Main Tropes Index

Troperville

Editing Help

Tools

Toys

Narrative

Genre

Media

Topical Tropes

Other Categories

Custom Search
This is a "Wild Mass Guess" entry, where we pull out all the sanity stops on theorizing. The regular entry on this topic is elsewhere. Please see this programme note.
Final Fantasy VI
Kefka deliberately threw the final battle.
When the party confronts Kefka at the end of the game, Kefka is practically a god. In the cutscene prior to the battle, Kefka toys with the party, throwing them around, and generally showing that they don't stand a chance against him. Yet, the final battle is generally regarded as one of the easiest in the Final Fantasy series, almost to the point of being a joke. Why? There's only one good explanation (aside from Gameplay And Story Segregation, of course) - Kefka decided to lose.

Let me explain. At the game's halfway point, Kefka manages to achieve every Evil Overlord's dream. He plots to gain ultimate power, and actually gets it. He doesn't just dream about destroying the world, he actually does it! Kefka won. End of story. Game over.

Only it's not over. Having achieved everything he ever wanted, Kefka has nothing left to do that's worth doing, nothing left to gain that's worth gaining, and nothing even left to destroy that's worth destroying. Everything is pointless, and what's even worse is that there are still people out there that don't realize it! They have nothing left to live for, and they still fight! Kefka doesn't understand this, and that makes him angry. Killing their bodies would be an empty victory; only killing their spirit, killing their hope, and making them feel the same despair that he does would be enough to satisfy him. However, as the final cutscene makes clear, no matter how much power Kefka has, no matter what Kefka does, the party will never, ever give up their hope. Faced with something that can't be destroyed, Kefka's hatred turns inward; rather than live with the memory of something more powerful than he can ever be, he gives up and allows the party to kill him.

  • There might have been a bit of Taking You With Me, as well. Kefka probably knew that his death would mean the end of all magic (and possibly Terra's life), too. So from his perspective, even though he'd have technically lost, he would be destroying the party's leader and their greatest tool for healing the world, all in one swoop.

Edgar is gay.
He's handsome, a genius inventor, and a king, yet no girls over the age of 12 will go near him. His outrageously inept flirting must be a trick to drive women away. I suspect that, once upon a time, a woman actually tried to take him to bed, found out the truth, and then told everyone else in Figaro Castle, which would also explain why all the girls stay away from him.
  • Jossed (or is it?) by the cutscene following the death of General Leo. Edgar explains that he and the others were tipped off to the Emperor's deception by a barmaid Edgar had gotten friendly with.
    • ...At which point he loudly insists that he was a perfect gentleman. Maybe he keeps making a fuss over his sex drive to hide the fact that he's asexual.
  • In the GBA translation, he also tells Relm to wait a couple of years until she's legal, and then he'll get back to her.

Sabin is gay.
While pretty much the whole party gets in on purchasing new clothes for Gau, Sabin is the only one who seems to venture a discerning opinion about what Gau should actually wear, and refers to the whole process as a "make-over". Plus it was his idea. He also never expresses any interest in any of the female party members, or in any girls at all, and is the only adult male human in the cast who doesn't at least have SOME obvious hetero interest; Edgar is a womanizer, Locke arguably has Terra and/or Celes (and definitely had Rachel), Cyan had a wife and son and had a correspondence-courtship with Lola, Shadow had at least a female lover. His lack of open interest in the ladies might just be because he's a monk, but still...
  • "Bodybuilder? I'll take that as a compliment." Yeah, he's gay.
    • I played a bit of the fan-translation hack of FF 6 and I am pretty sure Terra called Sabin a Bear.
      • That was also in the more literal GBA translation. Plus, bears are a subculture of gay men.
    • Go and watch the "Licentious Howler" scene in the GBA verson. Sabin writes off his suppressed sex drive as a perk of his years of ascetic training. So yeah, it's 'cause he's a monk.

Gogo is Daryl/Gestahl/Adlai Stevenson.
He can't just be a plotless reference to FFV! Because...uh...hey, look behind you! A three-headed monkey!
  • I always had my suspisions about old Adlai...
  • Personally, I've always liked the Gogo is Banon theory, as its never explained what happens to him...
    • I'm more partial to a recent theory that says that Go Go is the old leader of the bandits from Figaro jail. Not only does it make sense, but the person who made the theory even has in-game proof to back up his claim.
      • Hold on a tic... that makes a lot of sense. Didn't the bandits say their leader was eaten by a sandworm? Well, what is Zone Eater?
      • One theory This Troper has is that Gogo is an amnesiac Gilgamesh in disguise. Why Gilgamesh? The outfit worn by Gogo is roughly like what Gilgamesh would wear fully covered up; Gilga's penchant for carrying multiple weapons of past (and future) Final Fantasy games' Heroes lends credit to the additional theory that he actually CAN use all these various different weapons, and CAN Mime other attacks, but chooses to focus on Weapons instead of everything on the table (Which neatly ties into why he took over for Odin in Final Fantasy VIII as the Guardian Force and was able to do the same job and attacks). PLUS, he regularly travels between Dimensions (Showing up in IV, V, VIII, IX, XII canonically). Why is he Amnesiac? Dimension travelling probably took a toll on him after a while, or maybe he just hit his head. So, given his Amnesia, Gilgamesh took on the name Gogo, and now Mimics EVERTYHING instead of just Weapons skills. As per his appearances in later games, He got better.
      • This has been jossed in the GBA release: Gilgamesh is an esper.
    • I'm of the opinion that it is the very same Gogo from FFV. After he Banished himself, he was thrown across the dimensional rift, and ended up in the FFVI dimension... where he was promptly eaten by Zone Eater.
      • Given that's apparently what happened to Gilgamesh, it's as good a theory as any.
    • Though I like the leader of the bandits as Gogo theory now, when I played through it the first time, I couldn't get it out of my head that Gogo was Baram, Shadow's old partner. Mostly because we never actually saw him die...
  • This troper is a diehard Adlai Stevenson theorist, even though some of the evidence in favor was bogus. No reason why he couldn't also be the Gogo from FFV.

The Eight Dragons were not evil
Think about it. What did the Eight Dragons ever do that was evil? Aside from holding up an opera, none of the Dragons really did anything other then wander about their home. Humbaba and Death Gaze were menaces; attacking orphanages and raining death from the skies, but there was no indication that the Dragons planned to do anything other then sit around their homes. The party always made the first move, always chose to start the fight. Especially with Earth Dragon: if he was hostile to begin with, why did he wait for the party to pick themselves up before attacking? The party doesn't kill them to defend anyone, or because they were attacked; the only reason they have to fight them is because they were released on the Day of Ruin like Humbaba and Deathgaze, so they must be evil menaces that have to die, right? But it's all OK, because once they're all dead, you get a shiny new piece of magicite, and that justifies everything, right? And then in the remake, the party hunts them down to their afterlife and slaughters them again. Kaiser Dragon pretty much spells it out for you when you face him: the party have been slaughtering his people for no reason, and then continued to defile their resting place. Oops.
  • If you're going to start moralising about killing monsters, that imp you condemned to a horrible, frothing disease death by testing out Bio on him has a civil lawsuit for you. Heck, in Chrono Trigger you kill a LOT of enemies who'd likely leave you alone otherwise.
    • It's mainly just the fact that Kaiser goes all What The Hell Hero on you that gets me thinking about the Dragons.

Related to the above theory, the Esper Crusader is actually an evil force that was sealed away by the Dragons for good reason. The esper is morally sketchy to begin with; a move called "cleansing" that deals extreme damage to friend and foe alike. The esper is most likely a Knight Templar that sought to eliminate all of dragonkind because they believed them to be evil that must be eradicated. The Eightfold Seal was the dragons' attempt to seal this danger away, with Kaiser personally entering into a Sysiphus Vs Rock deal to keep the Crusader in check after the two of them were sealed. Over time, Crusader eventually died and became magicite, but the danger of the magicite was deemed enough for the dragons to continue guarding the seal. Until the party released it by killing them. All of this makes the party's actions even more dammning in Kaiser's eyes: these filthy bloodthirsty humans slaughter his brethren and release the dangerous Esper, and then they have the gall to come into their sanctuary and kill them all over again? They're no better then Crusader itself.
  • Another thing many forget, is that the Espers where created by the energies of the Warring Triad changing animals and other things into powerful beings, they then began warring with each other under the guidance of the Triad. After the Triad became sealed, the espers no longer had a reason to fight. My theory is that Crusader wished to continue to fight, in fact if you noticed there are three of them that could easily be analogs for the Triad themselves. They could of been the champions of each faction who refuse to stop fighting, and were so powerful they wiped out those around them like their Gods. Thus the sealing.

Gau is a Half Human Hybrid. He is half-whatever Gogo is.
Gau's sprite and character art show him to have pointed ears, fangs, and (in the Amano art, at least) a little bit of FUR on his elbows and knees; while it could be that this is the result of being in near-constant Rage mode for twelve or so years, it's more likely that he was born with them, leading his father to throw him onto the Veldt. Living so close to the Veldt, Gau's mother could well have come into contact with any number of creatures— after all, monsters from all over the world naturally migrate to the Veldt. She met Gogo, and living alone with a mentally unstable husband, she was lonely and wanted some affection from this mysterious stranger. Gogo Mimed her Seduction ability, and she got pregnant with Gau as a result; sometime afterward, Gogo was swallowed by a Zone Eater on the Veldt, which returned to its natural habitat on Triangle Island. When Gau was born, he looked entirely normal for someone of Gogo's species, prompting his father to abandon him. Gau's Rage ability is an overly-developed and highly-specialized Mime ability that he inherited from his biological father.

Most Espers had their emotions sealed/dampened.
There was some discussion on the Bugs Me page about whether Espers are capable of love, and some showing, at least in some translations, a lack of emotion. We know they were originally used as weapons by the three Goddesses, and whether they have an innate love for destruction is a key plot point in Dissidia. Having been weapons for so long, and by this theory naturally drawn to violence, many espers either chose, or forecbly, sealed or reduced their emotions, in order to ensure such urges wouldn't endanger their new peace.

Terra is gay.
She seems confused by Edgar's flirting and even says "I guess a normal girl would have found him charming, but I'm hardly normal", she never hits it off or even shows interest in Locke and then there's the Les Yay with Celes.
  • Probably not. The reason why she's confused by Edgar's flirting is because she's just had the Slave Crown removed by Arvis. In the Japanese translation (not sure about the GBA because I haven't played in a while) Arvis says that the Crown dampens her emotions. In other words, it dulls any fear, empathy, or love that she might have otherwise felt while wearing it. Also, she's just escaped from the Empire: the only non-grunts she might have ran across were Gestahl, Kefka, Leo, and Cid. YMMV regarding Locke and the Les Yay with Celes; I saw waaay more Foe Yay with Leo, to be honest.

Celes and Maria are really the same person.
Celes apparently looks exactly like Maria, sounds exactly like Maria, and is able to sing opera well enough to pose as Maria. Further, the real Maria never shows up, and nobody claims to have even heard from her while Celes is with your party. Celes agrees to the impersonation plan rather quickly, after seeming to resist for all of a few seconds. Opera isn't something a beginner can just take up and instantly master. To be able to perform that well during the opera scene, Celes must really be a professional opera singer with years of training. Due to her genetic augmentation and magitek infusions, Celes may not have needed much combat training to perform her military duties, which may have allowed her enough free time during her off-duty hours to pursue a secondary career as an opera singer. Perhaps she has a teleport spell that lets her get to and from the opera house quickly. But she may be embarrassed about her passion for opera, fearing it may clash with the "tough chick" image she tries to project among her military comrades, so she hides this side of herself by taking on a different name and pretending to be someone else.

Kefka was still firing the Light of Judgment during the final battle
In the event that the "Kefka threw the battle" theory above isn't true, then this was probably why he lost. The heroes give their World Of Cardboard Speech, which causes Kefka to lose whatever modicum of restraint he has left and fires the Light of Judgment upon the world, seeking to eliminate the heroes' remaining sources of hope (and everything that happens to be in between them), prompting the heroes to attack. When they get to the top of the tower, Kefka's still using Light of Judgment as he fights, thinking that once everything's destroyed, the heroes will have no other option than to succumb to dispair (or the Light will cause an Earth Shattering Kaboom, whichever comes first). Kind of a Weaksauce Weakness, since it basically boils down to Kefka trying and failing to multitask, but it makes sense.
  • That makes a lot of sense; I can easily imagine that Kefka had simply become too damn crazy to fight properly, blowing up random parts of the landscape instead of focusing his power on the people trying to kill him.