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Music: The Agonist
From left to right: Danny, Paco, Vicky, Chris, Simon.

Does history guide you, or do you set out to change it?
Business Suits and Combat Boots

The Agonist (formerly known as The Tempest) is a Canadian Melodic Death Metal/metalcore band from Montreal, characterised by topical lyrics, complex guitar work and a female lead who can sing (well) in both clean and growling vocals.

Their lyrics often consider themes that you might not expect from a death metal band, such as animal rights, social injustice and other contemporary issues. This fits in with the band's name: "Agonist" means initiator/starter of something.

In March of 2014, Alissa White-Gluz announced that she had been chosen as the next frontwoman for Arch-Enemy. She also revealed that the band, as fans knew it, was "over", and that Vicky Psarakis would be taking over as vocalist. They have new material in production, and the new album will be released on November 10 2014. You heard it here first.

Their current line-up is:
  • Vicky Psarakais - Vocals
  • Danny Marino - Guitar
  • Chris Kells - Bass, Background Growls
  • Simon McKay - Drums
  • Pascal "Paco" Jobin - Guitar

Former members include:
  • Derek Nadon - Drums
  • Andrew Tapley - Guitar
  • Chris Adolph - Guitar on tour (2009)
  • Justin Deguire - Guitar on tour (2011)
  • Alissa White-Gluz - Vocals, Lyrics

So far they have released three studio albums and one EP:
  • Once Only Imagined (2007)
  • Lullabies For The Dormant Mind (2009)
  • The Escape (EP) (2011)
  • Prisoners (2012)

And they have music videos for:

The Agonist provide examples of:

  • Air Guitar - How Danny comes up with his riffs.
  • All Men Are Perverts - Simon, apparently. He tried hitting on Alissa at his audition. Maybe it's because all drummers are animals?
  • Almighty Janitor - Kells, who provides both bass backing for Danny and Paco, and vocal backing for Alissa/Vicky. He is also very active in engaging the crowd during live shows.
  • Altum Videtur - Memento Mori and Globus Hystericus.
  • Amicable Exes - Appears to be the case regarding Alissa leaving to join Arch-Enemy. Possibly mitigated by the fact that retiring vocalist Angela Gossow specifically asked Alissa (a good friend) to Take Up My Sword, rather than the split being due to Creative Differences.
  • Apathetic Citizens - Alissa's Berserk Button.
  • Audience Participation Song - Thank You Pain is an audience participation video casting Alissa as a defendent, death-growl Alissa as a judge, and the audience as the jury.
  • Belief Makes You Stupid - Predator and Prayer takes this line, advocating a more existentialist worldview.
  • Black Sheep Hit - Waiting Out The Winter was composed by Simon.
  • The Cameo - Youri Raymond from Cryptopsy and Unhuman on Lullabies for the Dormant Mind. Also Melina Soochan, Avi Ludmer and Jonathan Lefrancois Leduc (Blackguard) performing additional instruments. Their producer even got in a few sneaky Metal Screams on their first single Business Suits and Combat Boots.
    • In turn Alissa has cameo'd in songs for Synastry, The Plasmarifle, Blackguard, Erimha and Kamelot! You can see her wearing a Plasmarifle t-shirt at the end of the Business Suits music video.
  • Creepy Children Singing - Employed in Predator and Prayer, in a similar vein to Pink Floyd's Another Brick In The Wall.
    Choir: "We hear you, we don't care. We hear you, we don't care..."
  • Concept Video - Thank You Pain (verging on surreal).
  • Costume Porn - Alissa's stage outfits. Generally averted by Vicky.
  • Digital Piracy Is Evil - justified.
  • Distracted By The Shiny - In one interview with Skulls n Bones, Alissa stops mid-sentence to point out a typo on a passing van.
  • Dramatic Pause - In a few songs; sometimes by the whole band (eg. Lonely Solipsist), sometimes by Alissa/Vicky alone.
  • Dress Rehearsal Video - Eulogies, Birds Elope
  • Epic Rocking - Ideomotor, Revenge of the Dadaists.
  • Ethereal Choir - Swan Lake
    • Also in the background of quite a few other songs.
  • Final Solution - The trope namer is referenced in Born Dead, Buried Alive. It is probably worth noting that Alissa is of Jewish heritage, and lost family members in the Holocaust.
  • Fore Shadowing - Synopsis, the slightly mind screwy intro from their first album, contains a distorted vocal excerpt of Rise and Fall.
  • Friendly Rivalry - Kells and Paco occasionally try to one-up each other during live shows.
  • Genre-Busting - The band has variously been described as Melodic Death Metal, Metalcore (due to their use of breakdowns and alternating clean/harsh vocals) and Deathcore, and they also have some progressive elements (which have become prominent in their more recent work).
  • Gratuitous French - At the end of Martyr Art, and at the start of Revenge of the Dadaists. Less gratuitous than most, however, seeing as they're from Quebec.
  • Green Aesop - Many of their songs touch on this (Business Suits and Combat Boots, Globus Hystericus and The Sentient being the most obvious ones, though even those tend to deal with a great deal more than just environmental issues).
  • Humans Are Flawed - A theme in many of their songs (Thank You Pain, among others).
  • I Am the Band: As of 2014, Danny Marino.
  • Indecipherable Lyrics - On occasion. Alissa is aware of this, and has stated that she thinks it would be cool if someone made a misheard lyrics video.
    • Less prominent with Vicky, whose growling style is slightly deeper and slower, and thus more understandable. Compare and contrast.
  • Last Name Basis - Chris Kells, notable because every other member of the band usually uses their first name.
  • Last Note Nightmare - In Everybody Wants You (Dead). A Mind Screw-y Subdued Section is followed by a discordant wall of noise with Alissa screaming in the background.
  • Lead Bassist: Kells is a type B.
  • Look on My Works, Ye Mighty, and Despair! - Discussed in Globus Hystericus.
  • Master Race - The concept is venomously attacked in Born Dead, Buried Alive.
  • Metal Scream - Probably 60-70 percent of the vocals.
  • Mohs Scale of Rock and Metal Hardness - Ranges from a standard 8 (Void of Sympathy) to a hard 9 (Phanophobia).
    • Their hardest song, which is a very solid 10, is And their Eulogies Sang Me to Sleep.
  • Morality Ballad - Lots of them.
  • Motor Mouth - Usually during the Guttural Growler sections of songs.
  • My Car Hates Me - Their touring van, "the blue hornet", has a habit of breaking down in the worst possible places.
    • Tonight Someone Dies - They are going to get their revenge by destroying it on film, and are taking suggestions from fans as to how they should do it.
    Simon: "Baseball bats, spiked clubs, grenades, you think we could procure a flamethrower?"
  • New Sound Album:
    • Lullabies for the Dormant Mind was overall faster and had less emphasis on breakdowns, along with a more pronounced Melodic Death Metal influence.
    • Prisoners had more Progressive Metal influences than both of the earlier albums. This probably has to do with them being from the Canadian Death Metal scene, which is big on the more aggressive prog metal.
  • Non-Appearing Title - Lots.
  • One of Us - Alissa is a fan of LOLCats.
  • Pimped-Out Dress - Alissa in the Thank You, Pain music video.
  • Precision F-Strike - All over the place. Usually signifies that Alissa is pissed about something (usually humans in general).
  • Protest Song - Again, lots of them.
  • Punctuated! For! Emphasis! - In Trophy Kill ("Fuck! You! Fucking hypocrite!")
  • Red Oni, Blue Oni - A minor but noticeable case with the band's singers: Alissa's stage persona was very stern and controlled, while Vicky tends to smile more and mess around with the other band members during instrumental sections.
  • Serial Escalation- An ongoing competition between Alissa's (and now Vicky's) whiplash vocals, the three guitarists' Epic Riffs and Simon's ludicrously fast drumming.
  • Signature Move - Kells and Paco have one: holding down the frets of each others' guitars during instrumental sections.
  • Sixth Ranger - The two most notable are Pascal Jobin, who joined the band in 2010, and Vicky Psarakis who replaced Alissa in 2014.
  • Soprano and Gravel - In this case, both provided by the same singer.
  • Subdued Section - Both within the context of the album (Chiaroscuro for Imagined, Swan Lake for Lullabies) and within individual songs (such as Void of Sympathy, Chlorpromazine, and several songs on Prisoners).
  • Talking to Herself - Thank You Pain
  • Technician Vs Performer - A mild example: Danny comes up with intricate and technical riffs, to which Paco adds shredding solos. This carries over to live shows, where Danny is generally the most subdued of the three guitarists.
  • Throw It In - The "false start" at the beginning of Eulogies is an out-take that they decided to keep.
  • Titled After the Song - Inverted with The Tempest, which was the original band name.
  • Truck Driver's Gear Change - Chlorpromazine, where Alissa's growl rises to a shriek after the bridge.
  • Walking Disaster Area - An alarming number of their gigs have coincided with various natural disasters.
    Alissa: I feel like as a band we are sync'd with nature in the worst way possible.
  • You Gotta Have Blue Hair - Alissa, most of the time. Vicky, on the other hand, seems to prefer blonde.
  • Your Princess Is in Another Castle - Born Dead Buried Alive sounds like it's about to end on a long, fading guitar chord, then cuts back in and plays for another 30 seconds.

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alternative title(s): The Agonist
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