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Lorre Lookalike

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"You satirize me, don't you?"note 
"All that anyone needs to imitate me is two soft-boiled eggs and a bedroom voice."

Peter Lorre (1904-1964) was a Hungarian-born character actor popular during The Golden Age of Hollywood. Although best known nowadays for playing Joel Cairo in The Maltese Falcon and Signor Ugarte in Casablanca, his contemporary claims to fame were the German Expressionist film M, Alfred Hitchcock thrillers like The Man Who Knew Too Much, and horror films with Roger Corman and Vincent Price. Like many other Golden Age stars, Lorre was a ripe target for caricature by the animators of the time, which was greatly helped by his distinct appearance and demeanor. His slight build, large eyes, and soft-spoken tone made characters based on him immediately recognizable to audiences, even when exaggerated to grotesque proportions.

As a Stock Parody archetype, Lorre Lookalikes have long outlasted Lorre himself, with new ones being made well into the 21st century. As the films he starred in have largely faded from the general public consciousness, he's increasingly suffered from Parody Displacement, with hardly anyone outside of classic cinephiles knowing that these reedy-voiced, weepy-eyed characters are based on a real actor. Tim Burton admitted he didn't even know Peter Lorre's name when he first created the character of Maggot for Corpse Bride.note He's also been largely Lost in Imitation, with most later parodies being based on those by Looney TunesMel Blanc's impression of his voice in "Hair-Raising Hare" and his appearance in Tex Avery's "Hollywood Steps Out" being the most common sources.

A typical Lorre Lookalike can best be recognized by his face: he has large, bulbous, Dreary Half-Lidded Eyes, which are often a bit wall-eyed too. He typically has large Gag Lips, Goofy Buckteeth, persistent Overly-Nervous Flop Sweat on his brow, and the hair on his head is greased back or parted down the middle. His build is usually slender and always short. He speaks in a raspy, reedy, half-whispering voice, tinged with a nondescript European accent. Works taking cues from his noir roles may portray him as an Ineffectual Sympathetic Villain, with Ambiguously Gay affection for a boss who's typically patterned after Lorre's regular co-star Sydney Greenstreet. Works in need of a horror villain often make him a Mad Scientist à la Dr. Gogol in Mad Love, or pastiche it with his villainous lackey roles and make him The Igor or The Renfield (though the real Lorre never played such a role). Comedic works may give him the latter role in a Vile Villain, Laughable Lackey duo, but more serious works may make him a Soft-Spoken Sadist, with leering, lewd, and uncanny behavior that drives up his creep factor to eleven.

The Lorre Lookalike has not been without a fraught legal history. The first person to take advantage of it was German-born actor Eugene Weingand, who banked on his resemblance to Lorre to pass himself off as Lorre's son, even changing his name to "Peter Lorie Jr." in 1963. The real Peter Lorre filed legal injunction to stop the name change, though Weingand would appeal and overturn it after Lorre's death a year later. He had a brief period of professional success under the name "Peter Lorre Jr.," but a second lawsuit—this time from Peter's brother Andrew Lorre—stopped it for good. Several decades later, in 2017, the Lorre estate filed a cease and desist against Warner Brothers using Lorre's likeness; while it is unclear how it will affect the rerelease of classic Looney Tunes shorts featuring Lorre Lookalikes, this will likely put an end to any appearances in future cartoons.

A subtrope of No Celebrities Were Harmed and Stock Parodies. See Maurice Chevalier Accent, Shirley Template, Charlie Chaplin Shout-Out, Mr. Alt Disney, and Mumbling Brando for other parodies of Golden Age Hollywood, as well as Looks Like Cesare and Looks Like Orlok for Expies of other German expressionist characters. Also compare with Karloff Kopy, another trope covering stand-ins for an iconic actor famous for dabbling in the horror genre.


Examples:

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    Advertising 
  • Monster Cereals' Boo Berry was based on Peter Lorre, with a short stature, droopy-lidded eyes, and a German accent. His top hat and bow tie in early ads are reminiscent of Lorre's costume in the 1949 film Rope of Sand. His original voice in the 1973 commercials was Eugene Weingand, AKA "Peter Lorre Jr.," until Lorre's estate pressured General Mills to drop him.
  • "Big Shots," a 1991 ad for the British cereal Weetabix, features gangsters shooting cartoon bullets inspired by famous noir actors—one looking like Edward G. Robinson, one looking like James Cagney, and one with giant bug eyes looking like Peter Lorre.

    Audio Plays 

    Anime and Manga 
  • Bobobo-bo Bo-bobo: In the English dub, one of the hair hunters of the former Chrome Dome Empire, the tv head guy who fights alongside Not Nice Cream was given a Peter Lorre impression.
  • Digimon: In the English dub of both Digimon Adventure and Digimon Adventure 02, Digitamamon speaks with a Peter Lorre impression.
  • Kinnikuman/Ultimate Muscle: The evil cell phone wrestler, Tel-Tel Boy/Dialbolic, has a Peter Lorre voice in the English dub — with a phone filter over it, of course.

    Comic Books 
  • The Tick: One of the associates of Chairface Chippendale (who all had the Dick Tracy-esque tendency of villains to have a caricatured appearance taken to extremes, such as Chairface himself having a chair for a head) is a villain known as The Guy Who Looks Just Like Peter Lorre, whose physical quirk is being a dead ringer for Peter Lorre.

    Comic Strips 
  • The Addams Family: The father of the family was modeled off of Lorre, with his dark parted hair, drooping eyelids, round head, and short build. However, all of Lorre's influence has since been erased by Adaptation Displacement—nearly every trait associated with the character today comes from John Astin's portrayal of him on the television show, including the name Gomez Addams.

    Film — Animated 
  • Aladdin: Among the many celebrity impressions the Genie gives, he imitates Lorre's voice and appearance when telling Aladdin about how he can't use the wishes to bring people back from the dead. Aladdin is visibly disgusted by Genie's appearance (though the fact that Genie has made himself look green and decaying surely doesn't help).
  • The Brave Little Toaster: The ceiling lamp in Elmo St. Peters' stock room, who ominously warns the protagonists that he disassembles appliances for parts and taunts their hopes for escape, is a Lorre Lookalike (with Phil Hartman doing the Peter Lorre impression) with droopy eyes and gap teeth.
  • Corpse Bride: Maggot, who lives in Emily's eye cavity and offers advice, is a Lorre Lookalike strongly modeled after the classic Looney Tunes design. Amusingly, Tim Burton did not know who Peter Lorre even was before making this film.
  • Frankenweenie: E. Gore (who only resembles a stereotypical Igor superficially) has the eyelids, greasy hair, gap teeth, and voice of a Lorre Lookalike.
  • The Haunted World of El Superbeasto: The emcee at The Haunted Palace is an obvious parody of Lorre, with his soft voice and heavy eyelids.
  • Mad Monster Party?: The zombie Yetch is essentially a blue-skinned Peter Lorre who constantly (and literally) goes to pieces.
  • Scooby-Doo and the Ghoul School: Phantasma's dad speaks with a blatant Peter Lorre impression, which is accentuated by his big round eyes.
  • The Super Mario Bros. Movie: In the first work where the character has a substantial speaking role, the wizard Kamek is voiced with a Peter Lorre impression and mannerisms, befitting his short stature and giant bespectacled eyes.

    Film — Live-Action 
  • Looney Tunes: Back in Action: The Lorre Lookalike Mad Scientist first seen in the short "Hair-Raising Hare" makes an appearance, voiced this time by Billy West.
  • Overdrawn at the Memory Bank: After an accident at a rehab clinic results in programmer Aram Fingal getting his consciousness uploaded to Novicorp's central computer, then he uses his programming skill to reshape his simulated environment into recreations of his favorite classic movies, primarily Casablanca. Naturally, there's an expy of Lorre's character Ugarte—who has a bigger role here than in the original Casablanca, hanging around for the entire movie before pulling a Heroic Sacrifice just before the climax.
  • Toht, one of Nazi villains of Raiders of the Lost Ark, seems to have been loosely modeled on Lorre's villainous characters, being a short, round-faced Soft-Spoken Sadist. The real Peter Lorre did play Nazi villains from time to time, in films like The Cross Of Lorraine and All Through the Night. note 

    Literature 
  • Discussed extensively in Matthew Hahn's 2020 book The Animated Peter Lorre, an authoritative encyclopedia of over 700 different references, impressions, and parodies of Lorre in popular media.
    "Peter Lorre's posthumous career, as performed by animated and living surrogates, is already longer than his actual one. In a few years, it will be longer than his lifetime. It shows no signs of stopping, as new generations are delighted by his impersonators, even as the memory of Peter Lorre himself slips further and further away. What will happen then? Will mimics mimic other mimics, like clones of clones?
    Clones. I think Peter would like that."
    —Epilogue
  • Drachenfels: A creepy-looking actor named Laszlo Lowenstein (Lorre's birth name) plays the Great Enchanter Drachenfels in a stage play.
  • The Great Game: Two of the villains are Gottfried Kaspar and his obsequious servant Ugarti, based on Sydney Greenstreet and Peter Lorre's characters from The Maltese Falcon (with Urgarti's name coming from Lorre's character in Casablanca).
  • In a “Creator/Richard Matheson” short story ‘Shipshape Home,’ a sinister janitor was described as looking like Peter Lorre. Naturally when the story was adapted for the anthology series ‘Studio 57’ (as the episode ‘Young Couples Only’), Lorre played the character.

    Live-Action TV 
  • Engelbert von Smallhausen in 'Allo 'Allo! is occasionally berated by his superior, Herr Flick, for his numerous Peter Lorre impressions.
  • A Series of Unfortunate Events (2017): One of the villain Count Olaf's alter-egos, Stefano, was confirmed by Olaf's actor to be an impression of Peter Lorre; while the accent is different, being distinctly Italian instead of vaguely Eastern-European, Stefano still has the same reedy voice, unusual body language, and creepy mannerisms of a typical Lorre character.
  • Stingray (1964): The villainous Aquaphibian henchman Surface Agent X-2-0 is a pastiche of Claude Rains and Peter Lorre, notably having Lorre's oversized, drooping eyes and voice.

    Music 
  • The Spike Jones version of "My Old Flame" features a Lorre imitation done by Paul Frees.
  • In the Fortunes song "The Ghoul in School", the voice of the titular ghoul is an obvious Peter Lorre impression.
  • The subject of Don Hinson's "That Little Old Graverobber Me" is a Peter Lorre soundalike who informs the singer that he's digging up bodies for a project planned by Baron Frankenstein.
  • "When I Grow Up I Want To Be Peter Lorre" is a filk song by Tom Smith that affectionately parodies the Peter Lorre character while letting the listener know a bit about his acting career.

    Puppet Shows 
  • Fraggle Rock: Marlon, the least moral of the Fraggles and an Ineffectual Sympathetic Villain who constantly tries to rope others into ill-fated schemes, has droopy eyelids and is voiced with a Peter Lorre impression.

    Radio 
  • John Finnemore's Souvenir Programme:
    • The "foreign guy" who works for the Big Bad in the Noir Episode sounds like Lorre. And his boss, of course, sounds like Sydney Greenstreet.
    • A very similar voice is used for the counterpart of Bruno in the Strangers on a Train parody, even though Bruno wasn't played by Lorre and Robert Walker didn't sound like that at all. But it still gets across "classic black and white movie villain" pretty efficiently.

    Video Games 

    Web Animation 
  • The DAVE School Animation student film based on Applehead Factory's Tofu the Vegan Zombie depicts Tofu's creator Dr. Vost as resembling Peter Lorre, with Billy West voicing him using an impression of Lorre.

    Western Animation 

    Other 
  • Phil Hartman's Flat TV, a 2002 posthumous album that's a compilation of unreleased voice work from 1978, features the vignette "Monday Night Mystery Theater: The Luther Krupp File," where the eponymous Luther Krupp (featuring Hartmann doing his Peter Lorre impression) is accused of the murder of criminal Fingers Purcell. Hartman's brother Paul has been trying to get Flat TV adapted into a feature-length cartoon since 2013 with varying success; character designs for Luther Krupp depict him as a Lorre Lookalike in the classic Looney Tunes style, while Fingers Purcell seems to be a Sydney Greenstreet expy.

 
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Lorre-esque Dead Ringer

In "Kiss Kiss, Bang Bang", the titular duo meet up with a contact who's a dead ringer for Peter Lorre. Max, being Max, annoys the little guy by asking Sam if they can keep him.

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