open/close all folders
- The Legend of Zelda series (with the exception of Zelda II: The Adventure of Link, which experiments with RPG Elements) generally uses this trope, having Link pick up a new weapon in each dungeon. Depending on the game however is how the progression works with the bosses. In some cases you can walk out of the dungeon once you've found the new item and use it to tackle the next dungeon right away, though you usually have to defeat every boss at some point anyway. The "Groundhog Day" Loop mechanic of Majora's Mask applies especially strongly; because the game world is reset every three days, where Link is capable of going depends entirely on what he has brought back in time with him.
- Metroid, the first part in the name of the Metroidvania genre, uses this trope (the other half, Castlevania, tends to include levelling up).
- Cave Story, another Metroidvania-style game, has you collect various guns, each one leveling up and down individually as you collect XP triangles and take damage.
- The Assassin's Creed games generally follow this format, in that you get better weapons to do more damage, and better armor to get more health (the first had a "sync" bar that increased through the game as you did various sidequests).
- In Mega Man the entire point of the series was to acquire new weapons from one boss to take down the next. Since you could fight them in any order, the trick was discovering the optimum sequence to fight them in.
- Larry And The Gnomes has no leveling system. The player must find projectiles and weapons to get more powerful. Part of the strategy consists in knowing which weapon will be better in the long term, or knowing which will be the most useful for the current stage.
- In An Untitled Story, the player progresses by finding heart containers and abilities which let them reach areas that were inaccessible before. Later, ability finding is replaced with searching for golden orbs.
- While Ōkami and its sequel Ōkamiden have a leveling system, it is independent from its combat system. The brush techniques may not be equipment, but they do add new powers, allowing for further exploration and more effective combat, as well as some puzzle-solving.
- While you do find health upgrades in Shining Wisdom the only way to increase your attack power/skills if to find new weapons.
- Ring Runner Flight Of The Sages allows you to unlock new equipment over time, either by completing missions or performing research projects. All equipment is meant to provide you with new options in combat. For example, if you unlock a tractor beam that can pull in enemies, suddenly the plasma sawblade that's high-damage but limited to close range becomes much more attractive.
First Person Shooter
- The entire First-Person Shooter genre in general (although less so with more recent games) has this trope as one of its main features (since players are expected to get bigger and better weapons as the game goes on), although many have RPG or Point Build System-based progression as well.
- Wolfenstein 3D was the Ur-Example for FPS games using this trope (being the first game in the genre) while Doom was the Trope Codifier (having popularised it); both games had the player go from the basic fists and pistol, all the way up to room clearing super weapons.
- S.T.A.L.K.E.R.'s progression revolves entirely on what equipment you have. In fact, there are three distinct phases in Shadow of Chernobyl:
- The 'hobo' phase, where you'll be VERY lucky to have guns that don't jam every 10 shots, two full reloads or more for each, and an armor capable of preventing four shots from being lethal;
- The 'stalker' phase, where you start have decent guns, good armor with usable night vision, and scopes for longer-range engagements;
- And finally, the 'One-Man Army' phase, featuring very good armor with Night-Vision Goggles good enough to make the time of day irrelevant (in fact, stalking at night is far more advantageous), and powerful and accurate hardware galore (including suppressed armor-piercing rifles). As long as you don't do anything stupid, you're almost invincible and can kill anything in your way, be it mutant or human.
- Spelunky: You find equipment and upgrades, but you can also get them by going to a shop or performing a ritual sacrifice. The game is randomly generated, and if you don't find things early, the later levels might be too hard to get through.
- While NetHack features a conventional Experience Points system, no ascension run is complete without a fully-compensatory, well-enchanted ascension kit. In fact, the midgame is typically recognized as the collection and construction of this high-level gear that will carry you through the endgame.
- In Brogue, all of your progression is item-based: Life potions both heal and increase maximum hp, enchantment scrolls increase the effectiveness of any items you use them on, and strength potions allow you to wield heavier weapons for more damage. There used to be an experience and level system, but not in the most recent versions.
- In Chrono Cross, you have a fairly low level cap based on your star level (which can only be increased by defeating bosses, not mooks), preventing you from Stat Grinding. The only way to get stronger in the interim is to forge stronger weapons/equipments and abilities.
- Vagrant Story; Ashley's stats can be permanently boosted by killing bosses or finding rare elixirs and wines, but the game's mechanics and Random Drop rules encourage the player to make Ashley stronger by finding new weapons and armor, or by reforging and improving existing ones in workshops.
- Monster Hunter runs on this trope as well. Your power is based completely on the equipment you own, and the point of the game revolves almost entirely around finding new ways to create new gear. You hunt monsters to skin them for body parts, of course, but you also have to mine for ores, catch fish and bugs, collect herbs and mushrooms and plant crops to really get the most out of everything.
- In Dark Cloud, you can increase your characters' Health and Thirst meters, but you can only increase damage by adding enhancements to their weapons and, eventually, building them up into bigger weapons. You do find new weapons occasionally, but after you've built up one weapon a couple times, even the mightiest new weapons start to pale.
- In Mega Man Battle Network, the only stats that you can find increasers for are Hit Points and kB (the latter is used to set a chip as available first turn). Because of this, the only real way you can increase your power is by finding and equipping more powerful chips and Customizer parts (which can increase other stats, like rate of buster fire, and give other abilities).
- While multiplayer characters in Mass Effect 3 do gain experience and upgrade their skills, their levels are capped at 20 (single-player cap is 60) and the players have to reset them back to level 1 if they want to keep advancing up the score ladder. This effectively renders character progression meaningless in a long term, while rare weapons, weapon upgrades, and advanced equipment mods (randomly awarded for winning online matches) become crucial on higher difficulty settings.
- Any of the Record Of Agarest War games are made out of this trope. Sure you level up and such, but most of the time you'll be doing a lot of equipment customization.
- The concept overlaps with And Your Reward Is Clothes in The Elder Scrolls III: Morrowind. After a certain point, the rewards for the main quest (and some other quest lines) become things you can wear, intended to be symbolic of recognition as a great war-leader, only occasionally with a marginally decent enchantment or other bonus.
- God Eater Burst relies solely upon equipment to increase your abilities. The only difference between a character five hours into the game and fifty hours in is equipment load-out, and you can always opt to go into the most difficult fights with the most pathetic gear if you're feeling masochistic. Party members are static as well unless the story changes their gear or tactics.
- Paper Mario handles parts of the progression this way. While you can level up your HP, FP (Mana), and BP (Badge Points, which define how much you can equip), attack and defense are solely dependant on your equipment. Mario's jump and hammer become more powerful once he upgrades his boots or hammer, which happens at certain points in the game, and everything else is dependent on which badges he has equipped.
- Toukiden characters never gain levels and only become more powerful by making and upgrading weapons and armour. Special abilities and passive boosts come from equipping Mitama, the souls of old heroes devoured by oni.
- Infinite Space characters do become more skilled by leveling up, but the primary way main character Yuri becomes more powerful in game terms is by gaining access to new ships. Ship classes determine the durability and firepower of the player party in combat.
- MS Saga: A New Dawn characters become stronger and unlock new Limit Breaks by leveling up, but acquiring better Mobile Suits is still a bigger boost in power. It's the Mobile Suit's stats that determine durability and which weapons can be used: each suit has its own Grid Inventory, with more powerful suits having larger ones to accomodate larger/stronger weapons.
- Evil Islands features this to some degree, thanks to its emphasis on Item Crafting (with the pseudo level-up only increasing Hit Points and Mana Points, and purchasable skills only affecting secondary stats such as chance to hit or attack speed), but especially with physical damage. There's no way at all to increase the damage inflicted through weapons by earning experience, you must equip a better weapon for that. This is notable because experience points can be spent on skills such as increased night vision or maximum equipable weight, so you'd expect something as important as damage would be affected by experience. Also present in regards to armor points (can only be increased by equipping better armor) and magical damage (can only be increased by equipping better spells available through Spell Crafting, experience only affects, indirectly, whether you're actually able to use them, but once crsfted and equipped, the spell's damage can't be increased).
- Vandal Hearts 2 has an interesting hybrid between this and Level-Locked Loot: The main game itself does not use class system, and any character can be seamlessly re-oriented from one specialization to the other simply by changing their equipment (that is, if you want to make a mage out of a swordsman, just swap the sword for a staff and the armor for a robe). However, characters do gain EXP and level, and level determines the maximum amount of HP and SP one will get out of a piece of armor. That being said, the characters are not prohibited outright to equip anything that is above their level; they just couldn't utilize said equipment to their fullest potential.
Third Person Shooter
- The Tomb Raider games follow this trope, giving you more powerful weapons as you progress whilst all other skills remain static from the start.
- The Jak and Daxter series gives you new abilities and weapon upgrades from the second game onwards (the first game just placed temporary powerups in certain parts of the levels) as you reach certain points in the story.
- Many MMORPG games become this trope in the end game, when the players have reached the level cap, so their only means of progression is through better equipment.
- World of Warcraft in particular takes the "progression" part to the extreme for the Dungeon Finder for dungeons: To queue for a group for dungeons near and at the maximum level, you need to meet an Item Level requirement (average from all equipment slots). Its not uncommon for raid leaders making similar requirements either.
- Final Fantasy XIV has a similar system for endgame dungeons. Much like regular levels, this can be level-synched to maintain some of the challenge if the player has much better equipment then what was available at the time of the dungeon's release.
- Realm of the Mad God is intentionally designed such that it is easy to reach the max level in less than a few hours, then it becomes this trope. While leveling up does boost your stats, the main focus is in fighting monsters to acquire better and better equipment. There are no prerequisites to use any of the equipment (besides obtaining the item).
- In Spiral Knights, the players don't gain experience themselves, instead, you can craft different pieces of armor and weapons, each one with its own elemental bonuses and weaknesses, and each item requires Experience points (or "Heat") separately, and usually has an additional bonus when they reach its level cap. They (and the levels' difficulty) are also divided on tiers. In order to be allowed to go deeper on the clockworks, you also need to craft better equipment(usually using a level capped item of a lower tier).
- In The Secret World, getting new and better gear is the only way to increase stats. You do still gain Experience Points to buy new skills.
- Dynasty Warriors Online. Oh yes. The only stats you get at all are never attached to your character. "Progression" isn't the main idea, it's just being stronger during battles, but the weapon you use makes up 95% of your combat stats. This dips into the bad end when all weapons have unique movesets but the stats are constant as well, and it in fact rendered one of the fan favorite movesets obsolete because of the poor stat choice, but other than that it works fairly well.
- In Minecraft your character's baseline health and physical abilities never change. You can gain levels of experience, but you spend them to enchant equipment. Your strength, health and ability to interact with or shape your environment entirely depends on the type and quality of the items you own or use.
- Terraria: Your character's abilities come entirely from whatever gear you happen to be wearing. Indeed, even the Terraria equivalent of your character class is derived from equipment. A character is only a "mage" because they're wearing gear that boost magic weapons in some way. This allows free-form multiclassing.
- The whole "catapult" genre of flash games such as Toss The Turtle has this as the main game mechanic. The farther you launch the projectile the more money is available for upgrades, and each upgrade helps you go further, and so on ad infinitum.
- Dawn of War Dark Crusade and Soulstorm focus on upgrading the commanders of each faction in the Campaign. These upgrades are only gained by accomplishing certain criteria (i.e. Conquering a set number of territories, defending them, getting a certain kill-ratio in the match). While many usually focus on granting the commander a new set of armor or a new weapon, there are some that either radically change how the character plays (Like Daemonic Ascension for the Chaos Lords), imbues a special mechanic to improve the character's usefulness (like the Space Marine Captain's Teleporter or the Tau Commander's drones), or even upgrade other characters (like the Incubi Torture Helms for the Dark Eldar Archon or the Imperial Guard General's Victory Sash).
- Unsurprisingly, you can't advance your pinball's abilities in Mile High Pinball for the Nokia N-Gage. Instead, you collect Bucks and purchase Power Ups for it.
- In Pinball Quest, the Black Market Imps sell stronger flippers and drain-blocking stoppers of various effectiveness between tables.
- In Shop Heroes, this applies to the heroes who the player supplies with gear (although increasing hero power is just one part of overall progression in the game). Heroes do have a level, but this just determines what equipment is suitable for them, not how powerful they are.
- Zombidle: Unlike most prestige-based Clicker and Idle Games, there are no Skill Points, Tech Trees or Artifacts to use your prestige points (White Orbs) on. All your upgrades and improvements are based on the benefits from various items collected or crafted (as well as bonuses from achievements), and you use White Orbs to buy even more equipment.
Non-Video Game Examples:
- The Gam3: A player's equipment contributes as much, or more, to their combat ability than their attributes or abilities. It is discussed that a level 1 player with good enough equipment could fight evenly with a level 1000 player with poor quality equipment. This makes collecting and protecting your gear critically important, and losing your best items when you die a real penalty.
- Kingdom Death is a game based around using boss parts to craft armor and weapons. Since there's no leveling system, this means that all character progression is based on grinding out armor.
- In Shadowrun character progression through equipment/money (gear) and experience (karma) are equally important. There's actually an exchange rate that Game Masters can use as a guide to convert between the two when deciding how to reward players for their quests. This is unusual in table top games in that gear is a formalized part of the progression system, with the same importance as skills.
- Especially in its third and fourth editions, Dungeons & Dragons basically assumes that player characters will be picking up increasingly powerful magical items in their adventures as they advance in level. To an extent the assumption has always been there (often in the form of more dangerous monsters that would already make more plausible opposition for higher-level characters anyway curiously also requiring increasingly powerful magical weapons to hit), it's just in these two editions that it's all but coded into the level progression math under the hood.
- In the Noob franchise, quite a few characters are already level 100 and hence implied to be doing this. The Justice guild main roster is actually seen renewing a piece of equipment or another from time to time.