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Sure it does, that's what the hole is for! And I play the lady scientist who discovers the ozone layer is an alligator-layer! I even get a love scene with the David Hewlett!
Characters prone to this sort of speech may as well practice their speech before a mirror each morning. They may ruminate on a regular basis on truth, justice, and puppies, in general conversation. They may treat every dangerous situation as their last stand. Or, they may simply be a pretentious thesaurus-wielding maniac.
In short, characters speaking with unusual and often annoying emphasis in normal conversation. Typefaces used in comic books tend to make italics/ obliques hard to see, so letterers use bold. These are characters whose abuse of boldface is so severe the poor thing should get a restraining order placed on them. The author probably intends to show dramatic emphasis, but generally people don't actually use dramatic emphasis like this in real life, or, often, at all. Used occasionally, bold phrases can be statements of power; overused or clumsily used they tend to irritate the reader and discredit the character, who wonders who the hell listens to this blowhard. It's a well-intentioned trope gone horribly wrong.
Generally a comic and webcomic trope because of its print nature, though in some cases this literary atrocity has been inflicted upon the world in film and video game form. It generally looks somewhat less silly in comics than in plain text, although this may just be because readers are more used to seeing it there. So much so, some readers just ignore it entirely.
It should be noted that this is not always the writer's fault when this happens. Oftentimes, especially in comic books, the editor will indicate to the letterer that he wants certain random words bolded, on the assumption that a reader will become bored by plain black text without any change to spice it up. Fortunately, this practice is becoming a Discredited Trope.
May be a subtrope of Painting the Fourth Wall. Inversion of Creepy Monotone. See also Blue Text for a related phenomenon on This Very Wiki.
See Rainbow Speak where the intent is merely to inform the player of a key item or topic for further discussion.
See also Emphasize Everything.
Examples:
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Anime and Manga
Comic Books
Fan Fiction
- Commonly used in fanfic by beginning writers, to unnecessarily stress words as part of directly transcribing their thoughts into text. Professionally published fiction rarely uses bold and italics for stress.
- 'He was so badass his font was bolded. "And now you shall learn, and you shall fear, and you shall learn to fear the wrath... of Jeffiroth!" he cackled maniacally.'
Literature
- Edward D'Eath spoke like this to himself (with italics in place of bold) in the Discworld novel Men at Arms. This was to signify that he was an absolute nutter.
- "He could think in italics. Such people need watching."
- "Preferably from a safe distance."
- The book series Fearless puts what the writer (or other member of The Powers That Be) thinks is the most badass sentence on each page larger and in a different typeface than the rest, instantly transforming it into Narm.
- Dorothy L. Sayers uses this (with italics) in several of her books to show the annoying speech patterns of certain characters.
Miss Twitterton: Oh, Frank! You've been worrying Uncle again. I've told you, you're just being silly about your money. I know it's quite safe with Uncle.
- Miss Katharine Climpson, the harmless-seeming spinster turned enquiry agent in Dorothy L. Sayers' Lord Peter Wimsey series of detective novels, speaks in an italicized variant of this, conveying her gossipy nature. She does it in her own writing, too. This is meant to indicate her old-fashioned, Victorian outlook; overuse of underlining is often mentioned as a characteristic of Victorian women's writing, especially in letters. Characters in the Anne of Green Gables series often do it too.
- One word: Superdictionary.
- In American Psycho Patrick Bateman tends to emphasise unusual words in his sentences. It's not exactly the same trope, but still tends to fit the spirit of the thing.
- Angie Sage, author of the Septimus Heap series, tends to bold all Magykal words. Some people find it "annoying" and/or "condescending."
- John Hodgman is fond of using ALL CAPS for emphasis. WERE YOU AWARE OF IT?
Live Action TV
- Captain James...T....Kirk!
- Jeremy Clarkson during every car review he does.
- And the episode pre-cap. And the Cool Wall. And...
- Putting unusual emphasis on random words? Could there be a better description of Chandler's signature mode of speech on Friends?
- Barney Stinson. His use of this is Legen waitforit DARY. LEGENDARY.
Magazines
- Mad Magazine has does this constantly ever since its days as a comic book. Authors especially like emboldening nouns and adjectives! Gratuitous Yiddish expressions will always be bold as well, schmuck!
- The Sun and similar disreputable British Newspapers ABUSE this trope CONSTANTLY so that their READERS can pick out the IMPORTANT words.
- Russell Brand, when dissecting an unflattering Sun article about him in his stand-up routine, drew the audience's attention to this trope. Some time afterwards, the Sun had another article about him, in which they seemingly lampshaded it, emboldening words such as WAS and HAD.
- PC Magazine columnist John C. Dvorak
 randomly scatters bolding throughout his technology columns.
Newspaper Comics
- Brenda Starr is a major offender.
- Buckles is an example of both this and overuse of exclamation points!
- In a variation, in his later years on Mandrake The Magician, Lee Falk (who wrote the strip into his 90's!) had... a great... fondness... for ellipses... And also! Sentence fragments! But Mandrake was always awesome anyway. The strip's current writer doesn't seem to have these quirks.
- Mark Trail features Bold Inflation almost like a full character, alongside its beautifully drawn animal pictures! Also there's something about humans punching humans in there somewhere. I dunno the details.
- Pearls Before Swine once accused Soap Operas of an oral version of this, imitated in-comic by bolding every third word. "We can do that!
Real Life
Tabletop Games
- Kevin Siembieda, creator of Rifts, has a deep and abiding love for unnecessary amounts of italics in any Sourcebook that he writes.
- Most of the old Traveller RPG material insists on putting the name of the game system in bold. While it looks okay in small doses, it can look a little awful when you have to list all of the Traveller systems, like Classic Traveller, Mega Traveller, Traveller: The New Era...
- Similarly GURPS (that's right: bold, italic and all caps). It frequently ends up looking silly given that the system has an enormous volume of splatbooks and the writers load them with references to one another.
Video Games
Web Original
- Repeatedly Used On This Very Wiki, especially when I Am Not Making This Up is invoked. Articles that use Bold Inflation:
- More websites than you can possibly imagine. The tendency of people to do this was parodied, along with many other things, at the Real Ultimate Power page.
- The Time Cube website abuses bold, italic and underline inflation shamelessly. The site itself has become something of an Internet joke, and has been parodied here and here by Uncyclopedia.
- Jackie Harvey, fake columnist for The Onion, parodies this trope as it applies to gossip rags.
- As the EM part of PBEM stands for "e-mail", the action in the campaigns in the Global Guardians PBEM Universe was always produced in text. This trope thus occurred on a more-than-regular basis.
- foolquest. Bold, italic, underline, colored text, hyperlinks, highlightings, text boxes, giant words.
- Linkara often makes fun of comics with badly done bolding by reading passages out and emphasizing the bolded words to demonstrate how ludicrous it sounds. This is particularly present when it's Miller Time.
Linkara: Y'know, Frankie, emphasising random words does not a talented writer make!
Webcomics
- Dominic Deegan falls into this all too often. The words in bold tend to be the usual Incredibly Lame Puns, and while their emphasis would be weird in normal conversation, it serves to highlight those puns to the more moronic listeners (and the more moronic readers).
- Though most of the time, the bolded words are completely random, and may just be due to Mookie writing the text by hand, causing people to be emphasizing words in their speech for no reason.
- Spoofed in Sluggy Freelance: When a mission was announced, the wrong parts of the mission were emphasized (specifically, the part where it was noted that Anyone Can Die). The speaker immediately berated the sound technician for putting reverb on the wrong part of the statement, to which he replied "Oh, my bad!"
- Played for laughs in Narbonic with ANTONIO SMITH, FORENSIC LINGUIST, who also only speaks his name in ALL CAPS.
- Tycho from Penny Arcade, who feels the need to use italics every second sentence.
- Talk out the strip, though, and the bold/italicized text works with the emphasis. It's not random, like most of the examples above.
- Dandy and Company used to suffer from this, perhaps due to the cartoonist's comic book influence.
- T Campbell of Penny and Aggie has a nasty habit of bolding all the time, and often in the least intuitive places.
- Another weird textual habit of T's (and he has many — note that there's no period after his first "name") is that he'll often italicize only the particular syllable being stressed. This shows up most often in Fans!.
- In a variation, The Inexplicable Adventures of Bob! uses underlines for emphasis, instead of boldface or italics.
- How I Killed Your Master uses this for emphasised words, witness the page quote among others.
- Taking after video game inspirations, in MS PAINT ADVENTURES, during the INTRODUCTION OF A NEW CHARACTER a number of IMPORTANT KEYWORDS, including their NAME, will be ENTIRELY CAPITALIZED. This does not happen during normal narration, save for certain game jargon such as the STRIFE SPECIBUS. On rare occasion simply used for emphasis of a phrase.
- On a related note, Sweet Bro and Hella Jeff also does this. Of course, considering the nature of the comic in question, more often than not the inflated words aren't the ones which would be sensible to emphasise, and even the physical form of the emphasis is inconsistent - sometimes it's boldface, sometimes it's enlarged text, sometimes it's text enlarged even further, and sometimes it's colored.
Western Animation
- Squirrel Boy: Rodney says his cousin is "Good at pretending to be something [he's] not". When his cousin notices the bold inflation, Rodney says he doesn't have any control over it.
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