We'll turn Sunako Nakahara into a magnificent lady!
Yamato Nadeshiko Shichi Henge (Perfect Girl Evolution / My Fair Lady) known by fans as The Wallflower or Yama Nade.The Wallflower is about Sunako Nakahara, whose first love, in response to her confession told her "I don't likeugly girls". In response, she took to shunning light forever, hiding her face behind long black hair and devoting her life to horror, gore and darkness. That is, until her well-meaning but melodramatic rich Aunt sets Kyohei, Oda, Yuki, and Ranmaru — her harem of teenage bishonen — on Sunako with the task to turn her into the perfect lady. In exchange for this, they will get free accommodation in her Big Fancy House whilst the Aunt jets around the world in search of her true love. If they fail, they must pay triple rent for the accommodations they have used. (With the costs of housing in Japan, this is a dire penalty indeed.)Unfortunately for the boys, Sunako has absolutely no intention of playing along with them. She's a Creature of Darkness and damn well proud of it. The issue is made worse because she can't look at "Bright Creatures" like them without getting a nose bleed, and this predictably puts some strainstains on their relationship.Though she can eventually deal with living with the other three, Sunako and Kyohei's relationship isn't the best, resulting in some early murder attempts on Sunako's part, lots of bickering, fighting, occasional saving each other and...you guessed it, everyone in the cast trying to set them up.Stylistically similar to Ouran High School Host Club, with a similar 'Reverse' Harem setup, the manga is written and drawn by Tomoko Hayakawa, while the anime is directed by Shinichi Watanabe (Nabeshin from Excel♥Saga) who makes cameos as various side characters and... totem poles? The manga it is based on is ongoing.A live-action version began airing in January 2010, and finished airing with 10 episodes.Warning: The manga, at least, is completely food-obsessed. You will probably get hungry reading it.This page is for all examples from the manga/anime/drama.
This show provides examples of:
Absurdly Long Limousine: One shows up in the anime adaptation. In a twist, a limousine of normal length appears later, but it is as wide as it is long.
Abusive Parents: Kyohei's mother apparently said a ton of terrible things to her son when he was still living with her. Her husband mentioned offhandedly to Sunako that the mom was bipolar, but whether he was serious or exaggerating was difficult to tell. Meanwhile Oda and Ranmaru's parents have pretty much set their lives out for them.
Accidental Marriage: Sunako was frighteningly close to being a victim of this in one chapter. (We say 'frightening' because it wasn't to Kyohei.)
Adaptation Expansion/Adaptation Distillation: Definitely the live-action drama. It tended to mix and match similar chapters in the manga and add new material to make the episodes flow better and last for 45 minutes each. It also played around with characterisation. Whether that was good or bad is up for interpretation, but no one denies that the resolution of the Kyohei and Sunako UST was a good thing.
Artistic Age: All the members of the main cast are supposed to be 15 years old while looking like 20-somethings.
Ascended Extra: In the anime, the Goth Loli Sisters were given the role of comic relief and appeared Once per Episode. In the manga, out of the 100+ manga chapters, they've only been seen a couple of times.
Author Appeal: Bishounen boys, horror aesthetics, and the look of visual kei bands are clear preferences of mangaka, Tomoko Hayakawa; her notes in many chapters are about seeing concerts, in fact. Each of the main male characters is based on some aspect of Hayakawa's favorite musician, Kiyoharu, with the most attractive one (Kyouhei) resembling him the most. At one point Kyouhei is even seen wearing Kiyoharu's exact outfit from SADS' "Porno Star" PV. One can also presume by its prevalence that bondage scenes involving such boys are also one of her fetishes.
Aww, Look! They Really Do Love Each Other: Though Sunako and Kyohei's relationships is made up mostly of bickering and fighting, it's obviously clear in many moments that they place each other's well-being on a very high level, admitting it to themselves or not.
Battle Couple: Kyouhei and Sunako. Perhaps most prominent in the live-action adaption.
Beautiful All Along: Played with extensively. The boys are charged with turning Sunako into a lady against her will, even though she wants nothing to do with it. An early chapter/episode even subverts this trope by showing Sunako's face behind her Blinding Bangs to be quite pretty, only to then show that it only looked that way because of some flour that had fallen on her and that she actually has bad skin. (Which is only because of her poor hygiene and self-neglect, and not a dermatological problem per se.) However, later on, it does turn out that Sunako really isBeautiful All Along whenever she gains enough confidence to break out of her Super-Deformed mode.
Berserk Button: Busunako note :A portmanteau of "ugly" and "Sunako". After Kyohei unleashes Sunako's rage unintentionally in the TV series, he starts invoking this trope on a regular basis whenever the mooks of the week need to be beat up. Sunako does this once to herself.
Celebrity Paradox: In chapter 107, a character mentions the actor who played Kyōhei in the live-action TV series. The best part is that instead of mentioning his name, she says that he played Kyōhei on TV, directly referencing the TV series based on the manga they exist in.
Cloud Cuckoolander: Sunako enjoys the company of mannequins, plotting murders (primarily Kyohei's), and going on corpse-hunting adventures, and was befriending bears and demons from a young age. By her own admission she lives in "the world of darkness" — beauty and "lightness" are glaringly bright to her — but her logic, too, is a bit alien (thinking gothic Victorian wear will make her "fade into the darkness"; her brain redefining "naked" after Kyohei sees her nude; gaining muscle so she'll resemble an anatomical doll).
Cooking Duel: The literal variety occurs later on in the manga, with Sunako battling Kyohei's Instant Fan Club. Subverted somewhat in that she wins through modesty. Not going to happen at home, though; Sunako's cooking is excellent while none of the boys seem to manage anything above functional.
You can't help but wonder why Kyohei seemed to be in such a bad mood when Sunako kept hanging around that constellation guy... And that was NOTHING compared to how he reacted when he thought Sunako and the biology teacher were secretly dating...
Ranmaru and Takenaga were viciously pissed off at each other when each got into a compromising situation with the other's Love Interest.
Housewife: despite her scary demeanour, Sunako is an excellent homemaker, something the boys realize every time she's not cooking for them and cleaning up after them. She's also good with money and getting bargains on things, and looking after kids.
Improbable Food Budget: In an inversion of the normal trope, that it's so low, given the opulent surroundings and Sunako's aunt's seeming extreme wealth. Most likely it's the aunt's way of making sure the boys are broke enough for the prospect of cheaper rent to motivate them, and to encourage them to get Sunako to cook for them and thus socialize.
Irony: Aside from her crippling lack of self-confidence and mania for the horror genre, Sunako already *is* a perfect Japanese lady. The irony comes when her aunt needs to learn how to be a proper Japanese housewife. Her instructor? Sunako.
Market-Based Title: Since Viewers Are Morons, the name of this series is changed to "Perfect Girl Evolution"/"The Wallflower"/"My Fair Lady" depending on country. Never mind that in the West, traditional Japanese women tend to be less popular than Tsundere types.
Mind Screw: Sunako is usually drawn Super-Deformed (see below), or when she's in attack mode, as a scary wraith. When SD, people say she is "ugly," and when wraith-y she is treated as beautiful but frightening, but confusion sets in when she switches from SD to wraith mode every other panel. Is she repeatedly going from ugly to pretty? Is it the art style for when she moves around a lot? What the hell is going on?
In the manga, Ranmaru's fiancee is only known as Ojou-sama/"the princess." Same goes for those girls who become the Goth Loli Sisters of the anime.
The Nose Bleed: Aside from Sunako's reaction to seeing beautiful people, the tenants have a habit of triggering them with half the girls they meet.
Obasan: The Landlady is called Auntie by the residents of her mansion (though it's justified in Sunako's case because she really is the Landlady's niece). In the anime's Whole Episode Flashback showing how all of the boys came to the mansion, the Landlady visibly jumped and exclaimed "Auntie!?", looking upset when she was called this the first time. In the manga version, however, calling her that added fuel to her already overflowing rage.
Pretty Freeloaders: Gender-inverted and subverted: The boys want to be this, but whether or not they get their free rent has yet to be seen. However, it's played straight in that they never help Sunako around the house.
Averted completely with Sunako herself, who does all of the cooking and chores.
Justified in that every time the guys are shown trying to clean the house on their own they do a terrible job and the house is arguably left worse off then it was before.
Super-Deformed: Sunako almost all the time. This is even funnier, since everyone has to kneel down to her height in order to converse with her face-to-face.
Sweet Tooth: Sunako is a chocolate addict who consumes pretty much all of the insane quantities of chocolate the boys receive on Valentine's Day, over the year, and at times appears to be existing on a chocolate-only diet, even though she's a good cook. This of course gives her horrible pimples. She has several times spent the household food budget on chocolate, despite her normal good financial sense, and at one post-Valentine's Day blowout gained weight enough to be persuaded to start an exercise program ... resulting in that being taken to extremes and her trying to match the musculature of her beloved anatomical models.
Theme Tune Cameo: Takenaga sings part of the ending theme on a karaoke machine in the ninth episode of the anime.
There Are No Therapists: Throwing the patient into the midst of four complete strangers is the exactly wrong way to treat social phobia.
Wife Husbandry: Ranmaru's father explicitly says he did this with Ranmaru's mom, and wants his son to do the same with the fiancée they've picked for him.
Ranmaru: I must say that it is impossible for me to become like Hikaru Genji.
Will They or Won't They?: Sunako and Kyohei. It took almost a hundred chapters just for Kyohei to realise he liked her; who knows how many it will take for Sunako to do the same.
Yamato Nadeshiko: The challenge before the boys is to make Sunako one of these but is most of the time she is the polar opposite. It's interesting to note that she does have Yamato Nadeshiko traits (Hime Cut, cooking etc), but they're covered up by her other qualities.