The Fake Cutie
aka: Fake Cutie
"When you consider something charming, it never ends well."While The Cutie is known for being a character that is sweet, lovable and innocent, some characters, while apparently cute, arenít as innocent as they seem. The Fake Cutie is either a full-grown woman or otherwise mature person, but insists on dressing, speaking and acting like a child, sometimes to a sickening degree, or at least much younger than she is in order to be cute and "get dates" or other benefits. This cutie act is actually camouflage to hide her intelligence, her true self, her nefarious intentions, or her insane jealousy. She tends to be very manipulative and is often murderously dangerous to those that see Beneath the Mask. For children, may involve levels of Troubling Unchildlike Behavior. However, it is entirely possible that she may have less malicious intentions. She is the cute counterpart of the Stepford Smiler, and may even be her daughter. The Bitch in Sheep's Clothing is her meaner sister. The fully grown Fake Cutie is invariably a Psychopathic (Wo)manChild, unless she is of the Broken Bird variant. While this trope is almost Always Female, examples using little boys are not unheard of. Compare Deliberately Cute Child, Kawaiiko, Keet, The Ingenue, Kiddie Kid, The Cutie and Dawson Casting.
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Anime and Manga
- Mimi Yoshioka from Lovely Complex acts this way around her crush, Otani. She does eventually slip, revealing her true nature.
- Washu on Tenchi Muyo!, though it's definitely an act; she can move in and out of it at a moment's notice (she even physically alters her body to switch between the usual "Cutie" act and her true age). She's the smartest person in the galaxy, and Really Twenty Thousand Years Old... And that's in the continuities where she's closest to what she appears.
- On top of being a Genki Girl, Vandread's Dita fits this description pretty well. She talks like a child ("Hello, Mr. Pilot!") and acts like one, even if you ignore the fact that she plays with toys. Her Character Development reveals a more complex reason why she grew up this way: When she was little, being a Cheerful Child brought hope and smiles to the adults around her in a tough time. She resolved to be as cheerful and cute as possible to continue helping out as best she could, and it kind of stuck. To her credit, she didn't let this get so out-of-proportion that she didn't learn more practical skills, like cooking, sewing, flying a Humongous Mecha and delivering babies - The last skill in particular was instrumental to saving the entire crew in the opener of the second season, as the cry of a newborn baby was the password to unlocking the central computer of the ship from its BSOD.
- Miu from Ichigo Mashimaro. Cute is practically a way of life for her. Mind, so is Jerkass.
- Yokohama Kaidashi Kikou seems to suggest that, if we ever develop Ridiculously Human Robot Girls we'll probably intentionally program this trope into them...and they're probably right.
- Death Note's Near is an eighteen year-old genius who sits around playing with toys all the time and who, when he has to fly to Japan, gets an ally to essentially chaperone him because he's never flown on his own before, then sits on the flight fiddling with a model car. He's not trying to be cute, though - he's just extremely weird.
- Misa is this whenever she has all her memories intact and serves as the second Kira. Otherwise, she's a genuine cutie.
- Komoe Tsukuyomi from A Certain Magical Index. I mean.... Bunny pajamas, and ends her sentences with 'desu'? Who are we kidding here?
- Akira in Lucky Star, despite being 14 and thus younger than anyone else in the cast, has the personality of a dried up old entertainer completely disillusioned with the industry. So the joke behind her little Lucky Channel segments is the rapid personality switches between a kawaiiko girl even younger than her real age and her bitter, real personality. The cutesy act apparently doesn't go over well with the audience compared to Minoru or the main cast, of course.
- Yaya from Shugo Chara! goes as far as having her Shugo Chara, AKA Anthropomorphic Personification of her True Self, be a baby. Her Magical Girl form even wears bunny pajamas and her special attacks include rubber ducks and a giant rattle. Oh and she's prone to burst into tears if hurt.
- Biscuit Krueger in Hunter ◊ Hunter is an expert combatant and, for some time, a mentor to the main characters. She has the ability to alter her body to appear like a preteen girl; she does so because her true form is gonk and she is ashamed of looking like that. She also likes the bonus of keeping a low profile and, if she ever needs to get in a fight, having the opponent go easy on her due to her cuteness.
- Flay Allster from Mobile Suit Gundam SEED becomes this when she goes yandere after her dad's death, acting sweet and kind to Kira while planning to get him killed in battle as "punishment" for him not being able to save her old man. Character Development fixes that, however. And then she dies.
- Muteki Kanban Musume: Megumi is a full-grown woman that insists on dressing, speaking and acting like a cute child, sometimes to a sickening degree, as a ploy to get clients into her bakery.
- In Bakemonogatari, we have Nadeko Sengoku, as revealed in Nadeko Medusa. She acts cute, plays victim and behaves non-confrontationally in order to avoid responsibility and get people on her side. In truth, she hates hard work and emotional stress, is extremely irresponsible and selfish, deeply jealous of Hitagi's and Shinobu's relationship with Koyomi (who she's yandere for), and believes nothing is ever her fault.
- Nui Harime, a bubbly, bouncy, adorable girl dressed all in pink, and also the murderer of Ryuko's father in Kill la Kill.
- Nico Yazawa from Love Live!. On stage, she's a cute and cheerful idol who likes to go "Nico Nico nii~!". Outside of it, however, she's an Attention Whore with the temperament of a grumpy old lady.
- Agent Diamond, from Akatsuki Kitten Phoenix Corporation Overhaul, seems to swing between this and Cute and Psycho. She is generally sweet and happy a lot of the time... she just has an extremely frightening tendency to do things like kill people while giggling madly. There may be a Freudian Excuse behind that, as well as basic nature: she "used to be" Renesmee Carlie Cullen and has only grown less human in mind since then.
- Kitten, from Breakfast on Pluto.
- Orphan: Esther fits this perfectly, her entire life is based around hiding her Ax-Crazy personality, and the fact that's she's in her thirties with a cute-girl facade.
- In What Ever Happened to Baby Jane?, Jane dresses like a little girl and sings songs that would be adorable for a little girl but are incredibly creepy when sung by an adult.
- All the Boys Love Mandy Lane, Mandy Lane seems like an innocent, virginal, late-teen girl who all the teenage boys are obsessed over at high school. Turns out she's an evil, manipulative, female who uses her charms to make a multiple murder and suicide pact with her nerdy male best friend, which she then breaks by killing him too. And she gets away maintaining her innocent persona.
- Natasha Rostov tries this for a long time in War and Peace. She's eventually broken though.
- Quite a few of David Eddings' novels have the goddess Aphrael. Her "real" form is an adult woman, but she always appears to everyone as a eight year old girl. This allows her to use The Power of Love on everyone. When a cute young girl asks to sit in your lap, no one can refuse. Once she sits in your lap and gives you a kiss, she will get her way on everything she wants.
- Willie Connolly in J.R. Lowell's 1972 thriller Daughter of Darkness starts out as a Deliberately Cute Child Prodigy, and becomes this as she matures. She doesn't want her father to realize she is in puberty, because she thinks (and is probably right) he will send her away to some stupid prep school instead of allowing her to stay home and care for him. She spends the next few years with a tight bandage around her breasts and dressing like an eight-year-old. It works for a while.
Live Action TV
- Princess Ariel of Wizards And Warriors was the epitome of this trope.
- Similarly, Vala Mal Doran of the later seasons of Stargate SG-1 is portrayed as being in her early to mid thirties, but most of the time acts like she's in her early twenties at best, even wearing her hair in a pair of unbraided pigtails. It's almost certainly calculated to make her appear harmless, because in an episode when she loses her memory, aside from trying to continue her thieving and lawless ways, she acts more maturely. It's helped when people make reference to pop culture, as she's not from Earth, allowing her to demonstrate something approximating real naivete.
- And when she stops acting cute and acts competent instead, she unnerves everyone. It's a skill.
- Annie on Community is in-universe compared to Pollyanna and Disney Princesses, she is okay with her sexual repression, and other characters have commented they "try not to sexualize her".
- Sayumi Michishige from Morning Musume plays this trope for laughs constantly in her TV appearances, putting on the attitude of a cheerfully narcissistic Kawaiiko.
- Momoko Tsugunaga of Berryz Koubou does the same, only cranked Up to Eleven.
- Justin Bieber's gimmick is entirely based around this; he was 16 when he started but promoted as if he was 12 years old. If reports of his business sense and backstage behavior are anything to go by then his 'kid' persona is clearly constructed.
- Nermal from Garfield is actually shown to purposely stunt his own growth to stay a permanently cute kitten.
- A subversion occurs during Murder Mystery Dinner Train, where one of the suspects, a one-time child actress, was revealed to have remained young and cute so long because her agent used a variety of drugs to stunt her growth and keep her in the movies as long as possible.
- Rosalie in Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feelin' So Sad is an oversexed version.
- One of the titular character's peers in The Madwoman Of Chaillot is a downright ancient version of this trope.
- B.B. Hood (pictured above) from Darkstalkers plays up her cuteness, but is more vicious and psychotic than most of the monsters in the cast.
- Momo Karuizawa, the skipping, pigtailed, stripey-socked, 4 1/2-foot tall tennis player from Rival Schools. Oh, and she's also evil. But she gets better in the Gorin path - it turns out a good part of said evil came from her loyalty and love for Kurow, and then he throws her under the bus. Shouma saves her and tells her to pick a side, and this drives Momo to a Heel-Face Turn.
- Vanille from Final Fantasy XIII is a Deconstruction of the Cutie. She pretends to be innocent in order to hide her guilt. While she's by no mean a bad person, some of the the main characters, particularly Lightning and Sazh, end up not trusting her.
- In Super Robot Wars Z2, Marilyn Catto's character encyclopedia entry mentions she's taken cosmetic surgery to maintain her looks and she makes the men in her squad treat her like a princess, which could mean that she is a case of Older Than They Look.
- Kohaku from Tsukihime. Her faked personality isn't revealed until you get to the second to last route of the game, though there are hints beforehand. However, it actually appears as though she's been faking her personality on accident and out of habit. As a child, she was something of an Emotionless Girl, but now when Shiki see her he thinks to himself, 'If only Hisui had some of Kohaku's cheer.' *wince*
- Liliana in Princess Waltz. Some of it is natural, some of it is obfuscating stupidity. Hints start dropping fairly early that she's not as young as she looks.
- Higurashi: When They Cry:
- Rena or so it appears. The other main characters too, but they're broken more often.
- A straighter example would be Rika. She spends most of the time looking adorable and acting like a child, much to the joy of Rena (when she's not crazy). But come the second half of the series, we learn that she is in fact quite mature (and somewhat cold), having lived through hundreds of years worth of bloodbaths, at the end of which she is always killed. And her only option is to live through each one, waiting until a miracle occurs or until she cannot resurrect into another timeline.
- Hiyoko Saionji from Super Dangan Ronpa 2 is not only the same age as the other students despite looking like a little girl, but she's also rather cruel and sadistic towards everyone else, particularly Tsumiki. It doesn't help that she has rather childish mannerisms, which makes her actions come across as even more unsettling.
- Dahlia Hawthorne of Phoenix Wright: Ace Attorney is introduced as a sweet, innocent girl in a pink dress with butterflies fluttering around her, winning over everyone in the courtroom. This hides her true nature, which is a scheming, manipulative murderer.
- LessThanThree Comics' Brat Pack features Pixel, who is one year younger than her team-mates, and acts about five years younger most of the time, and has a blast doing so.
- Quinn Morgendorfer and her three friends on Daria. Mildly subverted because Quinn is as smart as Daria or nearly so, but rarely applies it or develops her intelligence.
- This is spoofed on Drawn Together with Strawberry Sweetcake, a parody of Strawberry Shortcake. She turns out to be a homicidal and kinda-cannibalistic Stepford Smiler.
- Mary "Baby Doll" Dahl of Batman: The Animated Series was a child actor with a growth deficiency which prevented her from physically aging, and similarly prevented her career from advancing as well. Years later, she snapped and started kidnapping old cast members, but kept doing so in character as "Daddy's widdle precious". It's only at the end of the episode, when she stumbles in front of a funhouse mirror that seems to show the adult form she could never have, that she breaks character and reveals what she's really like, in a speech that's a real Tear Jerker.
"Why wouldn't you let me make BELIEVE...?!"
- Animaniacs: Dot Warner likes to think of herself as The Cutie and takes her cuteness very seriously, but she's hardly innocent. Press her buttons and risk pain, call her "Dottie," and you die.