Gus Hedges: "Morning hotshots. Are we cooking with napalm? You bet."
Gus Hedges: "There is just something I'd like to pop into your percolator, see if it comes out brown."
Gus Hedges: "Yes, well, publicity-wise this is a rather regrettable gonads-in-the-guillotine situation."
Drop the Dead Donkey was a 1990s British TV comedy set in the newsroom of Globelink news, recently acquired by megalomaniacal billionaire Sir Royston Merchant. Aside from attacking politicians across the political spectrum, the show centred on the war of egos between newsreaders, the inability of editors to avoid the tabloidisation of their programme and the wickedly black banter and office terrorism between the rest of the staff.Much like South Park, the show was produced close enough to its airtime that constant Take Thats were made to weekly issues. Possibly the most cynical look at a Newsroom ever - and that's with some stiff competition.Came twenty-sixth in Britain's Best Sitcom.
Provides examples of:
Arson, Murder, and Jaywalking: Sally, season 2, "Drunk Minister": "I do seem to be getting all the depressing items to announce again... In the last two weeks I have announced to the nation - three air crashes, two rail crashes, six serious fires, two motorway pile-ups... three famines... and a live interview with John Gummer!"
Also Gus, season 6, "The Final Chapter", ranting about his unrequited devotion to Sir Roysten, "You leave us with broken minds! Dead souls! ... And scorched eyebrows!!".
Attention Whore: Henry, Sally, George's daughter, and Damien, according to his mother.
Beleaguered Assistant: Joy, when she's not scaring people off, and Gus to Sir Royston. The final episode drives home how Gus has ruined his life in service to a man who doesn't recognize or care about him at all.
At one point, Dave runs a pool for several weeks on how many ceasefires there will be in the then-current Balkan conflict each day.
Beware the Nice Ones: George, usually a complete wimp, has held a thug at fork-point, paid to have Damien's car set on fire, and tied up and tortured Gus during a paintball game. All also double as George's Crowning Moments Of Awesome, partly just from sheer contrast.
Made even more hilarious by the fact that aforementioned thug was played by an as-yet-unknown Daniel Craig.
Break The Motivational Speaker: Gus brings in a psychologist for a psychiatric evaluation of the news team. Unfortunately, he's a recovering alcoholic and the various traumas of the team drive him back to the bottle. (DTDD likes its Black Comedy.)
British Brevity: Averted, as most seasons (1-5) are 12 episodes long, and only Season 6 (filmed after the end of the 1979-97 Conservative government, and thus noticeably light on topical humour) was the standard 6 episodes long.
But for Me, It Was Tuesday: Gus's Crowning Moment of Awesome is abruptly ended when Sir Roysten activates a remote-controlled steel door to cut him off, mid-rant, only for Sir Roysten to then page his assistant and ask "Who was that man?"
Deadpan Snarker: Dave, Alex, Helen, and Joy. Especially Joy. To the extent that, by the final series, even Dave and Damien aren't entirely sure whether or not she's being sarcastic or serious half the time.
The Dog Bites Back: George takes a high class callgirl to his manipulative ex wife's wedding to make her jealous and pays her to seduce the groom, which results in the groom being punched in the face.
Downer Ending: George gives up the chance for a life of happiness with his new love in Australia to nurse his manipulative ex-wife after she has a heart attack. Sir Royston burns down the building in an insurance fraud, but even then Gus is in denial that Globelink is closing and is left sitting in the condemned office, a broken man, having been utterly abandoned by an uncaring megalomaniac he's dedicated his life to. Damien finally finds the Amazonian tribe he was seeking, producing what could be a career-defining report in the process, only to be captured and kept as a captive "god", with his camera sacrificed to him by the tribe.
Freudian Excuse: Sally was raised by her grandmother, who psychologically abused her. Joy's father was an alcoholic who abandoned his kids. Damien's mother never paid attention to him, even when he fell out of a tree headfirst.
Friendly Enemy: Henry to Sally in the last episode: "You know, I'm going to rather miss this." And in an earlier episode, when Sally recovers from her period of Evangelism, during which she was polite to people and didn't react to Henry's insults, Henry is absolutely delighted to have her back to normal.
Gulf War: The Globelink News team did not distinguish themselves during this conflict, with Henry filing 'special reports' from Jordan (so he could get a drink) and Damien dunking cormorants in oil in order to create a story about the ecological impact of the war.
He Who Must Not Be Seen: Eventually averted, as both Sir Royston and Margaret are shown in the final episode. Played straight with Gerry the cameraman who only appears on-screen once, covered from head to toe in bandages.
Hidden Heart of Gold: Very possibly also Joy, considering the episode with her brother, and when she stands up for Helen by beating Damien up after he ruins Helen's dinner party and causes her to break up with her girlfriend, but — really hidden.
The Loins Sleep Tonight: Elderly hedonist anchorman Henry confesses to Dave (in confidence) that this happened the night before. Naturally this spreads over the office like wildfire, and when his despised co-anchor Sally quips in response to Henry's computer going down, "Maybe it's your floppy." Henry bursts out with "YES, ALL RIGHT, I'M IMPOTENT!" right in front of a television crew who've come to do a This Is Your Life-style interview with him.
A Man Is Not a Virgin: Gus and Damien are both virgins for most of the series, which may contribute to why they're both craven, venal and unlikable Jerkasses.
Manipulative Bastard: Everyone in the series, at one point or another, with even George having his moments.
Meaningful Name: Inverted with the dark, rude, sarcastic, downbeat PA Joy Merryweather.
Medley Exit: In the final episode, to Jimmy Ruffin's What Becomes of the Broken Hearted?
Ms. Fanservice: Gus occasionally forces Joy to act as this for the station, even though she terrifies everyone.
My Hovercraft Is Full of Eels: Done twice. Once with Russian (Henry introduces himself as a pregnant cabbage to a Soviet official on a factfinding exchange) and once with Japanese (Damien tells a group of Japanese businessmen to go and have sex with a porcupine).
Helen - "It's not like you can start a war or anything!"
Damien - "Yeah, that would never work again..."
The Not Secret: Helen agonises for years over telling her parents that she's a lesbian. After her father's funeral, she finally tells her mother, who instantly responds "Of course you are." They figured it out years ago and were waiting for her to tell them in her own time. And later, she admits she had "a bit of a phase" in her time.
Ripped from the Headlines: Each episode included up-to-the-minute topical gags that meant a opening narration was included in repeats to give them context.
Severed Head Sports: After Damien finally convinces Helen that there is a lighter side to his nature, it emerges that he has done so while editing footage of some soldiers playing football with a man's head.
"Gus, the man has the charisma of a tapeworm's douchebag."
Springtime for Hitler: When Globelink is about to be shut down Joy believes that her contract means she'll be better remunerated if she gets fired first, but her attempts to do it fail: she tries to be aggressive, rude and disrespectful to her employers, but they don't notice the difference, and does things like making Gus's lunch with "used Odour Eaters and soap shavings" and openly admits to them, but everyone thinks she's just being sarcastic.
Gus: Did we have a... conversation yesterday? Dave: No, Gus. And we certainly didn't have one where you revealed your paranoid fantasies in embarrassing detail.
The Swear Jar: The office had a "Nessun Dorma" box for anyone humming the catchy opera tune that became the unofficial theme of the Italia '90 World Cup Tournament.
Followed by a "Bad Maxwell joke Box" after Robert Maxwell died.
Sympathy for the Devil: Sally, Gus, and Damien - usually complete bastards - each get an episode which shows how sad and lonely they are. And in the final series, Gus and Damien get downer endings that can't help but make the viewer feel at least a little bit sorry for them, despite their general douche-baggery.
Stylistic Suck: When Gus directs a crime scene re-enactment — adding murders which didn't occur and blood splattering on a bystander's cleavage.
Take That: Every episode, every five minutes, to every notable politician during the show's run. Especially Peter Lilley MP, who spends several series as the "Slimey Git of the Week" on the office noticeboard.
It should be said that "Royston Merchant"'s initials, RM, were shared by two highly unpleasant newspaper moguls who at the time were branching out into owning TV stations. While Britain's TV is regulated and all news and current affairs footage is legally required to be impartial and even-handed, Globelink TV was meant to be an awful warning about the unhealthy power an owner can exert over the media he owns. There is no such regulation over British newspapers, which explains why Robert Maxwell and Rupert Murdoch were - and are - allowed to get away with murder. And in America, Rupert Murdoch owns FOX TV. Where there is no regulation designed to enforce even-handedness in news broadcasting...
This Is My Side: Henry and Sally have to share a desk and get into an argument about each keeping to his or her own side. As the episode goes on, the argument takes an increasingly militaristic tone with disputes about how one of them has made excursions into the agreed-upon neutral zone in the middle of the desk. In the end, Helen removes their desk entirely and puts two kiddie tables in its place.
The Troubles: "What do people think they're dying of, stress?"
True Art Is Angsty: invoked Joy's doodles of hideous fates for her superiors are lauded as high art.
True Art Is Incomprehensible: invoked Absurdly pretentious modern art abounds as Joy mixes with artists who love her sketches. The regular characters (Joy included) think it's all a ridiculous con, and a critic at a showing of her work suggests she's too naive to understand. When she knocks him out, someone else assumes he's an installation, and this happens again later when Joy discovers that the artist promoting her is just out to screw her, in both senses, and ends up hog-tied and naked as part of an exhibition - bottom line, do not mess with Joy.
Twenty Minutes into the Future: The novel Drop The Dead Donkey 2000, published in 1994. It predicted that proportonal representation would lead to a rainbow coalition of scary right-wing parties led by Conservative Seb Coe, a Civil War in Switzerland, pirates in the English Channel, and House of Cards making every UK politician incapable of saying "No comment". Non-canonical, since apart from anything else Globelink didn't survive to the turn of the millennium.
Ultimate Job Security: Damien because he gets the highest ratings and Joy because she's "the best PA we've ever had" and she scares Gus too much for him to discipline her.
“Well Done Son” Guy: Damien really only wants his mother to be proud of him. Shame his grammar isn't up to the task while he's being shot at.
We Want Our Jerk Back: When Sally converts to evangelical Christianity, though it's mostly motivated by an office pool on when she'll finally snap.
Word Salad Title: Word Of God has it the title is only meant to sound like something that would be said in a high-pressure newsroom and, despite journalists' claims to the contrary, was completely made up by the writers. (Originally it was "Dead Belgians Don't Count" - the Swedish version was Dead Danes Don't Count.) A popular theory had it that it refered to ITN's flagship News At Ten, where editorial policy was to end every night with some sort of lightweight, preferably animal related, story. The "Dead Donkey" related to some sort of fiesta tradition in Spain involving dropping a donkey off the church tower - British animal rights charities exposed this sort of thing regularly, much to the irritation of the Spanish, who thought it was none of their business. The other sense of "drop the dead donkey" was when serious news broke - therefore the lightweight animal story about , for instance, plucky Brits rescuing persecuted Spanish donkeys, had to be "dropped" from the run to allow more room for the big news item.