First and Foremost
When the original (or at least early) version of a song refuses to be permanently dislodged from the public mind by subsequent covers, even if the covers might be briefly more popular. (The cover belonging to a Dead Horse Genre
is often a contributing factor.)
Closely related to First Installment Wins
. The opposite of Covered Up
, although the "first and foremost" version might itself have Covered Up
the real original.
- Thin Lizzy 's version of Whiskey In The Jar (which was a cover but they came up with the arrangement) is much more popular than the Metallica version in the UK and especially Thin Lizzy's native Ireland. The Metallica version had huge chart success in America, though whether it is more popular there is a matter of debate (outside those countries it probably fills Covered Up).
- It should be mentioned that Ronnie Drew (of Dubliners fame) once famously (and sarcastically) introduced it as "That one song played by Metallica". Which rendition of Whiskey in the Jar is the definitive is certainly a matter for dispute...
- Ugly Kid Joe's version of "Cat's in the Cradle" was a huge hit in 1993, but has long since faded back into being much less famous than Harry Chapin's 1974 original.
- Guns N' Roses covers of "Live and Let Die" and (moreso) "Sympathy for the Devil" are significantly less well-known than the originals.
- The Beatles "Yesterday" from Help! is statistically one of the most covered songs of all time.. but seriously can you name any cover it without consulting The Other Wiki?
- Aerosmith and Michael Jackson covered "Come Together", and both versions, especially since the latter's death, still get airplay, but The Beatles' original from Abbey Road is still the most popular.
- The Beatles' everything, with the exceptions of Joe Cocker's version of "With a Little Help From My Friends", (for the R&B/Soul crowd) Earth, Wind & Fire's "Got To Get You Into My Life", and possibly Rosanne Cash's take on "I Don't Want to Spoil the Party", which was a #1 Country Music hit in 1989. Other than that, nearly all of their songs have been covered many, many times, and all of them have remained Beatles songs.
- Many, many, many rock bands have covered Chuck Berry but most of his songs are still primarily associated with him, with the possible exception of Johnny Rivers version of "Memphis, Tennessee".
- The ones made by The Beatles ("Rock and Roll Music" and "Roll Over Beethoven") are borderline.
- Alien Ant Farm had a popular cover of "Smooth Criminal" from Bad but it still can't push out Michael Jackson's take.
- Pat Boone, for a while, was notable for taking R&B and rock 'n' roll numbers and singing them with watered-down arrangements in order to make them palatable to pop radio and white audiences. Back then, his covers outsold the originals, but today, they're ridiculed as weak imitations of the real deal while the originals are seen as definitive. Therefore, Boone ended up being a victim of this trope.
- Madonna's version of "American Pie" did nothing to replace Don McLean.
- Both D'Angelo and Huey Lewis and Gwyneth Paltrow did versions of Smokey Robinson's "Cruisin'" that got a lot of airplay for a while. Nowadays, Smokey's back.
- None of Marilyn Manson's covers had any significant staying power. His "Tainted Love" is more popular than the original (by Gloria Jones), but less popular than the Soft Cell cover.
- "Sweet Dreams" is considered by some to be superior to the Eurythmics original.
- The Cure's "Lovesong" has been covered by dozens of bands, including some major acts. None of these covers have been remembered or loved like the original, even when some of the covers (specifically 311 and Adele) have been quite successful.
- Elton John's recording of "Lucy in the Sky With Diamonds" sold over a million copies and hit #1 in Billboard while the original version was never even released as a single, yet it's the original artist who people continue to associate with the song. The fact that the song originated on The Beatles' iconic Sgt Peppers album is probably a factor.
- Elton John's cover of "Pinball Wizard", by The Who, similarly charted higher than the original recording, and even displaced it in radio play for many years before classic rock radio rediscovered the original.
- Leon Ashley's "Laura (What's He Got That I Ain't Got)"; three separate covers were released in the month that his version was at #1, and two more followed in the next decade, but none were as big a hit as his. What makes this all the more impressive is that Leon promoted and distributed his version by himself, while all the other covers were on major labels.
- Tori Amos' take on "Smells Like Teen Spirit" is one of the most well-known covers of all time, but of course, everyone still remembers Nirvana's original from Nevermind. Nirvana is one band that simply can't be Covered Up.
- Similarly, you can try all you like but you just can't Cover Up Led Zeppelin.
- The Shadows of Knight covered Them's "Gloria" and took it to the top 10 (the original didn't even make the top 40). Now every radio station plays the Them version instead.
- Apparently, John Mellencamp's "I Need a Lover" was initially less popular than the Pat Benetar cover of it. However, classic rock radio kept the original alive while the cover is barely remembered even by people who actually remember that time period.
- Leonard Cohen's "Suzanne" from Songs Of Leonard Cohen which has been covered by Neil Diamond, the most commercially successful, and everyone else, but remains his song. "Hallelujah" has been less successful; even though most people know who wrote it, very, very few know what it sounded like before John Cale took out a verse and stitched in three from the cutting room floor.
- And then Watchmen came out. However, Jeff Buckley's version (by way of Cale's arrangement) from Grace remains the best known.
- No Doubt had a hit in 2003 with their cover of "It's My Life," but nowadays it's more common to hear the original version by Talk Talk on the radio.
- Nicki French had a #2 hit with "Total Eclipse of the Heart" in 1995. However, within a year or two, radio stations were back to playing Bonnie Tyler's original version.
- Numerous country singers have covered songs by Hank Williams, and while a few of them have become major hits (e.g. Charley Pride's covers of "You Win Again" and "Honky Tonk Blues" both made it to #1 in 1980), none of them have supplanted the originals in the public consciousness.
- The only one that comes close is George Thorogood's cover of "Move It On Over", which still gets radio play on Classic Rock stations.
- Many, many a musical theatre actor has covered the song "Empty Chairs at Empty Tables" from Les MisÚrables, which is popular as a standalone song. Nobody really cares; they're all busy listening to Michael Ball's version, he who first sang it in the original production in London in 1985.
- Ditto with "Love Changes Everything" from Aspects of Love, the little-known Andrew Lloyd Webber musical.
- Everyone and their mother has covered "God Bless America." Not a one of them has managed to Cover Up Kate Smith, who sang it first and made it famous.
- Remember the Ataris' cover of Don Henley's "The Boys Of Summer?" Well, it never remained more popular than the original for more than a year.
- In 1990, MC Hammer's cover of the Chi-Lites' "Have You Seen Her" became a top 5 hit. Nowadays, the Chi-Lites' version gets all the airplay, especially since 99% of all MC Hammer airplay nowadays are for "U Can't Touch This."
- Likewise is the case with Vanilla Ice's cover of "Play That Funky Music," which has faded into obscurity behind both Wild Cherry's classic and "Ice Ice Baby." Mostly because Wild Cherry sued and the song was pretty much blacklisted.
- Several artists have had hits with covers of Tom Waits' "Downtown Train" from Rain Dogs, most notably Rod Stewart, who took the song to #3 on the Billboard Hot 100 and #10 in the UK. And yet, it is still the original Waits version that is most identified with the song and played on the radio.
- Speedy Techno Remakes typically enjoy a brief burst of popularity but almost never Cover Up the original.
- Likewise, successful club hits tend to get periodic reissues with a bunch of new remixes in the style of the day, but only rarely will such mixes displace the original in the long run.
- All Saints cover of Red Hot Chili Peppers ' Under The Bridge was a huge hit in the UK at the time of release, but it never topped the original, partly because it was a double A Side with Lady Marmalade which got more airplay, and partly because it attracted so much hatred from people who loved the original.
- Several Christmas Songs: "White Christmas" (Bing Crosby from his album Merry Christmas), "Rudolph The Red-Nosed Reindeer" and "Here Comes Santa Claus" (Gene Autry), "The Christmas Song" (Nat "King" Cole), though in most of those cases the artists actually recorded multiple versions of the songs.
- Blue Swede's 1974 #1 "Hooked On A Feeling" is much better known than B.J. Thomas's original. The same cannot be said for their #7 cover of "Never My Love," however, and the Association's hit is still the version most people think of first, and Blue Swede are today remembered only for the former.
- While the McCoys' version of "Hang On Sloopy" is the best known, their #7 hit "Fever" is not as remembered as the original versions (namely Peggy Lee's) from the 1950s.
- Michael Bolton had a top-10 hit in 1991 with "When a Man Loves a Woman", which did nothing to displace the Percy Sledge original as the definitive version.
- "I Will Be" is a song that destroyed Leona Lewis's career in the US, so it's no surprise that the original by Avril Lavigne is better looked upon.
- In The '70s, it was popular for Country Music artists to do cover versions of existing songs, such as Anthony Armstrong Jones with his rendition of "Take a Letter Maria"; Narvel Felts with his version of Dobie Gray's "Drift Away"; Susie Allanson with The Crickets' "Maybe Baby" and the Bee Gees' "Words"; Johnny Carver with Tony Orlando and Dawn's "Yellow Ribbon" and Starland Vocal Band's "Afternoon Delight"; and so on. The trend showed up sporadically as late as Robin Lee's 1990 take on Alannah Myles' "Black Velvet", but at no point did any of the country versions overtake their originals.
- Alan Jackson has had this happen a few times:
- His take on Eddie Cochran's "Summertime Blues", while mildly popular in country music, still takes a backseat to most of the other renditions of the songs out there.
- "Who's Cheatin' Who" fares a little better, but it still gets second billing to the original Charly McClain version on classic country formats.
- His cover of Don Williams' "It Must Be Love" in 2000 has done very little to displace the original on country music playlists. It probably doesn't help that the original was already a staple of "classic country" playlists at the time of the cover's release, and the cover in a midpoint where it's not fresh enough to warrant strong recurrent airplay, but not old enough to be a "classic" yet.
- George Jones' 1956 breakthrough hit "Why Baby Why" only got to #4, with a cover version by Webb Pierce and Red Sovine eclipsing it on the charts and going to #1, followed by a #9 version by Hank Locklin later in the same year; a later version by Charley Pride also topped the charts in 1983. Even so, the song is still primarily thought of as Jones's.
- The Dennis Linde song "What'll You Do About Me" has had several renditions over the years. The obscure band McGuffey Lane cut it first, followed by a charting version from Steve Earle in 1984. After that, it was cut by John Schneider, Randy Travis, The Forester Sisters, Nitty Gritty Dirt Band, and Doug Supernaw. The Forester Sisters and Doug Supernaw both released their versions as singles, with Supernaw's reaching Top 20 in 1995. However, the song seems to be though of mainly as Travis's, even though he never put it out as a single; this is likely due to his version being on his Always & Forever album, one of the most acclaimed country albums of The '80s.
- Johnny Cash's "I Still Miss Someone" has been covered by, among others, The Statler Brothers, Martina McBride, Flatt and Scruggs, and Emmylou Harris among others. However, even though Cash's version was never a single, it's still thought of primarily as his song.