Miki Koishikawa's parents pull her aside one day after school to announce to her that they're getting a divorce. It seems that they met another couple on their recent trip to Hawaii, and hit it off so well that both couples want to divorce each other, swap partners, and remarry. Even more incredibly, the four want to all live together in one household... and the other couple have a boy Miki's age, the handsome Yuu.Miki is dead set against the plan, but Yuu says that he's okay with it which makes her even more upset. The following day, Yuu enrolls at Miki's school. Miki has an accident in PE class and faints, and as she lays in the infirmary pretending to be unconscious, Yuu comes to check on her... and abruptly kisses her. Romantic Comedy-Drama ensues from then on, as Miki is confused over her feelings and Yuu doesn't exactly help with his behavior, while other suitors of them try to break off their bonds, and for worse they have to deal with both their budding "love" as well as handling their parents's behaviors.Marmalade Boy (ママレード·ボーイ Mamarēdo Bōi?) is a shōjo manga by Wataru Yoshizumi. It was published by Shueisha in the magazine Ribon from May 1992 to October 1995 and collected in eight tankōbon volumes. The series was adapted by Toei Animation as a 76-episode anime television series which aired on TV Asahi in 1994 to 1995. This was followed by a prequel theatrical anime movie in 1995. The series was also adapted as a 30-episode live-action television series that was broadcast in Taiwan in 2002.Now has a Sequel Series titled Marmalade Boy Little that follows Miki's and Yuu's half sister and brother.Individual tropes should go to their Character Sheet.
Provides examples of:
Amicable Exes: Miki's and Yuu's parents after their divorces and remarriages. Arimi and Yuu walk a really thin line here— while Yuu didn't keep in touch with Arimi after he switched to Miki's school, he's pretty chill about seeing her again and doesn't really argue about maybe hanging out again. However, Arimi wants to get back together with him, which causes some strain.
Ascended Extra: Kijima, Yuu's boss at the Junk Jungle. Started out as a one-panel character stuck in there just to let Miki know that Yuu quit his job so she wouldn't be home alone during their parents' honeymoons, became an all-wise mentorly type who had a history with Ryouko and Nachan.
Badass Adorable: Meiko, in a (generally) non-violent fashion. Her gaze of steel has even made Yuu quail. Best exemplified when she tells Ginta to back off when it looks like Miki is developing a crush on Yuu, telling him it's his fault she hasn't let herself fall in love since she wrote him a love letter and he loudly denied any feelings he had for her in front of everyone.
Beauty, Brains and Brawn: The fashionable and popular Arimi is the Beauty, the booksmart and calm Meiko is the Brains, and the sporty and emotional Miki is the Brawns
Big Brother Mentor: Kijima, as mentioned. His wife Rei becomes Miki's Big Sister Mentor as well.
Arguably, to Yuu Satoshi is both this and his best friend. At the end of the story arc that reveals Yuu's father to not be Satoshi's dad, he lampshades this by quipping "It would have been interesting to have you for a little brother," to which Yuu replies, "But I wouldn't have wanted you for a big brother."
In the anime, he's also this to Miki sometimes. Specially when she's depressed after Yuu announces he's going abroads: Satoshi takes her as his date for his highschool prom, lets her confide her woes on him, and then gently tells her that she's not the only one in pain. Miki understands Yuu's side of the story, and then Satoshi reveals that he sneaked Yuu and makes them dance outside.
Big Fancy House: Yuu and Miki's new house. And Meiko's, which is so big that Miki is all starstruck when she goes spend the night there. Also, Miwa and Suzu's houses: justified as their dads are very well-known architects and quite well-off, so they likely built their own homes.
Brother-Sister Incest: Yuu finds out that he and Miki are half-siblings and breaks up with her, but they eventually decide to get married anyway, with the caveat that they will never have children. Then Yuu finds out he was wrong about who his father was again and they're Not Blood Siblings after all.
Squared in the last episode when each new set of happily-married parents announces they're pregnant, adding half-siblings to the completely un-blood-related Miki and Yuu; worthy of note that these future half-siblings are not at all blood related to each other. And you thought polygamists had it bad.
The Cameo: The manga has a very brief mention and image of Hagiwara Mio from Handsome Girlfriend, another manga series by Marmalade Boy's manga-ka.
Cleaning Up Romantic Loose Ends: If you go after either Yuu or Miki, it's highly likely you'll team up with someone else... and you guys will fall in love between yourselves.
Clingy Jealous Girl - Crazy Jealous Guy: Lots. There's Miki and Yuu around eachother, Suzu, Jinny, Arimi around Yuu. Kei, Ginta, and Michael around Miki. Satoshi around Meiko, etc.
Cool Big Sis: Doris from the American arc. She's not really happy about it, since it works against her in the romance field: men, and specially her crush, only see her as a friend and not as a prospect girlfriend. She has to prety much spell her intrest to Brian after Jinny and Bill get hitched.
Cool Down Hug: Miki to Yuu as he turns to leave, angry at her avoiding him.
She does this again while he takes comfort in her embrace, thoroughly shaken up by the dead-end search for his real father.
Crossdresser: Just once, but it's memorable: Yuu has to crossdress for a TV commercial with idol Suzu Sakuma and he hates it. No one outside of Yuu and Suzu's social circle knows Yuu is "the tall girl"; Ginta even openly comments on how attractive "she" is in front of Yuu.
Dogged Nice Guy: Poor Satoshi. He's the most popular guy in the High School and he has to fall in love with the one girl that's not interested on him. He tries - persistently - to become the Replacement Love Interest for Meiko and, in fact, almost does. When it's clear Meiko is very much in love with Namura he more or less gives up quietly.
Dude, She's Like in a Coma: Subverted: Miki was pretending she was unconscious when this happened, hoping Yuu wouldn't tease her for a recent and embarrassing accident. It didn't work, obviously.
Education Mama: Both of Kei's parents. This drives him to stop playing the piano and run away from home.
Expository Hairstyle Change: Anju Kitahara used to have long hair as a pre-teen girl, but when we see her for the first time, she's already keeping it much shorter. Also, Meiko has straight hair, but she starts perming it after she starts going out with Namura
First Girl Wins: Subverted: Arimi and Anju actually are first girls who knew Yuu from before he met Miki, yet Miki is presented first in the series and she ends up winning.
Forceful Kiss: Ginta on Miki in episode 3, and later Michael on Miki too, in episode 58.
Happily Married: Subverted in the 13-years-later sequel Marmalade Boy Little (2013), the legendary couple Yuu and Miki have been together for over a decade and a half but have been too preoccupied with their work and siblings to get married, although they might as well be. This changes when Satoshi points it out and gives a mild lecture to Yuu about responsibility. Yuu proceeds to think seriously about it immediately and ends up proposing to Miki, who cries.
Jin and Chiyako, Youji and Rumi. Even before they swapped partners, the couples seemed to be fairly happy.
More than that: they're quite happy to, all four plus the respective children, live together in the same house, and spend their free time together. And they even refer to themselves collectively as the parents of Miki and Yuu.
Miki may be just a touch more Genre Savvy than she lets on; after she warms to the spouse-swapping, she is heard calling her parents' new spouses "Chiyako-mama" and "Youji-papa" in the subtitled version.
As unconventional as the Koishikawa/Matsuura marriages are, they seem to be the only one shown in-series to be happy. (The weddings of Namura and Meiko, and Yuu and Miki, in the series finale, notwithstanding.) Meiko's parents are shown to be unhappy and unfaithful (and for added drama, Mrs. Akizuki is a Lady Drunk), and Satoshi's father's chronic philandering seems to have put noticeable strain on his marriage (not to mention his relationship with his son).
Hikikomori: Yuu almost became one at age 12, spending a month locked in his room after finding out by accident that Youji might not be his biological dad..
Also, the two Grant brothers. Michael is more of a Genki Guy, tho.
Hot for Student Namura-sensei and Meiko are among the very rare cases where this situation is protrayed sympathetically.
Humiliating Wager: Tsutomu loses a tennis match, and as punishment has to shave his head.
Ill Girl: Anju, who has a weak heart and almost dies at one point.
Important Haircut: After their big misunderstanding over her love letter, Meiko jokely suggests that Miki invoke this right before it is revealed that Ginta cut his hair to apologize to Miki. After Yuu dumps her, so does Miki to try get over herself: her shoulder-length hair becomes a bob that same day.
Ink-Suit Actor: Subverted. The older fanbase would often state the level of similarities between Bill and Brian's character design to Hiyama and Morikawa's own persona, but this is coincidental. Interesting to note though, this pair's relationship is by far the closest in resemblance to the seiyuus themselves.note We dare you to check their tropes.
It's Not You, It's Me: Invoked by Namura, when he leaves Meiko since he'll just stunt her life and by Yuu, when he dumps Miki believing they're half siblings. There's a major difference, though: the first straightforwardly says "this won't work so please move on and be happy", while the other Cannot Spit It Out.
Japanese School Club: Several, actually. Miki and Ginta are members of their school's tennis teams and so is Tsutomu, Meiko is in the literature club, Satoshi's friend Furutachi is in the broadcasting club, and Arimi is the star of her school's track team.
Jerk with a Heart of Gold: Arguably, the majority of the cast qualify for this (albeit with varying degrees of "jerk"). Notable exceptions include Jin, Rumi, Youji, Chiyako, Akira, Anju, Yayoi and Kijima (who omit the "jerk") and Meiko's parents, as well as Satoshi's dad (who omit the "heart of gold").
Just a Kid: Miki discards Michael because she sees him this way. Michael does NOT approve. In the manga, this is also how she treats Kei, scolding him for being immature and nagging him to go back to school.
She does that in the anime too, to the degree of slapping Kei when he goes too far.
Karma Houdini: Mr. Miwa, Satoshi's famous architect dad. Notorious for womanizing, he not only exhibits little shame about his chronic unfaithfulness, but has the gall to grouse about not being able to nail Yuu's mom.... while his own son is sitting in front of him. And the deal is borderline Played for Laughs in The Reveal moment itself, Face Fault and funny faces included.
Leitmotif: "Moment," by Miki's very own seiyuu. The series' music of choice for moments of tension, catharsis, and romantic drama. Frequently, the last piece of music in an episode.
Lethal Chef: Miki's mother Rumi is infamous for her bad cooking.
Love Letter Lunacy: Part of the Back Story: Miki writes Ginta a love letter, and sticks it in a magazine in his bag. This magazine was actually borrowed from another boy, so the owner takes it out and reads the letter, humiliating Ginta, who vehemently denies any feelings for Miki, claiming she's one of the guys. Miki and Meiko, of course, came back to get something and heard every word...
Mistaken for Gay: Hilariously done with Satoshi and Yuu. Satoshi spends some episodes pretending to have the hots for Yuu, to cover up their investigations about their possible common past and Satoshi's own feelings for Meiko; it works so well that Miki sees Satoshi as another rival for Yuu's affection, and at the same time Meiko seems to ship them a bit.
Bill, who spends most of the last third of the anime thought to be a Straight Gay, but ends the series dating Jinny. So yeah, he's somewhat of a Camp Straight instead..
Miki and Yuu's parents, for each other. Miki's dad dated Yuu's mom, broke up with her, married Miki's mom and they had Miki, then divorced her in friendly terms and got back together with his old girlfriend. Exactly the same case with Yuu's dad and Miki's mom. (Except for Chiyako's miscarriage.).
For some real recursion, some fanfics, set pre-series, actually start with Jin and Rumi, and Youji and Chiyako, as couples before the "original" couples formed.
Only Six Faces: Several characters have pretty much the same features.
OOC Is Serious Business: Yuu is pretty much a chill guy: during most of the manga, the only emotions he displays are contempt, happiness and, sometimes, moderate anger. Because of this, when near the end of the anime he breaks up with Miki and she, very calmly and with a very, very sad voice, asks basically what has gone wrong and he explodes crying and yelling at her, it's a very powerful moment. Of course, he does this because he thinks he's found out he and Miki are half-siblings.
Also, Miwa - he's usually the more mature guy of the cast, and when's he's not the Voiceof Reason he's being the Plucky Comic Relief. But when his crush Meiko comes crying because Namura just left her he snaps, goes all the way to Hiroshima and gives him the beating of his life.
Say It with Hearts: Parodied. Miki's parents announce "We're getting a divorce! ♥" and she is absolutely pissed that they could say that with a heart mark.
Secret Keeper: Yuu, for Meiko and Namura. He catches them kissing but keeps his trap shut even in regards to Miki..
Shipper on Deck: Suzu, in the manga. She didn't want Yuu for herself there, but wanted to hook him with Meiko. Possibly a Shout-Out to Yoshizumi's earlier shipping plans.
By the end of the anime, literally the entire supporting cast ships Yuu and Miki.
Also, Miki and Yuu ship Namura/Meiko. Though their deal is quite more complicated: Yuu found out first and wasn't impressed but still became their Secret Keeper, but Miki found out only when their cover was blown to someone else and had an Heroic BSOD since it deeply shook Miki's faith in Meiko due to her not trusting Miki enough to tell her.
Tsutomu, once he stops being Arimi's Dogged Nice Guy, openly supports her and Ginta. In the anime, he goes as far as giving a What the Hell, Hero? speech to Miki when Gint and Arimi have a fall-out due to Ginta neglecting his girlfriend to support the very distraught Miki (to be fair, Miki does have pretty good reasons to be depressed, though Tsutomu doesn't know), so it's up to them and Yayoi to fix it.
Single-Target Sexuality: The series constantly proves that Yuu and Miki are unable to look at anyone but each other.
Slap-Slap-Kiss: Yuu and Miki started like that. Suzu and Kei are once or twice hinted to possibly end up like this.
Spoiler Opening: The very first shot is of Yuu and Miki kissing. Gosh, I wonder who she's gonna choose?! That there is a scene later in the sequence of Miki standing between Yuu and Ginta, looking adorably confused, does not help.
That's because that one is the second opening, supposed to air when they are already together anyway. For some reason they decided to skip the first Japanese opening, perfectly spoiler free.
Arguably worse were the Spoiler Eyecatches. Every triangle on the show showed up in at least one, complete with the resolution, and they almost always showed up long before the actual resolution took place.
Stalker with a Crush: Yuu to Miki, following her around before even meeting her in the anime, and in the manga constantly popping up where she is, especially while she is avoiding him due to hurt.
Kei's rather possessive of Miki, as she's one of his very few friends, and he does some serious work towards isolating her from Yuu. Anime only characters Michael and Jinny arguably qualify, as well as anime!Suzu. Satoshi is a more gentle version of this trope in regards to Meiko.
Stepford Smiler: Yuu. He's a pretty chill, apparently carefree guy, but deep down he's got issues. Picture a slightly older Hayama that has been brought up by a loving family (in fact, both even look quite a bit alike). Watch the movie, and compare Yuu's treatment of Miki throughout the first third of the series with the fact that, before he ever met her, he spent an entire day following her around town. This makes Marmalade Boy an instance of a Stalker with a Crush being the male protagonist.
Yuu starts as this, hiding his feelings for Miki and his thoughts on the parental deal under his Deadpan Snarker facade. He aknowledges it as well when he confesses this to Miki, openly saying he liked how open she was on her disapprovement while he just couldn't spit it out.
Meiko has a touch of this, as well: she's very reserved and while Miki confides in her, she rarely confides back. Miki knows about the difficulties in her home life, but Meiko plays the Stepford Smiler if she gets too depressive about it. She cares a lot about Miki, gives her excellent advice, but she says once that she doesn't want the kind of friends that force her to spill her guts about everything. While Miki initially misunderstands this, she later clarifies that she admires Miki's openness and honesty, but she can't be the same way, and it's a bit of a shock to watch her breakdowns over Namura as a result, which forces Miki, for once, to be the shoulder Meiko cries on instead of the other way around.