I am Ripper... Tearer... Slasher... Gouger. I am the Teeth in the Darkness, the Talons in the Night. Mine is Strength... and Lust... and Power! I! AM! BEOWULF!
This is the 2007 film written by Roger Avary and Neil Gaiman, directed by Robert Zemeckis, and starring Ray Winstone. Not (for instance) the 1999 film starring Christopher Lambert.It's a Motion Capture3-D Movie adaptation of the epic Beowulf. The premise is an External Retcon: the story of Beowulf as we know grew in the telling (with a bit of help from Beowulf himself), and the "true" events are somewhat different — and, in a couple of key sequences where there were no witnesses and the story relies on the hero's word alone, very different.
Antagonistic Offspring: The dragon towards Beowulf. This isn't the first time something like this has happened: it turns out that Grendel is Hrothgar's son, and it's heavily implied that the anterior dragon was the old king's son as well.
The Atoner: Beowulf becomes this towards the end, when he is unwilling to just sit back to let some other hero clean up his mess (and start the whole thing over again). He seems well aware that he's likely to pay for his past with his life.
Catapult Nightmare: Beowulf has this before he discovers the corpses of the guards hanging from the rafters of the castle.
Catch Phrase: "I am Beowulf," and variations upon "I'm here to kill your monster."
Censor Steam: Beowulf fought the monster Grendel unarmed and completely naked (in order to fight on equal ground). When smoke (from a barrel overturned into the fire) isn't around, most of the battle consists of Beowulf jumping around like a circus monkey playing "Hide the Wiener."
Chekhov's Gun: Grendel's exposed eardrum, and the royal dragon horn.
Chekhov's Lecture: Hrothgar tells Beowulf the only way to kill a dragon is to stab the soft spot in its throat. Beowulf remembers this in the climax and uses it to kill the dragon, severing his own arm in order to rip out its heart. Even though it was his own son.
Cute Monster Girl: Grendel's mother and the mermaid In the novel of the movie, they're one and the same, but in the movie, they're two different entities.
Circling Monologue: Grendel's mother does this to the titular hero. She promises the trifecta of Sex, Money, and Power, strumming every chord of this flawed hero's heart and pride as she circles him.
Cycle of Revenge: Hrothgar killed a dragon (implied to also be descendant of Grendel's Mother), and then went to fight Grendel's Mother. She seduced him and gave birth to Grendel who then plagued the lands. Beowulf killed Grendel, his mother killed Beowulf's men. He went to kill her, but was also seduced by her and their child became a dragon, who also ravages the land. Beowulf even states that he won't send someone else to kill the dragon, as that will simply start the cycle all over again. Beowulf kills the dragon, but dies in the process. The film ends with Grendel's Mother beckoning to Wiglaf, so it's unclear whether or not the cycle ends.
Dark Age Europe: "The time of heroes is dead, the Christ-God has killed it, leaving nothing but weeping martyrs and fear and shame"
Death of the Old Gods: Beowulf lamenting than his people have abandoned the old gods for the Christ-God and weeping martyrs.
Digital Head Swap: After a fashion. The whole thing was filmed using motion capture, and Ray Winstone claimed they put his head on his eighteen-year-old body. The same sort of thing was done with Angelina Jolie, who was pregnant at the time.
Dual Wielding: During the battle scene in the later half of the movie, soldiers are seen dual-wielding axes.
Dull Surprise: John Malkovich's performance was quite wooden - whether due to being unused to voice-acting or what is unknown, but hearing him "rant" at Beowulf for an insult in a monotonous tone while his character model is fairly animated is off-putting.
Fatal Flaw: Beowulf has many, but Pride and Lust conspire to bring him down. One is heavily foreshadowed: his weakness for women is obvious in his memory of the mermaid seducing him, and makes his eventual acquiescence to Grendal's mother easy to see coming. And just as Grendal is King Hrothgar's wild indulgence taken to its most horrific extreme, Beowulf's dragon-son is his own youthful arrogance flying out to meet him.
Final First Hug: It is revealed the dragon Beowulf fights to the mutual death is actually his own son, by way of the same creature that was mother to Grendel. After the climax of the movie, wherein the dragon has mortally wounded Beowulf, and he has torn out the dragon's heart, they both crash-land on the beach. There, the dragon's form melts away into the waves, revealing a shiny, golden-skin humanoid. It's not quite a hug, but Beowulf looks his son in the eyes and lays a hand on his shoulder before his corpse washes away.
Gainaxing/Jiggle Physics: The maid, Yrsa, seems to have had quite a lot of care taken to make sure her large tracts of land sway and move realistically. Almost makes you wonder if they used motion capture on those as well.
Half-Human Hybrid: Grendel. He may be sterile (given his apparent lack of reproductive organs), and though it may just be because he's a monster he gives a good impression of being sickly. He's hideously deformed, has what appears to be a nasty skin condition, and is sometimes heard whimpering as if in pain (though that's probably just because loud noises irritate his super-sensitive ear). The dragon at the end of the film is also a Half-Human Hybrid, born of a mating between Beowulf and Grendel's mother. This is also very much unlike the original poem, where no human ancestry was suggested for Grendel except that he was a distant descendant of Cain.
Indecisive Deconstruction: The 2007 film plays the myth fairly straight for most regards, but adds elements suggesting Unreliable Narrator, all sorts of raunchiness and deviations from the myth that suggest that it is a "true" version that ended up being portrayed more heroically in the myths. However it still has a naked Beowulf backflipping when fighting Grendel and being all beardy and manly and fighting monsters. A lot of arguments come up about whether or not a particular element was meant to be taken seriously.
Ink-Suit Actor: While many of the actors in the film are animated to look completely different than their real-life appearance (especially Ray Winstone), several actors are accurately depicted by their CG counterparts, particularly Angelina Jolie, Anthony Hopkins, and Robin Wright, among others.
May-December Romance: Beowulf and his "bedwarmer" Ursula after Wealtheow learned that he had a fling with Grendel's mother, she became emotionally estranged from him and gave him the Lysistrata treatment, like with what happened between her and her late first-husband/Beowulf's predecessor Hrothgar, for the same reason.
The Mountains of Illinois: Denmark does have a couple of hills in real life (the highest natural point being 122.9 meters, or 403.21 feet, up), but it's nowhere near as mountainous as this film suggests.
Nipple and Dimed: This film can show full frontal Jolie and still get a PG-13 rating if they cover her nipples with a bit of gold paint.
Not Even Bothering with the Accent: Although the Zealanders speak in fake, but at least subtle, Danish accents — Grendel even speaks Old English — the Geats speak in the actors' natural accents, which means that the title character, since he's played by Ray Winstone, is a Cockney ("I'm 'ere to kiw your mhonschtah."), and Wiglaf speaks in Brendon Gleeson's usual Irish accent.
Grendel's mother can be seen in full rather briefly; when Beowulf wanders through her cave, she can be seen among the gold, hanging from the ceiling. However, her skin's color makes it rather easy to miss on initial viewing.
Our Demons Are Different: Grendel, his mother and the dragons are said to belong to a race of ancients inhabitants of the land called the Water Demons. It's never said if they are literal demons or just bizarre polymorphic monsters, although they seems to be able to cross with humans without trouble.
Outrun the Fireball: Beowulf has to do this in the cave when the dragon breathes fire at him. Partially justified in that he turns and starts running when the dragon inhales.
Prehensile Hair: Grendel's mother (interpreted here as a sexy siren rather than the original's poorly described ogre-she-wolf-like thing) has a long braid that can move on its own. It's likely this was the tail of whatever her real form was.
The titular character fights the monster Grendel completely nude, with his goods blocked from view by his leg, a sword, and a table, among other things. The shadow of his thigh blocks his fun bits at several points. If you slow down the film, and realize there are parts where his genitals would be visible but aren't, it seems like Beowulf is either hung like a Greek statue or a eunuch.
Super Strength: The movie certainly implied that the title character has beyond normal strength and fortitude, though it's still to a much lesser degree than the strength of 30 men in just the grip of his hands.
Unrated Edition: Featuring Zemeckis's original NC-17 cut of the film he intended for IMAX theatres.
Unreliable Narrator: Takes this tack in regards to Beowulf's exploits for which there are no witnesses. Most notably, he didn't exactly "kill" Grendel's Mother. And he did more than "slay sea monsters" during that storm. Though not all of the film's divergences from the standard story can be explained this way.
Woobie, Destroyer of Worlds: Grendel comes over as this. He just has hypersensitive hearing and the feasts at the great hall therefore cause him pain. When he starts his rampages, he comes over as a crying child throwing a (very bloody) tantrum.