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Prince of Persia: The Sands of Time is a live-action film based on the video game series of the same name, directed by Mike Newell and starring Jake Gyllenhaal.The film features Dastan, an orphan adopted by the king. After playing a decisive role in capturing a holy city for the Persian Empire, Dastan is framed for the murder of his adoptive father. In the company of Tamina, princess of the city, and in possession of a dagger with the power to control time itself, he flees. Not only must he now clear his name and uncover the true nature of a treacherous plot, but also prevent the Dagger from falling into the wrong hands, which would have dire consequences indeed. The Prince must also avoid falling victim to the dreaded killers known as the Hassansins.Now there's a character sheet for more details.
Prince of Persia: The Sands of Time provides examples of the following tropes:
Almost Kiss: When it finally happens it's at the worst possible time.
Anachronism Stew: The MST3K Mantra is in full effect, of course. The map at the beginning shows the extent of the Achaemenid Empire as it was before its conquest by Alexander (about 900 years before the film is set). References are made to the Turks, who at this point were a loose confederation of nomadic peoples in central Asia, yet are described in terms more evocative of the Ottoman Empire. Despite being pre-Islamic, the (presumably Sassanid) Persians use Arabic script. Indian rulers are referred to as "Mughals", a term that would not be used until the 16th century CE. Even more — the city of Alamut was actually where Hashashins resided. Not to mention, that vizier named Nizam was the very first man killed by them. It's really a big question, if the movie shows its knowledge of the story, or complete lack of it.
Animal Gender Bender: Sheik Amar who arranges the ostrich races repeatedly refers to them and the only ostrich left later in the movie as "she", however, all the shown ostriches are dark bodied: they look like males. Then again, he's a Cloud Cuckoo Lander.
Arabian Nights Days: It's Ancient Persia, but its portrayal is very heavily influenced by the trope.
Arc Words: Literal ones, that open and close the movie:
It is said some lives are linked across time. Connected by an ancient calling that echoes through the ages.
Arranged Marriage: Dastan is set to take Tamina as his wife after the Persian army takes over Alamut even in the rebooted timeline. Both of them are much more receptive to the idea in said timeline, albeit for differing reasons.
Artifact of Doom: The Dagger of Time if it's opened while it's inside the Sandglass.
Barrier Maiden: The young girl who first saved mankind from destruction at the hands of the gods, and all of her female-line descendants, including Princess Tamina.
Batman Gambit: Used several times by Nizam while trying to retrieve the dagger. Another that counts as a Crowning Moment of Awesome for Dastan, when he stabs himself with the dagger in front of his brother, hoping he would use the dagger to reverse time and save him and then in turn believe his story.
Belligerent Sexual Tension: Dastan and Tamina have an obviously growing attraction throughout the film. It's most apparent when they are trying to kill each other.
Bittersweet Ending: Nizam is dead and Dastan has saved the day and reunited with Tamina, but she (like everybody except him) has lost the memories of the entire adventure and they have to start their relationship from zero. Not that this perspective bothers him very much, however.
Book Ends: The movie starts with the sun rising and Arc Words appear, and ends with the sun setting on the exact same horizon with the same Arc Words.
Broad Strokes: This is not a word by word adaptation of the games, but rather taking the most important elements and telling another story.
Brownface: Gemma Arterton, a fair-skinned Englishwoman, looks considerably tanner while playing the Persian princess Tamina. Of course, some Persians are as fair skinned as Northern Europeans, but a fair Gemma Arterton would not be convincingly Persian to Western audiences. And she looks goddamn sexy with any color of skin.
Cain and Abel: Nizam kills his brother because he wants to be king. Then he tries to go back in time to kill him sooner, so he can be king instead of his nephew.
Carnival of Killers: The Order of Hassansins who comprise of: a man that controls snakes, a man that shoots darts, a guy with two deadly whips and finally a guy that throws explosives.
Dying Moment of Awesome: Seso bravely battles the evil Hassansin knife thrower in order to get the Dagger back, resulting in an epic knife fight. Seso kills his opponent, only to look down and see that he had been struck in the chest by four knives. In his final moment, he grabs the Dagger and tosses it out the tower window, falling several stories and impaling itself in the wood right next to where Dastan, Tamina and Amar were waiting for it.
Two of the Hassansins have severely scarred faces. One of them has a METAL scar.
The scars on Nizam's hands provide a clue to Dastan about the real cause of why he's on the run in the first place. Dastan himself is covered in scars, seen in his Shirtless Scene early on, as well as one on his face.
Happily Adopted: Dastan was adopted by the King and is loved as an equal by his brothers.
The scene where the camera rotates around The Prince on a high tower to give a good view of the landscape. The exact same shot which was used for viewpoints in Assassin's Creed, another Ubisoft franchise.
During the opening invasion, the camera moves to important locations as the Prince explains his plan, echoing similar camera-work in the Sands of Time game upon entering an area.
The Prince gives his life to prove to his brother that the Dagger is real and would work, assuming said brother would rewind to save him. It works. Then the uncle comes in and promptly kills said brother.
Done earlier in the exact same way with his other brother, who is just starting to believe Dastan... and then gets shot several times in the chest.
How to Stop the Deus ex Machina: The time-rewinding dagger only works with the Sands of Time, and getting it is very difficult, requiring going underground in the city of Alamut.
Incorruptible Pure Pureness: Implied to be the case with Princess Tamina and her ancestresses. According to the backstory she tells to Dastan, she is descended from a girl who managed to prevent the gods from destroying all of mankind through the wish of her pure heart that humanity would be spared.
Magic A Is Magic A: The usage of the Dagger of Time is very clearly defined in that you can't exist in two places at the same time, merely move backward through your own timeline with your memories intact.
Mutual Kill: Seso can throw any blade with surgical precision. He faces off against a Hassansin firing bolts out of a wrist-mounted automatic crossbow. Seso has one blade left, so he jumps out of the column, runs, aims and throws it, while the Hassansin is firing bolts at him. The blade flies true and kills the bad guy. Then Seso looks down and sees bolts embedded in his chest. It took him longer to go down than it did the Hassansin, though.
One of the Hassansins wields the Dark Prince's Daggertail and the iron claw of the 2008 Prince of Persia.
While the movie was based on the Sands of Time trilogy, the prince wears some headscarves that are quite similar to the 2008 Prince of Persia's headwear.
Those who use the time rewind temporarily gain Power Tattoos on their dagger half of the body that look similar to Dark Prince from The Two Thrones.
The Prince's armor is heavily based on the outfit he wore in Warrior Within.
There's a short scene where the prince wears a turban on his head, which is something the prince from one of the first Prince of Persia games does.
When the Hassansins are first introduced, during their weapon training, upon being hit with a weapon, what looks like sand flies out of one of them. This is a direct reference to the Sand Creatures in the Sands of Time game, until it is revealed that they are indeed human.
Many of Dastan's outfits bear resemblence to the Prince's outfits throughout the games. During the fight between Dastan and a soldier, his appearance mirrors that of the Prince's appearance at both the end of Sands of Time (before turning back time) and his whole appearance throughout The Two Thrones. During the takeover of Alamut, his appearance mirrors that of the Prince's appearance in Warrior Within.
The Adipose Rex that Dastan is carrying during the king's funeral is a reference to the fat king from the game who is the king's friend.
Tamina's knowledge of the Sands of Time and what they can do somewhat mirrors Kaileena from Warrior Within. Likewise, her actions, aside from using weapons, mirror that of Farah from Sands of Time.
There's a scene in which Garsiv holds his sheathed sword. It's lampshaded too. This is a reference to the 2008 Prince of Persia game in which the prince holds his sheathed sword all the time.
The film carries on the tradition of having the Prince's love interest die moments before the climax only to be resurrected in the end, in a manner suspiciously similar to Farah's Heroic Sacrifice in the original Sands of Time game.
While the Prince is scaling the walls of the city by grabbing onto arrows fired from the ground, one of the arrows hits his (thankfully armored) hand and he looks back with chagrin. This is a nod to the Sands of Time game, in which Farah had an annoying tendency to sometimes hit the Prince with arrows instead of the enemy she was aiming at.
The Prince finds himself on the run from the royal army after being framed for his father's murder. The second game in the original series, The Shadow & The Flame, has a similar setup. Even better, the reason he's running in that game is because the Princess has been tricked into thinking that he's a beggar from the streets.
Early in the movie, we see Dastan attempting a vertical wall run with somersault, a move frequently used in the games, and failing. Later, however, he pulls out a perfect one while on the run.
No Romantic Resolution: The ending doesn't give an indication where the relation between Dastan and Tamina is going.
No OSHA Compliance: The path leading to the Hourglass is said to immediately self-destruct if something touches the sand on either side of the path. Presumably Nizam's digging destabilised the cavern, because otherwise it seems like a rather strange safety feature, considering just the door opening caused enough vibrations to cause stones to begin falling from the ceiling!
Le Parkour: Of course. Wouldn't have been Prince of Persia without it!
The Pirates Who Don't Do Anything: The infamous gang of cutthroats and slavers that live in the Valley of the Slaves... don't actually exist. Turns out that Sheik Amar simply manufactured this fiction so he could run his business, far from the reach of the taxman.
Reset Button: The Dagger of Time, as long as you have a steady supply of Sands of Time. When he wrenches the Dagger of Time from Nizam's hand, the dagger moves Dastan back in his own timeline until he pulls it out of the sandglass. He winds up back at the beginning of the movie and manages to stop the terrible events that set the plot in motion.
Royals Who Actually Do Something: Aside from the obviousness of Dastan and his brothers all being great warriors and Dastan saving the world, Tamina is very much this trope—not only does she prove herself quite capable of manipulating, deceiving and outsmarting her 'ally', as well as handy in a fight, as the Guardian of the Dagger she is literally the only thing standing between humanity and The End of the World as We Know It, and quite willing to perform a Heroic Sacrifice in order to fulfill her role.
Say My Name: Quite a bit of "DASTAAAN!" and "TAMINAAAAA!" between the two leads.
Sexy Soaked Shirt: There's a scene where both our male and female lead jump into a fountain and end up soaked head to toe while making an escape, a rare instance of a unisex application of this trope. Look.◊
Standard Hero Reward: Dastan is given Tamina as a gift from his father for his role in the battle. After the reset, he is offered her again with a more diplomatic air to the proceedings.
Stepping-Stone Sword: Dastan uses crossbow bolts to scale Alamut's walls, although Reality Ensues as he nearly falls several times due to a few bolts being unable to support his weight for long.
Storming the Castle: The film opens with the Persian army storming a fortified city. It's a subversion, however, because Dastan notes that his brother, who's leading the charge, only knows how to attack from the front and would have sacrificed a lot of soldiers just to get inside. Dastan instead sneaks over a wall with his small group and opens the gates on that side, allowing the army in with a minimum of casualties.
Nizam, saving his brother's life and all. Well, until he became resentful.
Dastan, the boy that risked his life to save someone wrongly persecuted ends up leading the attack on an innocent nation, though doing so from misinformation and out of a concern to avoid, as much as possible, the horrendous death tolls that the original attack plan's full frontal assault would most likely incur going by Real Life historical recordnote there's a reason attacking walled cities tended towards long sieges to starve out the defenders, after all.
Visual Pun: Amar, after running from a fight, hides behind a chicken coop.
Warrior Princes: Dastan and his brothers are all accomplished warriors who lead their father's army in battle.
Whip It Good: One of the Hassansins wields two whips at the same time. One was a Daggertail from The Two Thrones and the other is an iron claw.