Verily, thou has cometh into this page to read about the video game Two Worlds.Two Worlds doest be a Role-Playing Game released for PC and Xbox 360 in 2006. It hast been widely noted, and widely reviled for being genuinely bad.Forsooth, thou doest playeth as a mercenary in the fantasy world of Antaloor. At the beginning of the game, thy sister is kidnapped by a cult that doest wisheth to summon Aziraal, the evil god ofthe Orcs. The cult doest blackmail you in hopes that mayhap thou shalt help them achieve this foul deed.....Okay, enough of that.Like its obvious inspiration, The Elder Scrolls IV: Oblivion, Two Worlds drops the player into a huge landscape full of villages, dungeons, side-quests, and enemies with a set objective that is ultimately optional. Emphasis is on exploring the world of Antaloor and developing your character.Contrary to popular opinion the game was not developed by Southpeak but by the Polish studio Reality Pump. The PC version was very well received in Germany, possibly to the success of the Gothic franchise.The sequel released in 2010, Two Worlds II, is an entirely different animal. Unlike the first game, which ranged from unplayably terrible to decently fun, the sequel is generally accepted as being average at worst and very good at best. Besides a greatly expanded world with much less bugs and actual animations, it notably featured a completely separate co-op/multiplayer campaign, multiplayer duels, and even a village simulator. Cue the inevitable cries of I Liked It Better When It Sucked.
Artifact Title: Before the game was even released, in fact. The website for the original games has an outdated synopsis that challenges you to choose which of the Two Worlds you will save. This has nothing to do with the released game or its sequel.
Automaton Horses: Averted within the limits of the game mechanics in both parts.
Black and Gray Morality: Aziraal and its minions are simply evil, but the "good" human nation has its fair share of corruption and internal conflict.
In the first game's instruction book there are pictures which suggest there were going to be more equipment, also with using creat codes, you can find things in the game engine not in the final game.
In the second game, a keen explorer will find many tucked-away corners of the Wide Open Sandbox to be empty or conspicuously locked. For example, in an out-of-the-way cave on New Ashos, there are no enemies and only minor potions to loot, while there is an entire island nearby New Ashos accessible by sailing and containing empty cages guarded by enemies. The Site of Fire in Erimos is a location still in the game despite only being accessible to those who own the Royal Edition, and similarly it seems some locations are cut of content unless the Pirate DLC is installed.
Non Indicative Title: Two Worlds? There's Antaloor and... that's it. It might refer to the divide between the human and orc civilizations in the first game, but that doesn't end up being that important to the plot in the long run.
Obviously Evil: The Orcs are obviously evil due to being, well, Orcs. Their human allies are obviously evil due to their eerie voices and face-concealing masks. The Orc part is subverted in the second game.
Portal Network: The elves left one behind when they fled Antaloor, but the humans who then settled there did not know how to use it. A series of side-quests involves you helping a researcher reactivate the Portal Network. Completing said side-quest is its own reward, since you can then use it yourself.
Wide Open Sandbox: Especially in game two. There are freakin' oceans you can cross by boat. The sequel really makes you feel that you're in a vast world, rather than just a small part of it. For better or worse, however, certain areas are barred off or completely empty as part of the Royal Edition, Pirates DLC, or the multiplayer sections.
Which has European architecture and is inhabited by black people.
And then there is that tavern in New Ashos, with the drunkards called Macek, Jarek and so on. Might be an Easter Egg from the Polish team of developers, though.
Ye Olde Butcherede Englishe: And butchered modern English. None of the peasants can decide how to pronounce the names of their towns, no one told them how, and some of them don't even know how to pronounce real words.
Peasant: "They said they wanted to buy my corral (pronounced "coral") for one piece of gold. I told them to stick it where the sun never shines."
Could arguably be a case of Fridge Brilliance if one assumes that this simulates the varying level of education in a (fantasy) medieval society and alludes to the real world phenomenon of native speakers sometimes not knowing how a word is correctly pronounced in their own language. Though it is much more likely that this is simply a fail.
Parodied in the sequel where there is one person who speaks Olde Timey, and the hero basically walks away saying he has better things to do than figure out what he's saying.
Four Point Scale: Played straight with the usual big-name sites and publications, who gave it a 7 out of 10, but averted with pretty much everyone else, who gave it a 2.
Hatedom: One has arisen due mostly to the overblown self-image of the folks at Southpeak Studios. On the other hand, most people just find think the first game is too funny to actually hate.
Minus World: The interior of Eikronas, the largest of the islands, is supposed to be inaccessible. It's blocked off by steep cliffs and, should you manage to make your ways onto those, a layer of invisible walls that teleport you back to the shoreline. There is, nevertheless, a gap in those that allows the player to slip through and explore the mostly barren landscape beyond and even make their way to the swampy area in the middle before being transported there in the proper course of the story.
Nice Job Breaking It, Hero: The main quest line in both parts. It leads basically to unleashing the real Big Bad into the world. Not that the hero had much choice in Part One. In Part Two he just doesn't know the hidden agenda of the Prophet.
Unwinnable by Mistake: Many spawn points are located just outside towns. It's very easy for the soldiers - at the start of the game, strong enough to pretty much One-Hit KO you - to chase you until they're standing over the spawn point, and simply kill you over and over and over again.
What Could Have Been: Almost everything that was said prior to the release of the game. You can go online — sort of. You can customize your character — but it won't matter, because he looks the same anyway. You can play a female character — online. And there's only one world. Note that most of these features are in the second game.
The first part takes place in Northern Antaloor, which was just recently shaken by a bunch of sleezy jerkasses who took control of the region via political intrigue and imposed a bunch of laws the populace hates. The main quest of that area involves a lot of political intrigue and the like that could have been fleshed out and given more overall depth. In the South, there's a lot of tension and concern over the invading Orc armies, and in fact when you get to the capital city of Cathalon, you can see siege machines being set up across the river by Orcs. Once again, the epic potential of this stock Fantasy trope is epically wasted because, all in all, you don't really even do too much to help end the war.
The second game provides examples of:
Aborted Arc: TW2 seems to suffer heavily from this. The story goes on nicely until you finally make it out of the Goddamn Swamp, then you have to head out for the Big Bad's fortress only to end up being handed a Twist Ending the size of the castle you're infiltrating. It seems the game was originally planned to be significantly larger but the developers had to shorten it due to time and money constraints, so you get the feeling of having "skipped" a certain portion of the story when getting an ending which doesn't make much sense and feels extremely rushed and even lame.
The first chapter is about recruiting a rebellion and building a massive army using the same mysterious Verita that Gandohar uses. This army is never heard from again, except in the form of a hidden quest wherein you slaughter the very same golems in the Verita Caves to apparently save the miners. This has no effect on the plot, is not hinted at unless you re-enter the caves sometime after the reveal of the golems. In gameplay terms, the golems are even overpowered compared to the rest of the enemies in the game and the weapons they drop require a staggering level 56 to wield when the game is completed at around level 46, hinting that they were slipped in as an afterthought.
Anvil On Head: Literally, in the sequel: the numerous schools of magic allow you to concoct and store potentially thousands of different spells - including ones that will rain dozens of huge anvils on the enemies' heads. Seen here.
Beauty Equals Goodness: Going with Dark Is Not Evil. [[Nalia]] is partly shunned by the villagers as a witch because of her wicked appearance. If you follow Nalia's side to the end, she will eventually return to her former beautiful appearance.
Continuity Lockout: There is little to no in-game information about who's who and who stands for what in the Part Two. Even the manual provides only a very brief and vague synopsis. On the other hand, the vast overwhelming conflict of Orcs versus Humans is pretty much shelfed in the background as the story explains it
Darker and Edgier: The plot of the second is somewhat darker than the first, which was fairly lighthearted by contrast.
Dark Is Not Evil: In the third chapter, the single surviving town in the swamp is threatened by a witch who follows The Undead wherever it goes. When you later meet the witch and find her decrepit form, she outright saves you from the undead with a blast of green energy, and hints that she is not the evil they were looking to kill.
Deadpan Snarker: In the sequel, the main character, very much so, albeit it's a cynical snarky.
Flunky Boss: The second game's final boss summons increasing numbers of minions several times during the fight.
For Massive Damage: The Humbling Blow skill from the second game knocks opponents down; if you then follow up with a standard attack while they're lying on the ground, you instakill them automatically, potentially dealing tens of thousands of hitpoints worth of damage in a single blow.
Invisible Wall: in spite of being a Wide Open Sandbox, TW 2 has its fair share of them. Sometimes it's justified by the plot, but most of the times you'll be just teleported back if you manage to set foot in a location you weren't meant to (i.e. the entire island of Elkronas outside of two areas, since the rest of the island is devoted to multiplayer adventures).
Kick Them While They Are Down: The second game allows you to learn a skill that enables you to kick your opponents in the face, then stab them in the gut them while they're splayed helpleslly on their back.
Mugging the Monster: One character is revealed to have accepted a curse, out of love, that will afflict anyone she sleeps with except her husband. She hires you to discreetly remove what remains of a gang of rapists outside town.
Playable Epilogue: After the credits. Really more of a pass to explore the open world than an epilogue despite being titled as such, as the player is able free-roam and complete any remaining quests.
Puzzle Boss: The final boss can't really be hurt by conventional weapons because of flight (melee is obviously a bad idea, and ranged attacks require fast projectile speed to catch up to it except when its stopped to use one of its attacks), leaving the use of convenient ballista the primary form of damage. In fact, the first phase of the boss can't even be damaged except by using the ballistas, leading to some Trial-and-Error Gameplay since they aren't explicitly pointed out and a player may flail about until he realizes their existence.
Save Game Limits: You can save at any time in TW2... except during the final boss battle.
There's an entire questline that is a shoutout/homage to Indiana Jones And The Last Crusade, complete with the holy grail being your reward.
And during the quest, you also meet the Black Knight, who speaks, word for word, the same lines that he did to King Arthur. This ends with the protagonist saying "Dear God, I hope this doesn't mean a lawsuit."
There's another sidequest that involves getting rid of the ghosts of some annoying imperial toll collectors...who happen to be medieval Expies of the Marx Bros. It also contains mild Ghostbuster references - the Groucho Expy says "If you don't pay the toll, you can't cross the stream" (to which your character replies "What stream?" - the area you're in is almost bone dry), and when you talk to them before enacting your plan to exorcise them (trick them into following you into a nearby room with a mirror so that they look into it, realize they're dead and pass on), they refer to themselves as the Scoleri brothers, after the ghostly gangster brothers from Ghostbusters 2.
What Happened to the Mouse?: The final fate of your orc allies is never discovered, and the Final Boss features Dar Pha randomly phasing in and out of gameplay existence and appearing almost solely in cutscenes before vanishing. This is likely a result of a rushed plot ending.