"I told you 'bout the walrus and me, man You know that we're as close as can be, man Well, here's another clue for you all; The walrus was Paul!"
Sub-trope of Mind Screw
where the creators are intentionally trying
to confound explanation. Whether they're poking fun at the fans' tendency to explain and codify everything
, trying to express that Real Life
doesn't always have clear-cut answers, amusing themselves
, or simply more interested in evoking a mood than communicating a specific message, they'll make the weirdest, most incomprehensible
work they can.
When adding examples, remember that the authors must have stated
their intent to dish out a Mind Screw
(quotes are good here). Subjective guesses and theories go in 'normal' Mind Screw
Often used to subvert What Do You Mean, It's Not Didactic?
, by means of not having any
deeper meaning. Compare Faux Symbolism
, where it's merely "throw some meaning at a wall and hope it sticks", Criminal Mind Games
, when this is done in-story to throw the pursuers off-track, and Cow Tools
. Contrast The Chris Carter Effect
. See also Shrug of God
and Teasing Creator
The trope name comes from a line in a song by The Beatles
called "Glass Onion", which is referring to a song on the preceding album
called "I Am The Walrus", which notably was sung by John Lennon
, not Paul McCartney
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Anime and Manga
- Revolutionary Girl Utena: like many 'deep' anime series — was put together to promote differing interpretations and discussion. Ikuhara Kunihiko once admitted flat-out that he and the rest of the production team hadn't really kept track of the symbolism in show and the film because they thought the point was for people to interpret it in their own way. They didn't want Word of God to narrow the fans' focus, embracing something many directors often forget: past a certain point, meaning is ascribed to a series by the viewer, not the creator. He admitted in one interview that the reason he turned Utena into a car was because he always wanted to see a beautiful girl turned into a car. No further reason. Doesn't stop fans (or Oancitizen) from having braingasms trying to figure out what it meant.
- Serial Experiments Lain is this. A lot of what goes on in the series has multiple interpretations. One of the producers of the series has said he wanted American people to understand the show differently from Japanese people. He was dismayed to discover that foreigners interpreted it the same way the Japanese audience did.
- Neon Genesis Evangelion: Word of God stated numerous times that this work was generally designed with Mind Screw first, plot second. This became more and more apparent in later episodes with all of the symbolism and Freudian imagery splattered all over the place in such disjointed fashion, mainly in the form of jump cuts.
- The Illuminatus! Trilogy: Robert Anton Wilson has said the whole point was to pile up enough conspiracy theories so that no one could be sure what was 'true' by the end.
- James Joyce said he hoped Ulysses would "keep the professors busy for centuries arguing over what I meant, and thatís the only way of ensuring oneís immortality."
- Alice in Wonderland The riddle "How is a raven like a writing desk?" as posed to Alice by the Hatter. The Hatter did not know the answer to the riddle, and it was never revealed. A great many letters to Lewis Carroll requesting an answer to this madness inducing question returned replies that there was no answer, which was the point of the riddle.
- In 1896 Carroll added in a preface to a new edition of the story:
"Enquiries have been so often addressed to me, as to whether any answer to the Hatter's Riddle can be imagined, that I may as well put on record here what seems to me to be a fairly appropriate answer, viz: 'Because it can produce a few notes, tho they are very flat; and it is never put with the wrong end in front!' This, however, is merely an afterthought; the Riddle, as originally invented, had no answer at all."
- Note that this was supposed to be a pun, but the editor "fixed" it, the last sentence was supposed to say "and it is nevar put with the wrong end in front!"
- To deepen the mindscrew aura of this little detail, here are some answers provided by other notables:
Because the notes for which they are noted are not noted for being musical notes. (Puzzle maven Sam Loyd, 1914)
Because Poe wrote on both. (Loyd again)
Because there is a B in both and an N in neither. (Get it? Aldous Huxley, 1928)
Because it slopes with a flap. (Cyril Pearson, undated)
- Just about anything Lewis Carroll writes, really.
- A Series of Unfortunate Events gets this way toward the end, with the Lemony Narrator outright admitting that there are no straight answers and we must keep on questioning.
- This is a major theme of Thomas Pynchon's The Crying of Lot 49. A woman finds a piece of graffiti on a bathroom wall that prompts her to investigate what is either an Ancient Conspiracy, an elaborate hoax by her dead ex, or her own desire to be a detective.
- Similar to the Joyce examples (and it may have helped inspire them) is the second part of Johann Wolfgang von Goethe's Faust. The poet said in a letter to a friend toward the end of his life that all he had left to do was "wrap a few mantle folds around it so that it may remain an altogether evident riddle." Much earlier than that, he poked fun at his scholarly interpreters for their "allegorizing of this dramatic-humorous nonsense [the witch's arithmetic of Faust, Part I], which has never gone very well. One should indulge in such jokes more often when one is young." As the icing on the cake, he once summed up the ethos of this approach in a single sentence: "The more incommensurable a work of art, the better." In the scholars' defense, since the play begins and ends in heaven, one can hardly blame them for their Everyone Is Jesus in Purgatory-style intellectual acrobatics.
- The Notes at the end of The Waste Land, which aren't necessarily as helpful as one might like. Easy to imagine T. S. Eliot having a chuckle at the expense of the critics. In The Frontiers of Criticism, he claimed he padded them in order to fill out the book "with the result that they became the remarkable exposition of bogus scholarship that is still on view to-day".
- Alternately and/or concurrently played straight, subverted, inverted, lampshaded and transcended in the works of Philip K Dick.
- Spectra: A Book of Poetic Experiments was written as a pseudonymous parody of a poetry movement called Imagism and contained quite a bit of deliberate nonsense.
Cream is better than lemon
In tea at breakfast.
I think of tigers as eating lemons.
Thank God this tea comes from the green grocer,
Not from Ceylon.
Live Action TV
- BBC's Robin Hood has a scene in season 2 in which Sir Guy has a dream where Marian massages his shoulder and says that she "Should have let [him] take care of [her]" then Marian turns into Allan who say "I'm your boy" "I should've let you take care of me". The scene pleased many slash fans, but the writers admitted that it was just to get people talking.
- The ending to The Prisoner. Patrick McGoohan wanted people to scratch their heads and cudgel their brains out trying to understand the final episode. He did too good a job — apparently disgruntled or just plain confused fans showed up at his house demanding to know what it was all about.
- In the final "dream" episode of Buffy the Vampire Slayer, Season 4, Joss Whedon placed a weirdo with cheese on his head spouting nonsense lines. Although the rest of the episode is heavy with symbolism, he specifically wanted something in each dream sequence that meant absolutely nothing whatsoever. This doesn't stop fans from trying to explain it anyway.
- Twin Peaks, which despite its apparent Myth Arc, was simply David Lynch making things up as he went along.
- A Babylon 5 episode features Sheridan having a dream with all kinds of symbolism that actually means something...and Garibaldi with a bird on his shoulder, which was only put in because JMS thought it would be a funny thing to make the actor do.
- P J Hammond keeps saying that he never had any explanation for any events in Sapphire And Steel that didn't appear in the show's dialogue.
- The surreal comedy short Too Many Cooks has spawned all sorts of elaborate theories about its supposed hidden meanings, but Casper Kelly has specified that it was made to be a joke that goes on for way too long in order to confuse unfortunate viewers who happened across it during its original 4 AM airing. The increasingly bizarre things which happen during the short were simply added to make the joke longer, not to make a sophisticated statement about the state of modern television like many believe.
- Henrik Ibsen made a rather obvious one in Peer Gynt from 1867. At the beginning of the fifth act, the title character is encountered by an enigmatic fellow, only labeled as "the unknown passenger". His apparent function is to freak out the main character, and the second time he shows up, is while Peer Gynt hangs on for dear life on a capsized life boat. While Peer struggles to survive, the "passenger" chats away as if nothing bothered him, and the conversation gets weirder and weirder, until he just slips away, stating that Peer should not worry, because "one doesn`t die in the middle of the fifth act". This character, what or who he is, has been debated ever since the play was published, and nobody has gotten to a secure conclusion, as the lines in question points in many possible directions. It is quite possible that Ibsen yanked the audience`s chain here, just to make a sequence that would be screwy enough for everyone to be confused. For 150 years and counting.
- Gameboy Camera has some... highly disturbing images and sounds hidden in the game. Of note are the vandalised pictures of Nintendo employees, accompanied by a horrific sound and the caption, "who are you running from?". Why are they there? The develops are complete and utter trolls.
- Silent Hill: Even the stuff that's All There in the Manual doesn't help anyone make sense of the series. It's not meant to. Even the fans' most cherished theories have never received any confirmation more solid than a shrug or an inconclusive reply from the producers. Among other things, they claim that the only canonical conclusions to each game are the UFO Endings.
- The Mirror Lied: A complete and deliberate Mind Screw. To quote the author: "It has no defined story by me, that's certain — but its point is to be on the extreme end of the scale as far as ambiguity goes, for the sake of a possibly refreshing experiment of interpretation for some."
- Yume Nikki is a dialogue-free, non-linear journey through the dream world of a girl who won't go anywhere while awake except for her bedroom and adjacent balcony. Good luck getting any answers about what any of the dream symbols mean, what happened in the ending, or what the fuck is up with Uboa.
- OFF makes a few explanations for its madness, but they're either very wacky or very vague.
- Killer7, or any other game by Suda51.
- In Dark Seed 2, the ending doesn't explain anything, doesn't entirely make sense, and calls into question literally everything that happened over the course of the game. And according to Raymond Benson, it's intentionally open-ended:
Raymond: Ahh, well, I'll never tell. It's supposed to be ambiguous. I was highly influenced by the work of David Lynch at the time, especially "Twin Peaks." In "Twin Peaks," did Laura Palmer's father really kill her, or was it a supernatural being known as "Bob"? Or was "Bob" really Leland Palmer? Same kind of thing. Lynch never tells us. You're supposed to make up your own mind about it, interpret it as you wish.
- Andrew Hussie is well known for mercilessly toying with the concept of Word of God by trolling factoid-hungry fans, memorably claiming that the faces of Homestuck's trolls are actually collections of specialized genitalia that happen to look like an angry face to the human eye, and that all trolls have two penises, one for love and one for hate. When asked why he does this? "Because it's fun!"
- ∆on Flux messes with your head constantly, and Peter Chung has gone out of his way not to explain anything, in hopes that the viewers will derive their own meanings. This approach eventually backfired badly on him, though. The plot of the film, almost universally considered terrible, had its genesis in the scriptwriters' own interpretation of one of the mind screwiest episodes of the series.
- The whole basis of Dada, which was gibberish and nonsense meant to infuriate everyone who came across it.
- Jackson Pollock's legendary "dribble" style of painting evoked many debates that persist, even after his death, to this day regarding their meaning. When asked some paintings' meanings, Pollock would often describe his definition of the painting in an almost-outlandish fashion.