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YMMV / Measure for Measure

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  • Alternative Character Interpretation: Like every other Shakespearean play, there's a lot of ways to read the characters.
  • Ensemble Dark Horse: Mariana has had a great deal of Romantic art composed for her, including a famous poem by Tennyson.
    • Barnardine has just seven lines, but some critics, notably Harold Bloom, consider him one of Shakespeare's greatest comic characters.
  • Esoteric Happy Ending: Thanks in large part to Strangled by the Red String.
  • Heartwarming Moments: Mariana is pleading for her new husband Angelo's life, and asks Isabella to get on her knees before the Duke to help her. Angelo tried to rape Isabella, broke his promise to spare her brother in exchange for sex, and has been Isabella's enemy for the whole play. Increasingly hysterical, Mariana begs Isabella to get on her knees, and none of the bystanders think she will...And then Isabella gets on her knees beside Mariana and begs for Angelo's life despite all he tried to do. A beautiful example of the Christian mercy that as a future nun (maybe), Isabella should be practicing.
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    • What makes this doubly heartwarming is that she now shows genuine mercy, not the cold, distant mercy she showed her brother earlier.
  • Strangled by the Red String: Some see the Duke's proposal to Isabella as this, seeing as how their interactions up to that point have no romantic chemistry whatsoever, and it almost seems like Shakespeare addressing the awkwardness of a Pair the Spares happy ending.
  • True Art Is Angsty: This is one of the darkest of Shakespeare's comedies. But it's also one of his less popular plays. Perhaps that fact averts the trope, ultimately.
  • Values Dissonance:
    • At the time the play was first performed, even though all the nunneries in England had been dissolved decades before in the Reformation and people had been encouraged to dismiss the traditions of the Catholic Church, audiences would still understand the importance of Isabella's desire to become a nun and her refusal to give up her virginity in order to save her brother. To modern eyes, though, she can come off as rather cold-blooded and callous. Although, see Values Resonance...
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    • The Duke's offer of marriage at the end would also be more acceptable to a contemporary audience, since 'comedy' plays usually ended in marriages and the union with the Duke is explicitly Isabella's 'reward'. Modern audiences are often put off by the Strangled by the Red String problems, to say nothing of the way he's manipulated her throughout the play.
  • Values Resonance:
    • Many performances, and public opinion, actually seem to have swung back around on Isabella's refusal to submit to Angelo, even to save her brother's life. Lucy Phelps, who played Isabella in the 2019 Royal Shakespeare Production, says as such:
      "It’s about bodily autonomy. It’s setting a precedent – what are we saying? That it’s OK for women to give up their bodies, for men to take their bodies, to save lives? She’s made a decision about her life: these are my principles… She’s not torn but she desperately wants bodily autonomy. Let’s not confuse what’s going on: it’s not lovemaking, Angelo wants to rape her. Her brother is saying ‘will you be raped to save my life?’"
    • Angelo's sexual harassment (and in some stagings actual assault) of Isabella, and the agony of her being unable to complain for fear of not being believed, rings very true in the modern day; particularly after the Harvey Weinstein scandal and the flurry of revelations about other celebrities that followed.

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