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Theatre / Sonic: Live in Sydney

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It's Sonic... IN SYDNEY!!

Sonic: Live in Sydney is the collective name of two Sonic the Hedgehog-themed musical stage shows performed from 1997 to 2000 at Australia's SEGA World Sydney. The show combined elements from two major Sonic cartoons, Adventures of Sonic the Hedgehog and Sonic the Hedgehog (SatAM), and underwent a major Retool in 1998.

The first version of the show, and the most widely known, was performed by costumed actors and dancers in the major roles. The show's plot is set in an alternate timeline based around the saturday morning animated series and the Sonic 3 video game where Dr. Robotnik's Death Egg crashes in Australia instead of Angel Island, causing him to attempt a takeover of Sydney with his freeze ray, changing all the Goodniks into his evil Badniks. With Sonic, Tails, and Princess Sally heading there to foil his plans. This version of the show received a soundtrack release on CD (which nowadays is the only way to know about this version). After Sega expressed disapproval for being very slow paced, extremely corny and not "dynamic" enough, they ordered this version to get a retool.


The second version of the show, informally termed the Sonic the Hedgehog Puppet Show, featured puppets of the characters and had new songs and a different plot. The story involves Robotnik creating what he thinks will be the ultimate robot to beat Sonic, but the resulting creation, Grounder, isn't too bright. With the help of Tails and Sally, Sonic defeats Grounder while Robotnik escapes. This version of the show never received a CD release and very little is known about it.

General information about both versions of the show, including pictures, can be found here and here. The CD recording of the first version of the show, including all three songs and the entire show, can be heard here.


These show contain examples of:

  • Advertised Extra: Knuckles is constantly shown for the art of the show, but isn't featured in either version.
  • Adaptation Species Change: Sally is changed from a chipmunk to a marsupial, as there are no native chipmunks in Australia.
  • Artifact of Doom: Prolonged exposure to the Chaos Emeralds made Robotnik sick of goodness and desire chaos.
  • Canon Foreigner: The puppet show had an original character in a bird who narrated the show.
  • Card-Carrying Villain: Dr. Robotnik is proud of being big, bad, and mean, as detailed in his villain song.
  • Covers Always Lie: Knuckles received official art for the show, and is seen on the CD booklet, but isn't featured in either version.
  • Freeze Ray: Robotnik captures Sally with a freeze ray after using new boots to distract her.
  • Hidden Depths: Sally's impressive singing abilities which Sonic and Tails use to find her and which she uses to sing her song "Thank You for Being You". Even Sonic and Tails comment on it!
    Tails: Wow! I never knew Sally could sing like that!
    Sonic: Yeah! What a great set of tonsils!!
  • "I Am" Song: Sonic's "What Are We Waiting For?" describes his cool attitude and determination to stop Robotnik.
  • Nice Job Breaking It, Hero: While attempting to figure out how to use Robotnik's ray gun to unfreeze Sally, Tails accidentally causes Sonic to shoot her while it's on the "Sing" setting, causing her to sing about her love for Sonic.
  • Ooh, Me Accent's Slipping: Adrian Payne's performance as Robotnik tries to sound as faithful to Long John Baldry's version of the character (even mimicking his British accent). However, occasionally his Aussie accent would slip in from time to time.
  • Take Over the World: After being driven out of Mobius, Robotnik plans to take over Earth, starting with Australia.
  • Villain Song: Robotnik gets "Give Me Chaos," detailing his plan to take over the world with the help of the Chaos Emeralds.
  • Villainous Crush: Robotnik develops a crush on Sally Acorn, much to her disgust. Once he captures Sally, he asks he why she likes Sonic, but not him.
  • Wicked Cultured: When not trying to destroy Sonic or woo Sally, Robotnik enjoys listening to opera, specifically Largo al Factotum from The Barber of Seville.