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YMMV: Inception
Ariadne: Who would want to stay in a dream for ten years?
Yusuf: Depends on the dream.

  • Alternative Character Interpretation: Are the main characters people we should be rooting for, or are they really Villain Protagonists? In a way it all hinges on whether Saito is sincere in feeling that Robert Fisher achieving total global energy dominance would be bad for the world, or if he's just using that as an excuse for wanting to weaken his competition in the market.
    • At least one fanfic details the aftereffects of the heist on Robert Fischer's psyche, in which he has a mental breakdown while trying to reconcile the planted message that he was truly the most important thing in his father's life with his real memories of Maurice Fischer's general neglect.
    • Is Saito simply a Corrupt Corporate Executive trying to sabotage the competition, someone who sees the threat of transnational monopoly and is willing to be a little Necessarily Evil to counter it, or both?
      • Did he soften up throughout the film through his relationship with the gang? Or was that something that was there all along and needed a catalyst to come out?
    • Can we really conclude that Dom killed Mal? Yes and no.
    • Did Saito con the con-man? Is Dom the real target of inception?
    • Are the main characters themselves Villain Protagonists simply out for a payday, or in Dom's case, a chance to reclaim a normal life.
    • Why isn't Ariadne considered wrong for invading Cobb's memories? He explicitly states that these are not dreams they are memories and then she runs down the hall into the elevator and goes straight to his most private memory.
      • Was Ariadne "wrong" in "invading" his memories, or was she trying to protect herself and the gang by informing herself of the dangers of Dom's mind and helping him confront his memories and move on? It's more complicated than mere secret-keeping.
  • Award Snub: Was nominated for Best Picture, Director, and Screenplay at the Golden Globes, but no nominations for acting (leading or supporting). It lost each of those to The Social Network (even Best Original Score.). At the Oscars, Nolan wasn't nominated for Best Director (yet still managed to nab Best Picture and Best Screenplay nods) while Lee Smith wasn't nominated for Best Editing.
    • It did win best sound editing, best sound mixing, best cinematography and best visual effects. The only other film to win as much was The King's Speech.
  • Common Knowledge: "Inception" or "[object]-ception" has now become the term for whenever one object is placed inside an identical object (or indeed any form of recursion), referencing the "dream within a dream" technique. "Inception" actually refers to planting an idea in the person's subconscious. The "dream within a dream" plan is just a method of performing the inception, and it's also used in the Bond Cold Open for an extraction job (which is the opposite of an inception job). Although this is an excellent example of how films have an effect on cultural terminology and vernacular.
  • Creepy Awesome: Mal.
  • Crowning Music of Awesome: Mind Heist, the trailer music is epically awesome.
    • Hans Zimmer's score counts as well
  • Ear Worm:
  • Fan Nickname:
    • "Team Inception"
    • "The Dream Team"
    • Robert Fischer is "Fischer Jr.", which he is only referred to once in passing by Eames
    • Ariadne is a Worldbender!
    • Eames is "the Face", thanks to his filling the same function as the character from The A-Team.
  • Fan-Preferred Couple: Arthur/Eames.
  • Fountain of Memes
  • Harsher in Hindsight: Robert Fischer's father is dying of a long-term illness and passes away before the Inception begins. Just under seven months after the film was released, the actor (Pete Postlethwaite) lost his second battle with cancer.
  • Hell Is That Noise:
    • BWONG!
    • That odd, sort-of-breathing noise the PASIV makes. There's an extended sequence near the beginning of the film featuring the sound throughout—it's excruciating.
  • Hilarious in Hindsight:
  • HSQ:
    • Several city blocks fold up like a taco.
    • The design of the final area.
    • The variable-gravity fight sequence.
    • The freight train that comes barreling down the middle of the street out of nowhere.
    • Everyone killing themselves at least 4 times in a row in each successive dream at the last sequence just to wake up.
    • The scene where Ariadne is in Cobb's dream, right after she presses the button leading to the proverbial Basement of Cobb's memories. The scene is presented in such a terrifying fashion; the elevator door opens and Ariadne steps into a fancy hotel room...that's been trashed. The background music is gone, and there's absolute silence. Then Ariadne steps on a glass. Then we see Mal. And she's looking at you. The net result of the entire scene can be summed up as Cobb has a grade-S Yandere in his subconscious and she wants out.
  • Ho Yay: Eames and "darling" Arthur, especially on Eames's part.
    • Especially when they're headed into the third level and Eames is getting all concerned about Arthur going up against security. It's amplified by the staging, since Arthur is kneeling by Eames's side and holding his hand. (To hook him up to the PASIV, but still.)
      • Even better in the French dub, where Arthur's answer ("I will lead them on a merry chase") is translated using the adverb gaiement ("gaily"). Yes, it carries the same connotation as in English, nope, it's not commonly used much anymore for that exact reason.
    • Solid example: while Eames is making his way through the hotel in the second dream, disguised as a gorgeous blonde woman, he stops Saito in the elevator and starts stroking his face. Saito looks pleasantly surprised at first, then catches their reflection in the mirrors, sees through the disguise, and realizes it's not a woman at all. Yeah... he wasn't so pleased then.
    • There's also a teensy bit of this between Cobb and Fischer during the bathroom scene.
    • And for the girls, Mal walking close to Ariadne and asking her if she knows what it's like to be a lover (which undoubtedly becomes even stronger in light of Ellen Page coming out in as a lesbian in real life). It Makes Sense in Context, but...
  • Launcher of a Thousand Ships: Arthur, if the kink meme page and fanfiction.net are to be believed. The usual suspects are (in descending order) Eames (Darlingshipping), Ariadne, Eames and Ariadne, and Cobb. Mal, Saito, and occasionally Robert Fischer too, though that's less common.
  • Magnificent Bastard: Saito. In the prequel comic, it's revealed that The Cobol Job was an attempt to get information from Saito's corporation, in an effort to keep Fischer's energy monopoly together. It appears that in actuality, this was all Saito's plan to lure Cobol's best and brightest to him, so he could audition them and steal them from under Cobol's noses, and use them to break up the very monopoly Cobol was trying to preserve.
  • Memetic Badass: Fandom has very rapidly turned Saito into one of these.
  • Memetic Mutation:
    • [blank]CEPTION. Anything that has something within something will fill in the blank.
    • Bwong! It's since been recycled in many trailers for other films, and been getting the image macro treatment as well.
    • Thanks to the application of Older Than They Think, Paprika = Inception: The Anime, A Nightmare on Elm Street = Inception: The Gorefest, etc.
    • "I bought (insert item/corporation/nation here). It seemed neater" has become mildly memetic in Inception fanfics, usually the lighter pieces.
    • And then there's...the Leo Strut.
    • How about Eames's use of pet names being dialled Up to Eleven? In the film, he calls Arthur "Darling" once, with definite irony. But in many fanfics, he not only calls him "Darling" left, right and centre, but also "Love", "Pet" and sometimes "Sweetheart". And he often uses the same pet names for Ariadne (although she gets "Darling" less often because apparently that one belongs to Arthur) and occasionally other characters get pet names too. Sometimes it's almost like he's Spike without the bleached blond hair and vampirism. Unless it's a Vampire!AU fanfic, of course.
    • X within an X.
    • "We have to go deeper." Alternately: "We have to go deeper." "That's what she said."
    • The "Owl Face" Leo squint reaction image comic.
  • Mind Game Ship: At times, Cobb and Mal can become this. Especially on Mal's part.
  • Older Than They Think: You thought this film was really original, didn't you? Behold, the eight years prior Don Rosa comic "McDuck in The Dream of a Lifetime!"
  • One-Scene Wonder: Two — Michael Caine as Cobb's father-in-law, and Pete Postlethwaite as Fischer Senior.
  • Paranoia Fuel: Both in the movie and outside the movie.
    • In the movie, the extractors have to be careful not to alert the projections to their presence or they will be physically assaulted, which Ariadne learns the hard way.
    • Outside of the movie, it's a similar problem that people had with The Matrix. What if, at this very second, you are asleep and there are people poking around in your brain searching for secrets? Or maybe you're stuck several layers down in your own dreams, and have forgotten. Maybe your entire "life" has taken place over a few minutes. Eek.
  • The Untwist: Genre Savvy viewers with any kind of familiarity with these kinds of stories should have expected the Twist Ending.
    • On the other hand, maybe the fact that there isn't some big twist is itself the twist.
  • Visual Effects of Awesome: Just look at HSQ. The film even won an Academy Award for its effects as well.
  • What an Idiot: Cobb refusing to shoot the evil projection of Mal before she temporarily kills Fischer, dragging him down into limbo, despite having known for years that she is just a projection, making his "How do you know that?" to Ariadne pointing this out to him making him look even more stupid.
    • And before that, Cobb actually expecting Mal's evil projection to stay in the chair he tied his rope to in the opening to keep it weighed down even though he should know not to trust her by that point.
  • The Woobie:
    • Fischer Jr. The poor guy doesn't know a damn thing and got dragged into this dreamy mess just because a Japanese businessman wants him to split his company. He got a daddy issue in the real world and then Cobb's team hijacked his mind, injected a (probably) false solution to his daddy issue and made him believe what Saito wants him to believe. Plus, what with the seed of doubt the team planted in him, he will most likely come to distrust his godfather from now on — the only family he has left.
    • Cobb as well. Living with the guilt and belief that he caused his wife's death, being on the run for being falsely accused of murdering her (though not too far from the truth), probably never getting to see his kids again, and always being tormented by visions of Mal in long-held dreams really makes you want to hug the poor guy.
    • Mal (the living one) as well. She killed herself fully convinced that this would cause her to wake up in the real world, so she could be with her real children again, unaware that this was the real world maybe, and those were her children. And it all happened because her husband underestimated the power of the suggestion he implanted in her mind. Her dream-self, however, is a...
      • Jerkass Woobie: Yes, she ruined Cobb's life by framing him for her suicide, but this was only because she had spent so much time in the dream world that she was unable to distinguish what was a dream and what was reality. This would lead to her killing herself, convinced that she could wake up into what she perceived as reality. In the end, all she wanted was to go someplace where she could be happy forever. Of course, it turns out that her delusion and paranoia is a direct result of Cobb implanting the idea of it in her mind.

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