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Trivia: Peanuts

Peanuts is the Trope Namer for:


Trivia for the franchise in general:

  • Based on a Dream: Josť Peterson debuted after Schulz had a dream about creating a half-Swedish, half-Mexican character. He later admitted that the humor of the idea didn't really translate well from dream to real life.
  • Creator Breakdown: Charles Schulz wanted to continue the strip into at least 2002, but his failing health convinced him to retire when he did.
  • Cross-Dressing Voices: Peppermint Patty was voiced by a young boy in several of the cartoons.
    • For the "This is America, Charlie Brown" mini-series (if you want to call it that) from the 1988-89 season, Erin Chase became the only female voice for Charlie Brown.
    • Marcie, "Pig-Pen" and Franklin have also been subject to this trope.
  • The Danza: In the Mexican Spanish dubs of the recent specials, Peppermint Patty is voiced by Patricia Acevedo. (Sailor Moon, ChiChi and Lisa Simpson)
  • Dawson Casting: Averted with the animated productions. Charlie Brown was the only character that would always have a working child actor doing his voice.
  • Executive Meddling: Schulz was never particularly fond of the title "Peanuts", an invention of the syndicate. He was originally going to call it "Lil' Folks", the title of his proto-Peanuts strip, but had to change it because it sounded too much like names of two other strips from the time, Al Capp's Lil' Abner and Little Folks
    • He specifically worried that the title was confusing; people would just ask "Who's Peanuts?", or refer to it as "Charlie Brown" or "Snoopy". And of course, he was completely right.
      • Not that it's justified, but the strip started in the 1950s, when the most popular kids' show was The Howdy Doody Show. And where did kids sit on The Howdy Doody Show? The peanut gallery. The person who chose the title fails logic forever.
    • Schulz's authorized biographer Rheta Grimsley-Johnson argued that it really wasn't that bad of a name. A generic title works well for a strip with Loads and Loads of Characters, and given the direction the strip eventually took, Li'l Folks would have wound up being too awkwardly cutesy.
  • Hey, It's That Voice!:
  • Keep Circulating the Tapes: Some specials have still not received a DVD release, notably the live-action/animation blend, "It's The Girl in the Red Truck, Charlie Brown". Though critically panned, some believe it's So Bad, It's Good.
    • You're in the Super Bowl, Charlie Brown! is another one. It was released on VHS in 1993 exclusively at Shell gas stations (then sponsoring the NFL). Warner Home Video owns the rights to the Peanuts catalog, but this will probably never see a DVD release because it features NFL insignia and team logos.
    • Not entire specials themselves, but a handful of the earliest specials had Product Placement from Coca-Cola and Dolly Madison Cakes (such as It's the Great Pumpkin, Charlie Brown, Charlie Brown's All-Stars, and, most famously, A Charlie Brown Christmas). These only showed in the first few airings, however, and any remnants of these are pretty much relegated to ancient filmstrip recordings of the specials when they first aired. Thankfully, several of these have been uploaded to YouTube, albeit in varying qualities.
  • Network to the Rescue: Though their relationship with Schulz grew strained over the years (as noted below), United Feature Syndicate deserves credit for sticking with Peanuts even after a poor start. It debuted in just seven newspapers, two of which dropped it within the first six months.
    • The first Peanuts book appeared in 1952. It was published mainly because the publishing house's editor-in-chief was an early fan of the strip.note 
  • Screwed by the Network: Although Charles Schulz became a very rich man from the strip, he was never able to buy the copyright back from the syndicate- the price was always just a bit more than he could afford (since 1950 the standard contract has changed; now the copyright for Newspaper Comics automatically reverts to the creator after 20 years).
    • Syndicates owning rights to the comics they distributed was largely standard practice until the 1980s and Bill Watterson's famous fight to prevent Calvin and Hobbes merchandise. After that happened, Creators' Syndicate was founded and comic strip creators owning their work become more common.
    • During a late 70s contract dispute the syndicate secretly hired DC Comics vet Al Plastino as a possible replacement for Schulz. Plastino drew some spec strips that were shelved after a deal was reached with Schulz. Schulz didn't learn about the situation until long after the fact, and he was understandably ticked off. A couple of Plastino's strips have been leaked, and they're just as cringeworthy as you'd expect.
  • Tribute to Fido:
    • Snoopy was based on Charles Schulz's childhood dog, Spike. In the 1970s, we meet Snoopy's brother, who is named Spike.
    • Snoopy's brother Andy was named after a dog that Schulz had in his later years.
  • Write Who You Know: For a man who preferred his privacy, Schulz put much of his personal life subtly in the script. For one thing, the mean, restless Lucy is based on his first wife, and after their divorce (represented in the strip as Lucy getting kicked off the baseball team), Lucy became Lighter and Softer to reflect Schulz's happier second marriage. He even revealed his affair with another woman during his first marriage, through Snoopy falling in love with another beagle and sending love notes and getting scolded for making long-distance phone calls.

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