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Characters / Aladdin

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Characters from Disney's Aladdin universe.

For characters featured in Aladdin: The Series, go here.

For characters featured in Aladdin and the King of Thieves, go here.

For characters featured in the 2019 Live-Action Adaptation, see here.

Original Movie Characters

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Main Characters


"You're only in trouble if you get caught!"
Voiced by: Scott Weinger (speaking), Brad Kane (singing), Tommy Tallarico (Sega Genesis voice samples)
Voiced by (Swedish): Peter Jouml
Voiced by (European French) : Paolo Domingo
Appearances in alternate continuities: Kingdom Hearts | House of Mouse | Disney Infinity

An orphan grown to maturity on the streets of Agrabah, the homeless Aladdin has little to focus on in life beyond surviving day to day, dreaming of the comfort and safety that would be his were he to somehow become rich. Despite this hostile life, he retains a pure heart and a generous soul, making him a "diamond in the rough". For this, Jafar manipulates him into retrieving the Lamp of the Genie from the Cave of Wonders, but fails to claim it himself. Instead, with the Genie's help, Aladdin eventually defeats the evil vizier and becomes affianced to the love of his life, Princess Jasmine. Many further adventures follow, culminating with the crashing of his wedding by the legendary Forty Thieves, but finally Aladdin and Jasmine are wed.

  • The Ace: Aladdin disguises himself as the completely over-the-top Prince Ali to woo Princess Jasmine, and he's introduced with a preposterously epic song that's one long hymn to his awesomeness, which has him easily evading the guards.
  • Adaptational Badass:
    • In the original story, Aladdin is a lazy kid who's maybe a little clever. Here, he's a Guile Hero with Le Parkour abilities to rival Altair.
    • In the films and series, he's rarely seen using weaponry. In video game appearances, he's a Master Swordsman who's pretty good with wielding a scimitar.
  • Adaptational Nice Guy: Aladdin is a great deal more ruthless and unscrupulous in the original tale. Though he's technically an anti-hero in this series as well, he's far nicer.
  • Affectionate Nickname: "Al" by Genie.
  • All of the Other Reindeer: Aladdin could go and find honest work if he really wanted to, if it wasn't for the fact that he's a Hero with Bad Publicity who's often pursued by Razoul and his guards for stealing food from other people in order to make a living.
    Aladdin: Gotta eat to live. Gotta steal to eat. Otherwise, we'd get along!
    Guards: Wrong!
  • Amazon Chaser: Downplayed. Aladdin falls in love with Jasmine the first moment he sees her, but he looks surprisingly and pleasingly impressed by her feat in acrobatics in jumping across a roof.
  • Anti-Hero: Earlier on due to growing up as a criminal, he's quite deceitful and has no qualms about stealing from others if he feels like he has to do it in order to survive. He gets over it after the second movie.
  • Arbitrary Skepticism: In "The Ethereal," he dismisses Jasmine's visions of the titular antagonist as being All Just a Dream. However, upon seeing the events of the dream that Jasmine described come true one by one, he's soon convinced.
  • Badass Normal: This is a guy who goes up against magical beings, sorcerers, and giant robots on a regular basis, and manages to find a way to come out on top every time, using his wits and cunning.
  • Badass Pacifist: In the first film, Aladdin asks an already powerful Jafar to wish himself as a genie. Jafar does... but is unaware that it means he will be stuck in the lamp unless someone comes and rubs it.
  • Bad Liar: While it's part of the trade that comes with being a Guile Hero Street Urchin, it quickly becomes apparent that Aladdin's not very good at lying when he has to actually interact with people on a personal level. The only reason Jasmine cooperates with "Prince Ali's" claims of having servants who go to the marketplace for him, and servants who go to the marketplace for his servants, is because she has immediately deduced that he is the boy she met there, remaining confident enough in her theory that she tricks him into revealing the truth later. However, she isn't as amused when Aladdin desperately tries to convince her and the Sultan of Iago's innocence in The Return of Jafar; it's bad enough here that even Abu and Iago look at him in disappointment.
    Aladdin: "Your Highness, I think Iago was... uh..."
    Iago (whispering): "Mesmerized."
    Aladdin: "Yeah, yeah! He was under Jafar's spell! Remember the snake staff? Iago was only... ah... um... look, I just... Iago's not all that bad. Uh, at least I don't think so anyway."
    Iago (facepalming): "Should'a stuck with the snake staff defense."
  • Barbie Doll Anatomy: Aladdin walks around with his vest open and his chest bare, yet he has no nipples.
  • Batman Gambit: Showcased in the first movie. His plan to defeat Jafar banks on exploiting the man's ego.
  • Battle Couple: With Jasmine — this becomes more evident in the TV series and last sequel, with the two of them fighting their enemies together.
  • Be Yourself:
  • Beware the Nice Ones: He's a Nice Guy through and through, but you do not want to make him angry. In the first film, when Prince Achmed badmouths him, Aladdin is only stopped from physically attacking him by the palace gates slamming shut between them.
  • Big Ol' Eyebrows: Aladdin has thick, square-shaped eyebrows.
  • Bound and Gagged: Chained up and silenced so he can't save himself from drowning or call for help, until Genie saves him.
  • Character Development: By the final film, he's really grown into a man worthy of being Sultan. This is best seen in The King of Thieves. After breaking his father out of prison, Aladdin returns to face any punishment he might receive, because he realizes how much his running away would affect Jasmine due to his own father's abandonment of his family. Aladdin has learned that his actions affect other people, a lesson some people would say more rulers need to learn.
  • Character Tics: Aladdin rubs the back of his head when he's embarrassed, raises a single eyebrow when he's interested, and wiggles his eyebrows when he says something suggestive or has more than one meaning. In addition, when he's disguised as Prince Ali, the plume on his feather starts drooping whenever he lies.
  • Chick Magnet: Just ask Jasmine, Sadira, Saleen, and (initially) Brawnhilda. The harem girls who earlier rebuffed Aladdin are smitten with his "Prince Ali" alter-ego.
  • The Chosen One: It could be a case of The Chosen Many in that Aladdin wasn't allowed to pass through the Cave of Wonders because of who he is specifically, but rather that he possesses a noble heart and good spirit which is what allows him to pass through and that anyone with the same qualities could also have entered the Cave of Wonders unharmed. However, one of the TV series episodes ("Two to Tangle") reveals that Aladdin has magic powers linked to his soul, indicating that there may be more required to being a "diamond in the rough" than just having a pure spirit.
  • Chronic Hero Syndrome: Especially in the animated show, where characters, often Iago, are able to use the knowledge that he'll always help people in need to get him to go along with things.
  • Comic-Book Fantasy Casting: He was designed to resemble a Middle-Eastern Tom Cruise.
  • Commonality Connection: With Jasmine. They both bond over how they feel trapped in their respective lives.
  • Covert Pervert: While Aladdin is nothing but a gentleman and is quite loyal to Jasmine, he's shown to have a naughty side. For example, prior to his committed relationship with Jasmine, he almost kissed a dancer who was conjured up by Genie in "A Friend Like Me" song. And after they are wed, Aladdin pulls Jasmine very close to him while suggestively wiggling his eyebrows...only one guess of what he was thinking, as seen here.
  • Dark and Troubled Past: Explored in the television series. He grew up an orphan after his father left the family on a treasure hunt and never came home and his mother died some time afterwards, forcing him to raise himself on the streets as a thief. He later finds out that his dad is the leader of the infamous "40 Thieves." It's also revealed in the series episode "The Lost Ones" that his childhood friend, Amal, just up and vanished one day without a trace when he was a child.
  • Deadpan Snarker: He has his moments.
    • For example, while he's getting chased by Razoul and the guards:
      Aladdin: All this for a loaf of bread?
    • Then there's when he confronts Jafar after the former nearly drowns him and is claiming that "Prince Ali" left:
      Aladdin: Better check your crystal ball again, Jafar!
  • Determinator: It takes a long to bring this guy down. Jafar even lampshades it in the first movie, saying "How many times do I have to kill you, boy?!" after Aladdin somehow manages to return from the ends of the earth. (Even when he was there, Aladdin admitted he made a mistake and decided that he had to go back to Agrabah and set things right.)
  • Did You Just Scam Cthulhu?: Twice. First he tricked Genie into freeing him, Abu and carpet from what was left of the Cave of Wonders without wasting a wish. The other was when he tricked Jafar into Becoming the Genie, effectively imprisoning him in his own lamp and ending his short reign over Agrabah.
  • Didn't Think This Through: He used the Genie to become a wealthy prince to woo Jasmine. He succeeds, but never considered before then that with Jasmine comes the throne of Agrabah.
  • Distressed Dude:
    • At one point in the first movie, he's thrown into the ocean by Jafar's guards, and would have drowned if not for the Genie.
    • In the series, at one point Aladdin gets kidnapped for ransom by Mozenrath, and Jasmine has to rescue him.
  • Does Not Like Shoes: Initially a case of Barefoot Poverty, but even after the Prince Ali charade is over, we see him wear shoes to select events such as his wedding and a few times in the TV show. However, he seems to prefer going barefoot 99 percent of the time.
  • Establishing Character Moment: "One Jump Ahead", his opening musical number, in which he easily dodges the city guard who are after him for stealing a loaf of bread while singing about how he needs it to live, which is immediately followed by him giving said bread to a pair of young children without a second thought.
  • Exposed to the Elements: When Jafar banishes him to the ends of the Earth, aka a frozen tundra, he walks about there in only his vest and pants combo with no shoes, and survives long enough to track down Carpet and get back to Agrabah.
  • Fake Aristocrat: Aladdin poses as Prince Ali in order to woo Jasmine — though given that he wished for Genie to make him a prince, it's an open question of whether his rank counts as "fake" or not.
  • Fashionable Asymmetry: Downplayed. Aladdin's Iconic Outfit is nearly the same, except for the ragged patch on the lower left side of his pants.
  • Flaw Exploitation: He beats Jafar in the first movie by exploiting his ego and lust for power.
  • Friend to All Children: He's proven this countless times. His first scene has him immediately give away the bread he stole to two kids he just met and later defending them from the arrogant Prince Achmed.
  • Friend to All Living Things: He's the only one of the thieves in "Seems Like Old Crimes, Part 1" to treat Abu kindly.
  • Greater Need Than Mine: One of Aladdin's defining traits.
    • In the first film, he and Abu go through a lot of trouble trying to steal a loaf of bread while avoiding the guards. Once they're in the clear, they prepare to feast when they see some hungry homeless kids digging for food in the trash. Aladdin (and reluctantly Abu) offer the bread to them.
    • In the second film, Aladdin steals the ill-gotten loot of Abis Mal and rains it down all over Agrabah, which Abu objects to. He tells the monkey that the poor people need the treasure more than they do.
  • Guile Hero: He's a roguish street rat who gets by via theft and charm, and uses cunning and trickery to best most conflicts. After first meeting the Genie, Al uses trickery to get out of an otherwise inescapable cave without actually wishing to do so. He ultimately saves the day in the first movie by appealing to Jafar's power trip and convincing him to become a Genie with all the power that comes with it... and all the bindings.
  • Happily Married: To Jasmine by the end of King of Thieves.
  • Hand Behind Head: He does this pose on his first date with Jasmine, to show his awkwardness as he's smitten with her. He also does this when he first tells Genie about her.
  • Heroes Prefer Swords: Several video game appearances have him fight with a scimitar.
  • Hidden Depths:
    • He's not called "the diamond in the rough" by the Cave of Wonders for nothing, as Aladdin's worth lies far within. When you understand not to judge a book by its cover, you'll find the young man one of the most honest, empathetic, and good-willed humans you're ever going to find in the entire world. Aladdin even expresses his desire for everyone else in Agrabah to see this, as opposed to seeing him as a public menace because of his social status, in the reprise of "One Jump Ahead".
    If only they'd look closer. Would they see a poor boy? No, siree. They'd find out there's so much more to me.
  • Honor Before Reason: In the third movie; after breaking Cassim out of the dungeon and being discovered, instead of escaping Agrabah with his father, Aladdin refuses to abandon Jasmine and willingly goes back to face the consequences of his actions because he knows how much it would affect her after seeing how much it hurt his mother and him.
  • Iconic Outfit: His rags, which are more iconic than his princely attire. Possibly lampshaded in-universe with the fact that he seems more comfortable in them than his prince garb (considering the fact that he wears his rags more often in the TV series at least).
  • Improv Fu: How Aladdin deals with the guards in the first movie as per being a streetsmart youth. He even sings as he does so to troll the guards further.
  • Indy Ploy: During the song "One Jump Ahead", Aladdin's attempt to escape from the guards consists of him hiding, jumping, running, and darting through the streets of Agrabah, all making it up as he goes along and having most of his attempts to avoid the guards backfire. He is truly "one jump" ahead of his opponents. Exactly one jump.
  • Insecure Love Interest: He doesn't believe Jasmine could ever love the real him, as a street rat, and disguises himself as a Prince to become worthy of her. It's when he drops the act and is himself that Jasmine loves him.
  • Justified Criminal: As established from the very beginning, Aladdin only steals food to survive. Once he becomes royal, he stops stealing as he no longer needs to. Of course, he gets No Sympathy from the various merchants and the palace guard for it.
    Aladdin: Gotta eat to live, gotta steal to eat. Tell you all about it when I've got the time.
  • Just Like Robin Hood: How often does he actually keep anything he steals for himself? Only a jeweled flower to earn bonus points with his girlfriend. In the opening of Return of Jafar, Aladdin steals money and treasure from Abis Mal and his gang, only keeping a jeweled flower for himself while giving the rest away to the city's poorest people.
  • Leitmotif: Often accompanied by a reprise of "One Jump Ahead".
  • Losing Your Head:
    • In the first film, Jafar lies to Jasmine that he had him beheaded as punishment for kidnapping her. This results in the Sultan warning Jafar to run by him any sentences he might pass before carrying them out in the future.
    • He nearly gets decapitated in The Return of Jafar thanks to Jafar's machinations before the Genie pulls his Big Damn Heroes moment to rescue him.
    • In one episode ("Heads, You Lose") along with Caliph Kapok. Thankfully, this isn't actually lethal, though he's split between his serious head and his goofy body.
  • Lovable Rogue: He's a thief and a trickster (at least initially), but a sympathetic one you can root for. He's shown to be ultimately selfless by giving the things he stole to those less fortunate than himself, and is a generally kind person to boot.
  • Love at First Sight: He falls in love with Jasmine instantly after seeing her for the first time. Abu even waves his hand in Aladdin's face to get a reaction, but Aladdin is oblivious.
  • Missing Mom: Aladdin's mother died when he was a child. It's hinted in The King of Thieves that he still misses her very much, but ultimately, she died when he was young, and very little is known about her.
  • Mr. Fanservice: Reportedly, he was redesigned during development because originally he was deemed not attractive enough.note 
  • Muscles Are Meaningless: Though not as strong as Genie and Jafar, Aladdin does have a certain degree of strength as he's strong enough to dig Carpet out from under a broken palace tower in a snowy wasteland in the original movie. With two of his fists, he's also able to knock out Sa'Luk, who's at least twice his size.
  • Must Make Amends: After Aladdin leaves behind the genie lamp, which leads to Iago bringing it to Jafar, then Jafar using it to wish himself to be sultan and the world's most powerful sorcerer.
    Aladdin: I made a mess of everything; somehow I gotta go back and set things right.
  • My God, What Have I Done?:
    • He has this in the first film after he doesn't free Genie in order to keep up his guise, Jafar gets the lamp and takes over Agrabah.
    • When Aladdin and Abu were working Minos, Fatima, and Aziz's scam of robbing unsuspecting spectators. They initially felt good about themselves for being able to get such a great haul, until they overheard a man tearfully apologizing to his family in despair for supposedly dropping and losing all their money. They were a poor family to begin with, but without money, it will make getting by even harder than before. What stung even further was that Aladdin recognized the man as one of the people he pick-pocketed mere hours ago. He then returns the ill-gotten money by leaving it on the man's doorstep, then decides to cut ties with his "partners".
  • Never Bareheaded: It's rare to see him without a hat.
  • Nice Guy: Aladdin might be a thief and The Trickster, but there is no doubt whatsoever about his decency and sense of morality. In fact, the "diamond in the rough" line is essentially a perfect measure about his decency.
  • Nice Hat: A red fez.
  • Nice Job Breaking It, Hero!:
    • He doesn't wish the Genie free when he has the chance and leaves it behind to go talk to Jasmine, giving Iago the opportunity to swipe the lamp and hand it over to Jafar. He even acknowledges that he blew it. Then again, he does fix his mistakes.
    • While exploiting Jafar's lust for power to trick him into Becoming the Genie saved the day in the first movie, come The Return of Jafar, when Jafar is unearthed by Abis Mal...
  • No Social Skills: A mild case, again due to his having grown up on the streets. He often doesn't fit in at the palace, although he does have a sort of common man's wisdom that impresses the Sultan enough to want to make him his royal advisor. He learns by "When Chaos Comes Calling" enough to impress the royal guests.
  • Official Couple: With Jasmine. They're engaged by the end of the first movie and married by the end of the third.
  • Only the Worthy May Pass: Aladdin is the only one able to enter the Cave of Wonders as he fits the requirements, being "one whose worth lies far within, the Diamond in the Rough".
  • Parental Abandonment: His mother died when he was young and Cassim left before that. Deconstructed in Aladdin and the King of Thieves, as a lack of involvement from both his mom and his dad in his life has left Aladdin feeling unprepared when the time comes for him to marry Jasmine; he had no role models around whose presence could teach him what it's like to a raise a family, and so he's afraid he won't be any good at it.
  • Pauper Patches: He has a patch sewn on his pants.
  • Positive Friend Influence: As a child, his friend Amal was a more ambitious thief than Aladdin, who only stole food to survive. This would play a major part when the two reunite as adults, when Amal revealed to have been turned into a creature known as the El Khatib in the episode "The Lost Ones". Despite becoming a creature of pure evil, he refused to kill Aladdin since the two were friends. By doing this, Amal had proven himself capable of redemption and therefore unworthy to be El Khatib, saving his life and beginning his return to human form.
  • Pragmatic Hero: As a thief, a trickster, and a habitual liar, Aladdin may very well be one of the most morally ambiguous Disney heroes yet. However, every bad deed he committed was only for survival or outwitting a villain rather than out of malice.
  • Protagonist Title: First "Aladdin" and then "Aladdin and the X".
  • Purple Is Powerful: Aladdin is an athletic, cunning, expert thief who happens to wear a purple vest.
  • Race Lift: In the story that the movie is based on, Aladdin was originally a Chinese person. However, later interpretations of the story — including this movie — portray him as having Arabic heritage.
  • Rags to Royalty: From a street rat to a prince, thanks to saving Agrabah from Jafar.
  • Really Gets Around: It's strongly implied in the animated series that before he met Jasmine, he was quite the ladies man and had numerous affairs but never loved any of his mates until he met Jasmine.
  • Reality Ensues: Happens in the first movie. He isn't prepared for the reality that when he wins his pursuit of Jasmine, that also means becoming the sultan.
  • Red Is Heroic: His trademark hat is red and he's the hero.
  • Red Oni, Blue Oni: The red to Mozenrath's blue. Mozenrath (one of his most reoccurring enemies, who is set up as his evil counterpart) is a lot more cold-blooded and calculating, whereas Aladdin has a more impulsive and improvising nature.
  • Reformed, but Not Tamed: Even after his ascension from petty criminal to the princess's betrothed and hero of Agrabah, time and time again has shown that he's still the street rat from the first movie, except without stealing from innocent people (villains are still fair game, though).
  • Rescue Romance: Saves Jasmine from getting her hand cut off by an angry merchant after she accidentally steals an apple.
  • Rule of Empathy: His defining trait. An Establishing Character Moment happens when he gives up his only meal to ensure orphans won't starve. That's all the viewer needs to know what sort of man he is. He shows this again when he and Jasmine meet. He's smitten with her upon sight but once he sees she's in trouble, he rushes to help her. This is how they meet.
  • Satisfied Street Rat:
    • In the first movie, he's a proud and resourceful thief who has no qualms about stealing in order to survive. At the same time though, he has a kind heart and is actually quite selfless. His entire Establishing Character Moment consists of a song sequence where he sings that he has no qualms doing what he has to do and how he has to steal food to survive... and then concludes with him finding a couple of starving street kids and giving them the food he stole with no hesitation.
    • After the first movie, this is downplayed. Aladdin has much more permanent accomadations after saving Agrabah, and no longer has to worry about how to find his next meal. Even so, he still resorts to the things he learned on the streets in order to trick his enemies or deceive people, and he's not above lying even to his allies if he feels like he has to.
  • Save the Villain: Unintentionally. Upon Abis Mal's introduction, the only reason Abis Mal wasn't killed by his own gang for foolishly demanding all the loot that they stole is that Aladdin swooped in and stole it himself from them, thus directing all their ire at himself.
  • Single-Target Sexuality: Though he states he's had quite a few girlfriends in the past, he is completely loyal to Jasmine and shows no interest in other women.
  • Society Is to Blame: Aladdin believes the palace guards simply don't appreciate the fact that he has to steal whatever he needs to survive (and nothing more note ) because he's flat broke and that the rest of Agrabah's citizenry wants nothing to do with him as a result.
  • Street Smart: By necessity. "Gotta eat to live, gotta steal to eat".
  • Street Urchin: He is one of many children who grew up on the streets of Agrabah. Jafar's all too keen to sacrifice Aladdin for his scheme because in his mind, who would miss one more vanished street rat?
  • Super Strength: The Genie temporarily gives him this during the "Prince Ali" song.
  • Supporting Protagonist: Aladdin: The Return of Jafar isn't about Aladdin. It's about Iago.
  • Tragic Keepsake: Aladdin: King of Thieves has Aladdin showing his father's dagger. Subverted in that his father, Cassim, turns out to be alive.
  • Took a Level in Dumbass: In the first film, he was a Guile Hero. In the TV series though, Aladdin is prone to foolish reckless choices. He goes about his life carelessly while making the most moronic decisions, spare for a few moments of flash in the pan brilliance when his or somebody else's life depends on it. It's particularly noticeable when you realize how most of the other characters, save for Jasmine, spend their time trying to steer him to a correct choice. Still, his idiocy seems not to extend too far beyond what's needed for the Aesop of the week. It's often due to either overconfidence or his chronic inability to pass by a problem and not try to solve it.
  • Took a Level in Jerkass: Downplayed. A lot of episodes from the TV series emphasise and exaggerate Aladdin's more smug and mischievous side, almost to the point of flanderization. But his positive and noble attributes remain overall intact, and in this episodic formula he always overcomes his arrogance for his friends' sake.
  • Turn Out Like His Father: A number of people think that he'll become a "prince of thieves" after his father. Luckily, it doesn't go that far.
  • Undying Loyalty:
    • To Jasmine. Aladdin would sooner kill himself than cheat on her behind her back. It's why he turns down the advances of Sadira and Saleen in the series. This is further emphasized in the third movie — after freeing his imprisoned father, Aladdin decides to go back to Agrabah because he refuses to abandon Jasmine.
    • Also to his other friends, even Iago. He refuses to give up Genie to an old master and he still rescues Abu after their falling out. He even still helps Iago after Iago almost betrays the city by handing over Genie to Abis Mal.
  • Waistcoat of Style: Subverted, as it's rather plain and simple. He started as a street rat after all.
  • Walking Shirtless Scene: Apparently, he couldn't afford buttons for his vest. Or a shirt.
  • Weak, but Skilled: Aladdin generally lacks the skills to fight against opponents who are too physically imposing and has to rely on agility, dodging, and guile to defeat them. It explains how he cannot easily fight off the palace guards without tricking them.
  • "Well Done, Son!" Guy: Part of the original draft for the movie would have had this as part of Aladdin's motivation, as detailed in the Cut Song "Proud of Your Boy," where he dwells on his unsavory past, how he has disappointed his mother, and goes out to seek a better life to make his parents proud. This part of his character, along with the song itself, is added back in for the Screen-to-Stage Adaptation.
  • Wholesome Crossdresser: Downplayed. He has no problem with putting on a women's shawl to evade the palace guards in his first scene, and no one else seems to mind, with the only comment coming from a single bystander who asks if he's getting into trouble earlier in the day than usual.
  • Why Did It Have to Be Snakes?: It turns out that Aladdin is terrified of Unkbut, which are giant spiders that live underground. Justified considering that spiders of that size would be potentially dangerous. He eventually conquers this fear later on.
  • Wowing Cthulhu: He impresses a great many supernatural entities over the course of the TV series, but the most stunning example is the living embodiment of Chaos. The entity causes a lot of mischief in Agrabah's royal castle, including inflicting Baleful Polymorph transformations on several visiting dignitaries and Jasmine. When an enraged Aladdin marches up to Chaos with a threatening stance, Chaos asks him if he expects that to intimidate him. Aladdin says no, at which point Chaos returns everything to normal with a laugh.

    The Genie
"Master! I don't think you quite realize what you've got here. So why don't you just ruminate...whilst I illuminate the possibilities!"

Voiced by (Swedish): Dan Ekborg
Voiced by (European French): Richard Darbois
A powerful magical being who has been sealed away inside a lamp for ten thousand years or more, the Genie is the anchor point around which the first movie turns. Granted his freedom by a grateful Aladdin, he returns to be by Aladdin's side out of gratitude to the one master who has ever shown him kindness.
  • Abnormal Limb Rotation Range: A rare example where it also falls under Losing Your Head. He's quite capable of pulling off his limbs and/or head to rotate them.
  • Always Someone Better: To Jafar in the first movie. Even after Jafar becomes the most powerful sorcerer in the world, Aladdin points out that the Genie is still more powerful than him because "he gave him all his power and can take it away". This is reversed in the sequel, when Jafar is a powerful genie and is delighted enough to make a whole song taunting Genie, "You're Only Second Rate".
  • Amazing Technicolor Population: Genies in general seem to come in all colors, and he himself is blue.
  • And You Were There: The Peddler at the start of the movie is also voiced by Williams. The directors confirmed in 2015 that they're the same character.
  • Angel Face, Demon Face: He starts the movie as a playful, googly, shapeshifting whackjob. But when his lamp came into the possession of Jafar, his coloration and body shape changed to the "evil Djinn" stylistic (Only temporarily, because this is a Disney movie, and the Genie had to be recognizable for marketing purposes.)
    Genie: Sorry kid, I got a new master, now.
  • The Artifact: He loses his golden bracelets in the first movie after he is freed, implying they were connected to his imprisonment. Yet, he goes back to wearing them in all subsequent appearances. Most likely, these are now non-binding and purely aesthetic and worn because they make the character more recognizable (Genie lampshades this in the series, explaining that the only thing he's still a slave to is fashion).
  • Attention Deficit... Ooh, Shiny!: A character reflecting Robin Williams's stream of consciousness, which goes from Jack Nicholson to vintage cars, true love and speaking animals in less than a minute.
  • Badass Beard: He has a curly black beard and is obviously very powerful.
  • Because You Were Nice to Me: Genie decides to willingly be with Aladdin because of how the latter was the nicest and most selfless of all the masters he's had. Not to mention that Aladdin used his final wish to free Genie instead of becoming a prince again.
  • Benevolent Genie: Genie towards all his masters, whether good or evil.
    • Even after clearly not wanting to help Jafar take over Agrabah, Genie still never tries to give anything less than what Jafar wants; the thought of being a Jackass Genie or using Exact Words doesn't even occur to him.
    • When Aladdin has been thrown in a river, Genie is bound by the rules to be unable to just help Al escape unless Al says "Genie, I want you to save my life." Genie uses Loophole Abuse to interpret Aladdin's head bobbing as a nod, and then saves him.
  • Berserk Button:
    • Gets very upset when Aladdin doubts his powers. Granted, Aladdin was tricking him, but still he's Suddenly SHOUTING!.
    • In the series, Genie really hates Nefir the imp as he's a trolling money-grubber.
  • Beware the Nice Ones: He's very well-meaning, but threaten his friends and he'll rip out your spine.
  • Beware the Silly Ones: Yeah, he's a goofball. He also has more magic than most human sorcerers can hope to amass even as a free genie, has quite a temper, has a protective streak, and, oh yeah, it's implied he isn't bound by that no-killing rule anymore. There's a reason the threat of his rage can singlehandedly quash a raging battle between two opposing sides.
  • The Big Guy: While he can become any size he wants, his "default" size is larger than any other character and he has "semi-phenomenal nearly cosmic power" which is greater than any one in the main cast.
  • Blessed with Suck: Has phenomenal cosmic powers but is bound by his lamp and whomever holds it (not to mention the itty-bitty living space).
  • Blowing a Raspberry: Genie does this from within his lamp, tongue out of the spout, after feeling betrayed that Aladdin tells him he can't wish him free.
  • Blue Is Heroic: Nearly his entire design is blue and he's a heroic genie.
  • Boisterous Bruiser: Very fun-loving and energetic.
  • Breaking the Fourth Wall: Genie does this so many times it would be impossible to list them all, but one of them would be addressing the audience in "The King of Thieves" by "Oh, some of you don't believe" and changing the title card to its proper form.
  • Breakout Character: Easily one of the most recognizable characters of Disney, thanks to his first VA.
  • Brought Down to Badass: He loses a lot of his phenomenal cosmic powers after being set free, though he still finds it preferable to having to live in a lamp since it's an itty-bitty living space. He still has a lot of magical abilities left to him and often proves essential in solving whatever disaster is plaguing Agrabah.
  • Brought Down to Normal: In one episode of the TV series, he gives his powers to Iago to show him how hard it is to be a genie.
  • Camp Straight: Genie is shown to be very flamboyant as he cross dresses and loves to plan out weddings, including the wedding between Aladdin and Jasmine. However, he has fallen in love with a female genie in the series. He even states in the film that while he's fond of Aladdin, he's not fond of him, in that way (one of Robin Williams' many, many unused ad-libs had him state he would've given him mouth-to-mouth after saving him from drowning, but he didn't feel that attracted to him).
  • Chained by Fashion: It's not obvious at first, but those bracers of his are actually manacles, symbolizing his imprisonment/servitude. When Jafar is turned into a Genie he gets chained by the same manacles, and when Genie is freed his manacles come off. Come Aladdin: The Series though, they're back and are pretty much The Artifact.
  • Chewing the Scenery: Robin Williams is on top of his game in the first and third movies. Dan Castellaneta is not far behind him.
  • Claustrophobia: He does not enjoy living inside a lamp and wishes to be set free...which Aladdin does.
  • Cloudcuckoolander: Justified by a combination of centuries inside the lamp at a time, and the fact that Genie is simply not human.
  • Combat Medic: He can heal and fight.
  • Composite Character: The Robin Williams Genie is a combination of the Magic Ring and Magic Lamp Genies from the original story.
  • Deadpan Snarker: Robin Williams' performance is noticeably sardonic.
  • Deconstructed Character Archetype: Being a Benevolent Genie is not a good thing when you're serving an Evil Sorcerer like Jafar. He doesn't want to help Jafar, but he's too much of a Nice Guy to try granting his wishes in a way that doesn't benefit him, and can only apologize to Aladdin before planting the royal palace on top of a mountain.
  • Didn't See That Coming: After Jafar orders him to make Jasmine fall in love with him, he's about to tell Jafar that he can't do that when Jasmine suddenly starts acting seductive and enamored. His jaw very nearly hits the floor as a result and he spends a few confused moments staring at his finger, before spotting Aladdin.
  • Did You Just Scam Cthulhu?: He tricks the antagonists (two all-powerful wizards, mind you) in an episode of the TV series called "The Game". He seems to be taking lessons from Al.
  • A Dog Named "Dog": A genie named Genie. If he does have a proper name, it's never mentioned. Lampshaded by Eden in the TV series with "How original."
  • Establishing Character Moment: Just like how "One Jump Ahead" is Aladdin's, "Friend Like Me" is the Genie's. The Genie introduces himself to Aladdin via an extremely elaborate and trippy musical number which demonstrates his power, his bombastic nature, and his willingness to help his new master.
  • Everyone Calls Him "Barkeep": He's just "the Genie."
  • Fantastic Racism: In the series, Genie possesses a knee-jerk reaction to the presence or even the implications of being near imps, even commenting on their odor. Considering the only imps we see (Nefir and his minions) are a bunch of philandering con-artists that sow chaos for profit, it is very likely that this hatred is understandable and quite rational.
  • Flanderization:
    • His hyperactive tendencies in King of Thieves. He's seen jumping around, transforming, and making puns and references all the time, much more than in the first two movies.
    • An odd case of this being due to different actors. Williams's Genie is a screwball, but also has a sensitive and reasonable side, sometimes acting as a sort of father figure to Aladdin (particularly in King of Thieves). When Castellaneta plays him, this almost completely vanishes, and his hyperactive goofiness is played up much more.
  • Fog Feet: Has these off and on due to shape-shifting. They are off when he is brought down to normal.
  • Forgot About His Powers: In the series, and the sequel films, although this is actually justified as a case of Brought Down to Badass. As stated early in The Return of Jafar, whilst being set free did remove him of the restrictions he was under as a Genie of the Lamp, it also stole away a significant amount of his power, leaving him with "semi-phenomenal, nearly cosmic" magic, reducing him to about the level of a particularly talented magician. This fact is reiterated several times in the series. On a meta-level, this keeps him from utterly annihilating all attempts to induce drama or coherent plots to the series.
  • Four-Fingered Hands: He (in all of his forms) has four fingers while the rest of the human cast has five. His fingers are chubbier as a result, and they actually make him look more gentle. Except for when counting on his fingers, then he has as many as needed.
  • Fourth-Wall Observer: The Genie's supernatural abilities permit him to break the fourth wall, as well as parody real-life people and popular culture completely outside of the boundaries of the fictional universe in which he is contained.
  • Fun Personified: Even in serious or tense moments, he's still goofing around, making references to pop culture, and abusing Toon Physics to the nth degree. When he drops this entirely, the situation is incredibly dire.
  • Genie in a Bottle: Until the end of the first film he is bound to his lamp. Freeing him comes with a nerf in his powers. In the series it remains an effective way to trap him.
  • The Genie Knows Jack Nicholson: Trope Namer. He makes odd pop culture references that would be way out of the time period. The other characters might look momentarily confused, but they just go with it. The directors gave a Hand Wave that he time travelled and saw the future whenever possible.
  • Genius Ditz: He's goofy and scatterbrained but he also has a wise, reasonable side, he's very savvy, and is one of the most powerful characters in the Disney universe.
  • Gentle Giant: Much bigger than the other characters, and very nice and compassionate.
  • Glowing Eyes of Doom: Initially puts on a sinister front when Jafar seizes control of the lamp away from Aladdin, though Genie quickly drops it and apologies to the youth, since he's ironically powerless to disobey.
  • Great Gazoo: Comes with being a genie. He's borderline omnipotent and as wacky as possible.
  • I Just Want to Be Free: His wish is freedom. And thanks to Aladdin, he gets it.
  • Immune to Mind Control: In the animated series episode, “I Never Mechanism I Didn’t Like”, we learn that since he’s a magical being, he’s unaffected by “parlor tricks” such as hypnosis.
  • Incoming Ham: "TEN THOUSAND YEEEEEARS will give you SUCH a CRICK in the NECK!!"
  • Ink-Suit Actor: Genie's persona and personality is based on Robin Williams himself. He is very flamboyant, sweet, constantly funny but serious when he needs to be, charismatic, and kind-hearted.
  • Jaw Drop: Provides the page image. He does it twice; after he realizes Al tricked him into getting out of the Cave of Wonders without using a wish, and when Jasmine appears to fall in love with Jafar instantly, despite being something Genie can't do.
  • Large Ham: Originally played by the one and only Robin Williams and hilariously so. Especially when he's singing, he's very loud, theatrical, and flamboyant.
  • Let's Get Dangerous!: Especially against Jafar in the second movie. When the Genie is free to unleash his power, he can actually get pretty scary.
  • Leitmotif: The "To Be Free" theme. In his more humorous moments he's also accompanied by the refrain from "Friend Like Me."
  • Looking for Love in All the Wrong Places:He references having spent a million years looking for a girl like Jasmine. At least he succeeds in the series.
  • Man of a Thousand Voices: When voiced by Williams (of course) and by the Swedish Dan Ekborg. Even under Castellaneta, he still takes on multiple personalities and roles.
  • Maurice Chevalier Accent: He plays a French waiter and typical Frenchmen near a romantic dinner, while using the accent.
  • Medium Awareness: Being a supernatural entity with godlike powers, this makes sense. At one point he even tries to prod Aladdin into wishing for his freedom by reading the script!
  • Me's a Crowd: He can create numerous copies of himself in an instant.
  • My Master, Right or Wrong: Despite being a good guy, he has no choice but to follow the orders of the one who holds his lamp.
  • Nice Guy: Genie is a sweet, friendly, cheerful and loyal friend to Aladdin. He also keeps encouraging Aladdin to be honest with Jasmine.
  • The Nicknamer: He gives the nickname "Rug Man" to the magic carpet. He also calls Aladdin "Al" and Jasmine "Jaz".
  • No Name Given: His real name is unknown. A common fan theory is that, after ten thousand years, he just forgot what it was.
  • OOC Is Serious Business: When he drops his Fun Personified personality, or lowers his voice, things have gotten really bad.
  • Our Genies Are Different: For the most part, Genie was consistent with how the 20th century Western world viewed genies, although he had a few new twists. He was one of the first genies to want to be set free, and the first genie that could not kill.
  • Perpetually Protean: Transforms constantly, usually to impersonate various real life celebrities but also changing his size and shape in other ways - from objects to animals to other humans; sometimes this is for specific practical purposes, but usually just for the sake of a gag (he's played by Robin Williams after all). He tamps down on it for the more serious scenes, though.
  • Plucky Comic Relief: Despite being a very important character, the Genie serves as a comic relief element in each of his appearances. Justified since his voice actor in Return Of Jafar is famous for portraying Homer Simpson.
  • Pom-Pom Girl: Takes on a pom squad appearance during the fight between Aladdin and Jafar despite technically being male. And when Jafar tells him to cut it out, we get this:
    Cheerleader!Genie: Jafar, Jafar, he's our man. If he can't do it, GREAT!!!
  • Powerful and Helpless: For all of his phenomenal cosmic power, he's bound to serve whoever possesses his lamp. When Jafar steals it, Genie can do nothing but watch as Jafar wishes to be the most powerful mortal on the planet and apologize while sending Aladdin to the ends of the Earth.
  • Primary-Color Champion: His skin and pants are both blue, he wears a red sash, and also has golden wrist bracelets.
  • Reality Warper: He has phenomenal cosmic powers that are certainly far beyond that of any human sorcerer, but he does explicitly state three limitations to them: he cannot kill (directly), make someone fall in love, or bring the dead back to life (though he implies that he can bring people Back from the Dead... but he won't: Came Back Wrong is implied.) He also cannot allow "substitutions, exchanges, or refunds" on wishes. Which means that he cannot undo any wish he grants.
  • "The Reason You Suck" Speech: Gives a short one to Aladdin when the latter, initially, backs out of his promise to free him, noting that he can't uphold the masquerade of being Prince Ali without the Genie nor become a Sultan without Genie's help.
    The Genie: Fine. I understand. After all, you've lied to everyone else. Hey, I was beginning to feel left out. Now if you excuse me, Master.
  • Red Oni, Blue Oni: Carpet is his long-time buddy and fellow magical creature in the main cast so Genie is the red to Carpet's blue. He's energetic and boisterous, while Carpet is The Quiet One.
  • Rule of Three: Besides the Three Wishes, he also has three exceptions as follows:
  • Sad Clown: In the first film, his over-the-top antics and corny jokes cover up the fact that he's trapped, miserable, and lonely. He notably gets less flamboyant and a bit more grounded (though still a joker) as his friendship with Aladdin grows stronger. However, once he is released from the lamp, he remains as goofy as ever.
  • Sealed Good in a Can: He was stuck in his lamp in the Cave of Wonders for ten thousand years before Aladdin found him.
  • Semi-Divine: After being freed, he has gone from having "phenomenal cosmic powers" to "semi-phenomenal nearly-cosmic powers".
  • Servile Snarker: When Jafar becomes his master, while he serves him because of the rules, he's pretty clear he doesn't like it. Exhibit A: "Jafar, Jafar, he's our man, if he can't do it GREAT!"
  • Shipper on Deck: Pro Aladdin/Jasmine, to the point where he is willing to give up his freedom to see them together:
    Genie: Al, no problem. You've still got one wish left. Just say the word and you're a prince again.
    Aladdin: But Genie, what about your freedom?
    Genie: Hey, it's only an eternity of servitude. This is love. Al, you're not gonna find another girl like her in a million years. Believe me, I know. I've looked.
  • Sore Loser: A running gag is when he plays against Carpet in anything, and would lose every single time, much to Genie's annoyance.
  • Stepford Smiler: Kind of. Genie dances around, cracks jokes, and seems to have a lot of fun granting wishes...but Aladdin pokes around a little bit and discovers that Genie is actually miserable and desires freedom from his life of servitude more than anything else in the world.
  • Story-Breaker Power: A free genie with phenomenal cosmic powers would make story conflict difficult. Because of this, his powers were nerfed upon being freed from the lamp. In the series as well, there was often someone who could match him (like another genie) or some kind of Mage Killer etc.
  • Thou Shalt Not Kill: Enforced by the rules of the lamp; he cannot grant a wish to commit murder.
  • Three Wishes: And only three. One of the rules of being a genie is that you can't wish for more wishes.
    Genie: And ix-nay on the wishing for more wishes. That's it, three. Uno, dos, tres. No substitutions, exchanges, or refunds.
  • Took a Level in Dumbass: He seems to be a bit slower on the uptake in the series than he did in the movies.
  • Top-Heavy Guy: He has an extremely big upper body and much smaller lower half, though the fact that his lower half is usually a ghost-like tail distracts from it. It's much more noticeable when he's pretending to be human, or in the animated series where he uses legs more often.
  • The Trickster: Slightly less so than Aladdin. He'll grant wishes, but he'll put on a show first.
  • Time Abyss: At least 10,000 years old, and references having looked for love for a (possibly metaphorical) million years.
  • Undying Loyalty: Deconstructed at first, then played straight—Genies are all but forced to be loyal to whoever's in possession of their lamp and cannot disobey them, as shown when Jafar steals the lamp. After Aladdin wishes for Genie's freedom, he retains his loyalty to Aladdin, but this time it's by choice.
  • The Unfettered: He literally becomes this at the end of the first movie; wishing him free negates his problems with only being able to use his magic when a master commands it, and with having his life bound to his lamp. Implicitly, it also removes the restrictions on how he can use his magic, meaning that once freed, Genie can technically kill people. Fortunately, he's far too nice a guy to do something like that.
  • Voluntary Shapeshifter: His most commonly used power, and there's never any established limits on it. He can morph into all kinds of things, including Steamboat Willie.
  • Weaksauce Weakness:
    • Genie is powerless if placed into a container (like a jar) with a lid or stopper of some kind, and no gaps whatsoever.
    • If his lamp is whatever reason destroyed, then so will he be...though he loses this weakness once he is freed from the lamp.
    • Also, guava juice makes genies lose control of their powers.
  • Wholesome Crossdresser: Frequently wears women's clothing, and not just as part of a disguise.
  • Why Did It Have to Be Snakes?: He's really afraid of Mukhtars, who are the natural enemies of all genies.
  • The Worf Effect:
    • He gets hit with this in The Return of Jafar, to showcase how much being freed from the lamp has weakened him. During the "You're Only Second Rate" number, Jafar, who Genie gave his power to and logically could not have been more powerful than Genie before he was free, shrugs off everything Genie throws at him, toys with him, and then captures him with ease.
    • Genie is trumped on a regular basis in the series, defeated by just about every magical foe he's faced. It could be said that his reality-warping powers are as strong as ever, but he has a great deal less control over them, which lowers his threat level against those who have less power but better control. This demonstrates how dangerous said magical foe is. Anything that Genie can zap away wouldn't fill an episode.
    • This is averted during King of Thieves. The 40 Thieves run away as soon as Genie moves against them, and Genie spends much of the movie's remaining length keeping Jasmine company at the palace.
  • You Called Me "X"; It Must Be Serious: After being introduced to Aladdin, he almost always addresses him as Al. The one time he actually uses the name "Aladdin" is when Aladdin is about to drown.


"I am not a prize to be won!"
Voiced by: Linda Larkin-Vasquez (speaking), Lea Salonga (singing, Aladdin), Liz Callaway (singing, TV series, The Return of Jafar and The King of Thieves)
Voiced by (Swedish): Myrra Malmberg (movies), Maria Rydberg (TV series)
Voiced by (European French): Magali Barney (speaking) and Karine Costa (singing)
Appearances in alternate continuities: Kingdom Hearts | House of Mouse | Disney Infinity

As princess of Agrabah, she must marry by her next birthday, yet only wishes to marry for love. Tired of the confines of palace life, she escapes and meets a peasant thief named Aladdin, whose life she saves when he is caught by the thugs of the evil vizier to her father, Jafar, before being returned to the palace. With the help of the Genie, Aladdin later becomes Prince Ali unbeknownst to Jasmine and tries to win her heart.

She's also a member of the Disney Princess line.

  • Action Girl: Not so much in the movies, but very much so in the series. There she often helps Aladdin beat the bad guy of the week, and in several episodes, she does it by herself.
    • In "Sandswitch", Jasmine is given memories of a life as a street rat. The new Jasmine is introduced effortlessly beating up four of the royal guards to rescue Abu, Iago, and Rajah.
    • In "Forget Me Lots", Jasmine's memory is removed and she's told that she is Harmless Villain Abis Mal's daughter, and one of the most evil and feared people in the area. This causes her to instantly become a marvelous Dark Action Girl who takes over the palace almost singlehandedly (admittedly as princess, nobody is allowed to harm her anyway), then gives herself a Klingon Promotion when she realizes how useless Abis Mal is.
    • In "The Wind Jackals of Mozenrath", Jasmine dons her Dark Action Girl attire again when she, Aladdin, and Abu infiltrate Mozenrath's kingdom to steal an unearthed magical weapon.
    • In "Eye of the Beholder", Jasmine is turned into a naga. Even though she's horrified of her snake tail, she puts it to very good use a few times on the way to find a cure.
    • In "A Sultan Worth His Salt", Jasmine receives warrior training after being kidnapped by a group of Amazons.
    • In the final movie, she notably punches out a few members of the 40 Thieves.
  • Adaptational Badass: In two ways.
    • In the original tale, the Princess was a beautiful, but otherwise flat, Love Interest. In this adaptation, she's now a Rebellious Princess who impresses Aladdin by being smart and fun, as well as pretty.
    • She also starts to kick a lot more butt in the series than in the movies.
  • Adaptation Name Change: In the original tale, her name was "Badroulbadour".
  • Affectionate Nickname: "Jas" by Genie.
  • Bare Your Midriff: As part of her Bedlah Babe look. A good majority of Jasmine’s outfits expose her stomach, even her sleepwear.
  • Battle Couple: With Aladdin — this becomes more evident in the TV series and last sequel, with the two of them fighting their enemies together. Their chemistry even shows when they first meet and are able to save Jasmine by tricking the seller.
  • Bedlah Babe: She is possibly the single most famous bedlah-wearer, in the harem pants and the little off-the-shoulder belly top, and probably the premier example in fiction (so much so that Halloween versions of this dress are often deliberately modelled after her). Jafar dresses her up in an even skimpier red version when he enslaves her.
  • Berserk Button:
    • Being used for someone's personal gain. She nearly strangles Abis Mal in the TV series for this and it is also the source of her famous line in the first film "I am not a prize to be won". This is why she turns away all her suitors; because she knows they're just intending to use her to gain political power.
    • She doesn't appreciate anyone trying to make a move on her man either.
  • Beware the Nice Ones: She's sweet, caring and pure-hearted, but it is not wise to make her angry at you. Underestimating her is a very bad idea. Villains and non-villains alike, including Aladdin, always learn this the hard way. Case in point, when Jafar leads everyone to believe that he had Aladdin executed, Jasmine all but says that her first act as queen will be to have Jafar executed.
    Jasmine: At least some good will come out of my being forced to marry. When I am queen, I will have the power to get rid of you!
  • Blue Is Heroic: Jasmine's Iconic Outfit consists of a sea-green cropped top, pants, ponytail bands, and headband. It also doubles as True Blue Femininity.
  • The Chick: The most sensible member of the group, who keeps the others (even Aladdin) from getting carried away. It helps that she's actual royalty and therefore has some experience with the use of authority.
  • Commonality Connection: With Aladdin. They both bond over how they feel trapped in their respective lives.
  • Criminal Amnesiac: In the episode "Forget Me Lots" she loses her memory and is tricked into thinking she's Daddy's Little Villain to Abis Mal. However she soon decides that he is far too weak and stupid to possibly be her father, and overthrows him, declaring herself Empress and noting how right it feels to take the throne (since of course she is royalty).
  • Daddy's Girl: She's a cross between this and Rebellious Princess, as she loves her father dearly, but doesn't always see eye-to-eye with him. However, they do have a very close bond even when they disagree and her father loves her enough to not force her into marriage.
  • Damsel in Distress:
    • She is trapped in an hourglass slowly filling with sand during the final battle of the first film and nearly drowns in it until Aladdin breaks her out.
    • She also has a few in the series, but one that stands out is when Aladdin has to save Jasmine from non-existence due to Abis Mal almost killing her ancestor.
  • Damsel out of Distress: Capture and other forms of distress are common in the movies and series but she rescues herself often enough and is never docile about it.
    • One example in the movie is distracting Jafar while Aladdin goes for the lamp.
    • One from the series is her escape attempts from the Enchanted Garden.
  • Defrosting Ice Queen: Towards Aladdin (under his Prince Ali guise) in the original film. Initially she's as impressed with him as with her other suitors (that is, not at all). "A Whole New World" is the bulk of it, and concludes when she deduces that "Prince Ali" is actually "the boy from the market", whom she fell in love with earlier.
  • Demoted to Extra: Downplayed. Jasmine is an important character throughout the franchise but in the sequel movies, she becomes more of a tritagonist than deuteragonist she was in the first movie. The role of deutergonist being given to another character — Iago in the second movie and Cassim in the third.
  • Everything's Sparkly with Jewelry: Her outfit is fairly loaded with jewels in the merchandise.
  • Evil Costume Switch: Her "Scourge of the Desert" costume in Forget Me Lots is darker than her usual.
  • Fatal Flaw: Her pride and stubbornness, especially in the series. While her staunch refusal to move from what she believes in is generally a good thing in both the films and most episodes, in times where she really is wrong, she can sometimes refuse to listen to others and run into problems in the process. In some cases, she even does some very unwise things just for sake of her pride, like when she sneaks into the marketplace and robs a shopkeeper (who later turns out to be Fasir) just to prove that she can — which leads to her (temporarily) getting turned into a rat. All of her focus episodes in the series have her learning to temper her natural head-strength with wise counsel.
  • Flower Motifs: As her name suggests, she's often associated with the jasmine flower since Aladdin gave it to her in their duet song, "A Whole New World".
  • Forceful Kiss: Gives Jafar one at one point to keep him from seeing Aladdin sneaking around.
  • Friend to All Children: She has shown this many times, especially in the series episode "The Ethereal", where she sacrifices herself to save a child, and gets better soon afterward.
  • Friend to All Living Things: She even sympathizes with Arbutus after he kidnaps her, when she realizes that all of his plants are still living things.
  • Gilded Cage: While talking to her father, she says that she's never been beyond the palace walls, living in the palace her entire life. It's implied that she can't leave because of her status as a princess, which her father tells her, which causes her to say that she doesn't even want to be a princess anymore.
  • Girly Bruiser: Mainly in the series, where she is more a tough Action Girl, but still a very feminine princess at heart.
  • Girly Girl with a Tomboy Streak: She has a very feminine side, isn't afraid to use her feminine wiles to help Aladdin, and is always wearing fine jewels and pretty clothes. In the TV series, she gushes over fashion. She is also strong willed, a tough fighter, and isn't afraid to get her hands dirty.
  • Go-Go Enslavement: Jafar makes Princess Jasmine wear a red harem outfit, although her normal clothes don't cover much more; they're just blue. Once he's defeated they turn back, confirming they were magical in nature.
  • Gold Makes Everything Shiny: Her necklace and earrings are fitting for a princess.
  • Graceful Ladies Like Purple: She wears a purple dress when she intends to announce her engagement. Also by the end of the first film when she and Aladdin fly off into the night sky.
  • Happily Married: To Aladdin by the end of King of Thieves. In the Hercules crossover episode, Phil attempts to flirt with Jasmine, who quickly cuts him off by saying she's married.
  • Hotter and Sexier: The original Aladdin movie has an in-universe example when Jafar puts Jasmine in Go-Go Enslavement. It cuts lower at the cleavage and crotch (and higher under her cleavage!) to emphasize this.
  • Hidden Depths: Comes off at first as the stereotypical shallow princess, but is in fact very intelligent and well educated as well as brave and strong.
  • Hypnotize the Princess:
    • In the first film, she fakes falling under this trope as part of We Need a Distraction against Jafar.
    • This happens to her for real in the TV show episodes "I Never Mechanism I Didn't Like" and "While the City Snoozes".
  • I Just Want to Be Free: Although due to the first attempt ending disastrously (as well the fact that she meets Ali shortly after), she stops trying. In the series though, she has far more freedom than before and goes with Aladdin on his adventures. She still wants freedom but is more smart about it.
  • Iconic Outfit: Jasmine's blue harem style outfit is easily the most recognized of her wardrobe as it gives her a Bedlah Babe look, plus it makes her stand out among the others in the Disney Princess lineup. She also has a purple long-sleeved version of this, and let's not forget the red harem outfit she wore when being enslaved by Jafar.
  • Impossible Hourglass Figure: Along with Ariel, she has the most exaggerated figure of any Disney Princess or heroine.
  • Introverted Cat Person: Jasmine is kept inside her palace by her overprotective father. Her only companion is her pet tiger.
  • "I Want" Song: In both of the musical stage adaptations, she gets one. In the "Aladdin Musical Spectacular" stage show at Disneyland, it's "To Be Free", and in the Broadway musical, it's "These Palace Walls".
  • Kindhearted Cat Lover: She's a sweet, caring princess whose best friend is a tiger.
  • Leitmotif: Heard prominently about twenty seconds into "Jasmine Runs Away".
  • Lady of War: She's shown to be a capable fighter despite her demure and graceful manner. This is especially evident in Aladdin and the King of Thieves, when she is fighting some of the thieves and even pushes a heavy statue on them in the climax.
  • Letting Her Hair Down: She is shown with her hair down after the "Whole New World" sequence where she and Aladdin have fallen in love, and she's truly happy for the first time in the film.
  • Lonely Rich Kid: Due to her father's protectiveness, she has spent her entire life in the palace, and directly states that her only real friend in her tiger Rajah.
  • Long Hair Is Feminine: She has Rapunzel Hair and is quite girly.
  • Love at First Sight: She and Aladdin fall in love the first time they meet. It involved Rescue Romance.
  • Marry for Love: If she's gotta get married, it better be to the guy she wants!
  • Meal Ticket: To Jafar as well as the other suitors, who wanted to marry her simply to become the sultan.
  • Meaningful Name: "Jasmine" is a Persian name for a beautiful flower and not only is this Jasmine beautiful herself but she's associated with the jasmine flower.
  • Morality Pet: Downplayed to Aladdin. He was already a nice guy way before they met, and despite his thieving and lying ways, he had a strong moral code. That being said, Aladdin still had some trouble truly reforming his criminal ways, with Jasmine being his primary motivation in bettering himself.
  • Ms. Fanservice: Arguably the most sexual of all the Disney Princesses, especially in her red slave suit. Plus, she is the first (human) princess to wear a Bare Your Midriff outfit. More so than other Disney princesses, she knows how to strut her stuff and use it to her advantage, such as to distract Jafar so Aladdin can get the lamp.
  • Muscles Are Meaningless: Despite her appearance, Jasmine has impressive physical strength, as she manages to push over a large statue in Aladdin and the King of Thieves, a boulder in "My Fair Aladdin", and beat a thug with one punch in Aladdin and the King of Thieves.
  • Nice Girl: Jasmine is extremely compassionate and caring whether towards her kingdom, her family, her friends, and especially Aladdin, whom she treats as a best friend, as well as a lover.
  • Nice Job Breaking It, Hero!: Her promise to get rid of Jafar once she becomes queen as punishment for possibly executing Aladdin, kick starts Jafar's eventual plan to marry her himself to become sultan when he originally only wanted to obtain Genie's lamp.
  • Official Couple: With Aladdin; engaged at the end of the first film and married at the end of the third.
  • Omniglot: Jasmine briefly mentions in Disney Princess Enchanted Tales: Follow Your Dreams that she speaks several languages.
  • Opposites Attract: Jasmine is a wealthy princess who left the palace because she wants nothing more than to have some agency of her own. Aladdin is a homeless "street rat" who wants to live in the palace because he finds being waited on hand and foot a lot more preferable to constantly stealing food and avoiding death just so he can survive. This is especially apparent in the scene where Aladdin takes Jasmine to his place after rescuing her from a vendor who almost chopped her arm off:
    Aladdin: Wow, the palace looks pretty amazing, huh?
    Jasmine (sadly): Oh... it's wonderful.''
    Aladdin: I wonder what it would be like to live there. Have servants and valets...
    Jasmine: Oh, sure, people who tell you where to go and how to dress.
    Aladdin: It's better than here. You're always scrapping for food and ducking the guards.
  • Out of Focus: Played with. She's first Disney Princess to be a Deuteragonist rather than the protagonist, but she still has a very big role. Despite being a deuteragonist, Jasmine has the most screen time of all the Disney Princesses, being in three movies, a TV series, a standalone short, a Broadway play, and some video games.note 
  • Parent Service: Probably the most sexualized of any of the Disney Princesses, presumably because the movie is about Aladdin (a young man) and she's meant to be seen through his eyes.
  • Plucky Girl: Among other things, she manages to sneak out of the palace and openly stands up to Jafar.
  • Pride: In "Do The Rat Thing", when Aladdin tells her that she has no idea what it's like to live on the streets, Jasmine goes to the marketplace and steals a random mirror just so she can prove him wrong... little does she know that the mirror is an enchanted mirror that turns her into an actual rat when she declares that she does have what it takes to be a street rat.
    Iago: Okay, you've seen the Thieves' Quarter. Now can we go back to the palace?
    Jasmine: No! Do you know what Aladdin called me? Princess!
    Iago: Offend not my delicate ears with such language.
  • Princess Classic: Deconstructed. Jasmine lives a luxurious, privileged life, to the point where she feels trapped by the title — she has never known true friendship outside of the one she shares with her pet tiger, she has never left the palace since she's not even allowed outside, and she's bound by the law to be part of an impending arranged marriage that she has no choice in to marry someone she doesn't even want to marry. However, Jasmine realizes that there are some inherent advantages to having the authority that comes with being a princess; she reveals herself and demands Aladdin's release when the royal guards burst in to his place to arrest him, and vows to get rid of Jafar once she becomes queen. Also, Jasmine still gets her Happily Ever After, but only when the hardships associated with the princess title are done away with (i.e., the Sultan abolishing the law and declaring that she is now free to marry whomever she deems worthy).
  • Rapunzel Hair: Until Tangled, she had the longest hair of any Disney Princess, and still does if you discount magical enhancement. She is a princess after all. Long hair comes with the territory.
  • Rebellious Princess: Not only does she not want to get married, she also doesn't enjoy the confinements of palace life—therefore she is the most quintessential example in the line. This is why she and Aladdin get along.
  • Rescue Romance: She first meets Aladdin when he saves her from an angry merchant after she accidentally steals an apple, unaware of the concept of money.
  • Royals Who Actually Do Something: Jasmine cares a great deal about her kingdom, and is shown several times, such as in "Bad Mood Rising" and "The Ethereal", to be ready to sacrifice herself for the safety of her subjects. In Disney Princess Enchanted Tales: Follow Your Dreams, it is shown that Jasmine has an outstanding desire to contribute to her kingdom, in ways that don't include flaunting her status as a princess.
  • Runaway Fiancé:
    • She runs away from home to avoid being married off against her will.
    • Also her suitors run away from her, since Jasmine isn't interested in marrying for anything but love, hence the reason she starts hooking up with Aladdin. He was what she was looking for in a husband, a kind man who treated her as a person rather than an object for political gain.
  • Sheltered Aristocrat: She's used to the grand and sumptuous lifestyle, and sometimes it shows that palace life has made her somewhat privileged, expecting that even villains will obey her on command. At the start of the movie, she forgets to bring money when she runs away because she's never had to pay for anything or go without, and has no grasp of the hardships outside the palace, although this changes through the series. Despite this she has a good heart and genuinely wants to help people.
  • She's Got Legs: As shown in "A Sultan Worth His Salt", Jasmine has rather shapely legs.
  • Show Some Leg: The only Disney Princess who tries to bait the villain with her affections. It would have worked if not for the reflection of the tiara she wore.
  • Single-Target Sexuality: Aladdin is the only man she'll ever be interested in, as all others before and after him don't impress her much and only see her as a means to an end.
  • Single Woman Seeks Good Man: Doesn't give one flying rat's ass about all the rich, snobby princes trying to woo her, and instead goes for the poor but good-hearted Aladdin. He treats her like a real person rather than an object for political gain as other suitors had done before. The whole film gives the message of Be Yourself.
  • Slapstick Knows No Gender: In the series, she's sometimes a victim of slapstick, such as getting hit by a wave which causes her to get fish in her pants in 'Elemental, My Dear Jasmine' and landing belly-first into a melon leaving an Impact Silhouette in 'Do The Rat Thing'.
  • The Smurfette Principle: The first film has only Jasmine. Other female characters appear but they are nameless extras. Aladdin's mother was originally in the film too but got cut. Also in the series where she's the only female on Team Aladdin (Aladdin, Jasmine, Genie, Abu, Iago, Carpet) during their escapades but there are many significant reoccurring female characters (such as Sadira).
  • Stripperiffic: Jasmine's regular outfit is pretty revealing, but her slave outfit manages to be even more so.
  • Strong Family Resemblance: Except for the hairstyle, Jasmine looks exactly like her deceased mother.
  • Taken for Granite: There is an episode in the TV series where Mozenrath turns Jasmine to stone.
  • Teens Are Short: Is 16 years old, and is the shortest Disney Princess, at 5 feet, 1 inch.
  • Tomboy Princess: Mainly in the series, where she is more rowdy and much tougher, but is still a very feminine princess at heart.
  • Took a Level in Badass: Princess Jasmine is noticeably more of an Action Girl in the TV series and the final sequel Aladdin and the King of Thieves than in the two preceding films. She holds her own against the Forty Thieves, all of which are at least twice her size.
  • True Blue Femininity: Her outfit is colored a bright blue to invoke the idea of an oasis in the desert. The main gem in her headband is blue as well.
  • The Ugly Guy's Hot Daughter: As is generally true of many comic-relief Disney dads, the Sultan is a short, fat man (though technically he's not ugly either), and his daughter is beautiful and willowy.
  • Uptight Loves Wild: Jasmine grew up surrounded by rigid royal protocol and falls in love with a thief from the streets. She enjoys his less strict personality and is unimpressed when he attempts to be like other royals.
  • Uptown Girl: The daughter of the local Sultan who falls for a "street rat".
  • Violently Protective Girlfriend: It's best to leave her fiancé (later husband) Aladdin alone unless you want to face Jasmine's wrath. She mentions in "Mission: Imp Possible" how she wants to strangle Nefir for poisoning Aladdin in order to blackmail Genie.
  • Well, Excuse Me, Princess!: A few times she can come off as over-reacting and unreasonable. This is mostly due to her frustration of being ordered around.

"He hates fireworks, and he really doesn't like flying either."

Voiced by: Frank Welker, Tommy Tallarico (Sega Genesis voice samples)

Aladdin's oldest friend, a highly intelligent monkey with a strong streak of kleptomania and a natural gift for thievery.

  • Adaptation Species Change: Is replaced with three humans in the stage musical.
  • Attention Deficit... Ooh, Shiny!: Never misses a chance to swipe a ruby or anything of value; it's this weakness for thievery that nearly dooms him and Aladdin inside the Cave of Wonders.
  • Baleful Polymorph:
    • Is subjected to the most bodily transformations thanks to Genie. Although after the initial shock he takes to being an elephant pretty well.
    • Jafar turns him into a wind-up toy.
  • Because You Were Nice to Me: It's revealed in "Seems Like Old Crimes" that the reason behind Abu's friendship and loyalty to Aladdin is because when they were in a gang of robbers, Aladdin was the only one to treat Abu with equal respect and kindness.
  • Big Eater: He chows into things that are nearly as big as he is.
  • Blowing a Raspberry: Abu does this taunting gesture to the head of the guards during the chase scene.
  • Butt-Monkey: Although not as badly as Iago, he does tend to get hurt or humiliated for drama (and, to a lesser extent, comedy).
  • Dark and Troubled Past: Abu was once part of a traveling circus of thieves and the members would treat him badly.
  • Decomposite Character: The stage musical splits him into Aladdin's three friends, Babkak, Omar and Kassim.
  • Empathy Pet: To Aladdin for the thieving. He also points out his Love at First Sight with Jasmine.
  • Even the Dog Is Ashamed: Or monkey (or monkey transformed into an elephant). He's clearly disappointed when Aladdin breaks his promise to free the genie.
  • Everything's Better with Monkeys: He's a monkey and Aladdin's Non-Human Sidekick.
  • Freudian Excuse: "Seems Like Old Crimes" explains that Abu was trained by a trio of thieves. It's implied that he's constantly stealing because the trio never let him have a piece of the take (and stole what Aladdin had given to him).
  • Half-Dressed Cartoon Animal: He wears an open vest and a fez.
  • Idiot Ball: He's normally a clever monkey but his greed causes him to make stupid mistakes, such as grabbing the ruby while Aladdin searches for the lamp caused the Cave of Wonders to collapse in on itself.
  • Intelligible Unintelligible: Only Iago seems to fully understand what he's saying all the time. Aladdin can just understand him through expressions and body language.
  • Jerk with a Heart of Gold: Much more selfish and greedy than the other main characters (not including Iago), and can get frustrated rather quickly. However he's kindhearted, loyal and willing to risk his life to save Aladdin and his friends.
  • The Lancer: Aladdin's sidekick, literal partner in crime, and more found of stealing than generous giving.
  • Lovable Rogue: Like Aladdin. He's thief and a kleptomaniac, but also funny, likable and a good friend to Aladdin.
  • Master of Unlocking: He has a set of lockpicks hidden away in his vest. He uses them to free Aladdin from jail.
  • Meaningful Name:
    • "Abu" is an epithet for men in Arabic and Abu is a male monkey.
    • Abu is Ancient Egyptian for elephant. In the first movie and "Web of Fear", he gets turned into an elephant.
  • The Millstone: In the Cave of Wonders, he grabs a huge ruby out of a monkey idol's paws, initiating the destruction of the cave.
  • Mischief-Making Monkey: His thieving habits cause a lot of trouble.
  • Misplaced Wildlife: A new world monkey in the Middle East?
  • Money Fetish: He's just about as greedy as Iago is (hence why he fell for the Schmuck Bait ruby in the Cave of Wonders that nearly got him killed), which is why they're surprisingly close, even if they act like they hate each other. In the cartoon series, he and Iago often egg each other on in the pursuit of treasure from their adventuring.
  • Naughty Is Good: He's quite mischievous and sneaky, despite being one of the good guys.
  • Never Bareheaded: Also much like Aladdin, he wears a fez all the time.
  • Nice Hat: Just like Aladdin's hat, no less. It turns out Aladdin even bought Abu that hat, which was originally the top ornament of an elaborate turban.
  • Only Friend: For most of his early life, Aladdin's only trusted companion was Abu.
  • Pragmatic Hero: Noticeably more selfish than Aladdin, and continues to be exceedingly sneaky even into the sequels. Monkeys don't share well.
  • Prehensile Tail: He's a cartoon monkey. Of course he can use his tail to manipulate and carry stuff.
  • Ridiculously Cute Critter: What would you expect of a Disney Non-Human Sidekick? Just look at him! He's adorable.
  • Silent Snarker: From time to time. Just look at his expression in the above pic! It oozes sarcasm.
  • The Sneaky Guy: He's very good at sneaking around, even more so than Aladdin thanks to his smaller size, and he often uses this to help the others.
  • Spanner in the Works: In the first movie, after Jafar betrays Aladdin and tries to kill him, Abu attacks him and secretly steals the lamp. Aladdin even later notes this in the TV series.
  • Speech-Impaired Animal: Though he can make noise, he can't speak. Although at one point he does clearly u iltter "Aladdin, wake up!" - along with other familiar semi-uttered expressions such as 'Why you!' or 'O brother!' Iago can apparently understand what Abu says.
  • Sticky Fingers: He'll steal anything not nailed down. This really gets him in trouble in the Cave of Wonders.
  • Thieving Pet: Aladdin's monkey who often steals things.
  • The Unintelligible: A little harder to notice. Most of the time it just sounds like monkey noises. But there are times when you can make out the human language. Like "Ahhraadeeen" or "eaahh shwuaah".
  • Undying Loyalty: He's been with Aladdin longer than anyone and has followed him in danger without hesitation every time.
  • Vitriolic Best Buds: With Iago. They can get along and even save each other, but the contrasting personalities at times leads to conflicts.

"Look at this! I'm so ticked off that I'm molting!"
Voiced by: Gilbert Gottfried, Tommy Tallarico (Sega Genesis voice samples)
Voiced by (Swedish): Anders Öjebo
Voiced by (European French): Eric Metayer

Originally Jafar's loyal and often abused sidekick, Iago the Parrot is sealed away with Jafar inside of the lamp at the end of the first film. Instrumental in freeing the both of them from the sandy wastes of the desert, he abandons Jafar and sets out to find his own path in life, ultimately reforming and becoming a devoted (yet opportunistic) friend to Aladdin and company.

  • Adaptation Species Change: In the Broadway Run, he is made into a human servant rather than a bird puppet.
  • Affectionate Nickname: Called "Giblet" by Queen Thundra.
  • Anti-Hero: After his Heel–Face Turn. He retains his Jerkass personality and some of his negative traits from the first movie (namely his greed and sarcasm), but he always comes through for his friends when needed.
  • Attractive Bent-Gender: When Iago is disguised as a flamingo and mimicking Princess Jasmine's voice, a nearby male flamingo gives him the bedroom eyes. Iago's disguise sure is paper thin: just a fake beak and some stilts.
  • Bad Guys Do the Dirty Work: Though he wasn't necessarily a bad guy at the time, ends up being the one to kill Jafar in the sequel, and in the series, his brazen confidence left over from his time as a villain has come in useful to the heroes by being more morally loose to get what he wants.
  • Because You Were Nice to Me: Switches sides when Aladdin and friends treat him enormously better than Jafar ever did.
  • Becoming the Mask: It's implied subtly that, over the course of the series, Iago actually comes to not only have a stronger moral streak, but to actually enjoy adventuring. Which would explain why he decides to leave Agrabah and adventure with Cassim at the end of The King of Thieves instead of just enjoying the life of luxury that a presumably more settled-down Aladdin and Jasmine would offer.
  • Being Evil Sucks: Iago comes to realize this in the first sequel. In the TV series episode "Poor Iago" Iago becomes extremely greedy (even more than usual) only for him to receive all sorts of nasty punishments because of his behavior. This causes him to have an epiphany and he attempts to completely reform his ways, becoming kind-hearted and generous.
  • Being Good Sucks: This winds up backfiring on him as well. He ultimately decides it's best to just stick with a balance and not be too much of a jerk, but don't be too nice either.
  • Berserk Button: "Polly want a cracker." In the first movie, the Sultan was constantly feeding him "moldy, disgusting crackers". He decided to return the favor when Jafar rose to power. In the second movie, Jafar reminding him that without him he would have still been in the bazaar spouting that same line was the last straw. And in the third movie, just as Cassim was going to repeat that line, Iago said if he finished he'd "let [him] have it on principle!"
  • Beware the Silly Ones: He may be a cranky loudmouthed talking bird and started off as Jafar's sidekick, but he's also the one who gave Jafar the plan to marry Jasmine, become Sultan, and kill Jasmine and the Sultan afterwards and was quite happy to follow through with it. Even after joining the protagonists, he's the one who kills Jafar in the end by destroying his lamp.
  • Big Damn Heroes: He pulls an epic one to rescue Aladdin in the end of the second movie, which results in Jafar being killed.
  • Breakout Character: He rivals Genie with popularity. Enough that he reforms in The Return of Jafar and has episodes dedicated to him in the series.
  • But Now I Must Go: After the third movie, where he chooses to leave the palace after Aladdin's marriage to Jasmine and travel the world with Cassim.
  • Butt-Monkey: Throughout the entire franchise. He truly was the writers' designated Butt Monkey (their mantra was "When in doubt, hurt the bird"), but what keeps him from being a Designated Monkey is that he often brings it on himself from being a greedy manipulative Jerkass, albeit one with a heart of gold at times since his Heel–Face Turn.
  • Changed My Mind, Kid: In The Return of Jafar. He opts to bail just before the final confrontation with Jafar. Just when things are looking bleak for our heroes, Iago comes charging into the fight and manages to snatch Jafar's genie lamp. Despite being injured by a magical blast, Iago is able to shove the lamp into a pool of lava, destroying Jafar and saving the day.
  • Character Development: The original movie is all about Aladdin's character development, but for the franchise as a whole Iago is definitely the character who changes and develops the most. He starts out as a villain, then he changes sides purely out of self-interest before he starts growing a consience and ending up pulling a genuine Heel–Face Turn. His development doesn't stop after he's become a good guy, though; while he remains greedy and selfish, and often slips into the role of Token Evil Teammate, over the course of the sequel movies and series, he Takes Several Levels In Kindness and even in Badass, going from Dirty Coward to Lovable Coward and finally to Cowardly Lion. By the end of Aladdin and the King of Thieves, he's gone from the one who doesn't want to go out on adventures, to the one who doesn't want to stop going out on adventures.
  • The Chew Toy: The movie writers' mantra: "When in doubt, hurt the bird".
  • Cowardly Lion: From the end of the second movie, onwards. He'll bitch and complain but, when the chips are down, he'll do the right thing.
  • Deadpan Snarker: He's generally not deadpan (though he does have his moments), but he's definitely sarcastic.
  • Defector from Decadence: Severs his ties with Jafar once realizing staying with him doesn't bode well for his future.
  • Determinator: Arguably more vulnerable than the rest of the characters, but makes up for it in guile and gumption.
  • Didn't Want an Adventure: Iago complains often of the dangerous situations Aladdin and crew drag him on. However, when given the chance to stay home and be safe, he finds that he would rather be out on adventures.
  • Dirty Coward: For much of the second movie, he spent a lot of time looking out for himself almost exclusively although unlike many of the examples here, he can be courageous and selfless. He grows out of this at the end.
  • Did You Just Romance Cthulhu?: His relationship with Thundra. She's a powerful nature goddess, Iago just a regular bird.
  • Does Not Like Spam: Despite what the Sultan may think, Iago actually hates crackers.
  • The Door Slams You: Both he and Jafar get this going into the last chorus of "Prince Ali" in the original film, when Jafar shuts the door on the parade only for them to kick it in and slam him and Iago into the wall.
  • The Drag-Along: In the series he is the quintessential embodiment of this trope. He's more concerned with living in the lap of luxury and staying out of danger, and, as a Card Carrying Coward, is none too happy with being dragged along on some grand adventure every other day (which is understandable, since he's a bit of a pain magnet).
  • The Dragon: In the first movie. He is Jafar's parrot who makes trouble for the heroes in stealing their possessions, deceiving them with fake voices, and acting as a sort of sentry before the final conflict.
  • Dude, Where's My Respect?: In the second film, after he kills Jafar by destroying his lamp, Iago became shocked when Aladdin declines the Sultan's offer to be his royal vizier, then not so subtly hints "doesn't anybody want to ask what the brave parrot wants?"
  • Establishing Character Moment: In the film's opening, Iago starts off acting like a stereotypical parrot, repeating things Jafar says. He eventually turns to Jafar and asks where he found Gazeem, clearly unimpressed.
  • Eureka Moment: As Jafar and Iago lament the loss of the lamp, Iago gripes that they'll be stuck in their current position of lack of power forever. Jafar corrects Iago in that once Jasmine marries, she'll get rid of them both. This inspires Iago to suggest that Jafar marry Jasmine to take the throne.
  • Even Evil Has Loved Ones: Iago comes to care for the whole group, but the person he favours most seems to be Jasmine, not because she trusts him, but because she is the person whose trust he has to work for.
    • He also cares a great deal about Abu and Genie.
    Iago (relieved): Abu, you're okay. (beat) And you're lucky, too, you stupid, stupid monkey!
  • Evil Counterpart: To Abu, especially in the first film. Both bad-tempered, greedy, cheeky sidekicks but Iago is more ruthless and (used to) work for Jafar.
  • Evil Redhead: At first, he's Jafar's red-feathered, villainous accomplice. He makes a Heel–Face Turn in the sequel.
  • Familiar: Word of God states that he's this for Jafar; one of the concepts behind Iago's character is that Jafar transferred some of his emotions to Iago so that he would be free of distractions and better at conjuring magic. Of course, Iago is too small to actually suppress those emotions himself so you've got yourself a feathered Gilbert Gottfried.
  • Feathered Fiend: In the first movie he was just as cruel as Jafar. Even in the series, he's still the nastiest member of the group, which the group is more than willing to exploit if they need someone who can be unreservedly spiteful or vicious. Aladdin might be too nice a guy to sic a magic-devouring monster on an Evil Sorcerer — but he's got no qualms about letting Iago do it for him.
    Jafar: I love the way your foul little mind works!
  • Feather Fingers: He's got some dexterous wings, holding crackers or tearing out his own feathers with them.
  • Fiery Redhead: Technically, he has red feathers, but he's got attitude.
  • The Friend Nobody Likes: Zigzagged. He elicits a lot of complaints and teasing from the others in the group for his flaws and his trouble-making, but they still trust and care for him, and he reciprocates as best he can given his personality.
  • Good Is Not Nice: Eventually. He starts out as a genuinely bad guy like Jafar in the first movie (he certainly wasn't a Minion with an F in Evil like some Disney villain's sidekicks). He develops the "good" part of the trope in the sequel after befriending the heroes but still retains his abrasive and obnoxious mannerisms he had when he was a villain.
  • Greed: Iago's main vice; even after his Heel–Face Turn. Of all the characters he's the one far most obsessed with riches and treasure; he's never satisfied with what he has and always wants more... which is probably the main reason why when he does get his hand on some riches he seldom gets to keep it. He particularly seems to like caviar, manicures and vibrating chairs.
  • Hair-Trigger Temper: Since the first movie Iago is a hot-tempered and easily angered character in contrast to his boss Jafar who is more calm and collected for the most part (at least before he gets hammy towards the end). Jafar and Iago were originally supposed to have switched personalities, since Jafar was initially scripted as a hot-tempered character and Iago as the cool-headed one.
  • Heel–Face Revolving Door: Switching sides three times in The Return of Jafar, and then conspiring with Cassim in King of Thieves.
  • Heel–Face Turn: He spent the entirety of the first film on Jafar's side. The beginning of the second film, The Return of Jafar, sees Iago escape from Jafar's lamp and slowly turn face over the course of the movie, even offing Jafar for good by kicking his lamp into magma. Not that Iago's all that heroic, but his conscience does get the better of him on a number of occasions.
  • Hidden Depths: There's actually a braver and more noble side to Iago. He just chooses to pretend it isn't there as much as he can, because it always gets him into trouble. Also, he's surprisingly informed on magic and arcana. He has acting and improvisation skills to back up his mimicry, as well.
  • The Imp: Small, loud, motor-mouthed and less than moral, as well as having a propensity to stir up trouble, intentionally and otherwise.
  • Ink-Suit Actor: Frequently described as "a feathered Gilbert Gottfried".
  • Jerkass: In the original movie, where he's an obnoxious and cruel sidekick for Jafar. Gottfried himself has noted that, "If they wanted a nice parrot, they wouldn't have cast me."
  • Jerkass Has a Point: Iago may be egotistical, greedy, cowardly and whiny to the point of being an annoying jerk, but given that he's often dragged against his will around the world to face very powerful supernatural beings, it's not without reason. He also sometimes provides sensible explanations to problems, like when he was the first one to realize that Harud's "Curse of Clumsiness" was just a mind trick.
  • Jerk with a Heart of Gold: As his character develops he becomes a good guy, but is still usually out for himself alone and greedy to a fault.
  • Large Ham: Example from the TV Show:
  • Laser-Guided Karma: Inflicts this upon the Sultan, who kept force-feeding him apparently low-quality crackers, by shoving a bunch into his mouth after Jafar enslaves him.
  • Manipulative Bastard: A master of this (like his namesake). In particular, the series has him frequently convincing Abu to use his kleptomaniac tendencies for his own means.
  • Man of a Thousand Voices: He does several impressions in the first film, and they are dead on accurate. This also becomes vital to thwarting Mozenrath's scheme to unleash a wind jackal on Agrabah by imitating Mozenrath's voice and ordering it to banish itself.
  • Meaningful Name: He's named after the notorious villain from Othello; while not as evil, he has certain parallels; he is greedy and manipulative, and seeks power (which he specifies as 'palace perks') and wealth, he is incredibly clever, but lacks more specific goals. He also repeatedly admits to his flaws, which is an honesty that plays a part in why anybody trusts him at all. This reference was lampshaded in the episode "The Vapor Chase", where he mentions he has a twin brother named Othello. Additionally, Iago means, "The Supplanter".
  • The Millstone: In the TV series, a lot of the problems Aladdin and the gang go through wind up being the result of Iago's greed, ego, and/or cowardice. However, there are also several times where he still winds up contributing greatly to the group as well in spite of these vices.
  • Misplaced Wildlife: He's a South American parrot in the Middle East. Jafar found him in the bazaar and taught him how to talk.
  • Mistreatment-Induced Betrayal: The primary reason for his Heel–Face Turn: he's tired of constantly being abused and pushed around by Jafar.
  • Money Fetish: Unabashedly the greediest member of the series and always eager for cash.
  • Mouthy Bird: He has a beak that acts like lips and allows him to make several different facial expressions.
  • Mr. Exposition: He shares this role with Genie in the series, often waxing forth on facts relating to various magical conundrums and obstacles they encounter. Generally, if it relates to Black Magic or Evil Sorcerers, Iago will be the one explaining things, courtesy of his time as Jafar's familiar.
  • The Napoleon: He usually takes this role when he works with Abu and Genie.
  • No Indoor Voice: What did you expect from Gilbert Gottfried?
  • Not-So-Harmless Villain: In the first movie. He comes off as a comically obnoxious loudmouth, and the constant abuse he goes through certainly doesn't help him seem threatening, but he has a devious side. For example, after the lamp is apparently lost, he's the one to suggest Jafar marry Jasmine and have her and her father killed so that he can become sultan. Later on, he successfully steals the lamp from Aladdin.
  • Obfuscating Stupidity: In the first movie, he pretended to be an ordinary parrot when around characters other than Jafar.
  • Parrot Pet Position: Often takes this spot on Jafar.
  • Polly Wants a Microphone:
    • Interestingly, for most of the original movie, Iago pretends to be a regular parrot when in the presence of characters other than Jafar. He drops this after the protagonists turn on Jafar, though, and no-one in-universe seems particularly surprised by his fluent speech.
    • In the second movie, Jafar claims that "If it weren't for me, you'd still be in a cage at the bazaar squawking 'Polly want a cracker'", which is sometimes taken to mean that Iago was a normal parrot whom Jafar made articulate with some sort of magic. On the other hand, no one seems to find it surprising that Iago is articulate.
  • Reformed, but Not Tamed: While no longer evil, he still retains a rather unpleasant disposition.
  • Sadist: Has a sadistic humor that Jafar enjoys, like his Evil Laugh at the idea of dropping Jasmine and her father off a cliff, something he and Jafar really intended to do. When Jafar temporarily takes over the kingdom, he watches the heroes in pain with a smug smile, encouraging Jafar. Still unbelievable how this bird manages to have a Heel–Face Turn.
  • Sarcastic Devotee: He is this to both Jafar and later Aladdin.
  • Screw This, I'm Outta Here!: Attempted at the end of the first movie, but it doesn't work out, as Jafar pulls him into his lamp with him. He's far more successful in The Return of Jafar.
  • Sixth Ranger: With doses of The Lancer.
  • Small Name, Big Ego: He's arrogant and egotistical, despite the fact he has no magical powers, political status or combat skills.
  • Snarky Nonhuman Sidekick: To Jafar initially, but also after his Heel–Face Turn in the sequels and television series. Later leaves Aladdin and becomes Cassim's sidekick.
  • Stationary Wings: The fact that he can express with his wings in mid-air makes you think he's floating.
  • Stock Animal Diet: Subverted. He hates crackers, and only eats them because the Sultan unwittingly forces him to.
  • Taken for Granite: Gets slowly turned to stone in the episode "The Day The Bird Stood Still".
  • Talking Animal: Unlike Abu and Rajah, Iago is fully voiced. Fitting, since he's a parrot and justified by the fact that Jafar uplifted him with magic. Although it's strongly implied that his talking was not one of his natural traits, but the result of modifications made by Jafar (according to Jafar in The Return of Jafar, the only thing Iago could say prior to Jafar getting his hands on him was indeed squacks of "Polly Want A Cracker.") The 2019 live-action movie portrays him as a regular parrot with limited speech.
  • Talking in Your Sleep: Does this a little in the series. In "The Vapor Chase" it goes hand in hand with a Catapult Nightmare: "You got the wrong guy! You want my evil twin brother, Othello!"
  • Through a Face Full of Fur: His face turns pinkish-purple/purplish-pink after telling a seemingly maniacal Jafar to get a grip and he does, by strangling him.
  • Tiny Guy, Huge Girl: Tiny Guy to Thundra's Huge Girl.
  • Token Evil Teammate: After his Heel–Face Turn. He's not quite as malicious as he was in the first film, but he's a lot more ruthless and vice-driven than anyone else. On occasion, he made subtle attempts to steal the Sultan's jewels and gold.
  • Took a Level in Badass: Starting with the final act of the second movie onwards, being more braver and willing to stand up for his friends.
  • Toothy Bird: Iago, who frequently displays teeth when he's griping, which, given that this is Iago, is most of the time. The animators did this specifically to make Iago resemble Gilbert Gottfried.
  • Uplifted Animal: The sequel implies (and Word of God confirms) that Iago's sentience and other abnormal qualities can be traced back to Jafar's magic.
  • Vile Villain, Laughable Lackey: Jafar was a serious Evil Sorcerer, but his sidekick Iago was a comical character. Being voiced by Gilbert Gottfried helped in that regard.
  • Villainous Friendship: Although Iago does take a few blows along the way, he and Jafar seem to have a genuine friendship throughout Aladdin. At the very least, their relationship isn't the typical "Evil Master surrounded by his dumb minions whom he berates all the time", like Scar or the Horned King. (Barring a few scenes, of course.) They generally chat pleasantly with one another, Jafar actually takes advice from him at one point (and gives him credit for his idea), and even after he conquers Agrabah he keeps Iago at his side to enjoy in the spoils as well. But Iago's Heel–Face Turn in the sequel confirms that whatever friendship they may have had at one point is now gone as Iago ends up killing Jafar to save the day.
  • Vitriolic Best Buds: Tends toward this: in the first movie, he has a relationship like this with Jafar until their falling out in the sequel. He is like this with the rest of the team in the series, though he gets especially close (and insulting) to Abu and Genie. Aladdin also, probably at least right behind them. He doesn't fight with Aladdin but he does talk down to him.
  • Voice Changeling: His specialty. We hear him perfectly mimicking the voices of Jasmine and Jafar. Justified because he's a parrot.
  • Wild Card: Throughout all three movies and the series, Iago is about as reliable morality-wise as a chocolate teapot. In fact rather less so, as a chocolate teapot is not capable of good or evil, whereas Iago is capable of both or neither depending on his mood.
  • Would Hit a Girl: He is the one who suggests Jafar to kill Jasmine along with her father, after Jafar forcefully marries her to inherit the throne.
  • Yellow Eyes of Sneakiness: His eyes are yellow and he's quite the shady character even after his Heel–Face Turn.
  • Yiddish as a Second Language: In a special feature animation on the DVD, Iago travels into the Genie's lamp and is amazed at how it's from the same Genie who "was always kvetching about his itty-bitty living space." The host even draws attention to the word.
    Iago: It's a bird expression...

    The Magic Carpet
"Yo Rugman! Haven't seen you in a few millenia, give me some tassel!"
The Genie upon seeing Carpet again

An enchanted carpet that has been trapped in the Cave of Wonders for an untold time, this magical rug is capable of flight and is a sentient being in its own right. He and the Genie are old friends, in part due to spending so long in the Cave together, and Aladdin trusts him with his life and the lives of his friends.

  • Ace Pilot: Being a flying carpet, he’s naturally this. In “A Sultan Worth His Salt”, Carpet was unable to fly due to getting a rip on himself, but he was able to fly a Pegasus.
  • Animate Inanimate Object: He's a sentient (and flying) carpet. Despite having no mouth, Carpet was able to give Jasmine a hand kiss. In the series, he's shown that he can fall asleep (unfortunately in mid-flight at the time).
    Jasmine: But rugs don't sleep!
    Aladdin: They don't usually fly, either, but this one's doing both!
  • Animation Bump: Inverted. Carpet's elaborate design is only seen in the original movie and Disney Princess Enchanted Tales: Follow Your Dreams. In Aladdin: The Return of Jafar, Aladdin: The Series, and Aladdin and the King of Thieves, his design is simplified to a few solid shapes so that he can be animated more cheaply.
  • Bash Brothers: He and Genie work particularly well together and have known each other for a very long time.
  • Big Damn Heroes: Often catches the heroes mid-air.
  • Conspicuously Light Patch: Inverted. In the first movie, Carpet is drawn to look like a background object due to computer graphics, which makes his first appearance a surprise when he comes to life after being stepped on by Abu and Aladdin.
  • Even the Dog Is Ashamed: "Even The Carpet's Disgusted That You Lied To Jasmine And Broke Your Promise To The Genie"
  • Face Palm: Manages to do this without a face or a palm. It uses its corner tassels as makeshift "hands".
  • Flight: Able to go from Agrabah to Greece to China and back to Agrabah in a single night.
  • Freeze-Frame Bonus: The carpet's intricate design - if you can see the entire design you will see that it is meant to represent factors from the entire story, including the face of the snake sceptre, the lamps in the center also being stylized in heart shapes, the swords, and the genies around the edge.
  • Hyper-Competent Sidekick: A helpful and useful Non-Human Sidekick, Carpet has saved the team numerous times, and is implied to be smarter than even the Genie.
  • Just Whistle: When Aladdin sees the Genie under Jafar's command lifting the palace, he whistles to summon the carpet in a futile effort to stop him.
  • Leitmotif: You can hear a soft variation of it when they first meet Carpet, followed by a bombastic version during the escape from the cave. It returns as Aladdin and Abu escape the ends of the earth later on.
  • Magic Carpet: He's a carpet that can rapidly transport people who sit on top of it.
  • No Biological Sex: Being an inanimate object, Carpet has no gender. But he's referred to by the others with male pronouns, so we're going with that. There was also that time in the series he got lead away by a pink flying carpet.
  • Oh, Crap!: He has an epic one when he sees Abu going for the giant ruby just as Aladdin is about to retrieve the lamp.
  • Red Oni, Blue Oni: The blue oni to Genie's red oni. He's The Quiet One while Genie is boisterous and energetic.
  • The Reliable One: Big time. He's just a carpet, but a heroic, intelligent carpet who is always there whenever Aladdin and the others need him.
  • Running Gag:
    • Genie challenges Carpet to various games, and always loses. In one episode they are interrupted in a game of Poker but you can see Carpet with four Aces.
    • When Genie plays against Carpet and Iago a few times, he always comes last.
  • Shipper on Deck: Aladdin and Jasmine's First Kiss happened thanks to him. Also, in the scene right before that one, he strikes a "Awww!" pose right after he saw them cuddling on a rooftop.
  • The Silent Bob: Justified; he's a carpet. He can't talk!
  • Silent Snarker: Several times, like in the scene with Aladdin and Jasmine after the "A Whole New World" song. See also Face Palm.
  • Smarter Than You Look: He has shown to possess a human level of intelligence, due to his Hypercompetent Sidekick role - and he can play all kinds of games requiring clarity of thought, from pool, to chess, to card games (and winning every time).
  • Super Speed: One has to wonder how Aladdin and Abu returned back to Agrabah so quickly after Jafar sent them to the ends of the Earth. Not to mention the world tour with Aladdin and Jasmine in a single night.
  • The Speechless: He may be sentient, but he's not chatty. Justified as he has no mouth or even a face.
  • That One Player: To Genie. It's a Running Gag throughout the entire series, cartoon and films alike, that he always bests Genie in whatever game they're playing.
  • They Killed Kenny Again: In the first two films, he's destroyed at some point—in the first, Jafar unravels him and in the second Jafar turns him into glass and shatters him. Both times, he's restored to normal after Jafar's defeated.
  • Weaksauce Weakness: Carpet is easily pinned by rocks and furniture, or tied up. And he may be magic, but his fabric is not, since he can also be torn or burned by non-magical means, and requires special repair from Genie that can take some time.
  • Undying Loyalty: He's always at Aladdin's side, no matter how dangerous the situation.

    The Sultan
"I'm not going to be around forever, and I just want to make sure you're taken care of."
Voiced by: Douglas Seale, Val Bettin
Voiced by (Swedish): Nils Eklund
Voiced by (European French); Teddy Bilis

The benevolent and good-natured Sultan of Agrabah, Jasmine's father loves his people but especially his daughter and wishes only for her to be happy and taken care of. So, he tries to get her betrothed to an Arranged Marriage, but fails because no prince is ever good enough for her. When she falls in love with Aladdin, who also saves Agrabah from the tyranny of Jafar, he gives them his blessing to wed.

  • Adaptational Badass: In the TV series, he has more awesome moments than the movies.
  • Adipose Rex: Age and high living have made him quite roly-poly.
  • Beware the Nice Ones: While he is typically cheerful and rather childish, when his daughter and/or his city is in danger, he will fight back.
  • Big Fun: A short, fat man who is also friendly and fun-loving.
  • Big Good: As the kind, benevolent Sultan of Agrabah.
  • Big Ol' Eyebrows: Even bigger than his daughter's.
  • Bumbling Dad: To Jasmine. Not stupid, but somewhat childish and gullible.
  • Clueless Boss: His default state, especially in the first movie. Every now and then in the series however he would show moments of competence.
  • Cool Old Guy: When Jasmine gets kidnapped by the Galaphims, the Sultan adamantly declares he's going to go with Aladdin to rescue her, much to everyone's surprise. He won't take no for an answer as he was in full Papa Wolf mode. By episode's end, he was the one who defeats Hippsodeth.
  • Crouching Moron, Hidden Badass: He seems to be a bumbling, almost childlike figure most commonly, but he was a pretty good adventurer and warlord in his younger days, and he still retains something of his old skills.
  • Doting Parent: The Sultan loves Jasmine more than anything else (even the TV series a villain takes her because she is his most precious treasure). Though he wants her to be married, he doesn't pressure a marriage for wealth or political gain as most rulers would have done at the time and refuses to choose someone for her that she hates. He has no issue with her marrying a commoner when he sees how much they love each other.
  • Drives Like Crazy: He says he has a knack for the Carpet, but Carpet doesn't seem to have a knack for him.
  • Everyone Calls Him "Barkeep": He is addressed by his title(s) only.
  • Forgot I Could Change the Rules: After deciding that Aladdin was indeed worthy of marrying his daughter, the Sultan finally remembers that he has the authority to change the current law holding them back and decides it needs to go.
    Sultan: Well, am I sultan or am I sultan?
  • Genius Ditz: He's a competent ruler, but he seems hopelessly inept at reading people and is generally incredibly scatterbrained.
  • Good Counterpart: He's Jafar's opposite both physically and mentally.
  • The Good King: It's shown in the TV series. When Jasmine tells him about the impoverished people in his kingdom, he expresses concern. His inflection implies "I gotta do something about that."
  • Good Parents: Despite his flaws, he is a good father to Jasmine. He wants her to marry but doesn't want it to be to someone she hates and is fine with her marrying a commoner, even changing the law so that she may do so.
  • Horrible Judge of Character: The Trope Namer; he's the only one who doesn't see the Obviously Evil Jafar for what he really is, and considers him his most trusted advisor until Aladdin smashes Jafar's snake staff and exposes his treachery. The movie even lampshades this when the Sultan prides himself to be an excellent judge of character, and Iago grumbles his sarcastic "NOT!"
  • Let's Get Dangerous!: He's normally docile, child-like and fun-loving, but he knows when to put his foot down when he has to.
  • Leitmotif: A cute li'l Fanfare.
  • Manchild: At times he acts very childish, such as collecting toys and getting really excited when riding the carpet.
  • Mind-Control Eyes: He gets these when being brainwashed by Jafar.
  • Miniature Senior Citizens: Although he wasn't any taller when he was younger either.
  • Nice Guy: Shown to be a very kind and generous person. He actually has no personal problems with Jasmine marrying outside of royalty, it's just that royal customs forbid it. And he forgot that he makes the royal customs.
  • Nice Hat: As befitting a Sultan, he wears a white turban with a blue feather.
  • No Name Given: Although the lyrics for the unused reprises for Arabian Nightsinvoked reveal that his name is Hamed. Also, in one episode of the series, the ghost of his grandfather calls him "Bobo."
  • Open-Minded Parent: Had no issue with his daughter marrying a "street rat", even changing royal tradition so that she might do so and welcomes him into the family with open arms.
  • Overprotective Dad: This is implied when he first talks to Jasmine. Aside from the law, he wants her to marry someone to take care of and provide for her because he's not going to be around forever to keep caring for her and wants someone to do the same when he eventually passes on.
  • Papa Wolf: Do not harm his daughter or his city. He will hunt you down. Queen Hippsodeth learned this the hard way.
  • Parental Substitute: Strangely enough, he is like this to Aladdin, his son-in-law. He is more a father than Aladdin ever had growing up. He gives him training and encouragement and treats him in a fatherly sort of way rather than having a stereotypical resentful relationship with him. He even calls him "My boy". Despite the resentment from other royals, he shows Aladdin respect and treats him well. He even expresses concern for Aladdin when he is captured by Mozenrath and sends his finest men to rescue him. Though it doesn't quite work out, it's a nice gesture.
  • Parents as People: In the first movie, the Sultan clearly loves his daughter Jasmine and does try to be a good father, but he also initially wanted to form an arranged marriage between her and her future husband. He gets over it by the movie's finale.
  • Ping-Pong Naïveté: Sometimes he comes off as pretty on the ball under his bubbliness, but at others he just seems wholly inept, such as that one time where he's apparently totally unaware that there are poor people in Agrabah.
  • Powered Armor: In the tv series episode "Armored and Dangerous", the sultan briefly dons a set of armor that belonged to his ancestor Kileem, which provided him super strength and speed. It also came with possessed by His ancestors' spirit and warmongering personality.
  • Reasonable Authority Figure: Despite his flaws, he's generally a worthy ruler knowing when to put his power to good use. In the first movie, he changes the law so thst Jasmine can Marry for Love, and in The King of Thieves, he agrees to drop all charges against Aladdin for busting Cassim free because Aladdin only did so out of love and willingly came back to accept the consequences (plus he does like Aladdin and respects him).
  • Retired Badass: If the stories about his past are true he's had an eventful life before settling down. While he's gotten soft and pudgy in his old age, there are some episodes in the series where he impressed the man-hating amazons.
  • Royals Who Actually Do Something: On occasion in the television show. The end of the first movie has him realize how outdated the law is, and how much Aladdin has proven himself, so he revokes it.
  • Shipper on Deck: The Sultan is greatly supportive of Aladdin and Jasmine's relationship.
  • Ugly Guy, Hot Wife: He's a short, chubby man and his deceased wife looks exactly like their beautiful daughter, Jasmine.
  • Weak-Willed: Implied. Jafar hypnotized him a lot in the first film and he was rarely able to fight it. The only time he came close was when Jafar tried to get him to set him up with Jasmine—first when he objects on the grounds that Jafar's too old for Jasmine and second when Genie's band snaps him out of it. So while he usually is, his concern for his daughter is still stronger.

Voiced by: Frank Welker

Princess Jasmine's large, yet loyal and loving pet tiger.

  • All Animals Are Dogs: He acts like a (very tough) house cat rather than a dog. He has a dog's whine-like sound though, and shows affection to Aladdin and Jasmine by licking them.
  • Amplified Animal Aptitude: Not to the extent of Abu, but he's pretty smart for an animal, assisting Jasmine in her escape from the palace and even comforting her while she's grieving for Aladdin, whom Jasmine, thanks to Jafar's trickery, believed to have been executed.
  • Cats Are Mean: Initially, before he warms up to Aladdin and later the reformed Iago.
  • Cool Pet: He's completely loyal and devoted to Jasmine.
  • Cute Kitten: Turned into one by Jafar (temporarily) in the first movie. Even when he doesn't look like one, however, he still acts like one.
  • Demoted to Extra: In the TV Series, due to low-budget animation studios having trouble drawing his stripes properly on a consistent basis. Although primarily a mere minor character in the TV series, Rajah played a major role in a few episodes (such as Sandswitch, To Cure a Thief, Forget Me Lots and much more).
  • Empathy Pet: Much like Abu is this to Aladdin, Rajah serves as this to Jasmine.
  • Evil-Detecting Dog: Or tiger. This is seen in his first appearance where he attacks the overdressed self-absorbed Prince Achmed (who right before he came to the palace nearly beat two small children with a whip). However, he warms up to Aladdin who is a kind man that truly loves Jasmine and is seen licking him.
  • Fire-Forged Friends: Even after the fully redeemed Iago kicked Jafar's lamp into the lava, destroying him forever, Rajah, though warmed up to the parrot, still has somewhat of a strained relationship with Iago, as he constantly threatens to eat the cowardly parrot if he doesn't cooperate in doing our heroes' requests.
  • Panthera Awesome: Although he acts more like an oversized housecat.
  • Running Gag: In the TV series, whenever Iago refuses our hero's requests (i.e watching out for Abu, stating he can't change the alternated time line), Rajah threatens to eat the parrot and Iago relents.
  • Undying Loyalty: For Jasmine. Even in Sadira's altered reality, Rajah immediately attempts to attack Sadira as he knew she had done something to Jasmine.

"I'll have your hands for a trophy, street rat!"
Voiced by: Jim Cummings, Tommy Tallarico (Sega Genesis voice samples)
Voiced by (Swedish): Micke Dubois (first movie), Hasse Andersson (second movie), Johan Hedenberg (TV series and third movie)

Chief of the Sultan's guards, Razoul is the enforcer of law and order in Agrabah, and holds a particular resentment for Aladdin, who has a past of escaping him and making he and his men seem like fools.

  • All Crimes Are Equal: It doesn't matter if you're an old man or a woman, or if you're a Justified Criminal like Aladdin who only steals food to survive. If you commit a crime, he will come after you. Truth in Television: Medieval era laws and punishments were very harsh, no matter where in the world you were.
  • Anti-Hero: The TV Series has him in this role in a couple of episodes where he gets character focus or has to do something significant. Razoul is still the same violent character he always is, but the TV series put a lot of focus on his positive traits like his loyalty to the royal family and gave him a handful of humanising moments.
  • Anti-Villain: Of the Extremist variety. Razoul's antagonistic nature towards Aladdin is sometimes explained as a belief that Aladdin is just trying to marry Jasmine for the power. He is ultimately under orders, although there is no doubt that he takes pleasure in the violence of his job.
  • Badass Beard: Zigzagged in that Razoul's not much of a threat in the series, but still, he sports a very impressive chin-warmer.
  • Benevolent Boss: In The King of Thieves he shows shades of this, when promising a prize to his cohorts.
  • Butt-Monkey: More so in the series, where he is routinely trounced, defeated or humiliated, especially by the various monsters of the week.
  • Chained Heat: With Aladdin in the TV series finale. Even better, it was a magic chain. If they got along, it was long; disagreeing, short; and if they started fighting, the shackles fused together. Goes back and forth given their contempt for each other.
  • Determinator: The first film establishes that he has been after Aladdin for quite some time.
  • Grumpy Bear: We rarely ever see him happy about anything, and the one time he was, it quickly got snatched away by the King of Thieves. Given everything he'd done before, it was actually pretty satisfying.
  • Inspector Javert: Even after Aladdin becomes Jasmine's fiancé, Razoul will look for any excuse to arrest Aladdin or make things hard for the "street rat."
  • Jerk with a Heart of Gold: He doesn't even try to hide his dislike of Aladdin even after the Sultan and Jasmine accept him, but he still at least tolerates his presence and is willing to work with him when the situation calls for it, and aside from that, is fiercely loyal to Jasmine and the Sultan. When Agrabah is attacked by Aziz, he stops Aladdin from going to the palace rather than having him meet the same fate, and in "Mudder's Day," he doesn't hesitate to save Aladdin's life. He even admits in "Destiny on Fire" that he'll consider calling Aladdin "Your Highness" if Aladdin gets rid of Iago.
  • Karma Houdini: Despite having had a direct hand in multiple occasions when Aladdin has nearly died, he never faces any significant punishment. Though getting his lights punched out by the King of Thieves was pretty satisfying.
  • Kick the Dog: Quite willing to kill "Prince Ali", a total stranger as far as he knows, upon Jafar's say-so.
  • Muscles Are Meaningless: Downplayed. He is a very strong man but that doesn't seem to help him a lot.
  • Mythology Gag: In The King of Thieves, Razoul is shown initially bungling the magic words to access the lair of the 40 Thieves. This is a reference to Ali-Baba's brother in Ali Baba and the Forty Thieves, who got caught in the thieves' lair because he forgot the magic password after he got inside, leaving him trapped in their treasury.
  • Pet the Dog: Seems to have somewhat of a soft spot for Jasmine. Razoul will drop the sarcasm and grumpiness somewhat in her presence. Additionally when a Brainwashed and Crazy sultan orders Razoul to execute Jasmine, Razoul is not only horrified, but he helps her escape.
  • Psycho for Hire: It's never been explained how a bastard like Razoul managed to become Captain of the Royal Guard, but it's not just a job or even just a vendetta against Aladdin; he clearly enjoys the violence involved. When Jasmine, in her disguise, pounds on his shoulder and shouts to let Aladdin go, he knocks her to the ground and mocks her as a 'Street Mouse'. Later on, he eagerly and readily attempts to drown Aladdin/Prince Ali in the ocean under Jafar's orders, and in The Return of Jafar, when Jafar's Evil Plan leads him to think that Aladdin had killed the Sultan, he takes the task of executioner himself. He also purposely locks Amin in a crocodile pit, and when Aladdin and Jasmine asked what he was thinking doing that, Razoul simply stated he must have forgotten that particular dungeon cell's feature.
    Aladdin: Which cell did you put Amin Damoolah in, Razoul?
    Razoul: (smirks) Number nine.
    Aladdin and Jasmine: Number nine!?
    Jasmine: That's the crocodile pit!
    Razoul: Well, uh... I must've forgotten. Heheheh...
  • Surrounded by Idiots: Razoul isn't particularly smart, but the other guards are so painfully stupid he has to remind them that they even carry weapons.
    Guard: He's got a sword!
    Razoul: You idiots! WE'VE ALL GOT SWORDS!
  • Undying Loyalty: To the Sultan and Princess Jasmine. Throughout the series Razoul repeatedly takes on huge enemies without any of Aladdin's magic, and there is no doubt as to his bravery. When the Forty Thieves crash the wedding, his first reaction is to draw his sword:
    Guard: It is an attack!
    Razoul: Not in THIS palace!
  • Unwitting Pawn: To Jafar in the first two movies, some occasions in the TV series, and theoretically to Sa'luk in King Of Thieves (although the arrangement had mutual benefits).
  • The Worf Effect: Against humans, Razoul is a very competant, strong character. He's used in the series to show that strong monsters get past even his bravery and determination.

    Fazal and Hakim
Hakim (left) and Fazal (right).

The two guards most frequently seen alongside Razoul, going from nameless extras in the first film to named, if minor, characters in the series. Like Razoul, they loyally serve the Sultan and Agrabah, although not with a particularly great deal of competence.

  • Big Eater: Fazal loves to eat, to the point that Razoul jokes that when Fazal is not thinking of his next meal, it'll be time to bury him.
  • Butt-Monkey: Like their boss, they get manhandled and kicked around a lot, mostly to show off how Aladdin is the show's hero.
  • The Eeyore: Hakim sole characterization is based on his glum, gloomy attitude and his monotone way of speech.
  • Fat and Skinny: Fazal's the fat one, Hakim is the skinny one.
  • Karma Houdini: Like Razoul, they were involved in abducting and attempting to murder "Prince Ali", but never get notably punished for it.
  • Those Two Guys: There's technically a third guard who hangs out with them, but he never speaks or gets named, so it's mostly them.
  • Trademark Favorite Food: Fazal loves dates.


"I'll teach you some respect!!"
"Now where were we? Ah, yes - abject humiliation!"

Voiced by: Jonathan Freeman, Tommy Tallarico (Sega Genesis voice samples)
Voiced by (Swedish): Mikael Samuelson (first movie), Bo Maniette (second movie)
Voiced by (European French): Féodor Atkine

The Sultan's Grand Vizier in the first film, he yearns to claim power over the throne but is forbidden from ever attaining that position. For this reason, he seeks the Lamp of the Genie, so that he may use the Genie to become Sultan in turn. Ultimately outwitted by Aladdin, he wishes himself to be turned into a genie, only to be sealed away inside his own lamp. Upon escaping, he "recruits" the bandit Abis Mal to aid him in seeking revenge.

  • Achilles' Heel: Along with the other restrictions that come with his PHENOMENAL COSMIC POWERS, he dies if his lamp is destroyed.
  • Adaptational Badass: Jafar is a Composite Character of an evil sorcerer and an Obstructive Bureaucrat vizier from the original tale who wasn't the Big Bad. He now is the Big Bad who uses every bit of both magical and political power he has.
  • Always Second Best:
    • The reason he falls for Aladdin's goading so much toward the end is because he can't stand the thought of still being second-best after all he's gained.
      Aladdin: The genie has more power than you'll ever have! He gave you your power, he can take it away! Face it Jafar, you're still just second best!
    • In the sequel the tables are turned. Jafar is delighted enough to make a whole song taunting Genie, "You're Only Second Rate".
  • Ambition Is Evil: Particularly pronounced in comparison to Aladdin, who ultimately only wants power because he thinks it will make him good enough for Jasmine (with a bit of self esteem issues thrown in). Jafar wants power for power's sake, despite the fact that he's already in a powerful position as the Grand Vizier to the Sultan, able to hypnotize him and make him into a Puppet King whenever he feels like it. It just isn't enough for him; he wants more. He even becomes a powerful sorcerer once his second wish is granted, then conquers Agrabah effortlessly. Not even that satisfies his greed apparently, finding that Genie being the one who granted him his powers would mean that he's one step below powerfully. Jafar uses his third Becoming the Genie.
  • And Now You Must Marry Me: His plan for Jasmine after he thinks the lamp's out of play. She's horrified to find out. Even after he does retrieve the lamp, he keeps her in a chain.
  • Animal Motifs: Snakes. His staff has a snake design, he is called one as an insult by Aladdin, and he transforms himself into a giant one during the climax.
  • Animal Eyes: Briefly during his shapeshifting into a snake.
  • Arch-Enemy: Jafar serves as the main nemesis and adversary to Aladdin.
  • Ax-Crazy: He looks calm and cold-blooded at first, but once he obtains the Lamp's power he loses all his coolness, revealing his true psychopathic nature. Genie calls him "Señor Psychopath" for a reason.
  • Baby Talk: Present in the Swedish dub of the second movie, where he often speaks in a tone that makes him come across as even more insulting and condescending towards others, especially towards Abis Mal.
  • Bad Boss: To Abis Mal in the second movie.
  • Bald of Evil: Not noticeable at first, but he's shown to be this during his Big "YES!" to Big "NO!" scene. It's plausible that he shaved his head for the disguise.
  • Beard of Evil: Not everyone with a beard is evil — in fact, every man in Agrabah besides Aladdin is drawn with one — but Jafar's is definitely a Beard of Evil. Jasmine, falsely admiringly, notes that it's "so twisted".
  • Becoming the Genie: His wish to become an all-powerful genie fires back on him and traps him in a new lamp. By the second film however this works to his advantage, since with his lamp rediscovered his transformation into an evil genie makes him a near-omnipotent villain with all the time in the world to plot his revenge, but at the cost of having his life force trapped within the lamp.
  • Big Bad: Jafar, the Sultan's primary advisor/counselor and Grand Vizier, who is also The Starscream (ironic that his first mook for the Cave of Wonders job was voiced by Starscream's actor), and he intends to take over the kingdom with the magic lamp.
  • Big "NO!": Gives out one after every defeat.
  • Black Widow: Intended to marry Jasmine and then kill her and the Sultan to seize power over Agrabah.
  • Blessed with Suck: Exploited. Aladdin tricks Jafar into wishing his third and final wish be for the latter to become a genie. And while Jafar is granted PHENOMENAL COSMIC POWERS, he's also bound by the lamp and whoever owns it.
  • Breakout Villain: His popularity as a villain only rivals, if not matches, Maleficent herself. Some fans say they also share many similarities.
  • Breath Weapon: "I'm just getting warmed up!" [fire breath]
  • Bright Is Not Good: His genie form is bright red.
  • Card-Carrying Villain: Though he doesn't say outright he's evil, he doesn't seem to take offense to Iago calling him "Your Rottenness" or "Oh Mighty Evil One". And if you call him a snake...
  • Charm Person: With his magic staff, which he uses to convince the Sultan to more easily persuade him.
  • The Chessmaster: In the first movie, and especially the second movie.
  • Chewing the Scenery: His inner ham really comes to the fore when he gets Genie's lamp and he drops all self-restraint.
    Jafar: If you won't bow before a Sultan, then you will COWER BEFORE A SORCERER!!! Genie!! My second wish! I wish to be the most powerful sorcerer IN THE WOOOOOORLD!!
  • Chronic Backstabbing Disorder: For starters, as soon as Aladdin brings him the lamp as the Cave of Wonders is collapsing, Jafar decides to give him his "eternal reward" by trying to murder him with a knife; when Abu bites him, he settles for knocking them both back into the cave and trapping them inside. It's also implied that he was planning to kill Gazeem if he'd succeeded in bringing him the lamp.
  • Classic Villain: Representing Ambition and Pride. He even provides the page image.
  • Clipped-Wing Angel: Genie Jafar. He is immensely powerful in this form, but he can now be trapped in the lamp. He also faces many more restrictions as a genie than as a sorcerer. On top of that, if his lamp is destroyed while he's still bound to it, he dies.
  • Color-Coded for Your Convenience: Dressed in villainous black and red.
  • Comic-Book Fantasy Casting: His appearance was based on that of Conrad Veidt.
  • Composite Character: Jafar is a mixture of three antagonists from the fairy tale the movie is based on. They are the sorcerer who wants the genie, the vizier who tries to discredit Aladdin after his rise to wealth, and the vizier's son who tries to marry the princess.
  • Creepy Long Fingers: Which goes along with his thin frame.
  • Deadpan Snarker: He has his sarcastic moments:
    The Sultan: [introducing "Prince Ali"] This is Jafar, he's delighted too...
    Jafar: Ecstatic.
    • Then there's his introduction to Abis Mal in the second movie.
      Abis Mal: You're... a genie?
      Jafar: You are astonishingly perceptive.
  • Deader Than Dead: This is seemingly his final fate in "Hercules and the Arabian Night", his final chronological (though non-canon) appearance outside of alternate continuities. Jafar, being already dead but temporarily resurrected by Hades as long as he's holding his staff, has the snake staff destroyed by Hercules, causing him to sink into the river Styx, but disappear entirely before he's fully immersed.
  • Despotism Justifies the Means: Everything Jafar does is to attain power for the sake of power and take over Agrabah, be it searching for the Genie's lamp or trying to marry Jasmine.
  • Determinator: In the first movie, he is completely foiled several times before the climax - in fact, halfway through the movie he is nearly beaten for good. Every time it seems like he's finished, he comes up with a brand new plan and tries again - and by the end of the movie he's gone through about three.
  • Devil in Plain Sight: Jafar is a lean, shifty, diabolical sorcerer dressed predominantly in red and black colors with a penchant for hypnotizing Agrabah's sultan, yet nobody seems to regard him as anything more than a disfavored servant at worst. He's so obviously diabolical the movie actually pokes fun at it numerous times with the Sultan's... less-than-stellar judge of character:
    Sultan: Ah, Jafar, my most trusted advisor!
  • Didn't Think This Through:
    • Sure, try to kill "Prince Ali" based on your unproven suspicion that he's a fraud — even despite that literal parade of evidence actually supporting him. "Ali"'s subsequent survival and consequent awareness of your scumbaggery aside, it's not like you'll be risking war with another kingdom or anything. Then in the climax of the movie, where he uses his last wish to become an all-powerful genie, Jafar is too focused on the power aspect that he never even thinks about the lamp confinement that goes along with it.
    • It comes full circle in The Return of Jafar, where during his next effort to kill Aladdin his lamp is destroyed courtesy of Iago knocking it into a pool of lava, killing Jafar. Clearly, he hadn't considered all the risks involved.
  • The Door Slams You: Both he and Iago get this before the last chorus of "Prince Ali", when Aladdin's arrival parade kick in the doors to the palace and slam Jafar into the wall.
  • Dragged Off to Hell: His ultimate fate in the Hercules crossover. After Hercules breaks his staff, the only thing keeping him alive, Jafar turns back into a ghost and is forcibly dragged into the River Styx by the souls within.
  • Dragon-in-Chief: To Abis Mal in the sequel. As the holder of Jafar's lamp, Mal is technically Jafar's master and can give him orders. But Jafar is a Jackass Genie who twists Mal in wasting two of his wishes, and Mal is just so pathetic and Jafar is just so intimidating and powerful that he's able to boss Mal around without trying very hard.
  • Drunk on the Dark Side: Jafar spends the first half of the first film playing it fairly cool and calm, especially in public. Once he gets his hands on the lamp, he loses all self-control and relishes being able to cut loose and show his true colors.
  • Evil Brit: Of the not actually British, “nobody here is even speaking English” variety, as he speaks in Queen’s English while the majority of the cast talks with American accents.
  • Evil Chancellor: Archetypical example of the ruler's ambitious and scheming right-hand. He even provides the page image.
  • Evil Counterpart:
    • Jafar is essentially a "dark mirror" of sorts for Aladdin. Just older, and having chief flaws that are exaggerated versions of Aladdin's own. Essentially, both men want to move up in the world and resort to trickery in order to do so. Both resort to deception in this pursuit, and in that deception both are guilty of putting up a façade in order to ingratiate themselves with those above their station, whether it be Jafar putting up the image of a calm and stoic loyal vizier, when in reality he is a maniacal and over-the-top power-mongering sorcerer who is aiming to take the throne of Agrabah for himself, or Aladdin taking up his "Prince Ali" identity, where he puts up a cocky and boisterous demeanor to cover up his mild-mannered and humble street urchin true self. They lie to Jasmine's face several times throughout the film. Both also at least start to become too dependent on the use of magic in their pursuits. In the end, Jafar is defeated by Aladdin using his own natural wits rather than magic, with which he manages to play on Jafar's obsessive craving for power. Heck, both even have small, as well as greedy, comic relief animal sidekicks that hang out with them. The unused source material implies that like Aladdin, Jafar grew up in poverty and unappreciated by most people, though unlike Al, he didn't retain his nobility as he strove to become more in his life.
    • Jafar comes to serve as this for Genie after he has made his wish to turn himself into a genie as well. Whereas Genie is a Benevolent Genie who always strives to give his masters nothing less than what they want, Jafar is a full-blown Jackass Genie who deliberately misinterprets his master's wishes.
  • Evil Costume Switch: Downplayed, since he was always evil, but after he gets his hands on the Genie and reveals his true colors, his outfit as "the most powerful sorcerer in the world" comes with a new turban, a new staff with the snake's mouth open instead of closed, and subtle changes to the style of his robes. As a genie in The Return of Jafar, he gets a new variant of it for when he takes human form that incorporates a lot more red tones than blacks.
  • Evil Genius: When he doesn't give into Pride he's actually very clever, especially in the sequel.
  • Evil Is Angular: Already common with Disney villains, in his case the sharp and edged design (his face is roughly diamond-shaped, ending in a pointy chin which extends to a longer and curlier beard, and there are very pronounced lines, including big and thin eyebrows) is a big contrast given everyone else has round designs inspired by cartoonist Al Hischfeld and Arabic calligraphy.
  • Evil Is Bigger: He may be Lean and Mean, but he absolutely towers over everybody else in the movie except the Genie. But not for long.
  • Evil Is Hammy: Especially after becoming the greatest sorcerer in the world. He loses all self-restraint and starts screaming rather than speaking the words, having abandoned all pretenses and getting very passionate.
  • Evil Is Petty: From The Return of Jafar onwards, his only motivation is to get revenge on Aladdin; everything else, including world domination, is a distant second. He also devotes too much time in singing a Dark Reprise at the expense of prince Ali.
  • Evil Laugh: One of the greats. The one he gives after he has Jasmine and the Sultan at his mercy at the end of the Dark Reprise of "Prince Ali" is so psychotic it's both fantastic and a little terrifying. In one scene, he and Iago even try to one-up each other's laughs.
  • Evil Plan: Acquiring the lamp and marrying are ends to the same goal; take over the kingdom.
  • Evil Sorcerer: He uses his second wish to become, in his own words, "the most powerful sorcerer IN THE WORLD!!!" Even before this, he's clearly a talented alchemist and magician.
  • Evil Sounds Deep: Zig-zagged. His natural voice is quite deep and melodious, which is particularly prominent in his opening line "You... are late!" In the climax, he becomes a giant cobra with a Creepy High-Pitched Voice. After that, a Jackass Genie with an even deeper voice than Jafar's normal self, bordering on Voice of the Legion.
  • Family-Unfriendly Death: In the sequel after his lamp is destroyed. He convulses in agony while his skeleton appears in flashes of light in a manner not dissimilar to how electrocution is portrayed.
  • Fatal Flaw: His pride and greed. He can't control his lust for more power no matter how strong he gets, and can't stand being second-best to the Genie, and that is precisely how he loses in the first movie.
  • Faux Affably Evil: Jafar in most of his appearances in the first half of the movie. Sure, he may act calm and polite toward Jasmine and the Sultan (while still being quite manipulative), but it's only because he has to be in so to cover his true motives. He's clearly shown to drop the demeanor whenever not in their presence. It's half the reason people love him.
  • Final Boss: Of the Aladdin video games released around the Walt Disney Classics VHS of the movie.
  • Fisher King: When he takes control, the sky becomes red.
  • A Form You Are Comfortable With: He spends most of the second movie in his original human form because his true genie form is a bit too much for Abis Mal to handle.
  • For Want of a Nail: If Jafar hadn't tried to kill Aladdin when he got the lamp, Abu wouldn't have bitten his arm and stolen the lamp from him, thus giving it to Aladdin and changing his life forever.
  • Freudian Excuse: The unused source material, like the deleted song "Why Me?", seems to indicate that his negative traits and hunger for power stem from having had to grow up impoverished and bullied by the populace of Agrabah. Unlike Aladdin, however, Jafar didn't retain his nobility as he strove to make more out of his life.
  • From Nobody to Nightmare: Multiple times. He starts as The Starscream, then he becomes an Evil Sorcerer, then he becomes a Physical God. In The Return of Jafar he doesn't get any stronger, but he definitely gets smarter.
  • The Genie Knows Jack Nicholson: He starts making anachronistic references in the second movie, especially in his Villain Song, "You're Only Second Rate". It seems like it's just a Genie thing to know about the future.
  • Glowing Eyes of Doom: In his Genie form, his eyes glow a complete yellow.
  • A God Am I: As a sorcerer, he refers to himself as "the most powerful being on earth", and for good reason. Then, he really falls into this trope upon becoming a genie.
  • Gold Digger: Intends to marry Jasmine just to get him the royal status he needs to become sultan. The fact that he somewhat fancies her comes only as an afterthought.
  • Good Colors, Evil Colors: His genie form is red, with fangs and claws, compared to Genie's blue. He also wears completely dark clothing, compared to everyone else's white and blue clothes.
  • Greed: His Fatal Flaw. He cannot control his lust for more and more power. This is also what eventually does him in—see below.
  • The Heavy: His villainous actions play a key role in driving the plot forward for the duration of the original film.
  • Hoist by His Own Petard: What leads to his defeat both times.
    • In the original film, his wish to be an all-powerful genie is what results in his being imprisoned in a lamp at the end of the first movie.
    • At the climax of the sequel, Jafar opens the earth and traps our heroes in a lava pit... only to eventually have Iago kick his lamp into the lava, causing Jafar to electrocute, then explode into nothingness.
  • Hurricane of Puns: As a sorcerer, Jafar announces each attack with a lame pun. "Your time is up! [imprisons Jasmine in an hourglass filling with sand]" "Don't toy with me! [turns Abu into a monkey cymbal toy]" "Things are unraveling fast now, boy! [unravels the Magic Carpet into a ball of yarn]" "Get the point?! swords come down and block Aladdin's path to the Lamp]" "I'm just getting warmed up!! [breathes fire around Aladdin]"
  • Hypocrite Has a Point: He calls Aladdin a liar and a conman, which rings true, and Genie himself urged Aladdin to come clean before this point. However, both of these accusations can easily be applied to him the way he exploits his position as Vizer to take the throne for himself. For his part, Aladdin accepts this description of him and resolves to make up for it by ending Jafar's reign of terror.
  • Hypno Ray: Via his Magic Staff.
  • Informed Flaw: Genie says he's ugly.
  • Insult Backfire: Which triggers his giant cobra form:
    Aladdin: Are you too afraid to fight me yourself, you cowardly snake?!
    Jafar: A snake, am I? Perhaps you'd like to see how ssssnakelike I can be! [cue giant snake transformation]
  • It's All About Me: He's completely obsessed with his own personal power and gratification, which results in his Chronic Backstabbing Disorder; he disregards everyone else, often making enemies where he could have avoided it just by being a bit more generous. And as seen when speaking with a supposedly enamored woman that he desires, he has so many things to say... about himself, his true love.
  • Jackass Genie: In The Return of Jafar, where he grants wishes to his master Abis Mal in exactly the worst way and compels him to help "his" genie under threat of causing him physical harm. While genies are forbidden to kill anyone, Jafar quickly figures out ways around that rule. Such examples include warping Abis Mal to the bottom of the ocean and threatening to let him drown, framing Aladdin for the apparent murder of the Sultan and arranging for his execution, and trying to drop Aladdin and co. into a lava pit.
  • Killed Off for Real: He's killed in The Return of Jafar when Iago kicks his lamp into a pool of lava. The Aladdin canon continued with three seasons of a cartoon series as well as a final movie, all without bringing Jafar back. He does return in a Hercules crossover episode, in which he's still technically dead, but that's thanks to his partner Hades, Lord of the Dead. And even then, Jafar ends up in the River Styx, and disappears before he's completely submerged.
  • Knight of Cerebus: He has a handful of comedic moments, but for the most part, everything becomes dark and serious when he takes center stage, especially after the "A Whole New World" number and in The Return of Jafar; from the attempt to drown Aladdin on, every time he's onscreen, the comedy virtually disappears.
  • Lack of Empathy:
    • A justified example at the beginning of the movie. Jafar recruits Gazeem to help him get into the Cave of Wonders. When Gazeem gets trapped in there, his fate does not debilitate Jafar in any way ("Gazeem was obviously less than worthy.") and instead wonders who the "Diamond in the Rough" is. The audience shares a similar emotion. Doubles as No Honor Among Thieves.
    • After seeing Jasmine cry after lying about Aladdin's execution, his reaction?
      Jafar: I think she took it rather well.
  • Large and in Charge: Iago's words about him in The Return of Jafar. It's the cosmic powers that he got that really made him in charge, but his looks as a giant genie do make him more intimidating.
  • Large Ham: Big time. Especially when he gets the Genie's lamp and really starts Chewing the Scenery.
  • Laughably Evil: He flip-flops between this and being an actual Knight of Cerebus. For example, there's his proclaiming "Ewww..." when contemplating decapitation, and letting loose a Hurricane of Puns during his showdown with Aladdin.
  • Lean and Mean: To contrast with the round and buffed characters in the film. Subverted when he becomes a genie; in that form he is large and muscular.
  • Leitmotif: A dark, descending piece that features in most scenes featuring him, most prominently about thirty seconds into "Jafar's Hour".
  • Lightning Bruiser: In his cobra form. Justified because he's huge and because cobras are REALLY fast.
  • Loophole Abuse: Genies can't kill anyone outright, but in The Return of Jafar there's nothing stopping him from setting up people to be killed indirectly, such as leaving them dangling from a rock over a pit of lava, teleporting them to the bottom of the ocean and threatening to drown them, or setting up their execution by framing them for murder. Or making them wish they were dead, as he often reminds people:
    Jafar: You'd be surprised what you can live through.
  • Magic Staff: His first, projecting his Hypno Ray through the eyes, is smashed by Aladdin, breaking his control over the Sultan. His second, the open-mouthed replacement after his second wish, has more general applications. He gets a third in the Hercules crossover, which is what keeps him corporeal.
  • Malicious Misnaming: He keeps calling "Prince Ali" Abubu, instead. This seems to be an honest mistake on his part, until he starts mocking "Ali”.
  • Manipulative Bastard: He uses his influence to control the kingdom with his Charm Person powers, then graduates to greater intelligent schemes in the sequel.
  • Maybe Magic, Maybe Mundane: He can make potions, which may or not be magical, and uses a snake staff with hypnotic abilities, that again may be magical in nature.
  • Names to Run Away from Really Fast: He's named after Grand Vizier Jafar, which has often been adopted as a name for a Middle Eastern villain. He is likely the figure who has cemented the notoriety of this name is pop-culture.
  • Narcissist: Jafar thoughtlessly exploited others in his attempts to have the most supreme political power in Agrabah, but as soon as he gets it, he immediately wishes to have the immense magical powers of a sorcerer all because Jasmine proclaimed that she would never bow to him after Jafar told told her to do so. Having gained massive delusions of godhood from this as he then declared himself "the most powerful being on earth", Jafar finds that this still isn't enough for him, and so he wishes to have the immensely phenomenal cosmic powers of a genie while continuing to declare himself a god who now has the ability to command and control the entire universe... as well as an "itty-bitty living space".
  • Near-Villain Victory: In both movies:
    • In the first one, after wishing himself to be the Sultan and a powerful sorcerer, Jafar uses his newfound powers to his advantage and nearly successfully kills Aladdin (and Jasmine too by extension). Aladdin exploits Jafar's lust for power by claiming that Genie is more powerful than him, which prompts Jafar to wish himself to be a genie. Jafar loses because he failed to realize that being a genie comes at the price of being bound to a lamp.
    • In the second one, Jafar successfully frames Aladdin for the "murder" of the Sultan which leads to a death sentence and has everyone else locked away in a dungeon to rot. He loses only because Iago had a change of heart.
  • Nice Hat: Which becomes pointy as a sorcerer.
  • No Ontological Inertia:
    • Breaking his snake staff immediately breaks his/its control over the Sultan.
    • The spells he wreaked as "the most powerful sorcerer in the world" are revoked after he becomes a genie.
  • Not-So-Harmless Villain: Not that he was never a serious menace for his enemies, having an extensive knowledge of arcane lore, spells, potions, but initially he doesn't seem to possess any genuine magical power, which apparently makes him look less dangerous. However, as soon he wishes to be the most powerful sorcerer in the world, he becomes one of the most omnipotent evil sorcerers in any Disney universe. Moreover, although he is sometimes Laughably Evil, he can also be ruthless and cruel.
  • Obviously Evil: To everyone but the Sultan, who is a Horrible Judge of Character.
  • Ominous Opera Cape: Which is black that's red on the inside.
  • One-Winged Angel: In addition to the Scaled Up mentioned below, he turns into a genie. While it doesn't work for him at the time and he becomes Sealed Evil in a Can, he proves in the sequel that he's far more powerful than before. Even before he became a Genie, he transformed himself into a giant cobra as a sorcerer.
  • Ooh, Me Accent's Slipping: For the most part, Jafar speaks in a Received Pronunciation accent, but on occasion, some of Jonathan Freeman's native American pronunciation slips through.
  • Out of the Inferno: He calmly walks through the ring of fire he surrounded Aladdin with after Aladdin calls him a snake. Then, like the One-Winged Angel Trope Namer Sephiroth, Jafar, in addition to walking through fire, takes his own One-Winged Angel form while firing an Insult Backfire on Aladdin.
  • Playing with Fire: His last pun before becoming a snake is "I'm just getting warmed up!" Cue him breathing fire. He also has fire abilities as a snake in the Sega Genesis game.
  • Politically Incorrect Villain: Implied. He views speechlessness as "a fine quality in a wife".
  • Power Echoes: In his genie form.
  • Power Glows: He eyes of his staff glow when when he's using his powers, and his own eyes glow yellow as a genie.
  • Powerful and Helpless: By Becoming the Genie, Jafar gains the omnipotence he desires, but forgets that phenomenal cosmic power comes at the price of imprisonment and only being able to use that power in the service of a master.
    Jafar: All the power in the universe, and I am bound by the rules of the genie!
  • Pride: His Fatal Flaw. He can't accept even being the second most powerful being on Earth and wishes to become a genie, leading to his own imprisonment.
  • Psychopathic Manchild: Very intelligent and manipulative, but when he lets his temper get the better of him, he acts like a a very spoiled and egocentric child who just cannot stand anyone else even coming close to his level. Ironically his desire to become bigger than every perceived opponent (read everyone) can make think small and hold him back as when he merely wishes to be the Sultan of Agrabah instead of ruler of the whole world just so he could get that fancy turban.
  • Reality Warper: His powers increase with each wish until he becomes an all-powerful genie with PHENOMENAL COSMIC POWERS.
  • Red and Black and Evil All Over: His outfit. It has a black cape with red inside it, and a red feather in his turban.
  • Red Eyes, Take Warning: Jafar is seen early in the movie as having red irises in his eyes.
  • Red Sky, Take Warning: Once he wishes himself Sultan, the entire sky over Agrabah turns red and stays red until he's sealed in the lamp. This returns in the climax of The Return Of Jafar when he opens the lava pit, and again, goes away after he disappears.
  • Revenge Before Reason: In The Return Of Jafar, where his downfall comes mainly due to being so obsessed with revenge that he ignores the loose ends that ultimately destroy him. Hades calls him out on this in the series' crossover with Hercules.
  • Sadist: Takes some pleasure in subjugating the Sultan and Jasmine, including watching the Sultan get stuffed with crackers. The deleted Villain Song "Humiliate the Boy" also brings this part of him out in full, where he freely admits he gets a laugh out of seeing "another fellow's dreams turn into nightmares one by one" as he exposes Aladdin as a fake prince.
  • Scaled Up: Turns into a gigantic cobra. Worth noting, this is one of the few times it's actually effective. So effective, Jafar's the Image Source for Scaled Up on TV Tropes.
  • Sealed Evil in a Can: At the end of Aladdin he wishes to become a genie, and is promptly confined to the "itty-bitty living space" of the dark lamp. He is freed in Aladdin: The Return of Jafar by a thief, and goes back to Agrabah to get his revenge on the heroes.
  • Second Place Is for Losers: In the big game of life. The point of living for him is being number one to the point that being only second (even if it only nominally) is his biggest Berserk Button. This makes him lose focus as he wastes his first wish only to overpower the Sultan, whose position was his measure of power up to that point.
  • Shoulders of Doom: Gets them after becoming a sorcerer.
  • Smug Super: After first becoming the world's most powerful sorcerer, and then Becoming the Genie, he openly takes pride in his newfound powers.
    Jafar: You are a fool to challenge me! I am all-powerful.
  • Smug Snake: Makes the mistake of underestimating Aladdin, unable to believe that a "little fool" and a "street rat" could contend with himself and although intelligent, he sometimes makes the mistake of not thinking things through, ultimately resulting in his imprisonment. Oh and snake is meant almost literally.
  • Snakes Are Evil: He's the Big Bad, possesses a cobra-shaped Magic Staff, and can even become a giant cobra.
  • Sorcerous Overlord: Temporarily becomes this trope of Agrabah with his second wish, with ruling on a mountain and with a bevy of magic at his command. This is undone by his third wish, which traps him in the black lamp as a genie and resets his first wish.
  • Soul Jar: After becoming a genie, his life-force is tied to his lamp and if it's destroyed, he goes along with it. Which is exactly how he meets his end in the second film.
  • Spikes of Villainy: At first sight, you could think the sultan outfit he gets with his first wish is a bit unnecessary, since he goes back to his vizier outfit with the second wish moments later. However, if you pay attention, you can see that Jafar's "real sorcerer" outfit has pointier shoulders, his hat isn't round anymore (with two more points), and his cobra cane is more realistic and has its mouth open.
  • Sssssnake Talk: As a giant cobra, obviously.
  • Story-Breaker Power: Once he becomes a genie, he becomes a full-on Reality Warper who's able to accomplish nearly everything on a whim. He's ultimately destroyed at the end of the second film and Killed Off for Real; even when he returns in the Hercules crossover, he's a human sorcerer once again.
  • Take Over the City: Despite becoming the most powerful sorcerer in the world, he only actually rules Agrabah, and is never seen unleashing his powers on other cities.
  • Tall, Dark, and Handsome: Subverted. Jasmine distracts him by pretending to be mind-controlled into loving him. She describes him as "tall, dark... well dressed..." Apparently, calling Jafar handsome would just be too suspicious.
  • Tall, Dark, and Snarky: Jafar is labeled as "tall, dark and sinister" by the Genie, and he does have some snark when things don't exactly work for him.
  • Technical Pacifist: Enforced throughout The Return of Jafar. Being a genie, he can't kill anyone, even if he wants to... but that doesn't stop him from setting up situations that will result in someone's death. Also, it's repeatedly made clear that even though he can't kill someone, he can definitely hurt them.
    Genie: You'd be surprised what you can live through.
  • Too Powerful to Live: Given that he's a genie more powerful than Genie himself by Return of Jafar, he's basically nigh-omnipotent and virtually impossible to defeat except through his Achilles' Heel. Thus, he needs to be Killed Off for Real to eliminate any possibility of him returning. Even when he returns in the Hercules crossover, he's reverted back to a human sorcerer, otherwise he would have made short work of both Aladdin and Hercules.
  • Villain Ball: He grabs it several times, snatching defeat from the jaws of victory just because it's the eeeevil thing to do.
    • The first time he does it is arguably the worst, since it leads to all of his other problems. If he hadn't tried to kill Aladdin immediately after the latter brought him the lamp, and just stuck to their original deal, he would have likely achieved all of his goals unopposed.
    • He listens to Aladdin's suggestion that he should become a stronger genie rather than kill him immediately.
    • In the sequel, he decides to kill Aladdin before forcing Abys Mal to wish him to be free of the lamp rather than after, which directly leads to his death, even though had he done so he would have been much harder to defeat (and certainly impossible to kill). His power level would be more even with Genie, being a free genie and all.
  • Villain Has a Point: He criticizes Aladdin for impersonating a prince in order to get close to Jasmine instead of simply being the person he is during his villain song. Genie himself tells him the same thing earlier in the movie, but in a nicer way.
  • Villain Song: He has a reprise of "Prince Ali" in the first film, which is basically an Evil Gloating victory lap. "You're Only Second Rate" in the second one is also Evil Gloating where he rubs his superiority in Genie's face. He had three cut songs from the first movie, "Why Me?", "Humiliate The Boy", and "My Finest Hour" but their subject matter is less clear. In the musical he has "Diamond in the Rough", which he shares with Iago.
  • Villainous Crush: Averted. He hates Jasmine (presumably because he can't manipulate her easily), but Iago gives him the idea to marry her in order to give himself the political status needed to legally inherit the throne. Both of them make it very clear that once he marries her, they'll dispose of her and her father. Although, he does dress her up in a skimpier outfit when he enslaves her, as well as gets Distracted by the Sexy when Jasmine acts seductive, implying he's at least somewhat attracted to her.
  • Villainous Friendship: Although Iago does take a few blows along the way, he and Jafar seem to have a genuine friendship throughout Aladdin. At the very least, their relationship isn't the typical "Evil Master surrounded by his dumb minions whom he berates all the time", like Scar or the Horned King. They generally chat pleasantly with one another, Jafar actually takes advice from him at one point (and gives him credit for his idea), and even after he conquers Agrabah he keeps Iago at his side to enjoy in the spoils as well. but Iago's Heel–Face Turn in the sequel confirms that whatever friendship they may have had at some point is now gone as Iago ends up ebing the one to kill Jafar to save the day.
  • Wicked Cultured: One of the most sophisticated in Disney canon, having a refined manner of speech and intellectual pursuits (with special emphasis on the occult).
  • Wingding Eyes: During his Evil Laugh at the end of the reprise of "Prince Ali".
  • Wise Old Folk Façade: He uses his old man disguise (himself being a middle-aged man) to interact with Aladdin in the dungeons of the royal palace. Although Aladdin is initially suspicious of his true nature, Jafar quickly teaches him the "golden rule" and tells him he needs a young lad to bring out the treasure hidden inside the Cave of Wonders, even showing him some gems and a hidden escape route as proof of this trustworthiness. It is only after taking the lamp and having Aladdin at his mercy that he decides to drop the facade and give the lad his "eternal reward".
  • With Great Power Comes Great Insanity: After he becomes a sorcerer, he goes a little bit nuts. It only gets worse in the sequel. Of course, there's nothing to say he wasn't already insane to begin with. He just feels finally free to go all out.
  • Would Hit a Girl: Even though he doesn't get to the point due to deciding that forcing her to become his love slave via Genie would be much better, Jafar was about to seriously backhand Jasmine when she tossed the wine in his face. And he outright tries to kill her by suffocating Jasmine in a giant sand hourglass once she nearly costs him Genie's lamp. And let's not forget him laughing in agreement to the idea of tossing Jasmine and her father off a cliff after he's forcefully married her to get control over Agrabah.
  • World's Strongest Man: He becomes THE most powerful genie in the world, meaning that he's on a different level from Genie himself. As a result, he's the most powerful character in the movie, and possibly the most powerful of all the Disney villains before and after him.
  • X-Ray Sparks: When destroyed in the second film.
  • You Have Outlived Your Usefulness: Jafar seems quite fond of killing his accomplices after they have fulfilled their service to him.
    • First, after Gazeem has given Jafar the other half of the amulet that opens the Cave of Wonders, Jafar forces Gazeem to enter the Cave of Wonders, with deadly results. His promise that he'll get what's coming to him suggests that if he managed to get the lamp, he would have been stabbed to death, the same way Aladdin almost is.
    • After Aladdin gives Jafar the lamp, Jafar tries to stab him; when that fails, he dropps him into the collapsing cave.
    • Although Jafar never actually follows through on it, he likes Iago's suggestion that after marrying Jasmine and establishing his authority, he should kill the (former) Sultan and Jasmine too.

"It is I - Gazeem, a humble thief."
Voiced by: Charlie Adler, Tommy Tallarico (Sega Genesis voice samples); Michel Elias (European French dub)

A common thief and killer who serves as Jafar's henchman early on. He was sent by Jafar to retrieve the other half of the Scarab amulet that allows entry into the Cave of Wonders. He succeeded, though not before cutting several throats to get it. After the Cave of Wonders is summoned, he tries to enter the cave but is denied entry by the cave's spirit as he is not the "Diamond in the Rough." Despite this, Gazeem tries to get in anyway and the spirit promptly slams the cave shut as Gazeem tries to escape. He is believed to be killed after the incident.

  • Adaptation Expansion: In the Sega Genesis video game, he is the Mini-Boss of the third stage and isn't a Mook to Jafar.
  • Asshole Victim: Considering he's a common criminal and has a casual attitude towards murder, his death may be closure to his victims. This is lampshaded by Jafar after Gazeem is killed.
  • Blatant Lies: Gazeem calls himself a "humble thief", even though a humble thief wouldn't kill people just to steal an artifact.
  • Canon Foreigner: He's loosely based on Kasim/Kassim from Ali Baba and the Forty Thieves, another story in the Arabian Nights. Aladdin's father, who would be introduced in Aladdin and the King of Thieves, would be a more direct take.
  • Death by Materialism: Gazeem's too tempted by the promise of his reward by Jafar for the Cave of Wonders' treasure (which is a forbidden treasure that Aladdin was told not to touch) to realize the risks of entering a cave that had told him he was forbidden to enter. He ends up dying for it.
  • Eaten Alive: Gets eaten alive by the Cave of Wonders when he tries to enter it.
  • Family-Unfriendly Death: He gets swallowed by the cave when he tries to escape and is apparently buried alive.
  • Fatal Flaw: His greed leads to him being killed by the Cave.
  • Hand Rubbing: He rubs his hands in anticipation before entering the Cave of Wonders.
  • Hope Spot: When he enters the forbidden cave, nothing happens at first. But the cave "eats" him.
  • Jerkass: All the way. He's so focused on getting his reward by Jafar that he nearly refuses to give his part of the amulet unless its comes to him, prompting Iago to take it from him while Jafar assures him that he would get what's coming to him. He turns out to be right about that after Gazeem's demise.
  • Mook: To Jafar, and an expendable one at best.
  • Offscreen Villainy: By his own admission, he "had to slit a few throats" to get an artifact for Jafar.
  • Shadow Archetype: He represents what Aladdin could've been as a heartless, completely greedy thief. It was because of Aladdin's lack of those vices that he was allowed to enter the Cave of Wonders and not Gazeem. As an afterward sense of irony, Gazeem's name is similar to that of Cassim, Aladdin's father who's also the King of Thieves.
  • Too Dumb to Live: Gazeem should've understood what the cave meant by saying he wasn't the "Diamond in the Rough," which means "You're not welcome here. Go away." He doesn't take the hint and gets swallowed up by the cave. Didn't help Jafar goads him into trying to enter.
  • We Hardly Knew Ye: He gets killed just five minutes into the movie.

    Prince Achmed
"You are a worthless street rat. You were born a street rat, you'll die a street rat, and only your fleas will mourn you."
Voiced by: Corey Burton; Michel Elias (European French dub)

A Jerkass prince and one of Jasmine's would-be suitors.

  • Disproportionate Retribution: He tried to whip two children for simply getting in his way.
  • Goofy Print Underwear: He wears pink underpants with red hearts, as seen when Rajah bites a piece out of his pants.
  • Hate Sink: He may be a one-shot character, but that's enough to make him despised by the viewers. There's nothing to like about this guy!
  • Irony: He explicitly tells Aladdin that he's nothing but a "worthless street rat" and will never be anything more. Not only does Achmed not get Jasmine, but Aladdin himself ends up with her at the end as well as saving all of Agrabah.
  • Jerkass: He's first introduced calling two children "filthy brats" and trying to whip them.
  • Laser-Guided Karma: After publicly humiliating Aladdin before going to court Jasmine, he's attacked by Rajah and sent packing. Even better later on, the street rat he humiliates and insults, ends up with the princess he was pursuing.
  • Nice Hat: A purple turban with black feathers.
  • Prince Charmless: To quote Aladdin:
    Aladdin: If I were as rich as you, I could afford some manners!
  • Shadow Archetype: Shows how repulsive Prince Ali would be had he been born in royalty rather than poverty. Aladdin even lampshades this under Prince Charmless.
  • Shout-Out: He's named after the title character of The Adventures of Prince Achmed.
  • Whip It Good: He carries around a black whip.
  • Would Hurt a Child: He tried to beat two little kids with a bullwhip just for getting in his way; fortunately, Aladdin intervened.

Other Characters

    Harem Girls
Voiced by: Unknown

A trio of girls that live in some type of massage parlor with a manager. They know Aladdin when he's a street rat but they don't sympathize with his plight. When Aladdin shows up in town as Prince Ali, they swoon over him and are very impressed with him as he is presented by Genie.

  • Bare Your Midriff: They all wear short tops exposing their bellies nicely.
  • Beauty Mark: The lavender girl has one under her left eye to set her apart from the other two.
  • Bedlah Babe: These sexy girls are dressed almost the same as Jasmine, who is a princess, with a veil added.
  • Color-Coded Characters: The Harem Girls are differentiated by their hair styles and color of their outfits. They are also known as Fuschia Girl, Red Girl, And Lavender Girl. Though in the “Prince Ali” segment, two of them have their colors switched.
  • Fangirl: While they dismiss Aladdin, they fawn over his guise as Prince Ali.
  • Fanservice Extra: Their role in the movie during the song "One Jump Ahead" and in "Prince Ali". They also appear in the beginning of the third film being invited as guests.
  • Loves My Alter Ego: Downplayed. They don't sympathize with Aladdin being a Justified Criminal and are quite dismissive of him. When he returns as Prince Ali, they all swoon over him.
  • Ms. Fanservice: Well they are sexy harem girls after all. In the "One Jump Ahead" song, as they sing "Oh, it's sad; Aladdin's hit the bottom", the fuschia girl very clearly shoves her ass into Aladdin while the lavender girl shakes hers with her back to the camera.
  • No Name Given: Their names are never revealed. Some fans call them "Balcony Girls".

    The Peddler
Voiced by: Robin Williams (speaking) / Bruce Adler (singing)
Voiced by (Swedish): Per Eggers
Voiced by (European French): Bernard Alane (European French dub)

The narrator of the story.

  • Ambiguously Human: He's got a more caricatured look than the other human characters, and his Four-Fingered Hands only make things even more unclear.
  • Bookends: He's the one who begins the series by telling the tale of Aladdin and closes it out by wishing Aladdin and Jasmine best wishes after they're married in the third film.
  • Camera Abuse: You think that camera got close enough to his face?
  • Four-Fingered Hands: He has four fingers. It's one of several hints about his true identity, but it's not explicitly shown in the final cut. But guess who did the voice of the merchant?note 
  • Honest John's Dealership: He comes across as a sleazy salesman who would sell his grandmother for a good price.
  • No Fourth Wall: He's speaking directly to us. He also gets his face flattened against it.
  • No Name Given: Just like the Genie, his name goes unmentioned.
  • Ooh, Me Accent's Slipping: Williams clearly does his damnedest to give this guy a unique voice to not sound too much like the Genie, but you can still tell it's his voice, particularly when he says "come on down."
  • Small Role, Big Impact: Is only seen at the beginning of the movie in this form, but provides explanations for the lamp and sets up for the story.

    The Cave of Wonders
"Who disturbes my slumber?"
Voiced by: Frank Welker
Voiced by (Swedish): Torsten Wahlund
Voiced by (European French): Michel Elias

The entrance to the Cave of Wonders who judges who may enter and claim the lamp.

  • 2D Visuals, 3D Effects: The Cave's entrance is done in CGI unlike the rest of the hand-drawn characters.
  • Berserk Button: When a giant sentient cave tells you not to touch anything but the lamp, you better follow that rule to the letter or it will be a Felony Misdemeanor.
  • Fashionable Asymmetry: The tiger head's left ear is pierced, but not its right.
  • Genius Loci: The entrance to the Cave of Wonders is alive, able to speak to anyone outside or within the Cave itself.
  • Guttural Growler: Fittingly enough, the Cave speaks in a very deep, booming, growling voice, making it all the more intimidating.
  • Glowing Eyes of Doom: The tiger eyes glow a pure white.
  • Kill It with Fire: When Abu touches the forbidden treasure, the innermost chamber of the Cave of Wonders fills with fire and magma to try and kill them.
  • Only the Worthy May Pass: Only a "diamond in the rough", one who's worth lies far within, may enter the Cave of Wonders. The entrance will kill anyone unworthy who tries. In addition, those who it does let in are given one hard rule: They may only take the Genie's Lamp. If they so much as touch any of the other many, many treasures within, it will bury them alive.
  • Panthera Awesome: The entrance to the Cave of Wonders takes the shape of a tiger's head.
  • Throat Light: The Cave is lit from within. The light pours out of the tiger's mouth at night illuminating whoever's in front of it.
  • Treasure Room: The Cave of Wonders is filled with piles of gold and jewels as tall as buildings. However, Aladdin is explicitly told to touch nothing but the lamp. Abu giving into temptation and touching the forbidden treasure causes the Cave to try and kill them.
  • Uncatty Resemblance: Bears a striking likeness to Genie whose lamp its the guardian of. Both being blue, with golden earrings, and Glowing Eyes of Doom.


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