troperville

tools

toys


main index

Narrative

Genre

Media

Topical Tropes

Other Categories

TV Tropes Org
random
YMMV: Super GIRL

The Comics

  • Author's Saving Throw: Writer Sterling Gates finally reconciled Post-Crisis Kara's origins.
  • Complete Monster: The Post-Crisis version of Benjamin Martin Krull, alias Reactron, was never a nice guy. His first clash with Supergirl saw a vast amount of property damage and significant casualties, with many survivors suffering from radiation sickness or cancer. It was in the New Krypton storyline, however, where Reactron really crossed the line. Having been rebuilt by Lex Luthor into a cyborg with a Gold Kryptonite heart, Reactron invades New Krypton alongside Metallo, depowering a killing numerous Kryptonians, threatening to rape Supergirl, and then murdering her father, Zor-El, in front of her by giving him radiation sickness. Tasked by General Lane with eliminating Supergirl, Flamebird, and Nightwing, Reactron murdered all the soldiers assigned to help him when they expressed doubts about the mission, and did his best to slowly torture Supergirl and Flamebird to death, all while gloating about how fighting two such attractive girls was a dream come true. Captured and tortured by Supergirl's mother, Alura, Reactron waited until Supergirl came to free him from the torture chamber to reveal that his capture had been a set up and that Luthor had transformed him into a living bomb. Detonating himself with a smile, Reactron gives a serene look as he incinerates Alura, the city of Kandor, and the entire planet of New Krypton, killing over ninety percent of the population in a single fell swoop. A lech, a bully, and a thug at his core, Reactron is a study in just how horrific it can be when somebody like that gets their hands on real power, and has done more to hurt Supergirl than any of her other adversaries, killing her father, her mother, and her entire race in a matter of weeks.
  • Dork Age: Post-Crisis Kara, from her introduction to the Supergirl and the Legion of Super-Heroes arc, where they tried to make her an overly angsty and jerkish Anti-Hero.
  • Fanon Discontinuity: Fans of Linda Danvers will refuse to accept how the character was treated in Reign in Hell and tend to ignore it completely.
  • Fridge Brilliance: The Pocket Universe "Matrix" Supergirl's being a protoplasmic artificial lifeform created by Lex Luthor makes a lot more sense considering how Lex's Silver Age origin involved him creating a protoplasmic artificial life form that was accidentally destroyed by Superboy in the accident that cost Lex his hair.
  • My Real Daddy: Sterling Gates for post-Crisis Kara. He gave her a personality that was palatable to the fans. Artist Jamal Igle moved her away from Ms. Fanservice, drawing her more like human being than a stick, and lengthening her skirt and putting shorts under it. Mark Waid may also count with his work with the character.
  • Rescued from the Scrappy Heap: Mark Waid was the first to make Post-Crisis Kara a likable character in Supergirl and the Legion of Super-Heroes, but it was Sterling Gates who seems to have made it permanent in her main series.
  • The Scrappy: The Post-Crisis Kara Zor-El was this for some time. Traits of hers included: An inordinate amount of time spent beating up other heroes, complaining about having to do heroics (while wearing the logo of the world's most famous hero on her chest), making moves that would instantly mark anyone else as irredeemable (like selling the Bottle-City of Kandor to supervillains, then threatening to break Power Girl's arms for being understandably pissed), receiving constant praise from all those around her despite the above, being stronger than Superman (later Ret Conned), and a solo series plagued by disgustingly bad Fanservice, Curb Stomp Battles, and a skirt that was more a belt with a ruffle on it than anything. The hatred hit its peak around #14 of said series, when she fought Cassandra Cain, a thoroughly popular character who had recently been changed into a Card-Carrying Villain. The near-unanimous reaction to Kara winning the fight (with a power that had never been seen or hinted at before) was, essentially, "Fuck you, Cass won." Since then, she's been Rescued from the Scrappy Heap by doing actual heroics and dialing down the Jerk Ass traits, but it took some time before readers ever really forgot "Super Paris Hilton".
    • Cir-El
    • Replacement Scrappy: The Peter David version of Supergirl had detractors due to the angel angle, which was rather outside the norm for Supergirl (or even Superman). There are plenty though who greatly appreciated the series and wish the character wasn't Put on a Bus. This makes her above successors this trope as well.
  • Tear Jerker: The final arc of Linda Danvers' series, Many Happy Returns.
    • To explain: Linda, after years of trying to redeem herself for her past sins, is forced to send an innocent girl to her death just to save the universe from destroying itself (she had to send the Pre-Crisis Kara Zor-El back to her world so she could live her life and die fighting the Anti-Monitor), loses the eight years she spent in the Pre-Crisis Earth-One where she was Happily Married and had a child, and to top it off, she refused to send Kara back home unless her daughter Ariella was allowed to live. Only, Ariella was sent to live in the 853rd Century, as seen in DC One Million, and Linda had absolutely no idea where her daughter was.
  • Wangst: There was a brief attempt to turn the Post-Crisis version of Kara into a dark, brooding, whiny teenager. The fans didn't like it, and now she's upbeat again.
  • The Woobie: Post-Crisis Kara has now survived three holocausts, two home planets exploding from under her, and losing her parents twice.
    • To say nothing of the Pre-Crisis version who had to spend years hidden in an orphanage and sabotage well meaning attempts by would be foster parents to take her in so she could keep her role as Superman's 'secret weapon'. Not to mention the first time she did get adopted it turned out to be by crooks who only wanted to squeeze money out of having her.
    • And, as one reviewer put it, "her 'emotional vulnerability' can be overused as a plot point." Just look at the New 52.

The film

  • Awesome Music: Jerry Goldsmith's score is one of the few redeeming qualities of this movie.
  • Idiot Plot: Ok, Kara. So you're personally responsible for losing the Omegahedron and decide to man up and go after it yourself. You heard less then 5 feet from you that without the Omegahedron Argo City has only a few days to live. So you spend the first day learning to fly, go to sleep in a park, then spend the second day making up your alter ego and going to school. Even when you get a solid lead on the Omegahedron and get up to go after it you sit down and complete the day, play soccer and shower because...the teacher and Lucy Lane said so? In addition, Selena also isn't the same one in the movie as she wastes her time using the Omegahedron to pick up guys instead of taking over the world.
  • Took the Bad Film Seriously: As incoherent as the film ended up being Helen Slater really worked on her role, earning herself a Saturn Award nomination. Even the reviewers who hated the film tended not to criticise her performance.

random
TV Tropes by TV Tropes Foundation, LLC is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Permissions beyond the scope of this license may be available from thestaff@tvtropes.org.
Privacy Policy
16933
26