Hwęt. We Gardena in geardagum,
žeodcyninga, žrym gefrunon,
hu ša ęželingas ellen fremedon.
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
—Opening lines of Beowulf
Beowulf is the oldest surviving work of fiction in the English language - so old, in fact, that
the language it's written in is barely recognizable as English. It recounts two stories from the life of its eponymous
Geatish
hero: how, as a young man, he visited Denmark and slew the monster Grendel, then faced the wrath of Grendel's even more monstrous mother; and how, toward the end of his life back in Geatland, he was the only man who dared fight a rampaging dragon.
And did we mention that it's a
poem?
Beowulf is probably the most famous of all Old English literature, and is a staple of university English programs. It is usually read in translation, as it is not only written in a very old form of English, it makes heavy use of a poetic register that is quite different from prose. No one knows precisely when it was written, much less where the story originated. Certain lines of the text involve a clearly Christian narrator commenting on the pre-Christian Paganism of the characters, therefore the text is believed to have been the work of a monk recalling a much older story. The only known manuscript contains two distinct styles of writing, indicating more than one scribe was involved in the transcription. This manuscript was also damaged in a fire in 1731, so certain lines of text are obliterated and their contents purely left to conjecture.
In 1936, a lecture by
J. R. R. Tolkien, "
Beowulf: the Monsters and the Critics" had a lasting influence on
Beowulf research. Lewis E. Nicholson said that the article Tolkien wrote about
Beowulf is "widely recognized as a turning point in Beowulfian criticism", noting that Tolkien established the primacy of the poetic nature of the work as opposed to the purely linguistic elements. At the time, the
consensus of scholarship considered ''Beowulf'' childish because they considered battles with monsters rather than realistic tribal warfare to be not worthy of study; needless to say the Creator of Middle Earth was having none of that. Tolkien argued that the author of
Beowulf was addressing human destiny in general, not as limited by particular tribal politics, and therefore the monsters were essential to the poem. Where
Beowulf does deal with specific tribal struggles, as at Finnsburg, Tolkien argued firmly against reading in fantastic elements. In the essay, Tolkien also revealed how highly he regarded
Beowulf: "
Beowulf is among my most valued sources," and this influence can be seen in
The Lord of the Rings. The Professor also reveals an acidic wit that suggests Gandalf may have been based on his creator.
The story has been adapted many times. Some of the adaptations have been quite offbeat: they include John Gardner's novel
Grendel, from the
point of view of the monster;
Michael Crichton's novel
Eaters of the Dead (filmed as
The 13th Warrior), which
purported to tell the historical events that inspired the Grendel plot; and the weird 1999 sci-fi film starring Christopher Lambert. The 2005 film
Beowulf & Grendel was comparatively faithful. The YouTube video,
Beowulf, The Storybook Version
, is relatively faithful, but very silly.
Most (but not all) of the
Beowulf references on this wiki are to the 2007 film
Beowulf, written by Roger Avary (who co-wrote
Pulp Fiction) and
Neil Gaiman, directed by
Robert Zemeckis, and starring
Ray Winstone. The screenplay for this has
similarly unusual diversions from the original story, to say the least. It seems
Beowulf has a knack for inspiring artists to put their own spin on the material. This could perhaps be owing to the somewhat
alien worldview in which the piece was written.
The epic provides examples of: