Take film noir, a generous dose of high school intrigue, a dash of David Lynch, and toss them all into a blender. What you get is probably going to be Brick. That, or charges for the murder of David Lynch.A 2006 cult film directed/written by Rian Johnson, Brick tells the story of Brendan Frye (Joseph Gordon-Levitt), a teenage loner silently pining over his ex-girlfriend, Emily. When he gets a phone call from a panicked Emily, and finds her dead in a storm drain soon after, he goes on a one-man quest to bring her murderer(s) to justice, blowing the lid off of his high school's underworld of drugs and crimes.Even though it takes place in the modern day, the characters in Brick all speak in an invented slang closely based off of vernacular speech in the '20s, '30s, and '40s. The high school social cliques match surprisingly well with traditional noir archetypes. Much like its inspirations (such as the noir classic, The Maltese Falcon), one of Brick's main strengths is in its hard-boiled dialogue. The film also boasts excellent cinematography and strong performances.
This film provides examples of:
Adults Are Useless: Played straight. The only adults we ever see on screen are the Vice-Principal, who depends on Brendan to tell him what's going on (see Da Chief, below) and the Pin's mom, who's either totally oblivious to her son's business or doesn't care. Laura's mom is there at the party, but we see just enough of her to make it clear that she's completely hands-off.
Amateur Sleuth: Brendan Frye, who's too young to actually be the private eye he acts like.
Anti-Hero: Brendan makes it clear from the beginning that he does things for his own purposes, not for the greater good.
Badass Boast: "Throw one at me if you want, hash head. I've got all five senses and I slept last night, which puts me six up on the lot of you."
Big Bad Friend: Laura acts like Brendan's new love interest throughout the film, but she's realy the final villain.
Bond One-Liner: Brendan gets one in on Kara when he shoves her out of her dressing room in the buff.
Kara: What are you doing?
Brendan: Showing your ace.
The Brute: Tug. Seriously, do not so much as look at him funny if you like having teeth.
Chekhov's Gun: If you're not paying attention during the first five minutes of the movie, you miss a detail that will be extremely important later namely, the blue arrow on the cigarette thrown from the car.
Curb-Stomp Battle: There are several of these throughout the film, and a lot of different characters wind up on the receiving end. Not surprisingly, Tug perpetrates most of them, but every so often we see that Brendan can give as good as he gets.
Da Chief: In this case, Assistant Vice Principal Trueman, played by none other than Richard Roundtree, aka... Shaft!
Dead Hand Shot: An alternate poster and used prominently in the movie.
Brendan: There's a thesaurus in the library, yeah's under "Y." Go ahead; I'll wait.
And after Brendan beats him in a fight.
Random Girl: Was there a fight?
Determinator: Brendan. He lets Tug beat the crap out of him, infiltrates a drug ring, and involves himself in a gang war all out of his love for Emily.
Did They or Didn't They?: The scene near the end between Brendan and Laura was shot with the footage in the film, but then continued when he took off her shirt. Then the scene faded back in with them smoking and her putting it back on and rearranging her clothes. Word of God says they did, but he edited the film to leave the doubt because they wouldn't in the land of fiction.
Down LA Drain: The film involved a murder that took place in a tunnel in the viaduct system.
Dragon-in-Chief: Pin, while the mastermind behind the drug ring, is hopelessly outmatched when Tug attacks him.
Downer Ending: Brendan gets revenge for Emily's murder, but what muddles up the whole situation is that Emily died with her unborn child and Brendan is heavily implied to be the father.
Easter Egg: On the DVD Bonus menu, find and select the tunnel on the screen. If it gets a blue outline, click select, and you can watch a student film of Rian Johnson's called, "Ninja-Ko: The Origami Master."
Earn Your Happy Ending: A bittersweet one, at least. After getting beat to hell a couple times, getting in a half dozen fights, outsmarting another few folks high up on the food chain, and surviving the first shots of a potential gang war, Brendan finally gets to rest knowing that he punished the people that were behind Emily's murder.
Foregone Conclusion: Emily dies. Kind of a 'duh' statement considering the very first shot is of Emily lying facedown in a ditch.
Foreshadowing: In the beginning, when Emily calls Brendan she already mentions a girl who told her to deal with the brick. If you notice the cast, aside from Em, there's only one girl that's really involved in the action.
Framing the Guilty Party: Brendan has Brain call the police and tell them drugs are in Tug's car. He's actually put Emily's dead body in the trunk.
The Ingenue: Subverted with Emily. Even though she is the main character's love interest and The Lost Lenore, it is soon revealed that she left him to date a drug addict, tried to join the inner circle of a prominent drug dealer, and had sex with the aforementioned drug addict and the dealer's head enforcer. All within a span shorter than three months.
Jerk Jock: Mostly played for laughs in the form of Brad Bramish.
Light and Mirrors Puzzle: A rare non-video game use of this trope, Brendan is locked in a Creepy Basement and uses a mirror and a small stream of light to take stock of the whole area and find the 10th brick.
MacGuffin Title: The "brick" of the title is a heroin brick, the theft of which sets off the film's entire plot.
Noodle Incident: What went down between Brendan and "Jerr" before the events of the film. Word of God is that Jerr was a drug dealer who started getting friendly with Emily. Brendan didn't approve of this, so he partnered up with Jerr in a dope racket and then set him up for Trueman. Emily didn't approve of such blatant meddling in her life, and that's what lead to the fight in the flashback.
Pay Phone: Averts the usual trope in which the protagonist walks by a mysteriously ringing phone, as Brendan answers phone calls at pay phones more often than he makes them. This appears to be idiosyncratic to him, as everyone else appears to have cell phones. Other characters use the pay phones so confidential calls won't show up on their phone bills.
Police Are Useless: Averted. Brendan is keeping things quiet not because he doesn't think the police can catch Emily's killer, but because he wants to find "who put her in front of the gun." Towards the end he makes it pretty clear that the cops could have easily found Tug, and he plans to use them to roust the drug ring.
Put Me In, Coach!: Brad Bramish has a stock anecdote involving this trope, no doubt embellished
Riddle for the Ages: We might never find out what Laura whispered to Brendan. In a shooting script on his website, Rian Johnson reveals what Laura whispered at the end: Motherfucker, referencing the fact that Brendan and not Dode was the father of Emily's baby. This is a homage to the Dashiell Hammett short story, "The Girl with the Silver Eyes," which ends identically: "She put her mouth close to my ear so that her breath was warm again on my cheek, as it had been in the car, and whispered the vilest epithet of which the English language is capable."
Woman in Black: Kara wears a Stripperific black dress at one point and a long black robe later; not coincidentally, these are the scenes where she is the most manipulative. In a rather odd use of this trope, Laura is also wearing black when she sleeps with Brendan; on first viewing, this is the point when the viewer is mostly likely to find her sympathetic, but it's also immediately before she becomes responsible for the death of five people and her role in Em's death is revealed.