YMMV / Fate/Grand Order - Divine Realm of the Round Table: Camelot

• Awesome Music:
  • "Walk By" is a melancholic and bittersweet piano piece with female vocals that perfectly complements how the endings are not triumphant moments of glorious victory, but simple character moments where a hero trades everything, including their lives, for doing what's right.
  • Ozymandias' theme in the second film is sweeping orchestral fanfare as he backs up his grandiose claims as the Sun King who reigns over all with his various feats to help Fujimaru and company.
  • "Metamorphosis" is a haunting theme that escalates with its chanting and orchestra in every passing second as the Lion King's plan is put into action.
  • "On the Edge", which serves as the track for Mordred vs Sanzang. It starts out as rock for Mordred's rampage across Ozymandias' pyramid, then takes a swerve into calmer music as the two quarrel over Mordred's acts, and finally ends in triumphant female vocals and strings as Sanzang reveals her power as the Buddha of Sandalwood Merit to give Mordred an actual act of kindness before their deaths.
  • "Piano Movement for Four Hands" is a stunningly complex piano piece that serves to score Agravain's Unstoppable Rage as he and Lancelot come to blows in the collapsing city.
  • "Ignition" during Mash's duel with Lancelot, the music building up as if combining both her growing out of her shell and Galahad's determination speaking through her on literally pounding sense into Lancelot.
• Memetic Mutation: As Euryale tends to be the go-to method for players to defeat Gawain, many fans have joked that they are looking forward to seeing the Cycle of Hurting they used her to trap him in to be adapted, even though Euryale is not a part of the Camelot Singularity.
• Signature Scene: For the first movie, Arash's Heroic Sacrifice.
• So Okay, It's Average: Seems to be the general consensus of the first film. It's mostly unremarkable aside from a few scenes, but does a decent enough job of conveying the important plot elements. Averted for the second film, however, which was received much more warmly.
• Tainted by the Preview: The noticeable differences in style between a similar shot of the Lion King from trailers 1 and 2◊ made some fans worry about if the two studios involved (Signal.MD from the second trailer and first film, Production I.G. from the first trailer and second film) had not agreed on a common style and could result in jarring shifts between movies.
• Tear Jerker:
  • The ending of the second movie. Bedivere reveals that he was a human all along, and that he failed to return Excalibur to the Lady of the Lake per his king's final order, which created the Lion King in the first place. He has spent the past 1500 years searching for her so that he might return Excalibur to her. In the end, he sacrifices himself in order to return it to her, which restores her memories of her humanity. For this, she thanks him, and calls him her "last, most loyal knight."
• They Changed It, Now It Sucks!:
  • Cutting Sherlock Holmes disappointed a number of fans who had been looking forward to seeing the Great Detective. It also meant some key exposition on Romani's background got cut as well. Rather oddly Babylonia did include part of the scene in flashback.
  • Cursed Arm not getting any resolution for his fate, especially since they bothered to give Tristan some last words. They could have least shown he survived.
• Visual Effects of Awesome:
  • While the first film doesn't quite measure up to Fate/stay night [Unlimited Blade Works], Fate/stay night: Heaven's Feel, or Fate/Grand Order - Absolute Demonic Front: Babylonia (due in part to not having as many flashy fight scenes), the scene where Arash stops Rhongomyniad using his own Noble Phantasm at the cost of his life is absolutely gorgeous.
  • The second film, meanwhile, makes up for the lack of flash in the first movie with gusto. Its many fight scenes are extremely well choreographed and animated, and will keep viewers captivated all the way until the end.