YMMV / Elfen Lied

  • Adaptation Displacement: At least in the U.S., what with the manga not being licensed there.
  • Alternative Character Interpretation: Practically every single character is left slightly insane from their troubled pasts, or completely evil. Often it's very hard to keep them apart.
    • Humans Are Bastards needs to be taken with at least a grain of salt; The researchers and staff on the island definitely call their essential Humanity into serious question. But the vast majority of people in Japan and on Earth had no say in how these girls were treated, and never even heard of them until the war Kouta describes in the manga finale took place. As has been pointed out elsewhere, the age these girls get their powers makes their misuse inevitable. So, while prejudice must be condemned, the first time people even hear about Diclonius is when their neighbors' three-year olds kill them. Much like in X-Men or the various Devilman series, ordinary Humans aren't offered a lot of choice on how to view their potential replacements. This said, many non-Kakuzawa-employed Humans in the series do not acquit themselves terribly well.
    • Even some of the researchers get called into question. Several signed up because the Diiclonius births killed family, or rendered them unable to bear children. Some go For Science!, like Nousou, and quite a few don't want to disappoint The Director. The Operative at the end clearly hates Lucy for killing those near to him.
    • Saito in the Manga, did she really love Mariko? She manipulated her into thinking her father hated her, but before that, she repeatedly expressed excitement over finally seeing her, after speaking to her for years and helping to raise and educate her, she admits to feeling a sort of bond with the girl.
    • The Other Facility, because we know so little about it. Of the Four characters we meet from there, only Shirakawa is named, The Agent and the two Operatives go unnamed. We know its purpose is vector research, and they're monitored more closely by the Japanese Government, but we don't know if they have an agenda, want to save the world, or solve the problem to prevent Japan's implication in dooming the planet.
    • Is Chief Kakuzawa truly meant to be seen as a Magnificent Bastard manipulator with tons of gambits running to his favor? Or is he meant to be seen as a parody/deconstruction of this, since his plans involve letting his enemies know he's doing it without covering every angle someone could use to undo them, taunting his 'Queen' with how he raped her long-lost mother who it turned out always loved her and creating a replacement race that was 99.9% sterile, among other things? Were these plotholes, or does the depths of his evil and the successes he does have fool the reader/viewer into thinking he's all that?
    • At the end of the manga, Lucy's extremely misanthropic third personality takes over her body as it breaks down, attempting to have its now global-spanning vectors take out humanity before it dies. When Kouta can't bring himself to shoot her, despite both Lucy and Nyu's personalities begging him to do so, the third personality suddenly stops, puts the gun back in Kouta's hands, and asks for a Mercy Kill. Was it really just in too much pain to continue its genocide, or did it rethink its view on humanity upon seeing that Kouta wouldn't shoot her even when she was trying to eradicate the human species?
  • Awesome Music: "Lilium", the opening theme.
  • Broken Base: Oh, God, the sane part of the audience probably won't make 50%.
  • Captain Obvious Reveal: Seriously, who didn't figure out Lucy killed Kouta's father and sister before it was revealed?
  • Complete Monster:
    • Director (or Chief) Kakuzawa, the main antagonist of both the anime and especially the manga, is a misanthropic man with a god complex. Firmly believing in his superiority, Kakuzawa establishes the Diclonius Research Institute note , wherein he oversees experiments conducted on the Diclonii. Believing that Lucy was the destined Messiah of his race, Kakuzawa captures her, and rapes her mother when he realizes that she had the ability to generate fully-reproductive Diclonii. Failing to foster a new bloodline due to her killing herself, Kakuzawa sets his eyes on Lucy, and aims to mate with her in a fanatical attempt to become the God of the New World. Kakuzawa also masterminds the Lebensborn Project— a eugenics program designed to eradicate mankind and situate the Diclonii as the dominant species. Under the guise of a satellite launch, Kakuzawa detonates a rocket containing the Diclonius Virus over Kamakura, resulting in a massive exposure of the disease. He then attempts to force Lucy into becoming the Mitochondrial Eve. While appearing to love his daughter Anna in the manga, it is clear he only sees her as a tool for the advancement of his plans. The egotistical Kakuzawa is a firm reminder of the manga's theme of Humans Are the Real Monsters.
    • The manga-exclusive "Unknown Man" is a monster hunter, assassin, and sadistic pedophile who, in order to find Lucy, crafted a radar system made from a near-human silpelit diclonius who was still alive. Among other things, this involved having a surgeon remove the lower half of her body so that he could carry her around in a sort of backpack, and keeping her in a special tank that left her in excruciating pain to make sure she couldn't use her powers against him. He also cut her vocal cords to keep her from screaming, leaving her in a state of hideous agony and begging for death. He felt that it would have been a shame to let her body go to waste, so he raped her before he had her legs removed; she very likely wasn't the first. Finally, he attempts to rape Mayu, a young girl, for the chance to "play" with a human girl for once. Even fellow assassin Bando, who kills for fun, is disgusted.
  • Creepy Awesome: Lucy and Mariko are utterly vicious, but that's why they're so effective.
  • Critical Dissonance: Critics generally give this series negative reviews, and mixed ones at best, citing excessive gore and nudity which they regard as exploitive and criticizing some of the characters as being highly simplistic, bland, and/or hard to relate with. The closest any professional critic has ever come to giving Elfen Lied a positive review was as being So Bad, It's Good. However, as one can tell under the Cult Classic and Germans Love David Hasselhoff entries, audiences view it far more favorably.
  • Cult Classic: In Japan at least. In America it's one of the most well-known anime series, being called one of the "classics" by several people.
  • Darkness-Induced Audience Apathy: Between the series' tendency to take Humans Are Bastards to almost cartoonish extremes and the diclonii themselves not exactly being much better (what with the implication that they're genetically predisposed to wiping out the human race anyway), it's hard to really find any characters worth sympathizing with. And that's not even getting to the fact that most of them keep getting put through the emotional wringer over and over to the point that the Eight Deadly Words can kick in very quick.
  • Designated Hero: Lucy herself. In the anime, the only good she ever does is for Kouta. Everything else she does is deplorable. This is less true of the manga, where Lucy is a more upfront Villain Protagonist who actually grows to appreciate the humans close to her due to her Nyu and Lucy personas beginning to keep each other's memories and ultimately performs a Heroic Sacrifice in the form of a suicide by Kouta in order to save all of mankind from herself.
  • Ear Worm: The opening is probably one of the biggest Ear Worms in anime history.
  • Ensemble Darkhorse: You'd think such a series has no fan favorite character, considering everyone is either mentally broken or outright villainous but nope, one of the most popular characters outside the main cast is Kurama. Surprisingly, about as much liked is his daughter. Yes, the psychotic tragic villain Mariko.
  • Esoteric Happy Ending: The final chapter of the manga clearly states that the World Health Organization "forbade" the birth of Diclonii worldwide until they discovered a vaccine capable of preventing their conception. Red tape and technobabble aside, the term for this is genocide.
  • Fanon:
    • The Unknown Man is thought to be a Kakuzawa and thus is related to the Director. They do know each other, and the Unknown man does seem to know and support the Director's agenda. However, they are never confirmed to be related, and it's unknown if the Unknown man wears a Hairpiece to disguise little horns on his head.
    • Some of the Diclonii eventually survived the year; The twins' ethnicity at the end of the manga is left ambiguous.
  • Germans Love David Hasselhoff: The show didn't get very far in Japan (partly due to being hardcore enough that it couldn't be broadcast on-air even in Japan), but was a major Sleeper Hit in America through DVD sales. Same for the actual Germans and especially for Mexicans, to the grade a full orchestration of the anime's OST was performed in Mexico City.
  • Harsher in Hindsight: The prospect of Lucy massacring citizens left and right became more heartbreaking after the Akihabara massacre occured in 2008.
  • Hype Backlash: It's one of the few series 4chan users refuse to talk about due to this reason.
  • Internet Backdraft: This seems to be one of the few series that 4chan seems to legitimately hate.
  • Iron Woobie: Kouta. Despite living with the Diclonius that killed his family, he still goes on with his life and doesn't leave anyone behind for whom he feels responsible for.
  • Jerkass Woobie: Mariko. On one hand, her Freudian Excuse is pretty good, on the other, she's damn Ax-Crazy.
  • Moe:
    • Nyu. She loses some of these traits in the manga when she learns to speak and behave properly.
    • Nana too, in her own way, is cute as a button even with less childishness than Nyu.
  • Moral Event Horizon: Lucy's bullies when they murder her dog. Lucy when she murders Kouta's family. Mayu's stepfather when he sexually harassed her. Her mother when she didn't stop him. Anything the Unknown Man does.
  • Narm:
    • Due to the over-the-top art, a lot of the gory scenes end up looking more cartoony than intended. This isn't the case in the anime, however.
    • The constant nudity and Fanservice can turn otherwise serious scenes into this.
    • This whole series is supposed to be a sort-of lecture on how "Humans Are Bastards". Only that the "humans" (save for Kouta and his family, Mayu, Yuka, Nozomi, Arakawa, Kurama and later Bando, and in the past Hiromi) tend to be so obviously, ridiculously, flatly, and STUPIDLY evil that the emotional impact is completely gone. Nevertheless, this actually works a lot of the time, but it's still a bit hard to swallow that most of the human cast is this one-dimensionally villainous.
    • It's impossible to see the early fight between Nana and Lucy and not immediately think of the Black Knight scene.
  • Rated M for Money: The Trope Codifier for anime and manga of this type. It probably helps that the controversy played a part in it selling well for ADV Films.
  • Ship-to-Ship Combat: Between the anime and the manga, if you can believe it. The manga all but explicitly states Kouta and Yuka are the Official Couple, but the anime seems to ship Kouta with Lucy. The anime also attempts to make Lucy more sympathetic by removing Lucy's tendency to laugh maniacally while killing people (which to be fair does remove a plot where she does an Evil Laugh and Kouta doesn't seem to notice) and Flanderizes Yuka's Clingy Jealous Girl moments.
  • Special Effect Failure: The vectors can sometimes bend very strangely and end up looking broken.
  • Squick: Nyu's face when groping arouses her. Likely due to the high amount of tears gushing out of her eyes, it makes the reader feel very uncomfortable.
  • Toy Ship: NanaxMayu to some fans, despite there being no hints of this in the main series.
  • Unintentionally Unsympathetic: The Diclonii. The viewers are supposed to sympathize with them but it's easier said than done. Whatever Diclonii we see that's not in the Facility is going around randomly butchering people, and then there's the implications that they're genetically predisposed to wiping out the human race, which can make the intention of sympathizing with them develop the opposite result.
  • Values Dissonance: Lets just say that many North American viewers were put off by Kouta and Yuka's relationship.
  • Viewers Are Geniuses: The work’s title in the anime adaptation becomes this, as the original poem it’s taken from is about an elf who gets hit on the head just for trying to have a look into the human world, and ends with, ‘Well then, elf, have you had enough?’ The poem’s theme connects very poignantly with the manga/anime’s recurrent theme of rejection and exclusion and their consequences, but as the lied never appears in the anime, viewers have to be familiar with the poem to understand what the title even means.
  • The Woobie: Nearly the entire cast qualifies.
  • Woobie Species: The Diclonii. Bonus points for the bulk of them going down the Woobie, Destroyer of Worlds road.

The Characters have a sub-set of YMMV Tropes :


  • Alternative Character Interpretation:
    • Quite a lot, considering the ambiguity surrounding whether the diclonius' are genetically predisposed towards wiping out the human race.
    • The Inner voice is also subject to this, is it the root of her DNA speaking to her? Is it another personality that formed through all of the abuse breaking her? Is she the Embodiment of the Diiclonii? Or is she some combination of all three.
  • Base-Breaking Character: This is inevitable, really. The fans are split between those who hate her for what she did, those who feel awful for what she went through, and those who do both.
  • Counterpart Comparison: Some fans tend to compare her to Carrie White, especially since both lashed out due to being bullied (albeitly for different reasons). Others, while they compare her, they consider her to be a deconstruction of Carrie's character type. More can be read here
  • Die for Our Ship: The Lucy hatedom can get pretty rabid, but how much of this is Die for Our Ship and how much is simply hating Lucy because she's a villain is completely impossible to determine.
  • Draco in Leather Pants: Now, this was completely deliberate on the writers' part, since Evil Is Sexy and Lucy is one of the most sympathetic mass murderers in anime history, with a genuinely powerful and surprisingly well-executed Freudian Excuse. However, to hear her fanboys (and more than one fangirl) talk, you'd think that she had never done anything wrong and just needed a hug to be turned into an angel of sweetness and light. Never mind the fact that she started off the series freely killing any human except for Kouta who ever crossed her path. Her romantic rival, Unlucky Childhood Friend Yuka, is turned into Ron the Death Eater, and her Clingy Jealous Girl tendencies are Flanderized to the point that the Lucy fandom often gleefully wish for Lucy to dismember Yuka. While Yuka has her issues, Lucy is the real Yandere, who slaughtered a carnival full of innocent people when Kouta snubbed her, as well as wanting to eradicate mankind.
  • Evil Is Sexy: Lucy drops Nyu's particular type of Moe, but turns into a deep-voiced badass Yandere with major Woobie credentials.
  • Jerkass Woobie: Be ready to feel the urge to sock her in the face... just before giving her a hug. That's Lucy in a nutshell.
  • Moral Event Horizon: While fans are split on whether or not Lucy herself crosses it, everyone agrees that her DNA Voice personality crossed it when she manipulated a broken Lucy into the aforementioned atrocities she commits. If that wasn't enough, then it attempts to destroy the planet in her dying breath out of spite that she won't get to rule a Diclonii-only world.
  • Ron the Death Eater: She manages to be an odd case that's a victim of this, along with Draco in Leather Pants. Now, Lucy is clearly not innocent by any measure. However, there are some that think of her as nothing but pure evil who would always kill others as soon as something goes wrong, just because. Now granted, she certainly shows this behavior early in the series, but as the story goes on, it's made plain that, yes, she does feel awful over what she's done, and does try her best to NOT kill anymore and would've been content to live with Kouta and her friends. However, the people of the Diclonius Research Facility always keep screwing her over and over, and forcing her back into killing people, making it difficult to nearly impossible for her to atone and any hope she can find in humanity and a better future grow dimmer each time. And she's being manipulated by a Split Personality that represents her innate diclonius instincts, which she first tried to suppress. Seriously, the girl just can't win.
  • Unintentionally Unsympathetic: She is played up as a Tragic Villain, but some find it hard to feel sorry for her when she murdered Kouta's family out of petty jealousy and was Easily Forgiven for it. It was also shown that before she met Kouta, she killed families just so she could stay at their houses at night. You could count with with your fingers how many people she killed actually deserved it.


  • Angst Dissonance: One of the biggest non-shipping reasons for her becoming The Scrappy, being one of the most well-off characters in the series, but complaining about her unfortunate circumstances more than any of them.
  • Die for Our Ship:
    • Lucy/Kouta fans LOVE to bash Yuka for being clingy, despite Lucy also being clingy in other (and scarier) ways. It makes you wonder if those fans really appreciate the Lucy/Kouta pairing for how screwed-up it actually is in canon...
    • People in the West bash her since they're both cousins, and incest of any kind is largely taboo and considered "disgusting".
  • Ron the Death Eater: Lucy/Kouta fans seriously flanderize her Clingy Jealous Girl tendencies to Scrappy levels to make room for Lucy to kill her and win Kouta's affections.
  • The Scrappy: Partly due to Angst Dissonance, partly due to shipping issues, partly due to the Values Dissonance regarding Kissing Cousins, and partly due to her annoying voice in the English dub.
  • Wangst:
    • How dare she be NORMAL! And not know what Lucy had been through!
    • Yuka being angry at Kouta for not remembering their childhood even though it's due to the trauma of seeing his father and sister being slaughtered in front of him (and it's implied that she knows Kanae didn't die from an illness, so it's likely that she knew about their fate) probably has something to do with the fanbase's dislike of her.


  • Alternative Character Interpretation: In response to his Trauma-Induced Amnesia, is he a good kid that honestly doesn't believe that Nyu could harm anyone or someone who goes past the point of believable denial and refuses to see the obvious evidence?
  • They Wasted a Perfectly Good Plot: His lack of memories of his time with Yuka puts a damper on their potential of reaching a decent relationship, though he has good reasons for it. Yet, when he eventually regains his memories of Lucy killing his sister and father in front of him, he focuses more on snapping at Lucy and simply telling her that he 'Can't forgive her', when this could have been a great opportunity to have Kota remember his moments with Yuka, how he loved her since childhood and get the two of them to start something up. Perhaps the deadline of 108 chapters was closing in too fast, leaving no time...?


  • Iron Woobie:
    • In a series full of woobies, Nana takes the cake. Everyone loves Nana. She get's pushed around so much, yet she still keeps on going.
    • There's a doujinshi dedicated to making her even more of a Woobie.


  • Hollywood Homely: When she's first introduced she is described as looking like the homeless child she has been for perhaps several weeks at that point. Problem is, virtually nothing about her physical appearance suggests this.


  • Jerkass Woobie: He's an asshole, yeah. But he still manages to come up as more decent than others assholes here.
  • Rescued from the Scrappy Heap While a few people find his anime counterpart amusing in some cases. Most would agree that he has little to no redeeming factors and would rather have seen him killed by Lucy than spared. His manga counterpart has much of his jerkassery toned down considerably, given multiple moments of character development and badassery and is widely considered to be one of the best characters in the manga.
  • What an Idiot:
    • Anime only. Bando does some stupid things from attacking his own partner, getting up to Nana's range despite knowing better and trying to jump for his gun once Nana has knocked it away despite already having another one. (In the manga he barely had time to reach for it before Nana stopped him)
    • This is a far cry from his manga counterpart who always played it smart. Even during his first battle with Lucy after she had taken him down he attempted to find a way to beat her...even if such a thing didn't work out in the end.

Director Kakuzawa

  • Love to Hate: Manga only. Director Kakuzawa is a fairly despicable character but undeniably a darn good villain.
  • Magnificent Bastard: Manga only. He practically has everything fall into his hands, has people dance in the palm of his hands and almost always has a stoic face and lets little bother him. He's practically a textbook example of what a good corporate villain might be like and one can't deny that he's got some style. Whether it’s using his own employees like pawns, firing off vector virus missiles or having a second diclonius son at the ready, he seems prepared for anything.