Air date: Oct. 23, 1959
Aging film star Barbara Jean Trenton (Ida Lupino) secludes herself in her private screening room, where she reminisces about her past by watching her old films. In an attempt to bring her out into the real world, her agent Danny Weiss (Martin Balsam) arranges a part for her in a new movie and brings a former leading mannow also older, many years retired from acting, and managing a chain of grocery storesto visit her. This horrifies Barbara Jean and only drives her further into seclusion. Then one day, Barbara Jean's maid finds the screening room emptyand is shocked by what she sees on the screen. Danny comes over and sees on the screen the living room of the house, filled with movie stars and Barbara Jean as they appeared in the old films. He pleads with her to come back, but she throws her scarf toward the camera and departs just before the film ends. In the living room, Danny finds Barbara Jean's scarf. "To wishes, Barbie," he says wistfully, "to the ones that come true..."
The Sixteen Millimeter Tropes:
- Damned by Faint Praise: International Studios head Marty Sall's idea of a good part for Barbara is to cast her as a forty-something mother. A vibrant mother, but a mother nonetheless.
- Dramatic Drop: The maid drops her tea tray when she comes into the projection room and realizes Barbara has entered the movie.
- Glory Days: Barbara's despair that the days when she was young, beautiful, and famous are now long over becomes so profound that she ends up entering the world of her films, where she can re-live her glory days indefinitely.
- Hates the Job, Loves the Limelight: In particular, Barbara really disliked the International Studios head Marty Sall.
- Immortality Field: The Movie Land turned the symbolism of movies preserving a moment forever into reality, essentially giving Barbara an endless life when she moved there.
- Jerkass Has a Point: While Barbara is offended that the International Studios head Marty Sall wants to cast her in a new movie as a mother, it's not like someone her age could really play a younger role, even if they tried.
- Kick the Dog: When she turns her nose up at the role, Marty really twists the knife about how Barbara is just a washed up has-been, and any part she'll ever get will just be "charity". This sends her running out the door in tears.
- Lady Drunk: Barbara is bitter and disappointed and drinking at 11 am.
- Loving a Shadow: Barbara remembers her old male lead actor Jerry Hearndan as being a handsome Casanova who swept her off her feet. When she meets him years later as an old man, she comes up to a picture of his younger self and sadly muses to herself: "He's the one I was expecting..."
- Medium Awareness: An odd In-Universe version. After Barbara goes into movie land, she's definitely aware that she's in movie land, as she can hear Danny calling to her from the real world and throws her scarf at him.
- Nostalgia Filter: Somewhat downplayed when Barbara has a clear recollection of her dislike for the International Studios head Marty Sall. Played straight when she remembers the lead actor Jerry Hearndan as being a dashing Casanova who was just as passionate about acting as she was. Sadly, despite what she remembers about the actor, he's now an aged, humble man who contently owns a chain of grocery stores.
- Proscenium Reveal: The first scene is Barbara having an emotional farewell with her man, a soldier going off to war. It's soon revealed to be one of Barbara's old movies Farewell Without Tears.
- "The Reason You Suck" Speech: In response to Marty Sall's rather harsh comment, Barbara's agent Danny sincerely hopes that one day Sall will know what it's like to be past his prime and be figuratively kicked in the mouth.
- Show Within a Show: Barbara Jean Trenton starred in Farewell Without Tears in 1933 and A Night in Paris in 1934.
- Trailers Always Spoil: Most Twilight Zone episodes have a paranormal premise setting up the story, but this one has zero otherwordly aspects until the Twist Ending. As such, it's almost impossible to summarize it without giving it away, whether you're a DVD back-cover writer or Rod Serling himself giving the traditional On the Next spiel.
- Rousseau Was Right: Played straight. Barbara remembers International Studios head Marty Sall as being a crude tasteless man and difficult to work with, but Danny believes he's mellowed out with age. However, it turns out that Sall really is as cruel today as he was then. Danny even lampshades how right Barbara was upon returning home, admitting Sall is still a mean, petty jerk.
- Trapped in TV Land: Barbara voluntarily retreats to Movie Land, where she can escape the ravages of time that have left her old and largely forgotten in the real world.
- Up the Real Rabbit Hole: Played with in how Danny's reaction changes. Barbara living in her past isn't emotionally unhealthy insofar as she can do it "for real".
- White-Dwarf Starlet: Barbara Jean. It's not just that she misses being a star; she won't even take supporting parts, angrily refusing one.