A Bronx Tale is a touching, heartbreaking coming of age story... with gangsters. Bear with me, it's way better than it sounds from that first line.The story begins in the Bronx (a borough of New York City) in 1960. The main character is Calogero Anello, the nine year old son of Lorenzo Anello (played by Robert De Niro), a poor second generation Italian-American who drives a bus in New York's mass transit system for a living. This lets the Anello family scratch out a living, but although Calogero loves his father and is treated to sermons from his father about both how to live an honest life and how "the saddest thing in life is wasted talent," the man Calogero really admires is Sonny LoSpecchio, the tough and intelligent mobster who runs the neighborhood and is rapidly shooting up the ranks of The Mafia.Naturally, both of Calogero's parents disapprove of this (especially his painfully honest, straight living father), but nothing they do can stop Calogero's fascination with Sonny, the other neighborhood mobsters, or their hangout bar, which is just a couple of places down the street from his own house. Still, Sonny never notices Calogero or the other neighborhood boys that imitate the gangster... until the day when two men pulling into a parking space at the same time get into a fight, one of them pulls out a bat and attacks the other with it, and Sonny shoots the bat wielding assailant... right in front of young Calogero.Following the street ethics of his neighborhood, Calogero lies to the police and refuses to identify Sonny as the shooter. A grateful Sonny asks to meet Calogero, and quickly takes a liking to the kid, and soon begins to take him under his wing and treat Calogero like a son, including giving him the nickname C. It isn't long before Sonny and Lorenzo have a tense confrontation about C's time hanging out with Sonny, as Lorenzo fears that it will influence C into embracing the mob lifestyle. Following this a wary truce begins, with both Lorenzo and Sonny influencing and guiding C into adulthood.Fast forward 8 years. Lorenzo is still driving a bus for the city, Sonny is now a boss, and C is 17 and has spent nearly half his life reaping the benefits of being, for all intents and purposes, like an adopted son to Sonny. In the meantime C's relationship with his father is growing ever more strained, especially as C continues to admire Sonny and soak up input from his friends that have formed their own "social club" and act like a minor league mafia. What's more, C's friends are in the middle of starting a mini race war with the black teenagers from the next neighborhood over. This is something C wants no part of, since 1) both his father and Sonny are fairly tolerant people and have passed that along to him (although Lorenzo, like many conservative immigrants, takes a somewhat dim view of marrying or having a relationship with members of other ethnic groups) and 2) C is in the middle of falling for a black classmate, Jane Williams.Soon events are racing to a head. Jane's brother Willie is one of a group of black kids assaulted by C's friends just for riding through the Italian neighborhood on their bikes, and although C doesn't take any part in the beating, Willie identifies him from the scene. C's relationship with his father is unraveling fast, and strange little things are happening around Sonny, making him increasingly paranoid about attempts on his life, including finding something on the engine of his car after C borrowed it, which leaves him suspecting C is part of an assassination attempt. As all these threads come together and the film heads for a climax, Calogero must start making some tough choices about his life, and try to deal with events that will leave most of the characters changed, and more than a few dead...
This film contains examples of:
Acceptable Breaks from Reality: Many a New Yorker got a long, dark laugh from the police banging on the Anello's door within seconds of the shooting. However, since waiting hours for them to show up doesn't make for riveting film...
Adaptation Expansion: Chazz Palminteri (who plays Sonny) originally wrote this as a one man play, and still performs it at times.
Affably Evil: Sonny is a pretty nice guy as long as you don't piss him off. His presence also keeps the rest of the gangster being fairly Neighborhood Friendly Gangsters, especially when you think about what they'd be like without him. (Jimmy Whispers, for example, is often seen asking Sonny if they should let loose a little Disproportionate Retribution for minor slights.)
Big "NO!": Calegero when he sees Sonny getting whacked.
Bittersweet Ending: Calogero makes peace with his dad and finally starts using his head to think for himself, but his friends are all dead, Sonny has been shot and killed, and the future of his relationship with Jane is uncertain at best.
Black Gal on White Guy Drama: This is an important subplot. Calogero, a teenager from an Italian neighbourhood in the Bronx falls in love with Jane, a black girl from his high school. Their relationship remains a difficult topic; C keeps it a secret from his friends because they're all viciously racist, and he gets a bottle thrown at his head by a black teenager when he ventures too far into Jane's neighbourhood. C's father is an old-timer who professes more of an indifferently segregationist than openly hostile attitude towards interracial relationships, but C's mentor Sonny, a mob boss, never sees any problem with it and encourages C to pursue it.
But for Me, It Was Tuesday: At the end of the film, Sonny is shot by the son of the man he murdered in front of C, long after he, and the audience, had forgotten about it.
The Cameo: Joe Pesci makes one in one of the very last scenes of the movie as Carmine, the guy who was getting hit with the bat in that fight. Surprisingly his trademark Hair-Trigger Temper is absent in this character.
Cassandra Truth: Lorenzo's warnings to Calogero about Sonny, especially "They don't love him; they fear him," and "Sonny can't trust anyone." Calogero never stops hero-worshipping Sonny despite those warnings, even when his conversations with Sonny confirm that Lorenzo was absolutely right.
Catch Phrase: Two stand out: Lorenzo's "The saddest thing in the world is wasted talent", and Sonny's "Nobody cares".
Covers Always Lie/Never Trust a Trailer: Both the VHS/DVD cover and the trailer overplay the Sonny/Lorenzo conflict, and make it seem like the entire film is a face to face confrontation between the two. They share two scenes, and one of those lasts about 30 seconds. Calogero also notes that his father and Sonny never spoke once during the Time Skip.
Thematically though it is the conflict. They just never square off or confront each other.
Then you have the background cityscape of Manhattan in the cover art, which is never in any part of the movie's plot.
Sonny: First of all, I respect you, Lorenzo, you're a stand-up guy and we're from the same neighbourhood, but don't ever talk to me like that again. I tell your kid to go to school, to go to college... Lorenzo: You don't understand: it's not what you say, it's what he sees, the clothes, the cars, the money, it's everything.
Deadpan Snarker: The young Calogero shows signs of this. The teenage C, not so much.
Lorenzo: You stay away from that bar. You don't see me going to the bar do you? Young Calogero: You mean Mom wont let you go either? Lorenzo: What am I gonna do with this kid?
Death by Racism: C's friends, and especially Slick, die because of their hatred of black people. They get blown up by their own molotov cocktails after a black guy throws one back at them.
Do Not Call Me Paul: Calogero gets the nickname "C" from Sonny and ends up being called that by everyone, except his father, who will not do it. And Jane, who likes "Calogero" better.
Honor Before Reason: Lorenzo refuses any money from Sonny, even low-risk "nobody gets hurt" jobs that Sonny offers him out of gratitude for Calogero keeping quiet, and does not even want Calogero hanging out with Sonny.
Hypocritical Heartwarming: Sonny's lecture to Calogero about guns and gangsters. "Don't do what I do... This is not for you."
Machiavelli Was Wrong: Sonny seems to be one of he only movie villains who actually understands Machiavelli and the advice he gave. Sonny read The Prince in prison and takes its lessons to heart: Be feared, but not hated, treat your men well, but not so well they do not need you, it is best to be loved and feared at the same time, but is very difficult to do it, etc. Sonny and C openly discuss the question of whether it is better to be feared or loved. The way Sonny smiles when C asks the question shows how much he likes the kid. However, the film explores potential problems with Machiavelli's advice. Most notably, Sonny is a believer in staying close to the neighborhood, the way Machiavelli recommends remaining close to a conquered territory in order to quickly deal with problems before they can snowball and become major issues. This does work, but it also makes it easy for someone to walk up to him in a crowded bar and shoot him in the head. His advice would have worked perfectly if nobody hated him. Unfortunately for him, killing people tends to inspire their next of kin to seek revenge.
Mafia Wannabes: It is painfully obvious, particularly to Sonny, that the teenage C and his friends are third rate wannabes. C is simply not cut out for a street life, and his friends are dumb punks trying way too hard. Sonny describes them as "Jerk-offs. And Slick is the biggest jerk-off."
Priest: Now I want you to tell me what happened. Young Calogero: No, Father. I'm not telling nobody nothing. Priest: Don't be afraid my son, nobody is more powerful than God. Young Calogero: I don't know about that, Father. Your guy is bigger than my guy Up There. My guy is bigger than your guy down here.
Neighbourhood Friendly Gangsters: If you watch closely (or enough times) you can see that while Sonny is a legit case, there is something of a deconstruction going on with the rest of Sonny's crew. Most of them are either losers or violent guys being held on a leash by Sonny.
Never Lend to a Friend: Explored. When C vents about the guy he lent money to always avoiding him and not paying him back, Sonny asks him if C even likes the guy he lent to. When C says no, Sonny shrugs and replies that it is no big deal because, since the other guy keeps avoiding him, C will never have to deal with that guy again and got rid of him with just $20.
The black teens are nearly as bad and racist as the punks C hangs out with.
Lorenzo and Sonny, despite being on opposite ends of the social hierarchy, both want what is best for Calogero: a good education, and not to be corrupted by gangs. Leads to some inevitable Hypocritical Heartwarming on Sonny's part: "Don't do what I do."
N-Word Privileges: C calls Jane's brother this in a moment of anger when he's accused of beating him up when in fact he tried to help him. It understandably nearly destroys their relationship.
Oh Crap. Some bikers start messing up Sonny's bar. He asks them to leave. They refuse. This is what happens next.
Sonny:[walks over to the door, locks it, locking the bikers inside] Now youse can't leave. Calogero:[narrating] I will never forget the look on their faces. All eight of them. Their faces dropped. All their courage and strength was drained right from their bodies. They had reputation for breaking up bars, but they knew that instant, they'd made a fatal mistake. This time they walked into the wrong bar. [Sonny's crew comes out of the back of the bar and beats the crap out of the bikers]
Only Sane Boy: Calogero is by far the most level-headed person in his peer group, most obviously shown in the scene where one of his friends lights a cigarette in a car full of Molotov cocktails. And Calogero still isn't sane enough to get out of that car until Sonny accosts them and forces the issue.
Opposed Mentors: A kid called Calogero growing up under the conflicting influences of his hard-working, honest, but poor father, and the charismatic, rich and powerful, Affably Evil local mafia don Sonny.
Pragmatic Villainy: Sonny exhibits this a number of times, and is frustrated that no one else seems to catch on to the importance of it. One example is that Sonny was the only one who was willing to do business with the Black Gangs, while the more racist mobsters want nothing to do with them.
Properly Paranoid: As Lorenzo points out, "Sonny can't trust anyone!" And Sonny himself confirms it later: "For me, (not trusting anyone) is the only way to live." They're both right; the son of a man Sonny had killed years ago really was out to get him.
Secret Test of Character: Both Mario and Sonny propose ways to test a girl's character and see if she is the right girl. Sonny's is slightly more reasonable and rather less... psychotic.
Sonny: You pick her up [in your car], open the door for her, let her get in. Then you go around the back and look through the rear window. If she doesn't reach over and unlock your side so you can get in, then it means that she's a selfish broad and what you've seen is just the tip of the iceberg. Dump her.
Jane passes the test.
The Sixties: Exemplified by hippie bikers and soul music (in 1968). And the racial unrest...
Soundtrack Dissonance: Several scenes of brutal violence are overlaid with tracks like "Nights in White Satin".
Others, not so much. The heavy bass and percussion of "Come Together" complement the No-Holds-Barred Beatdown in Sonny's bar very well.