The powers of love and friendship play a big part in this, as someone like Renamon who started off solely trying to get power ends up becoming a loving mother. Coal himself goes from a loner to "The Princess Of Friendship" as dubbed by the GM. Usage is kind of general, but it is a number of dynamic characters... don't know why they couldn't just be filed under the much healthier Character Development though.
  • Dynamic Character: Her entry to the story via the Broken Masquerade sees her as a, while benevolent, extremely flawed person with a lot of hidden baggage, multiple grudges that cause her to hurt those around her, as well as possessing Fantastic Racism towards dragons. Being forced to interact with the wider world and Changelingkind's status quo being irreversibly changed, however, results in her having to slowly reexamine herself and her flaws. The end result is her finally facing her sorrow, wrath, and hatred she's been ignoring for aeons and finally going back to her original name, Rosedust, while doing everything she can to make it right. Correct use, but doesn't really have anything that couldn't be put under Character Development on the main page instead.
  • Film.A Stranger Among Us: Dynamic Character: Hard-boiled cop, Emily, goes undercover with a Hasidic neighborhood. While she is there, she temporarily falls in love with a Rebbe's son, Ariel, but is parted because of an arranged marriage. During this time Emily learns to become more vulnerable and sensitive. The Rebbe's son also changes a little; at least he develops a sense of assertiveness that allows him to protect his sister. However, Ariel is mostly a Flat Character and changes little. At least he remains completely loyal to his heritage and goes through with the marriage in a context where other movies might have had him running off with the cop. Correct until it starts rambling on about characters who aren't dynamic, putting it here primarily.

    Used to Gush: 2/ 50 
  • Challenge of the Super Friends: The End: Dynamic Character: The very thin backstory of the various members of the Legion of Doom are fleshed out.
    • Priscella Rich's Cheeta in particular. Her chapter, "A Feral Child" is around 50 pages long, and we see glimpses of her past, her jealousy of Wonder Woman, her reflections on the things that led her to be there, and her struggle with having a split personality. There is probably more Character Development for this version of Cheetah in this one chapter than there ever was in the original comics. Gush city, mainly talks about how they gave the characters so much more depth and love than the original work.
  • Supergirl.Tropes C To D: Dynamic Character: As noted above Supergirl was one of the first DC characters to avert the Static Character format going from a naive teenager to a smart young woman looking to make her mark on the world, gaining a family and friends of her own. Notably Superman (who was a constant presence in her earlier stories) slowly faded away from her narrative as Supergirl grew into her own character. I'd say this qualifies as gushing, also written as a dependent example.

    ZCE: 4/ 50 
  • Dynamic Character: Otah, surprisingly. He even manages to avoid becoming a Standardized Leader while working his way from dockfront laborer to messenger, Khai Machi and finally Emperor. Without the spoiler it's a classic "Name Only" ZCE, with the spoiler... it still doesn't explain what the exact development is beyond that the go up the social ladder.
  • Breakout Character/Dynamic Character: After season eight, she became one of the most focused on main characters of the show not to mention becoming more layered. Double example, not a good idea. Should probably just be breakout character alone with a bit more detail.
  • WesternAnimation.Galactik Football: Dynamic Character D'jok, Mei, Sinedd, Rocket ZCE.
  • Webcomic.Bruno: Dynamic Character: Bruno changes considerably over the years. Commented out ZCE.

    Other Misuse: 2/ 50 
  • Characters.South Park Elementary School Staff: Dynamic Character: Of all the cast, Garrison's story is one of the most dramatic in the show, and wouldn't be out of place on a soap opera. Over the course of the series, he's gone from being a closeted homosexual, to an outed homosexual, then got a sex change so he was a heterosexual woman, became a lesbian, and then got another sex change so he's now a possibly pansexual man. Then he ran for president, then he got afraid of what would happen to the country if he actually won, before admitting to the entire nation that he's not a good person, and went on to become the president-elect. Is he actually changing his character or just doing different things?
  • Characters.Cerberus Daily News Sarona Net: Dynamic Character: He may open up about what happened to him eventually. But... does he? This is more like Speculative Troping.

    Unclear, Potholes, Mentions, Etc.: 0/ 50 

Static Character Wick Check

Wicks Checked 12/50

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    Correct Use, May be redundant with aversions of Character Development: 3/ 50 

    Used to complain: 1/ 50 
To clarify, a hateable character isn't inherently bad; many of the most iconic villains have little to no sympathetic qualities. We're supposed to hate them. The problem comes when we end up hating a character that the story presented as sympathetic or at least neutral. Maybe it's because they do questionable things that other characters never call them out on. Maybe it's because they get forgiven in a way that doesn't feel genuine. Maybe, and definitely the most prominent trait on this list, it's because their character development, if they get any, feels like a case of too little, too late.
Josh Scorcher, Top Ten Hated Characters We're Supposed To Like, explaining the distinction in the video title.

    ZCE: 2/ 50 
  • Creator.Edward Gorey: Static Character: You won't find very much character development in most of Gorey's books. General example that doesn't really delve into why it matters.
  • To Heart: Static Character: Hiroyuki still needs to be woken up by Akari in the morning even in the epilogue of Remember my Memories (and they're already University Students by then for crying out loud!). I don't know who these characters are or why this matters or makes them Static...

    Other Misuse: 4/ 50 

    Unclear, Potholes, Mentions, Etc.: 2/ 50 

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